DJ Shadow spent his teenage years in Davis, California and was a DJ at the community radio station KDVS. During his time as a radio disc jockey, DJ Shadow was significant in developing the experimental instrumental hip-hop style associated with the California-based Solesides record label. His early singles for the label, including In/Flux and Lost and Found (S.F.L.), were genre-bending works of art merging elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin found records. DJ Shadow is often cited as a leading creator of trip-hop, though this is a label he strongly contests.
Although he previously released a couple of original works (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing In/Flux on the fledgling imprint, it wasn't until his distribution association with Mo' Wax that his sound began to mature and cohere.
Shadow's first full-length work, Endtroducing....., was released in late 1996 to immense critical acclaim. Following the success of this album, he acted as a shadow producer for Rage Against The Machine for their album, Evil Empire. It is said he influenced the solo on their song "Bulls On Parade". Endtroducing... made the Guinness World Records book for "First Completely Sampled Album" in 2001. Preemptive Strike, a compilation of early singles, followed in early 1998. Later that year, Shadow produced tracks for Psyence Fiction, the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of The Verve), Mike D (of the Beastie Boys) and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, his second album, The Private Press, was released in June 2002. In the same year, the movie "Scratch" (2001, Doug Pray) was released to DVD with DJ Shadow appearing several times throughout the movie.
The documentary films "Dark Days" and "Wisconsin Death Trip" feature music of DJ Shadow while "Scratch" features an interview and more music.
DJ Shadow has also collaborated with fellow artist Cut Chemist. Together they have made two CDs entitled Brainfreeze and Product Placement. These albums fuse jazz, funk, and soul in the framework of a cohesive concept. The second of these (Product Placement) followed a very similar pattern to the first, but using remixes/other versions of the songs in roughly the same order.
In the year 2004, Shadow released his feature length DVD, In Tune and On Time. The DVD features a live performance in London, emphasizing intricate visuals.
In 2005, Shadow released a Deluxe Edition of his first album, Endtroducing.... and a new album, titled "The Outsider" in 2006.
While Shadow's earlier works, especially 'Endtroducing.....', are known for their innovation in genres such as hip-hop, ambient, and trip-hop, his fourth full length album, The Outsider, had several tracks dedicated to Hyphy. This decision has been controversial, leaving many fans feeling alienated. DJ Shadow addressed this point in an August, 2006 interview, in which stated, "Repeat Endtroducing over and over again? That was never, ever in the game plan. Fuck that. So I think it's time for certain fans to decide if they are fans of the album, or the artist."
Also in 2005, Brian Udelhofen began work on the Shadow Percussion Project, an attempt to adapt some of the tracks from Endtroducing... for a live performance group. The result was largely successful and well-received by DJ Shadow himself.
In 2007 DJ Shadow was contacted by the Hollywood Bowl to do a show featuring Freeze with Cut Chemist. However, not wanting to repeat old material DJ Shadow and Cut Chemist came up with a whole new routine entitled The Hard Sell. In 2007 and 2008 they went on The Hard Sell tour and were accompanied on stage by two large video screens with visuals created for the tour.
Discography
Solo Albums
* 1996 - Endtroducing.....
* 1998 - Preemptive Strike
* 2000 - Dark Days
* 2002 - The Private Press
* 2003 - The Private Repress (Japanese Remix Album)
* 2004 - In Tune and On Time
* 2005 - Endtroducing... (2xCD Deluxe Edition)
* 2006 - The Outsider
* 2007 - The 4-Track Era Vol.1 Best of the KMEL Mixes
* 2007 - The 4-Track Era Vol.2 Best of the Remixes and Megamixes (1990-1992)
* 2011 - The Less You Know, the Better
with Q Bert
* 1997 - Camel Bobsled Race (Q-Bert Mega Mix) CD-EP
with UNKLE
* 1998 - Psyence Fiction
with Cut Chemist
* 1999 - Brainfreeze
* 2001 - Product Placement
* 2004 - Product Placement on Tour
* 2005 - Freeze
* 2008 - The Hard Sell
with Dan The Automator
* 1998 - Bombay the Hard Way: Guns, Cars and Sitars
mashin on the motorway
DJ Shadow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He said you can call me Da-da, whatever that meant.
Out of gas, still burning.
Hey there... who me? Just your friendly neighbourhood speed demon.
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left
Enough cars go by with enough dust flying around
I'm up here on your left.
Sorry about that.
See like you I push the bucket
I like to burn big
Like you I've gotta cut all the bullshit out of my life to live
So I tell them move over, this road ain't big enough for you
I'm flying like Knight Rider they're trying to keep up
With their grandma outside on the sidewalk, size
Maybe their steel belted radials expired
Maybe they're tired
Maybe their odometer needs to be rewired
Or something
Fucking asshole! - My bad.
Can you believe some of the drivers they let out here on the road?
See, when the whole things slows down
You're gonna find that clown who's gonna give you your scene
With the chance to take it... now!
Damn what the fuck're you doing motherfuckin' asshole! - Sorry!
Get off my lane you fucking fuck! - hey I got yours right here buddy!
Bite me!
Dude, what the fuck is your problem!
(Spanish shouts) Maldito hijo de puta! - Well get outta the way then!
Move! I'll...catch ya on the rebound!
Goddamn motherfucker, what the hell are you doing!
So much hostility
Why'all just keep checking your rear windows
Maybe you'll catch me passing
Mashed.
Cut em-cut-cut em-cut em-cut em-cut-cut em off
Cut em-cut-cut em-cut em-cut-cut-cut-cut em off
Cut-cut-cut-see you
The lyrics of DJ Shadow's "Mashin on the Motorway" speaks of the need for speed and cutting the bullshit in one's life to fully live. The lyrics speak of a reckless driver who claims to be the "Captain Da" and doesn't have time to waste in traffic as he heads out to NASCAR in the fastest car until there are no cars left. The driver sees himself as someone who is not different from the listener, in his quest for food and survival, for which he has to cut the bullshit out of his life to enjoy the things he loves. He is in a hurry and doesn't care about the other slow drivers on the road, which he refers to as clowns. The driver's dialogue with the other drivers reflects the frustration people experience in traffic, which is where they unleash their hostilities.
Line by Line Meaning
He just wanted us to call him Captain Da.
The person wanted to be addressed as Captain Da.
He said you can call me Da-da, whatever that meant.
The person mentioned that others can call them Da-da, but the meaning behind the nickname is unclear.
Out of gas, still burning.
The singer is running out of fuel but still pushing forward with their fast-driving lifestyle.
Hey there... who me? Just your friendly neighbourhood speed demon.
The artist considers themselves a fast and reckless driver.
I'm out to Nascar in a fast car to the last car
The artist is driving very fast and aggressively, as if they are in a NASCAR race.
'Til there ain't no cars left
The singer will continue driving fast and passing cars until they can no longer find any on the road.
Enough cars go by with enough dust flying around
There are so many cars passing the singer that it is causing a cloud of dust to form.
To make you cry back down and choke half-near to death
The amount of dust is overwhelming and can cause discomfort or breathing difficulty.
I'm up here on your left.
The artist is currently driving alongside the listener's vehicle on its left side.
Sorry about that.
The artist apologizes for any previous reckless or dangerous driving behavior they have exhibited.
See like you I push the bucket
The singer drives an old or low-quality car, like the listener's.
I like to burn big
The artist prefers to drive fast and recklessly.
Like you I've gotta cut all the bullshit out of my life to live
The singer recognizes that driving fast and living recklessly may have their consequences but chooses to do so anyway.
So I tell them move over, this road ain't big enough for you
The singer is instructing other drivers to get out of their way as they drive past them.
I'm flying like Knight Rider they're trying to keep up
The singer is driving extremely fast, and other drivers are attempting to follow their speed.
With their grandma outside on the sidewalk, size
Some of the other drivers attempting to keep up with the artist may be elderly or not equipped for fast driving.
Maybe their steel belted radials expired
The artist suggests that the other drivers may be struggling to keep up due to issues with their tires or tires expiring.
Maybe they're tired
The singer suggests that the other drivers may be too exhausted to keep up with their speed and recklessness.
Maybe their odometer needs to be rewired
The singer suggests that the other drivers may be misjudging their speed and driving ability due to a malfunctioning odometer.
Fucking asshole! - My bad.
The artist reacts to a driver who has upset or angered them, but then apologizes for their language.
Can you believe some of the drivers they let out here on the road?
The artist is questioning the quality of other drivers on the road and implies that some of them should not be driving.
See, when the whole things slows down
The artist acknowledges that eventually, traffic and driving speeds will slow down.
You're gonna find that clown who's gonna give you your scene
The singer suggests that a reckless driver who wants to show off their driving skills will eventually emerge and provide entertainment.
With the chance to take it... now!
The artist advises the listener to take advantage of any opportunities they have to drive recklessly, perhaps before traffic slows down.
Damn what the fuck're you doing motherfuckin' asshole! - Sorry!
The singer swears at another driver for upsetting them but then apologizes for their behavior.
Get off my lane you fucking fuck! - hey I got yours right here buddy!
The singer threatens another driver and suggests that they are prepared for any retaliation.
Bite me!
The singer tells another driver to leave them alone or to stop bothering them.
Dude, what the fuck is your problem!
The artist is confused or upset about another driver's behavior.
(Spanish shouts) Maldito hijo de puta! - Well get outta the way then!
The artist swears in Spanish at another driver who has angered them, suggesting that the other driver should move out of their way.
Move! I'll...catch ya on the rebound!
The singer is commanding another driver to move out of their way or else they will come into contact with them.
Goddamn motherfucker, what the hell are you doing!
The singer is angry or upset with another driver and demands to know why they are driving poorly or recklessly.
So much hostility
The artist notes that there is a lot of anger and aggression amongst all the drivers on the road.
Why'all just keep checking your rear windows
The artist notes that other drivers are frequently checking their rearview mirrors, possibly to see if the artist is approaching or passing them.
Maybe you'll catch me passing
The artist suggests that other drivers will be able to see them driving very fast and recklessly as they pass them on the road.
Mashed.
The singer ends the song with a single word, suggesting that they are still driving fast and aggressively.
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: JOSH PAUL DAVIS, LATEEF DAUMONT
Lyrics Licensed & Provided by LyricFind
M
Out of gas, still burning...
Hey there... Who me?
Just a friendly neighborhood speed demon
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left must because I go by
With enough dust flying around to make you cry it back down
And choke half near to death, oh I'm gonna go on your left
Sorry 'bout that...
See like you a push the bucket, I like to burn big
Like you I gotta cut all the bullshit outta my life to live
So I tell 'em move over, this road ain't big enough for ya
I'm flying like Knightrider they tryin' to keep up
With they grandma outside on the side
Maybe their steel belted radials expired, maybe they're tired
Maybe their odometer needs to be rewired or something
My bad...
(Can you believe some of the drivers they let out here on the road?)
See, when the whole things slows down
You're gonna find that clown who's gonna give you a scene
With the chance to take it... now!
Damn, what the fuck are you doing, motherfucking asshole - Sorry!
Get off my lane you fucking fuck! - I got yours right here buddy
Bite me - Dude, what the fuck is your problem?
Maldito hijo de puta! - Well get outta the way then!
Move! I'll...catch ya on the rebound!
Goddamn motherfucker, what the hell are you doing!
So much hostility... Y'all just keep checking your rear windows
Maybe you'll catch me passing... Mashed
Cut em-cut-cut em-cut em-cut em-cut-cut em off
Cut em-cut-cut em-cut em-cut-cut-cut-cut em off
Cut-cut-cut-cut-cut em-cut em-cut em off in the crash
Cable Vamp
Dj Shadow is a genius at instrumentation
Tenille Oosterbaan
i've loved this song for about 12 years now. i use to have the private press album when i was 15.
trentbateman
love this track...so different, def wasnt expecting this first time i heard it.
Kris
Absolute classic
ratmdex
I still know every word to this song and haven't listened to it in 15 years
M
Out of gas, still burning...
Hey there... Who me?
Just a friendly neighborhood speed demon
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left must because I go by
With enough dust flying around to make you cry it back down
And choke half near to death, oh I'm gonna go on your left
Sorry 'bout that...
See like you a push the bucket, I like to burn big
Like you I gotta cut all the bullshit outta my life to live
So I tell 'em move over, this road ain't big enough for ya
I'm flying like Knightrider they tryin' to keep up
With they grandma outside on the side
Maybe their steel belted radials expired, maybe they're tired
Maybe their odometer needs to be rewired or something
My bad...
(Can you believe some of the drivers they let out here on the road?)
See, when the whole things slows down
You're gonna find that clown who's gonna give you a scene
With the chance to take it... now!
Damn, what the fuck are you doing, motherfucking asshole - Sorry!
Get off my lane you fucking fuck! - I got yours right here buddy
Bite me - Dude, what the fuck is your problem?
Maldito hijo de puta! - Well get outta the way then!
Move! I'll...catch ya on the rebound!
Goddamn motherfucker, what the hell are you doing!
So much hostility... Y'all just keep checking your rear windows
Maybe you'll catch me passing... Mashed
Cut em-cut-cut em-cut em-cut em-cut-cut em off
Cut em-cut-cut em-cut em-cut-cut-cut-cut em off
Cut-cut-cut-cut-cut em-cut em-cut em off in the crash
Icystorm9Reviews
As much as I love this song. Why does it look like this.
BadMoonRisin
Someone made a documentary about my drive home from work. Finally!
blonde7000
this is really good
crikey
Getting a Crazy Taxi vibe