LONDON truly is the band that the Los Angeles Glam explosion of the mid 80's inexplicably left behind. In spite of a batch of high profile albums, a staunchly loyal fan base and claiming past members that went on W.A.S.P., MȪTLEY CRÜE, GUNS N' ROSES, CINDERELLA and KEEL the band failed to break out of the California club scene and could well lay claim to being the world's unluckiest band. LONDON was created in 1978 by ex-TEAR GARDEN guitarist Lizzie Grey (a.k.a. Steve Perry). A union was forged with SISTER and CIRCUS CIRCUS singer and rhythm guitarist Blackie Lawless (a.k.a. Steve Duren) at Hollywood's Starwood Club. Lawless also boasted credits with the notorious New York outfit NEW YORK DOLLS.
A rhythm section was recruited in the form of bassist Nikki Sixx (a.k.a. Frank Ferrano) and drummer Dane Rage. Seattle native Sixx had quit a dim past filled with fledgling outfits like SLEAZE and FORCED ENTRY, heading to Los Angeles via a stint working on his grandparents farm in Idaho. Once in Hollywood, Ferrano found work in a music store and then a liquor store by day and played in the clubs by night.
LONDON pulled in former FELIX, THE BOYZ and L.A. ROCKS singer MICHAEL WHITE. The singer not only deliberately cultivated a ROBERT PLANT lookalike image but sounded just like him too. Live shows at this time included Lawless' songs 'Sweet Dreams', 'Mr. Cool' and 'Harley Heart'. Internal frictions caused White to bail out. He duly created THE WHITE then went solo issuing a series of LED ZEPPELIN soundalike records. LONDON then split, with Grey opting to stick with Sixx and Dane to reform the band shortly after. Lawless duly created the monster that would evolve into W.A.S.P.
By 1979 a revamped LONDON consisted of Grey, Sixx, Rage vocalist Henry Valentine and guitarist / Hammond B3 organ player John St. John (a.k.a. Claude Dubé). Heavily influenced by the British glam rock scene, LONDON set about playing the club circuit and even at one time were fronted by post ex-MOTT and ENGLISH ASSASSINS vocalist Nigel Benjamin. The British singer had been in Los Angeles trying to get his act SATYR off the ground prior to hooking up with LONDON. Interestingly, former SATYR members bassist Chuck Wright and guitarist Bob Stefan went on to QUIET RIOT and DUBROW.
LONDON was to be a familiar presence on the Los Angeles club circuit, at one stage also employing SIN and JAGWIRE keyboard player Vince Gilbert. Benjamin quit when a decision by Lizzie Grey to replace Sixx with QUIET RIOT's Rudy Sarzo did not meet with his favour. Lawless was briefly re-enlisted to fill Sixx's shoes in late 1980. LONDON demoed again, Lawless, Grey, Rage and keyboard player Claude Dubé cutting the tracks 'Harley Heart' and 'Dream Girl'. However, Lawless exited again to prioritise W.A.S.P. Nigel Benjamin was convinced to make a return and LONDON played the Troubadour and at the Country Club in this formation. However, with no deal forthcoming, LONDON fragmented once again. Grey, Sixx and drummer TOMMY LEE attempted to forge a new unit, dubbed CHRISTMAS, in late 1981 but this failed to materialise. In quick succession Sixx and Lee were then to form MȪTLEY CRÜE taking a Grey / Sixx composition 'Public Enemy No. 1' for the debut CRUE album. Grey tried his hand at further projects involving Leslie Knauer, later of PRECIOUS METAL, before starting a fresh act ST. VALENTINE in 1983. Members of this band included Nigel Itson of RUBY SLIPPERS and Desi Rexx of D'MOLLS. By the following year this band had reverted back to the LONDON moniker.
An English vocalist, Birmingham born John Ward now fronted the band. Ward, or Wardie has he was more commonly known, had emigrated from England where he had sung for OVERDRIVE and TROUBLE (the act that later evolved into SHY) and had also had a stint with MADAM X on his arrival in the states. After performing just one concert with LONDON, Ward saw greener pastures in HURRICANE before joining SHAME and eventually relocating back to Britain to play with SHY, PSYCHO WARD then in 1999 the Oliver / Dawson incarnation of OLIVER/DAWSON SAXON.
The next LONDON incarnation with Grey, Ward, Itson, bassist Donny Cameron and new drummer Steven Adler soldiered on until adding second guitarist Slash (Saul Hudson). Within weeks however their newest member had left. His replacement was one IZZY STRADLIN' (Jeffrey Isbell). Grey then had a complete re-think and in 1985 the new look LONDON comprised of Grey, ex-VERTIGO vocalist Nadir D'Priest, Stradlin, former TKO bassist Brian West and drummer Bobby Marks. The latter was soon to leave to forge the first KEEL line up and the band enrolled erstwhile SUNJAMMER drummer Fred Coury. Stradlin's tenure was fleeting too before he found himself reuniting with other LONDON refugee Slash and Steven Adler to form the world's undisputed number one rock act GUNS N' ROSES.
At this juncture LONDON recorded their debut album 'Non Stop Rock' but soon after its recording Coury too jumped ship to CHASTAIN then finding platinum success in CINDERELLA. The drum stool subsequently was taken over by Wailin' Jennings Morgan as the band demoed with DIO bassist Jimmy Bain acting as producer. Predictably the 1987 LONDON roll call included fresh members. New blood coming in the form of drummer Derek Shea and guitarist Frankie Jones. This version of LONDON recording the KIM FOWLEY produced and Gene Meros engineered 'Don't Cry Wolf' album, which was issued in Britain on the Axis label, founded by the London based Metal record store Shades.
By 1988 Grey, obviously disillusioned after seeing so many chances slip through his fingers deserted LONDON to form ULTRA POP and later, the industrious SPIDERS AND SNAKES. Priest and West, the only surviving members decided to keep the LONDON moniker bringing in yet more new faces in guitarists Artos San Filippo (previously very briefly a member of British hard rockers STATETROOPER) and Shaun Lewis together with drummer Tim Yasui (a.k.a. Timothy Jay).
LONDON then appeared in the 1988 Penelope Spheeris film 'The Decline Of Western Civilization: The Metal Years', during which they demoed at Hollywood's American Studios in Topanga, California in the summer of 1989 to record a live demo tape with producer Richie Podolor. The band at this juncture stood at vocalist Nadir D'Priest, bassist Brian West, guitarist Sean Lewis and drummer Tim Yasui.From these sessions the songs 'Break Out' and 'Russian Winter' were used for the movie soundtrack.
By 1990 the LONDON name was becoming a burden and D'Priest relocated to Arizona to forge RATED X. He would travel back to Los Angeles to refound the band but opted for a name change, settling for simply D'PRIEST. This unit carried on regardless in conjunction West and Lewis, erstwhile RISE and JAGWIRE keyboard player Vince Gilbert and ex-GIUFFRIA drummer Allan Krigger.
By 1998 D'Priest had renamed himself ANTONIO NADIR to issue the Spanish album 'Tatuaje'. The singer joined Power Metal veterans STEEL PROPHET in April 2003, but this union only lasted for three shows. June 2006 brought news that Nadir D'Priest had reformed LONDON, the new band unit including guitarist Eddie St. James.
A reunion of this 1989 LONDON line-up, albeit with bassist Brian Perry of PRONG and LIZZY BORDEN replacing Brian West, was assembled for a new 2008 studio recording of the MÖTLEY CRÜE hit 'Shout At The Devil' for inclusion on the album 'The Metal Years', documenting the live demo tracks recorded originally for the movie 'The Decline Of Western Civilization: The Metal Years'.
Current Members
* Brian Perry 2008- Present - LIZZY BORDEN, PRONG
Bass
* Nadir D'Priest (Antonio Nadir) - STEEL PROPHET, D'PRIEST
vocals
* Sean Lewis - D'PRIEST
Guitar
* Tim Yasui (Timothy Jay, Timmy Jay) - FOREVER SAY DIE!: BLACK SABBATH TRIBUTE, SPIDERS AND SNAKES
Drums
Past Members
* Blackie Lawless 1980- 1980, 1978- 1979 - W.A.S.P.
Bass / Guitar / Vocals
* Henry Valentine 1979- 1979 -
Vocals
* Nigel Benjamin 1979- 1980 - MOTT, SATYR
Vocals
* Michael White 1978- 1979 - MICHAEL WHITE
Vocals
* Lizzie Grey 1978- 1988 - ULTRA POP, ST. VALENTINE, TEAR GARDEN, CHRISTMAS, SPIDERS AND SNAKES
Guitar / Vocals
* Nikki Sixx 1978- 1980 - MÖTLEY CRÜE, BRIDES OF DESTRUCTION, CHRISTMAS
Bass
* Izzy Stradlin' - IZZY STRADLIN, GUNS N' ROSES
Guitar
* Artos San Filippo -
Guitar
* Frankie Jones -
Guitar
* Fred Coury - CINDERELLA, ARCADE, CHASTAIN, KEEL
Drums
* Eddie St. James -
Guitar
* Brian West - D'PRIEST
Bass
* Derek Shea -
Drums
* Jennings Morgan -
Drums
* John St. John -
Guitar/keyboards
* Vince Gilbert - JAGWIRE, D'PRIEST
Keyboards
* Dane Rage - BROOKLYN BRATS
Drums
* John Ward (Wardie) - SABRE, ST. VALENTINE, SHAME, IRON HORSE, OLIVER/DAWSON SAXON, TROJAN, SHY
Bass / Vocals
* Nigel Itson - RUBY SLIPPERS, ST. VALENTINE
Drums / Vocals
* Donny Cameron -
Bass
* Slash - VELVET REVOLVER, GUNS N' ROSES, SLASH'S BLUES BALL, SLASH'S SNAKEPIT
Guitar
* Steven Adler - ROADCREW, GUNS N' ROSES REVISITED, ADLER'S APPETITE, BULLETBOYS, GUNS N' ROSES
Drums
* Bobby Marks - ARABIA, TANGIER, SCARECROW, KEEL
Drums
miss you
D'priest Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
One day I'll be gone and I'll miss you
Hey you... I gotta tell ya
Your dreams will come true... Oh they do
[Chorus:]
All of my life... Singing the songs
Closing a dream... Why I keep moving on
Will you miss me when I'm gone?
Don't forget me... Don't you know
Say you are with me... Say you are
Will you miss me when I'm gone?
Gonna make me cry... Oh, cry
Babe I need you every day
Wanna love you... Oh don't you know
Things can't stay this way
[Chorus:]
Will you miss me when I'm gone?
Don't forget me... Don't you know
Say you are with me... Say you are
Will you miss me when I'm gone?
[Chorus:]
Will you miss me when I'm gone?
Don't forget me... Don't you know
Say you are with me... Say you are
Will you miss me when I'm gone?
The song "Miss You" by D'priest seems to be about the anxiety of leaving someone you love behind when you're going away, whether it's for a short or a long time, and wondering if that person will miss you and think fondly of you when you're not around. The singer addresses a kid, presumably a younger version of himself or a younger relative or friend, and tells them that someday he'll be gone and he'll miss them. Then he talks to another person, possibly his lover or spouse, and assures them that their dreams will come true even though he won't be there to see them fulfilled. The chorus repeats the question "will you miss me when I'm gone" several times, emphasizing the theme of separation and nostalgia. The lyrics are simple, direct, and heartfelt, and convey a sense of vulnerability and emotional attachment.
The overall mood of the song is melancholic yet hopeful, with a mid-tempo rock beat, catchy guitar riffs, and a strong vocal performance by D'priest. The lyrics can be interpreted in different ways depending on the listener's experiences and context, but they speak to the universal human desire for connection and recognition. The repetition of the title phrase "Miss You" reinforces the message and makes it memorable. The song could be seen as a tribute to anyone who has ever been separated from a loved one, whether by choice or circumstance, and wonders what will happen next.
Line by Line Meaning
Hey kid... I got something to tell ya
I have something to share with you, dear child.
One day I'll be gone and I'll miss you
Someday I won't be here and I will feel a sense of loss at not being with you.
Hey you... I gotta tell ya
Dear one, I have to let you know.
Your dreams will come true... Oh they do
Your aspirations will come to fruition, they truly will.
[Chorus:] All of my life... Singing the songs Closing a dream... Why I keep moving on All of my life... I keep going on and on
Throughout my existence, I am pursuing my passion, but don't know why I continue to make progress despite the obstacles I face.
Will you miss me when I'm gone?
When I have left this world, will you experience a feeling of loss because of it?
Don't forget me... Don't you know
Remember me, for I am important to you.
Say you are with me... Say you are
Tell me that you are by my side and won't abandon me.
Gonna make me cry... Oh, cry
This situation will cause me to shed tears.
Babe I need you every day
My dear one, I rely on you each and every day.
Wanna love you... Oh don't you know
I deeply desire to love and care for you, don't you understand?
Things can't stay this way
The current circumstances cannot continue, change must occur.
[Chorus:] Will you miss me when I'm gone? Don't forget me... Don't you know Say you are with me... Say you are Will you miss me when I'm gone?
Repeated chorus questioning the significance of the singer's existence to those around them, and if they will be missed.
Contributed by John J. Suggest a correction in the comments below.