Daddy Cool is an Australian rock band formed in Melbourne in 1970 with the … Read Full Bio ↴Daddy Cool is an Australian rock band formed in Melbourne in 1970 with the original line-up of Wayne Duncan (bass, vocals), Ross Hannaford (lead guitar, bass, vocals), Ross Wilson (lead vocals, rhythm guitar, harmonica) and Gary Young (drums, vocals) . Their debut single "Eagle Rock" was released in May 1971 and stayed at number 1 on the Australian singles chart for ten weeks. Their debut July 1971 LP Daddy Who? Daddy Cool also reached number 1 and became the first Australian album to sell more than 100,000 copies. Their name comes from the 1957 song "Daddy Cool" by US rock group The Rays. Daddy Cool included their version on Daddy Who? Daddy Cool.
Daddy Cool's music featured 1950s Doo-wop style rock cover versions and originals which were mostly written by Wilson. On stage they provided a danceable sound which was accessible and fun. Their second album was Sex, Dope, Rock'n'Roll: Teenage Heaven from January 1972 and reached the Top Ten. Breaking up in August 1972, Daddy Cool briefly reformed during 1974–1975 before disbanding again, they reformed with the band's original line-up in 2005. Their iconic status was confirmed when they were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006.
Ross Hannaford (guitar, bass, vocals) and Ross Wilson (guitar, vocals, harmonica) formed pop / R&B Melbourne-based group The Pink Finks in 1964 while they were still attending highschool in the south eastern Melbourne suburb of Beaumaris, Victoria, they later attended the senior campus of Sandringham College. They recorded a version of Richard Berry's "Louie Louie" in 1965 which led to a recording contract and three more singles. In 1967 they formed The Party Machine, which had a more radical sound (influenced by Frank Zappa and Howlin' Wolf), the band included Mike Rudd (later in Spectrum) on bass guitar. They released a single "You've All Gotta Go" in 1969; their printed songbooks were confiscated and burned by the Victorian Vice Squad for being obscene and seditious. Wilson disbanded The Party Machine after receiving an invitation to travel to London to join expatriate Australian band Procession during 1969. After they released Procession on Festival Records Wilson returned to Australia.
Wayne Duncan (bass, vocals) and Gary Young (drums, vocals) were the rhythm section of many bands particularly instrumentals since the 1950s. One of these was The Rondells which were also the backing band for Bobby & Laurie a popular singing duo with their number 1 hit "Hitch Hiker" from 1966.
Young and Wilson met in 1969 whilst both were working in a book warehouse, each had previous band mates who were interested in forming a new group. Wilson, Hannaford, Young and Duncan formed Sons of the Vegetal Mother later that year, this band had a more experimental Progressive rock sound. Other members included: Rudd (bass), Trevor Griffin (piano), Jeremy Kellock (Jeremy Noone) (tenor sax), Tim Partridge (bass), Ian Wallace (alto sax), Simon Wettenhall (trumpet) and Bruce Woodcock (tenor sax).
As a side project from Sons of the Vegetal Mother, four of its members (Duncan, Hannaford, Wilson and Young) formed Daddy Cool in 1970. All shared a love of 1950s music and initially played covers of songs from their record collections. One of these was "Daddy Cool" (written by Bob Crewe and Frank Slay) performed in 1957 by US Doo-wop band The Rays as the B side to their single "Silhouettes". Daddy Cool became a popular live fixture in Melbourne. Their early 1971 appearance at the Myponga Festival in South Australia upstaged their parent group, Sons of the Vegetal Mother, which subsequently dissolved.
One-time child guitar prodigy Robie Porter (formerly known as Rob EG), had recently returned to Australia and established himself as record producer, purchasing a share of Melbourne independent label Sparmac Records. He saw the band's performance at a 7 May 1971 gig in Melbourne and immediately signed them to his label. Sparmac also released Healing Force's "Golden Miles" and Rick Springfield's "Speak to the Sky". The single "Eagle Rock" was released before the end of May and quickly went to number 1 on the Australian charts where it stayed for a record ten weeks. The track written by Wilson, produced by Porter, was, ironically, replaced at #1 by a novelty version of a song from Daddy Cool's own setlist—the single "Daddy Cool", performed in Chipmunks style by the studio band Drummond. Drummond (aka Mississippi), which included Graeham Goble (later in Little River Band), had performed it in tribute of Daddy Cool. "Eagle Rock" was named the second-best Australian song of all time at the 2001 APRA Awards with the best being "Friday on My Mind" by 1960s group The Easybeats.
Daddy Cool's debut album, Daddy Who? Daddy Cool, sold an unprecedented 60,000 copies within a month of its release in July 1971, and became the first Australian album to sell more than 100,000 copies. According to Wilson, the sales required for a gold album in Australia in the early 1970s had been 10,000 copies and was altered to 15000 and then 20000. The band toured Australia with Spectrum (led by former bandmate Mike Rudd) on the Aquarius Tour. Their second single "Come Back Again", also written by Wilson, was released in September 1971 and reached #3. Also in September, Jeremy Kellock (aka Jeremy/Jerry Noone) (saxophone, keyboards (ex-Sons of the Vegetal Mother, Company Caine) joined the touring lineup of the band (he had played sax on Daddy Who? Daddy Cool). The album produced by Porter, who also provided piano and steel guitar, was released in the US. The band toured there in August 1971 but had little chart or radio success, although their performances were well received.
In November, Daddy Cool aka D.C.E.P., a five-track EP was released and reached number 12. Each group member sang a track, the most widely played was "Lollipop" with vocals by Wilson. An edited version of the song "Hi Honey Ho", their third single, written by Wilson, was released in December and reached #16. The full 6:48 studio cut of the song was released on a rare promotional single
Wilson experimented more with his song writing on Sex, Dope, Rock'n'Roll: Teenage Heaven, Daddy Cool's second album. Produced by Porter again, it was released on Sparmac Records in January 1972 and incorporated more progressive material similar to Sons of the Vegetal Mother's music. Two of the tracks were 1950s covers "Baby Let Me Bang Your Box" and "Sixty Minute Man" and together with the album title provoked concern in media reports. It reached #15 on the national album charts,[4] and was released in USA as Teenage Heaven. At about this time, the group were filmed by director / producer Bob Weis for a 37-minute documentary, Daddy Cool released in 1973. The documentary has interviews and performances by the Duncan, Hannaford, Noone, Wilson and Young line-up.
By February 1972, Noone had left, feeling that he was not fully involved in the spirit of the group. He was replaced in March by Ian "Willy" Winter (ex-Carson) on rhythm guitar who was recruited to enable Ross Wilson to concentrate on singing. The band undertook a third US tour from March–June 1972 and recorded several tracks including "Teenage Blues", "At The Rockhouse" and "Rock'n'Roll Lady" at Warner Bros. studios in L.A. "I'll Never Smile Again" was released in July and reached #16, but by this time tensions were growing within the band and Wilson in particular was tiring of the difficulty of presenting the more progressive material he wanted to perform within the confines of the group's entrenched "good time" image. They announced their break-up soon after their return from the USA and performed their last gig at the Much More Ballroom on 13 August 1972. The entire concert was recorded and released as the double-album Daddy Cool Live! The Last Drive-In Movie Show, issued on Porter's new label, Wizard Records in September 1973 and reached #34.
When asked why Daddy Cool first broke up, Wilson responded with:
It was my doing. We went over to the States three times, and even though people loved us, I felt like it was taking coals to Newcastle, you know, singing doo-wop. So I'm looking around America going, 'Gee, if I brought a contemporary band over here, maybe we could really kill.'
Ian Winter returned to Carson, they produced Blown in 1972 and disbanded before On the Air was released in 1973. In 1977, he rejoined Wilson in Mondo Rock. Duncan and Young formed their own boogie band, Gary Young's Hot Dog in September 1972, they released two singles in 1973 "Rock-a-Billy Beating Boogie Band" and "The Saga of the Three Little Pigs". Hannaford and Wilson, who were constrained by the Daddy Cool image, formed Mighty Kong in May 1973 to play more serious music, they released one album All I Wanna Do is Rock before disbanding in December.
Both Mighty Kong and Gary Young's Hot Dog had disbanded, and by early 1974 a reformed Daddy Cool (Duncan, Hannaford, Wilson and Young) played at the Sunbury Pop Festival which included a fledgling Skyhooks and UK band Queen – the latter two were both booed off stage. In June / July, Wilson took time off from Daddy Cool to produce the recording of Skyhooks' debut album Living in the Seventies for Mushroom Records. Besides compilations, Daddy Cool provided three new singles: "All I Wanna Do is Rock (part 1)", "The Boogie Man" and "You Never Can Tell" released in 1974 on Wizard Records. After they performed at the last Sunbury Pop Festival in 1975, Gunther Gorman joined on guitar. When Duncan was injured in a car accident, Hannaford switched to bass and guitarist Wayne Burt (later of Jo Jo Zep) was brought in. By September 1975 the band played their final show in Prahran's Reefer Cabaret.
Wilson continued as a record producer on two more albums for Skyhooks, three albums for Jo Jo Zep and for other artists; he also performed as a founding member of Mondo Rock (1977–1991) and as a solo artist. Wilson was inducted into the ARIA Hall of Fame as an individual in 1989. Since 2006 he has been a regular judge on Seven Network's celebrity singing TV series It Takes Two. His solo 1989 song "Bed of Nails" was used as the theme for ABC-TV six-part series Bed of Roses starring Kerry Armstrong and broadcast from 10 May 2008.
Hannaford played in other bands and was a session guitarist including work for: Ross Hannaford Trio, The Black Sorrows, Ian Moss and Goanna. Young performed and recorded with numerous other bands including: Jo Jo Zep (1976–1981), The Rockin' Emus (1982), Cold Chisel (1983) and The Black Sorrows (1984–1985). His work for Jo Jo Zep provided Young with his second ARIA Hall of Fame induction in 2007. Duncan was also a session musician for various artists: Jane Clifton, The Black Sorrows and Ross Hannaford Trio.
Daddy Cool briefly reformed to support Skyhooks in a proposed 1994 stadium tour. Together, they released a four track CD-single with two new tracks "$64,000 Question" and "Ballad of Oz" by Daddy Cool, combined with "Happy Hippy Hut" and "You Just Like Me Cos I'm Good In Bed" by Skyhooks. The reformation collapsed when the single did not chart well and the tour was downgraded to the pub circuit.
The band reformed in February 2005 to play at a 27 February 2005 benefit concert for victims of the 2004 tsunami at the Myer Music Bowl in Melbourne. A new Daddy Cool recording, "The Christmas Bug", was released for charity.
In 2006 Aztec Music released The Complete Daddy Cool, a double DVD collection, featuring the complete video of the 2005 Tsunami Benefit performance and a 90-minute documentary on the band. The set also features Bob Weis' 1972 documentary, a "Making Of ..." feature on Weis' film, a 13-minute feature "Hanna On Lead", and nearly 50 minutes of film clips and TV appearances. A new Daddy Cool album, The New Cool was released in 2006 on Liberation Records. This was their first album of new material since 1972; it also included the songs recorded in 1994 as part of the ill-fated DC / Skyhooks dual tour.
There have been subsequent reformation performances, including headlining the 2007 Moomba Festival and supporting the 2007 Australian tour by Mike Love's Beach Boys and Christopher Cross. Daddy Cool also played a one-off performance in Geelong on 31 October 2007, sharing the stage with former touring partners, Spectrum for the first time in over thirty years.
Guitarist Ross Hannaford died on 8 March 2016 aged 65 from cancer; he had been diagnosed with the condition a year earlier.
Bassist Wayne Duncan died on 4 December 2016 following a stroke.
Band members
Current members
Ross Wilson— lead vocals, guitar, harmonica (1970–1972, 1974–1975, 2005–present)
Gary Young — drums, vocals (1970–1972, 1974–1975, 2005–present)
Past members
Jeremy Noone (Jeremy Killock) — saxophone (tenor sax), keyboards (1971–1972)
Ian "Willy" Winter — rhythm guitar (1972)
(Ian) Gunther Gorman — guitar (1975)
Wayne Burt — guitar (1975)
Ross Hannaford— lead guitar, bass, vocals (1970–1972, 1974–1975, 2005–2016, his death)
Wayne Duncan — bass, vocals (1970–1972, 1974–1975, 2005–2016, his death)
Daddy Cool's music featured 1950s Doo-wop style rock cover versions and originals which were mostly written by Wilson. On stage they provided a danceable sound which was accessible and fun. Their second album was Sex, Dope, Rock'n'Roll: Teenage Heaven from January 1972 and reached the Top Ten. Breaking up in August 1972, Daddy Cool briefly reformed during 1974–1975 before disbanding again, they reformed with the band's original line-up in 2005. Their iconic status was confirmed when they were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006.
Ross Hannaford (guitar, bass, vocals) and Ross Wilson (guitar, vocals, harmonica) formed pop / R&B Melbourne-based group The Pink Finks in 1964 while they were still attending highschool in the south eastern Melbourne suburb of Beaumaris, Victoria, they later attended the senior campus of Sandringham College. They recorded a version of Richard Berry's "Louie Louie" in 1965 which led to a recording contract and three more singles. In 1967 they formed The Party Machine, which had a more radical sound (influenced by Frank Zappa and Howlin' Wolf), the band included Mike Rudd (later in Spectrum) on bass guitar. They released a single "You've All Gotta Go" in 1969; their printed songbooks were confiscated and burned by the Victorian Vice Squad for being obscene and seditious. Wilson disbanded The Party Machine after receiving an invitation to travel to London to join expatriate Australian band Procession during 1969. After they released Procession on Festival Records Wilson returned to Australia.
Wayne Duncan (bass, vocals) and Gary Young (drums, vocals) were the rhythm section of many bands particularly instrumentals since the 1950s. One of these was The Rondells which were also the backing band for Bobby & Laurie a popular singing duo with their number 1 hit "Hitch Hiker" from 1966.
Young and Wilson met in 1969 whilst both were working in a book warehouse, each had previous band mates who were interested in forming a new group. Wilson, Hannaford, Young and Duncan formed Sons of the Vegetal Mother later that year, this band had a more experimental Progressive rock sound. Other members included: Rudd (bass), Trevor Griffin (piano), Jeremy Kellock (Jeremy Noone) (tenor sax), Tim Partridge (bass), Ian Wallace (alto sax), Simon Wettenhall (trumpet) and Bruce Woodcock (tenor sax).
As a side project from Sons of the Vegetal Mother, four of its members (Duncan, Hannaford, Wilson and Young) formed Daddy Cool in 1970. All shared a love of 1950s music and initially played covers of songs from their record collections. One of these was "Daddy Cool" (written by Bob Crewe and Frank Slay) performed in 1957 by US Doo-wop band The Rays as the B side to their single "Silhouettes". Daddy Cool became a popular live fixture in Melbourne. Their early 1971 appearance at the Myponga Festival in South Australia upstaged their parent group, Sons of the Vegetal Mother, which subsequently dissolved.
One-time child guitar prodigy Robie Porter (formerly known as Rob EG), had recently returned to Australia and established himself as record producer, purchasing a share of Melbourne independent label Sparmac Records. He saw the band's performance at a 7 May 1971 gig in Melbourne and immediately signed them to his label. Sparmac also released Healing Force's "Golden Miles" and Rick Springfield's "Speak to the Sky". The single "Eagle Rock" was released before the end of May and quickly went to number 1 on the Australian charts where it stayed for a record ten weeks. The track written by Wilson, produced by Porter, was, ironically, replaced at #1 by a novelty version of a song from Daddy Cool's own setlist—the single "Daddy Cool", performed in Chipmunks style by the studio band Drummond. Drummond (aka Mississippi), which included Graeham Goble (later in Little River Band), had performed it in tribute of Daddy Cool. "Eagle Rock" was named the second-best Australian song of all time at the 2001 APRA Awards with the best being "Friday on My Mind" by 1960s group The Easybeats.
Daddy Cool's debut album, Daddy Who? Daddy Cool, sold an unprecedented 60,000 copies within a month of its release in July 1971, and became the first Australian album to sell more than 100,000 copies. According to Wilson, the sales required for a gold album in Australia in the early 1970s had been 10,000 copies and was altered to 15000 and then 20000. The band toured Australia with Spectrum (led by former bandmate Mike Rudd) on the Aquarius Tour. Their second single "Come Back Again", also written by Wilson, was released in September 1971 and reached #3. Also in September, Jeremy Kellock (aka Jeremy/Jerry Noone) (saxophone, keyboards (ex-Sons of the Vegetal Mother, Company Caine) joined the touring lineup of the band (he had played sax on Daddy Who? Daddy Cool). The album produced by Porter, who also provided piano and steel guitar, was released in the US. The band toured there in August 1971 but had little chart or radio success, although their performances were well received.
In November, Daddy Cool aka D.C.E.P., a five-track EP was released and reached number 12. Each group member sang a track, the most widely played was "Lollipop" with vocals by Wilson. An edited version of the song "Hi Honey Ho", their third single, written by Wilson, was released in December and reached #16. The full 6:48 studio cut of the song was released on a rare promotional single
Wilson experimented more with his song writing on Sex, Dope, Rock'n'Roll: Teenage Heaven, Daddy Cool's second album. Produced by Porter again, it was released on Sparmac Records in January 1972 and incorporated more progressive material similar to Sons of the Vegetal Mother's music. Two of the tracks were 1950s covers "Baby Let Me Bang Your Box" and "Sixty Minute Man" and together with the album title provoked concern in media reports. It reached #15 on the national album charts,[4] and was released in USA as Teenage Heaven. At about this time, the group were filmed by director / producer Bob Weis for a 37-minute documentary, Daddy Cool released in 1973. The documentary has interviews and performances by the Duncan, Hannaford, Noone, Wilson and Young line-up.
By February 1972, Noone had left, feeling that he was not fully involved in the spirit of the group. He was replaced in March by Ian "Willy" Winter (ex-Carson) on rhythm guitar who was recruited to enable Ross Wilson to concentrate on singing. The band undertook a third US tour from March–June 1972 and recorded several tracks including "Teenage Blues", "At The Rockhouse" and "Rock'n'Roll Lady" at Warner Bros. studios in L.A. "I'll Never Smile Again" was released in July and reached #16, but by this time tensions were growing within the band and Wilson in particular was tiring of the difficulty of presenting the more progressive material he wanted to perform within the confines of the group's entrenched "good time" image. They announced their break-up soon after their return from the USA and performed their last gig at the Much More Ballroom on 13 August 1972. The entire concert was recorded and released as the double-album Daddy Cool Live! The Last Drive-In Movie Show, issued on Porter's new label, Wizard Records in September 1973 and reached #34.
When asked why Daddy Cool first broke up, Wilson responded with:
It was my doing. We went over to the States three times, and even though people loved us, I felt like it was taking coals to Newcastle, you know, singing doo-wop. So I'm looking around America going, 'Gee, if I brought a contemporary band over here, maybe we could really kill.'
Ian Winter returned to Carson, they produced Blown in 1972 and disbanded before On the Air was released in 1973. In 1977, he rejoined Wilson in Mondo Rock. Duncan and Young formed their own boogie band, Gary Young's Hot Dog in September 1972, they released two singles in 1973 "Rock-a-Billy Beating Boogie Band" and "The Saga of the Three Little Pigs". Hannaford and Wilson, who were constrained by the Daddy Cool image, formed Mighty Kong in May 1973 to play more serious music, they released one album All I Wanna Do is Rock before disbanding in December.
Both Mighty Kong and Gary Young's Hot Dog had disbanded, and by early 1974 a reformed Daddy Cool (Duncan, Hannaford, Wilson and Young) played at the Sunbury Pop Festival which included a fledgling Skyhooks and UK band Queen – the latter two were both booed off stage. In June / July, Wilson took time off from Daddy Cool to produce the recording of Skyhooks' debut album Living in the Seventies for Mushroom Records. Besides compilations, Daddy Cool provided three new singles: "All I Wanna Do is Rock (part 1)", "The Boogie Man" and "You Never Can Tell" released in 1974 on Wizard Records. After they performed at the last Sunbury Pop Festival in 1975, Gunther Gorman joined on guitar. When Duncan was injured in a car accident, Hannaford switched to bass and guitarist Wayne Burt (later of Jo Jo Zep) was brought in. By September 1975 the band played their final show in Prahran's Reefer Cabaret.
Wilson continued as a record producer on two more albums for Skyhooks, three albums for Jo Jo Zep and for other artists; he also performed as a founding member of Mondo Rock (1977–1991) and as a solo artist. Wilson was inducted into the ARIA Hall of Fame as an individual in 1989. Since 2006 he has been a regular judge on Seven Network's celebrity singing TV series It Takes Two. His solo 1989 song "Bed of Nails" was used as the theme for ABC-TV six-part series Bed of Roses starring Kerry Armstrong and broadcast from 10 May 2008.
Hannaford played in other bands and was a session guitarist including work for: Ross Hannaford Trio, The Black Sorrows, Ian Moss and Goanna. Young performed and recorded with numerous other bands including: Jo Jo Zep (1976–1981), The Rockin' Emus (1982), Cold Chisel (1983) and The Black Sorrows (1984–1985). His work for Jo Jo Zep provided Young with his second ARIA Hall of Fame induction in 2007. Duncan was also a session musician for various artists: Jane Clifton, The Black Sorrows and Ross Hannaford Trio.
Daddy Cool briefly reformed to support Skyhooks in a proposed 1994 stadium tour. Together, they released a four track CD-single with two new tracks "$64,000 Question" and "Ballad of Oz" by Daddy Cool, combined with "Happy Hippy Hut" and "You Just Like Me Cos I'm Good In Bed" by Skyhooks. The reformation collapsed when the single did not chart well and the tour was downgraded to the pub circuit.
The band reformed in February 2005 to play at a 27 February 2005 benefit concert for victims of the 2004 tsunami at the Myer Music Bowl in Melbourne. A new Daddy Cool recording, "The Christmas Bug", was released for charity.
In 2006 Aztec Music released The Complete Daddy Cool, a double DVD collection, featuring the complete video of the 2005 Tsunami Benefit performance and a 90-minute documentary on the band. The set also features Bob Weis' 1972 documentary, a "Making Of ..." feature on Weis' film, a 13-minute feature "Hanna On Lead", and nearly 50 minutes of film clips and TV appearances. A new Daddy Cool album, The New Cool was released in 2006 on Liberation Records. This was their first album of new material since 1972; it also included the songs recorded in 1994 as part of the ill-fated DC / Skyhooks dual tour.
There have been subsequent reformation performances, including headlining the 2007 Moomba Festival and supporting the 2007 Australian tour by Mike Love's Beach Boys and Christopher Cross. Daddy Cool also played a one-off performance in Geelong on 31 October 2007, sharing the stage with former touring partners, Spectrum for the first time in over thirty years.
Guitarist Ross Hannaford died on 8 March 2016 aged 65 from cancer; he had been diagnosed with the condition a year earlier.
Bassist Wayne Duncan died on 4 December 2016 following a stroke.
Band members
Current members
Ross Wilson— lead vocals, guitar, harmonica (1970–1972, 1974–1975, 2005–present)
Gary Young — drums, vocals (1970–1972, 1974–1975, 2005–present)
Past members
Jeremy Noone (Jeremy Killock) — saxophone (tenor sax), keyboards (1971–1972)
Ian "Willy" Winter — rhythm guitar (1972)
(Ian) Gunther Gorman — guitar (1975)
Wayne Burt — guitar (1975)
Ross Hannaford— lead guitar, bass, vocals (1970–1972, 1974–1975, 2005–2016, his death)
Wayne Duncan — bass, vocals (1970–1972, 1974–1975, 2005–2016, his death)
Baby Let Me Bang Your Box
Daddy Cool Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Well my baby had a party the other night
The party was gettin' dead
I spied a piano in the corner
Looked at my baby and said
Baby let me bang your box, baby let me bang your box
Baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
When I was young they called me Piano Bill
When I was young they called me Piano Bill
'Cause I played so fine I gave everybody a thrill
(Oh) baby let me bang your box, baby let me bang your box
Baby let me bang your box, (hey) baby let me bang your box
Baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
I've been bangin' since I was a kid of four
I've been bangin' since I was a kid of four
I've been bangin' along 'til I can't bang no more
Oh-oh baby let me bang your box, baby let me bang your box
Baby let me bang your box, hey baby let me bang your box
Well baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
I've been playin' piano, large and small
But you've got the best piano of all
I banged everyone in the neighbourhood
Never banged one that sounds so good
I've got a shuffle, a back beat, a boogie woogie too
But when I play my jelly roll you won't know what to do
Baby let me bang your box, baby let me bang your box
Oh, baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
Bang, bang, bang Mister Bill, bang, bang, bang Mister Bill
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
(Bang, bang, bang Mister Bill)
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
(Bang, bang, bang Mister Bill)
Oh-oh-oh-oh-oh, oh-oh, oh-oh-oh-oh-acapo
The party was gettin' dead
I spied a piano in the corner
Looked at my baby and said
Baby let me bang your box, baby let me bang your box
Baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
When I was young they called me Piano Bill
When I was young they called me Piano Bill
'Cause I played so fine I gave everybody a thrill
(Oh) baby let me bang your box, baby let me bang your box
Baby let me bang your box, (hey) baby let me bang your box
Baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
I've been bangin' since I was a kid of four
I've been bangin' since I was a kid of four
I've been bangin' along 'til I can't bang no more
Oh-oh baby let me bang your box, baby let me bang your box
Baby let me bang your box, hey baby let me bang your box
Well baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
I've been playin' piano, large and small
But you've got the best piano of all
I banged everyone in the neighbourhood
Never banged one that sounds so good
I've got a shuffle, a back beat, a boogie woogie too
But when I play my jelly roll you won't know what to do
Baby let me bang your box, baby let me bang your box
Oh, baby let me play your eighty-eight
I'm gonna bang 'til the whole house rocks
Bang, bang, bang Mister Bill, bang, bang, bang Mister Bill
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
(Bang, bang, bang Mister Bill)
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
(Bang, bang, bang Mister Bill)
Oh-oh-oh-oh-oh, oh-oh, oh-oh-oh-oh-acapo
The song "Baby Let Me Bang Your Box" by Daddy Cool follows the story of a man who notices a piano in the corner of his girlfriend's party and requests to play it. With a catchy hook and a rhythm that won't let go, Daddy Cool's song is about the instant connection between a musician and their music. The lyrics convey a deep level of appreciation towards the piano and the desire to make it rock. The reference to Piano Bill in the second verse is likely a nod to the infectious and unstoppable energy that a skilled pianist can bring to a room.
The chorus "Baby let me bang your box, baby let me play your eighty-eight" highlights the love and connection that the singer has with the piano. It's not simply about playing an instrument, but rather about creating a feeling of excitement and enjoyment that spreads throughout the room. The reference to playing since the age of four illustrates the singer's deep-seated love for the piano and his dedication towards continually improving his skills. When he plays the jelly roll, the audience is left in awe.
Overall, "Baby Let Me Bang Your Box" by Daddy Cool is a fun and energetic song that celebrates the love and connection between a musician and their music. The lyrics are catchy, and the piano-driven melody makes it practically impossible to sit still while listening to it.
Line by Line Meaning
Well my baby had a party the other night
My significant other hosted a gathering recently
The party was gettin' dead
The party became uneventful
I spied a piano in the corner
I noticed a piano situated in the room's corner
Looked at my baby and said
I glanced at my loved one and addressed
Baby let me bang your box, baby let me bang your box
Honey, allow me to play your piano with ardor
Baby let me play your eighty-eight
Allow me to play your piano keys (specifically the 88 keys)
I'm gonna bang 'til the whole house rocks
I'm going to play with so much enthusiasm that the entire house shakes
When I was young they called me Piano Bill
In my youth, I was referred to as Piano Bill
'Cause I played so fine I gave everybody a thrill
I played so spectacularly that it gave everyone great excitement
(Oh) baby let me bang your box, baby let me bang your box
Allow me once again to play your piano with passion
(hey) baby let me bang your box
Now or hey my dear, enable me to play your piano again
I've been bangin' since I was a kid of four
I have been playing music since a young age of four years old
I've been bangin' along 'til I can't bang no more
I have been playing rhythmically non-stop until I physically can't play anymore
Well baby let me play your eighty-eight
My sweet love, allow me to play your piano keys again
I'm gonna bang 'til the whole house rocks
With my passion, I'll cause the entire house to shake with the sound of my piano
I've been playin' piano, large and small
In my experiences, I've played on pianos of varying sizes
But you've got the best piano of all
Out of all my experiences, yours is the ultimate piano
I banged everyone in the neighbourhood
I played music for everyone in the community
Never banged one that sounds so good
None of the pianos I've played previously sounded as great as yours
I've got a shuffle, a back beat, a boogie woogie too
I can play a variety of styles including shuffle, back beat, and boogie woogie
But when I play my jelly roll you won't know what to do
If I play my signature style of piano (jelly roll), you may feel overwhelmed
Bang, bang, bang Mister Bill, bang, bang, bang Mister Bill
Bang, bang, bang Mister Bill, bang, bang, bang Mister Bill
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
Bang, oh-oh, bang Mister Bill, Gee but you give me a thrill
(Bang, bang, bang Mister Bill)
(Bang, bang, bang Mister Bill)
Oh-oh-oh-oh-oh, oh-oh, oh-oh-oh-oh-acapo
Oh-oh-oh-oh-oh, oh-oh, oh-oh-oh-oh-acapo
Contributed by Xavier W. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found