DMX died on April 9, 2021 in White Plains, New York, after he was hospitalized on April 2 following a reported heart attack.
Biography
Earl Simmons was the second of three children of a single mother, and was born in Mount Vernon, New York Simmons ended up growing up in the School Street housing projects of Yonkers, New York. He began rapping around the age of 13, amusing crowds of children with rhymes that relied on spelled-out words, a style he called "spellbound." A local rapper eventually asked the young Earl to beatbox for him, and Simmons agreed, adopting the stage name DMX, which stands for "Dark Man of the Unknown," X being an algebraic expression for unknown. But at the time, stood for a drum system that delivered amazing beats. Eventually he decided to try his hand at serious rapping, and honed his skills during a stint at a group home. He also got into fights and frequently was on the run from police. During this period, he also began doing shows and battling other rappers (Once battling and defeating Jay-Z), making a name for himself in the New York area. He released his first album called "DMX: Unleashed and Unreleased" which was an instant hit on the streets of Yonkers. He was also featured in the Unsigned Hype section of The Source in 1988.
He stated he wanted to be a preacher when he retires from his rapping career as he stated in his reality TV Show DMX: Soul Of A Man.
DMX was a fan of the Pit Bull type dogs (American Pit Bull Terriers and American Staffordshire Terriers). He had a tattoo of one of his deceased dogs, on his back, which read "One Love Boomer". He later contributed over $1 million to the United Negro Association for unfortunate black children in New York City..
Recording career
In and out of jail, DMX decided to focus solely on his rap career. He began seriously looking for a deal and linked up with Pete McCormick Schaub, an A&R for Small Island at the time. Eventually, he signed a management deal with Ruff Ryders. They negotiated deals with both Bad Boy and Death Row Records, but he eventually landed at Def Jam. He is currently at Sony BMG, set to release his first of three albums on August 1st 2006. Rumors also arose that DMX had signed for 50 Cent's G-Unit Records, but were dismissed in a public news conference.
It's Dark and Hell Is Hot
Before It's Dark and Hell Is Hot, DMX released the single "Born Loser" which was banned on MTV due to the video's graphic images. DMX's debut single was "Get At Me Dog", which was an instant hit. His critically-acclaimed debut album, It's Dark and Hell Is Hot, is often credited with revitalizing Hardcore Rap in the mainstream scene, after the death of Tupac Shakur, and after Puff Daddy and Bad Boy Entertainment briefly dominated the charts with their pop-oriented and sample-reliant tunes.
In 1997, DMX earned a second major-label shot with Def Jam, and made a successful guest appearance on LL Cool J's "4, 3, 2, 1." Additional guest spots on Ma$e's "24 Hours to Live" and fellow Yonkers MCs the The LOX's "Money, Power, & Respect" created an even stronger buzz, and in early 1998, he released his debut Def Jam single, "Get At Me Dog." The song went gold and was a hit on the rap and dance charts. The single paved the way for DMX to release his classic first full-length album, It's Dark and Hell Is Hot, which debuted as number one on the pop charts.
Produced mostly by Damon "Dame Grease" Blackman, (Swizz Beatz produced the "Ruff Ryders' Anthem", paving the way for future projects between the two). It's Dark and Hell Is Hot earned DMX numerous comparisons to Tupac Shakur for his booming and aggressive presence on the mic. The album went on to sell over four million copies and earned him credit for revitalizing Hardcore Rap after the deaths of Tupac Shakur and The Notorious B.I.G. Shortly after the album's release in May 1998, DMX was accused of raping a stripper in the Bronx, but was later cleared by DNA evidence. He made his film debut together with Nas and Method Man in Hype Williams' mildly successful film Belly. Although not a critical success, the film found a strong following with hip hop audiences.
Flesh of My Flesh, Blood of My Blood
DMX completed his second album before the end of 1998, and a pending buyout of Def Jam pushed the record into stores December 15. Flesh of My Flesh, Blood of My Blood entered the charts at number one and eventually went triple platinum. This number one hit made DMX the first rapper to have two number one albums in the same year. The cover photo of the rapper covered in pig's blood caused some controversy. The single "Slippin'" became his first chart hit in the UK. DMX hit the road with Jay-Z and the Method Man/Redman team on the blockbuster Hard Knock Life tour the following year. He had a song called "Jack Moves" with the legendary rap group Bone Thugs-N-Harmony, but the song did not appear on the album.
...And Then There Was X
DMX released his third album on December 21, 1999, ...And Then There Was X, which was his third straight album to debut at number one. Party Up was his biggest single since "Get at Me Dog" which became his first Top Ten hit on the R&B charts. His next singles off the album, "What's My Name" & "What These Bitches Want" feat. Sisqó were also popular. ...And Then There Was X is the rapper's best-selling album to date, going 6x platinum and 9x platinum worldwide, & one of the fastest made by DMX : Def Jam urged him to realise the tracks within a month, while DMX used to take a year to write songs.
The Great Depression
After resolving his legal problems, DMX returned to the studio and completed his fourth album, The Great Depression. Released October 3, 2001, it was DMX's fourth straight album to debut at number one. The album demonstrated his still strong allegiance with the Ruff Ryders. The Great Depression went platinum quickly, but lacked the staying power of his previous releases.
Grand Champ
Released in 2003, Grand Champ was DMX's fifth straight album to debut at number one, extending DMX's position as the only artist in history to have 5 albums (his entire album catalog at that point) debut at #1. Fans and critics claimed disappointment with the album, most stating that it felt formulaic. After its release, DMX informed the public that he planned on retiring from the rap game and that Grand Champ would be his final album. He later ended his brief retirement and announced his plans to record the album Year of the Dog...Again. It debuted with approximately 125,000 albums sold, but failed to give DMX a sixth consecutive #1 album. The album is his lowest selling to date, and has yet to reach Gold in the U.S.
Year of the Dog...Again
Released August 1st 2006, Year of the Dog...Again had numerous problems due to DMX switching record labels, as well as numerous delays. The album's five predeccesors debuted at #1, while this album missed the top spot by only a few thousand sales. In March, 2006 it was announced that the album had been renamed to "Year of the Dog, Again," from "Here We Go, Again." When DMX switched to Sony, Def Jam allowed him to keep all of the tracks he had created for the album. It was reported that most of the tracks were being reworked, with updated production, however the reworked album has also been leaked. DMX has also appeared on Busta Rhymes' "Touch It (The Remix)". He has also released his new singles "Lord Give Me A Sign", and "We In Here" feat. Swizz Beatz, which are included in "Year of the Dog...Again".
Back in One Piece
DMX Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Uh, ay, you know what a oneeds?
Do you really know what a dog needs?
A dog needs a- (what? What?)
A dog needs a- (come on)
Not just any, uh, but a real, uh
That's gon' hold that dog down
Baby, I am what I am, I'm gon' be who I be (uh)
Everything from chasing a cat, to- on a tree (uh-huh)
Let me see what I gotta to see
Do what I gotta to do, dog for life, but keep it true
Every once in a while I'll break out the backyard to roam (uh)
And get reckless, but I still know that home is home (a'ight)
And when I get there I'ma sit there
Take a, uh, there, put my, uh, there
Do I handle my business? (What?) yeah
I'ma run 'til I bust my gun and empty the clip
And if I come home, and gotta go, just give me the whip
I ain't got time for the lip, just open the fence (uh-huh)
Let me go, I'll come back, I ain't got time to convince (uh)
Ever since I was a pup I've been stuck with the street- (come on)
Keep the heat (uh, uh, uh), gotta eat-
I pass on a weak-, if it's out there I want it
All at one time, so when it's my time I've done it (a'ight)
I know you'd kill for me, you'd die for me
I know you like to rip and run the streets
But I get nervous sometimes, hey baby, I can't help to think
You might not make it home to eat, I barely sleep (come on)
Could you pick up a phone and call me at home
And let me know you ain't in some heat?
And don't come crying, you're grown
You know I'm looking out for you
'Cause you be looking out for me, me, me
Yo, you can go with your dogs
If you make this promise to me
You make it back in one piece (uh)
Said, you can go with your dogs
If you make this promise to me
You make it back in one piece
'Fore you go bending the law (come on)
If you make this promise to me
You make it back in one piece (uh, uh)
I know you up in it all
Could you make this promise to me
You make it back in one piece, piece, piece?
And, oh boy, I know you got to do what you do (uh, uh, uh)
You're making moves
I'm making moves, yo, we cool (what? What? What?)
Stay on your paws, I got your back if you fall
Nothing's too big
Nothing's too small, just go ball (uh, come on)
Dog tags around my neck (uh), the streets are mine
I might leave the heat behind
'Cause in the streets, I'm fine (what?)
That's why a (what?) A sleep 'til nine, out by ten (uh)
Back by ten (uh), sleep 'til nine, do it again
If you love something, let it go (uh huh)
If it comes back to you, it yours
If it doesn't (uh), you never know
You got me, I got you (uh), dog with a dog
Ride 'til we die (what?), If it's on, then it's on
Yo, you can go with your dogs
If you make this promise to me
You make it back in one piece (uh)
Said, you can go with your dogs
If you make this promise to me
You make it back in one piece
'Fore you go bending the law (come on)
If you make this promise to me
You make it back in one piece (uh, uh)
I know you up in it all
Could you make this promise to me
You make it back in one piece, piece, piece?
Yo, you can go with your dogs
If you make this promise to me
You make it back in one piece
Said, you can go with your dogs (come on)
If you make this promise to me
You make it back in one piece
'Fore you go bending the law (what? What? What?)
If you make this promise to me
You make it back in one piece (uh, uh)
I know you up in it all
Could you make this promise to me
You make it back in one piece, piece, piece?
Yo, you can go with your dogs (piece)
If you make this promise to me
You make it back in one piece
Said, you can go with your dogs
If you make this promise to me
You make it back in one piece
'Fore you go bending the law
If you make this promise to me
You make it back in one piece
I know you up in it all
Could you make this promise to me
You make it back in one piece, piece, piece?
Yo, you can go with your dogs
If you make this promise to me
You make it back in one piece
Said, you can go with your dogs
If you make this promise to me
You make it back in one piece
'Fore you go bending the law
In "Come Back in One Piece," DMX offers listeners an honest portrayal of the relationship between a dog and their owner as it relates to the dangers their environment poses. Through the lyrics, he paints the picture of a dog that loves the streets but has an unbreakable bond with his owner. The owner of the dog wants to keep him safe, but he knows that he can't keep him locked up all the time. He trusts his dog to go out and make it back home safely.
The chorus of the song reinforces this message of trust between the dog and its owner. The owner asks the dog to come back home in one piece because he knows the streets are dangerous. The song also highlights the loyalty that dogs have for their owners. No matter how tough the situation might be, dogs will always be there to protect their owners.
Overall, "Come Back in One Piece" is a powerful song that celebrates the bond between dogs and their owners. It showcases how loyalty, trust, and love are essential in any relationship.
Line by Line Meaning
There we go, okay, okay, don't do me greazy, okay
Acknowledging the start of the song and requesting respect.
Uh, ay, you know what a oneeds?
Asking the listener if they know what a dog needs.
Do you really know what a dog needs?
Rhetorical question asking if the listener actually knows what a dog needs.
A dog needs a- (what? What?)
Prompting the listener to guess what a dog needs.
A dog needs a- (come on)
Encouraging the listener to continue guessing what a dog needs.
Not just any, uh, but a real, uh
That's gon' hold that dog down
Stating that a dog needs a real and reliable partner who will always have their back.
Baby, I am what I am, I'm gon' be who I be (uh)
Affirming self-identity and personal choices.
Everything from chasing a cat, to- on a tree (uh-huh)
Describing the typical experiences of a dog.
Let me see what I gotta to see
Do what I gotta to do, dog for life, but keep it true
Asserting independence and loyalty as a dog.
Every once in a while I'll break out the backyard to roam (uh)
And get reckless, but I still know that home is home (a'ight)
Admitting to occasionally acting out, but recognizing the importance of home and safety.
And when I get there I'ma sit there
Take a, uh, there, put my, uh, there
Describing a dog's actions upon returning home.
Do I handle my business? (What?) yeah
I'ma run 'til I bust my gun and empty the clip
Confirming the ability to take care of oneself and the willingness to fiercely protect one's safety.
And if I come home, and gotta go, just give me the whip
I ain't got time for the lip, just open the fence (uh-huh)
Requesting a quick and efficient transition from home to outside activities.
Let me go, I'll come back, I ain't got time to convince (uh)
Asserting the independence and self-determination of a dog.
Ever since I was a pup I've been stuck with the street- (come on)
Keep the heat (uh, uh, uh), gotta eat-
I pass on a weak-, if it's out there I want it
All at one time, so when it's my time I've done it (a'ight)
Describing the survival instincts and resourcefulness of a dog.
I know you'd kill for me, you'd die for me
I know you like to rip and run the streets
Acknowledging the loyalty and protective nature of the listener.
But I get nervous sometimes, hey baby, I can't help to think
You might not make it home to eat, I barely sleep (come on)
Expressing concern for the safety and well-being of the listener.
Could you pick up a phone and call me at home
And let me know you ain't in some heat?
Requesting open communication to ensure the safety of the listener.
And don't come crying, you're grown
You know I'm looking out for you
'Cause you be looking out for me, me, me
Reassuring the listener that assistance and protection are mutual and expected in their relationship.
Yo, you can go with your dogs
If you make this promise to me
You make it back in one piece (uh)
Granting permission for the listener to go out with their friends, but setting the condition that they come back home safe.
Said, you can go with your dogs
You make it back in one piece
'Fore you go bending the law (come on)
You make it back in one piece (uh, uh)
Reiterating the condition that the listener must come back home safe, and emphasizing that they should not engage in illegal activities while they are out.
I know you up in it all
Could you make this promise to me
You make it back in one piece, piece, piece?
Insisting upon the importance of the condition for the listener's safety and well-being.
And, oh boy, I know you got to do what you do (uh, uh, uh)
You're making moves
I'm making moves, yo, we cool (what? What? What?)
Acknowledging and respecting the independence and autonomy of the listener while maintaining a relationship.
Stay on your paws, I got your back if you fall
Nothing's too big
Nothing's too small, just go ball (uh, come on)
Offering support and assurance to the listener, saying that they will have their back through both big and small situations as they enjoy themselves.
Dog tags around my neck (uh), the streets are mine
I might leave the heat behind
'Cause in the streets, I'm fine (what?)
Emphasizing the familiarity and control over the streets, so much so that weapons are not required.
That's why a (what?) A sleep 'til nine, out by ten (uh)
Back by ten (uh), sleep 'til nine, do it again
Describing the comfortable and carefree lifestyle that comes with being in control of the streets.
If you love something, let it go (uh huh)
If it comes back to you, it yours
If it doesn't (uh), you never know
Quoting a commonly known adage about relationships.
You got me, I got you (uh), dog with a dog
Ride 'til we die (what?), If it's on, then it's on
Asserting a mutual relationship and loyalty between dogs.
Said, you can go with your dogs (come on)
'Fore you go bending the law (what? What? What?)
Yo, you can go with your dogs (piece)
'Fore you go bending the law
Reiterating the main theme of the song and enforcing the condition that the listener must come back home safe without engaging in illegal activities.
Lyrics © A SIDE MUSIC LLC D/B/A MODERN WORKS MUSIC PUBLISHING, Universal Music Publishing Group, Peermusic Publishing, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: William Earl Collins, Stephen Ellis Garrett, Irving Domingo Lorenzo, Robert Mays, Earl Simmons, George Bernard Worrell, George Jr. Clinton
Lyrics Licensed & Provided by LyricFind
Janae
Rip to both AALIYAH AND DMX you’ll be missed 🥺😔
Jerome Ashley
💯💯💯
The Media
Wow that’s crazy having to say rip to them both now
Diana -
🎧👌🏻😢🎵💖
StormieinApril
Whomever styled Aaliyah and did her hair needs a star on the walk of fame. She is literally timeless, from her hair down to her clothes.
Story For Raffy Tulfo
Derek Lee.
Giselle_Glam👄
He was the truth!
StormieinApril
@Story For Raffy Tulfo thank you!
let love reign
Aaliyah could literally fit in with any kind of crowd...amazing. The hood, the business folk, etc. without even swaying from who she naturally is. I never knew her personally but this sure what it seemed like watching her in action.
TayCraftian
Your absolutely right. Like she’s that type of person that’s just cool with everybody 🙌🏾😩