A lot of artists use the name "Dakota".
01. A pseudonym of Trance DJ Mar… Read Full Bio ↴A lot of artists use the name "Dakota".
01. A pseudonym of Trance DJ Markus Schulz
02. An English Pop/Rock band (Ben Talbot, Aaron Whealen, Tom Davison, Robert Armitage)
03. A melodic rock band active from the late 70's to early 80's (Bill Kelly & Jerry G. Hludzik)
04. A collaboration of German progressive trance producers - Marc Engemann, Tobias Beyer & Daniel Torhoff (early 00's)
05. A German progressive rock / experimental band (Andreas Brüning, Rüdiger Klose, Tonio Scorpo), 90's
06. An alias of UK trance producer Dave Conway, a member of duo Sadie Glutz with Laurence Elliott-Potter
07. Hip-hop / downtempo producer from Wissembourg, France on Milled Pavement Records
08. Noise / punk band from Austin TX (90's)
09. Breakbeat/dub/experimental project from Pennsylvania, US (10's)
10. A Latvian country band
11. Blues-rock band from Colchester, UK
12. Progressive rock band from Massachusetts US (from mid 00's)
13. Female indie rock collective from Amsterdam, Holland. www.dakotamusic.nl
14. Metalcore band from Santa Rosa, CA (Harley Stears, Brandon Campbell, Michael Tishler, Jan Pechbrenner)
15. Alternative rock band from Cd. Obregon, Sonora, Mexico (Luz Haydeé Valenzuela, El Bran, Luis Cañedo, Clarissa Espinoza)
16. Los Angeles based country-rock / classic-rock band, founder - Bill Rotella
17. Female pop singer-songwriter from Jersey City, NJ
18. Indie-rock band from Auckland, New Zealand
19. A Norwegian country band originated with its roots from Ålen in Trøndelag municipality
01. Back as far as its turn-of-the-millennium origins, Markus' alter ego was always conceived as a channel through which he could explore the darker and more devoutly club side of his mind. "To me the audio that Dakota presents and the music which I put out under my own name stand totally apart. It's an entirely separate set of tempos, sound-ranges and FX rules. To have this studio 'other self' with which to produce this type of music is more important to me than ever", he says.
The first 'Thoughts' long-player proved nothing short of a revelation, drawing Schulz's productions into the CDJs of an entirely different type of DJ. Two years on and its sequel is on final approach. A fully floor-equipped, 14 track album, 'Thoughts Become Things II' again explores every cleft and crevasse of the prog/trance/techno/house panoply.
Stylistically 'Thoughts II' picks up precisely where the first album left off, in the deeply trenched progressive of 'Gypsy Room'. From there the unmistakable churning, techno glint of 'Red Star' and the shadowy atmospherics of 'Where It Went Wrong' continue to build the bridge between the two albums. Each one a Dakota device purpose built to send strobe-lit underground dance spots unrelentingly towards critical mass.
Expanding its style sheet further is the house-led thematic of 'Terrace 5AM. Recalibrating Moroder's immortal, discofied 'I Feel Love' bassline to 2011 levels, its set to become a much-demanded spin at Schulz's new Space Ibiza residency. Equally 80's inclined is 'Tears', who's poignant, film-noir channels Vangelis' enigmatic 'Blade Runner' theme.
Every bit as redolent is the low-tempo industrial roll of 'Katowice's dystopian main line, the flowing transcendental melod-prog of 'In a Green Valley' and 'Apollo' – the expansive, epic album dénouement.
Dakota fans' first contact with 'Thoughts II' will inevitably have come through the propulsive twin-turbines of its first two singles… Together, over the last three months, 'Sinners' and 'Sleepwalkers' have nitro-injected Schulz's sets time and time again. The latter has already developed its own early cult status, when its emergence during his set at ASOT500 pushed Schulz into Twitter's worldwide trending top 10.
'Thoughts Become Things II' holds back its toughest sonic punches till last, with a closing track triumvirate. The gated synthery of 'Miami', the hard-ratcheting white-knuckle-tension of 'Cape Town' and stridently riffed, big-room suspense of 'Saints' all collectively producing the album its mighty endgame.
As with its first instalment, 'Thoughts Become Things II will have resonance with DJs of numerous electronic dance disciplines. With barely a track over the 130bpm mark and referencing many a dance sub-genre, it is this summer's most intrepid, creative long-player.
02. A Brief History of Dakota
by: Rick Manwiller, Dakota Keyboardist and Unofficial Historian
The strange saga of Dakota begins WAY back in the early 70's in Northeast Pa., with a band called The Buoys and a million-selling single called Timothy. The song, written by Rupert Holmes (The Pina Colada Song), was supposedly about the local Sheppton mine disaster, during which cannibalism was rumored to have occurred. Years later, another Holmes song, Give Up Your Guns, became a European hit and is still played on Euro-radio to this day. The band was spearheaded by lead singer/guitarist Bill Kelly, and also featured Jerry Hludzik on guitar and vocals. The two eventually broke off from the group to form The Jerry-Kelly Band , using members from popular local bands. Thanks to the efforts of long-time friend Michael "Dad" Stahl , (who was working for Claire Brothers Audio, doing house mix for the band Chicago) drummer Danny Seraphine and Rufus keyboardist Hawk Wolinski got a hold of a demo tape from the guys, and signed them to Columbia Records to record Somebody Else's Dream , the first and only Jerry-Kelly album. When it was time for the next Columbia release, the label felt it was time for a name change (I believe one comment was that the name 'Jerry-Kelly' sounded too much like the Irish Rovers). Drummer Gary Driscoll had left the band (and sadly, a few years later was murdered in an apparent case of mistaken identity) and producers Seraphine and Wolinksi had chosen John Robinson (also of Rufus, and quickly becoming one of the top studio session drummers in the world) to play drums for the now-drummer-less band. Rumor has it that John actually was the one who suggested the name Dakota, which Columbia thought was a great name. Therefore, it stuck... ...and Dakota was born. The first release yielded a regional hit across the country called If It Takes All Night (regional hit means that some radio stations played it, and most didn't). Michael Stahl was now working with a band called Queen, who were touring to support their album The Game. Michael worked his 'schmooze magic' once again, and Dakota wound up getting the nod to be the opening act, and a 35-date tour ensued. The band now consisted of Jerry Hludzik and Bill Kelly on guitars, Bill McHale on bass, Jeff Mitchell on keyboards, Lou Cossa on keys and guitar and new drummer Tony Romano. All sang but Tony, and the overall vocal sound was quite superb. ( Jerry and Brian May became fast friends.) At the time of the Queen tour , Columbia was feuding with Chicago, and the association with Danny Seraphine led to Dakota basically getting NO tour support. When it was over, it was "back to the bars" to start over. The crew at the time was Tom Cush /road manager/drum tech, Mike Keating /house mix and Dave "Waddy" Skaff /monitor mix/guitar & keyboard tech. Tom is now a big-time stock broker, Dave is out on tour with various name artists (U2, Steve Miller, etc.) and Mike (who does the main mix for Sting) took 1996 honors as Performance Magazine's "Live Soundman of the Year." Around the same time, in nearby Reading, Pa., Rick Manwiller was in a progressive rock band with guitarist Eric Rudy and drummer Spyro Sbilis, called Steph. Steph broke up in late 1981, and Rick heard through the grapevine that Northeast Pa. recording band Dakota was auditioning. He joined in early 1982. Less than a year later, he was off to Hollywood with Dakota to record Runaway (MCA-5502) , on the MCA/Full Moon label, engineered by Humberto Gatica, and produced by 'Hummy' and Danny Seraphine. Band drummer Tony Romano had left the group prior to the sessions, and Danny gladly pitched in and played drums on the album (also appearing on the album as players were guitarists Richie Zito and Paul Jackson, bassist Neal Steubenhouse, Rolling Stones sax-man Ernie Watts, Chicago singer Bill Champlin and Toto keyboardist Steve Porcaro). The bar scene had become quite taxing to the band members, and everyone decided to get away for a while: Jerry and Bill were doing their acoustic duo around NE Pa.; and Rick Manwiller and Bill McHale had skipped town to Bermuda to do their duo routine. Around the same time, another local band, Synch, was starting to write original music. Band leader Jimmy Harnen had, along with a friend, written a pop balled called Where Are You Now? . Jimmy was a big fan of Dakota, and wanted Bill and Jerry to get involved with the recording of a Synch EP. When Bill McHale officially left Dakota, Jerry convinced Jimmy to also hire Rick to help out with the Synch project. Rick actually wound-up co-producing and arranging Where Are You Now?, recorded at The Warehouse in Philadelphia. The song entered the Billboard Hot 100 Chart at 77, and eventually climbed into the Top Ten (more on that later.) When Runaway was set for release in July, 1984, Jerry, Bill and Rick started assembling a band to tour with. Syracuse drummer Robbie Spagnoletti was chosen, along with Tom Navagh on bass. Tom was later replaced with Robbie's friend, bassist Jim Fricano. This was the official 1984-5 lineup, but through the usual bad luck/bad politics syndrome that followed (it has since been re-dubbed "The Dakota Curse"), the Runaway album never got the proper promotion, and it 'withered on the vine'. As did the live tour... Jerry, Bill, and Rick decided they could only afford to maintain the nucleus of the band as a trio, and Rick's drum machine (affectionately dubbed "Dexter") was incorporated into the pseudo-4-piece band. (Dexter went on to become the most used drummer in NE Pa, playing on literally hundreds of studio sessions, by dozens of artists. He is currently in retirement at Rick's house, where he is used to "stud" small rhythm boxes). During this time, Jerry and Rick built Closet Studios in Rick's house, a small but high-quality 16-track facility, actually inside a walk-in closet. They also began to establish themselves as quality songwriting partners, as Bill became involved in non-musical things on his own. 1987 brought about the inevitable, as Dakota played what the band thought would be it's final performance at Scranton's Montage Amphitheatre , in front of roughly 17,000 loyal fans. Despite 3 acts on the bill, it's safe to say that most of those people were there to see Dakota- a fact Tommy Conwell unfortunately found out too late (but he WAS a good sport about it). As a final tribute, the three remaining members created a local release, Lost Tracks , several tracks from which got large amounts of airplay on local radio, particularly the pop ballad All Through the Night , which spent 7 solid weeks on the Top 5 request list. Almost the entire album was done at (or perhaps in) Closet Studios. Bill Kelly eventually moved to Nashville, and is currently playing as guitar player/singer with Canadian artist Charlie Major. Jerry and Rick decided to try something new, and Rick's old friend, guitarist Eric Rudy (from Steph) was brought in to play and sing, forming the new band, Secret City . Meanwhile, Jerry and Rick also experimented with writing country music, and once again Michael Stahl was instrumental with connections, and they wound up getting the Oak Ridge Boys to record two of the songs. This led to them eventually landing a deal as staff writers at MCA Nashville. In 1989, Jimmy Harnen's song Where Are You Now? experienced a major resurgence, and wound up rocketing up the Billboard charts, landing at #10 on the Top 100 , and #3 on the Adult Contemporary Chart (now Jerry, Bill and Rick were the producers of a Top 10 U.S. single.) Jerry, Rick and Eric from Secret City joined guitarist Jon Lorance (from Synch II) and drummer Joe Bennish to form Jimmy's backup band, doing a small tour that played Sarasota, Fla. and Springfield, Mass., amongst other venues. Secret City's need for a "real" drummer soon became evident, and Robbie Spagnoletti was once again added to the line-up. Eric Rudy eventually left, and was replaced by Jon Lorance, or "JL" (from Synch & Jimmy Harnen). Within a few months, Robbie had decided to get out of bands for a while, and Dexter manned the drum seat again. Secret City lasted till around 1992, when Rick Manwiller decided to "go solo", and headed to ST. Thomas, USVI for the summer, then a 4-month European tour over the winter (sounds backwards, doesn't it? Well, it was...) Rick also recorded a solo album, another fine Mesozoic (which got several rave reviews in print.) Jerry and JL put together a country band called Pony Express (with ex-Dakota member Lou Cossa), as well as an acoustic duo. Later, a rock band was formed called Little Big , with rock singer Josette Miles (Josette later recorded an album for Escape Music, LTD, produced by Jerry and engineered by Rick.) In March of 1994, Jerry started to get feedback from across Europe that Dakota, despite spotty support in the states over the years, was a well-known and well-respected band there, and he eventually singed a deal with Escape Music to re-release a slightly modified Lost Tracks as Mr. Lucky (ESM-005) . The resulting success of the new release led to Jerry contacting Rick Manwiller to start writing together again, and put together today's version of the band. Jerry sings and plays bass, Rick handles keyboards, Jon Lorance plays guitar, and Jerry's son Eli plays drums. The Mr. Lucky album paved the way for The Last Standing Man (a reference to Jerry, the only remaining original member of Dakota), and the CD was released across Europe in September '97 and in Japan in February '98. Encouraged by the success of The Last Standing Man in Europe and Japan, Dakota went to work on their next studio project, Little Victories . Released in 2000, Dakota again found success overseas. Dakota is currently in the studio, working on their sixth album. The as-yet-untitled album will feature founding member Bill Kelly on several tracks. Editor's Note: The above-mentioned sixth album has been finished. Entitled, Deep 6 , the album was released in December, 2003.
01. A pseudonym of Trance DJ Mar… Read Full Bio ↴A lot of artists use the name "Dakota".
01. A pseudonym of Trance DJ Markus Schulz
02. An English Pop/Rock band (Ben Talbot, Aaron Whealen, Tom Davison, Robert Armitage)
03. A melodic rock band active from the late 70's to early 80's (Bill Kelly & Jerry G. Hludzik)
04. A collaboration of German progressive trance producers - Marc Engemann, Tobias Beyer & Daniel Torhoff (early 00's)
05. A German progressive rock / experimental band (Andreas Brüning, Rüdiger Klose, Tonio Scorpo), 90's
06. An alias of UK trance producer Dave Conway, a member of duo Sadie Glutz with Laurence Elliott-Potter
07. Hip-hop / downtempo producer from Wissembourg, France on Milled Pavement Records
08. Noise / punk band from Austin TX (90's)
09. Breakbeat/dub/experimental project from Pennsylvania, US (10's)
10. A Latvian country band
11. Blues-rock band from Colchester, UK
12. Progressive rock band from Massachusetts US (from mid 00's)
13. Female indie rock collective from Amsterdam, Holland. www.dakotamusic.nl
14. Metalcore band from Santa Rosa, CA (Harley Stears, Brandon Campbell, Michael Tishler, Jan Pechbrenner)
15. Alternative rock band from Cd. Obregon, Sonora, Mexico (Luz Haydeé Valenzuela, El Bran, Luis Cañedo, Clarissa Espinoza)
16. Los Angeles based country-rock / classic-rock band, founder - Bill Rotella
17. Female pop singer-songwriter from Jersey City, NJ
18. Indie-rock band from Auckland, New Zealand
19. A Norwegian country band originated with its roots from Ålen in Trøndelag municipality
01. Back as far as its turn-of-the-millennium origins, Markus' alter ego was always conceived as a channel through which he could explore the darker and more devoutly club side of his mind. "To me the audio that Dakota presents and the music which I put out under my own name stand totally apart. It's an entirely separate set of tempos, sound-ranges and FX rules. To have this studio 'other self' with which to produce this type of music is more important to me than ever", he says.
The first 'Thoughts' long-player proved nothing short of a revelation, drawing Schulz's productions into the CDJs of an entirely different type of DJ. Two years on and its sequel is on final approach. A fully floor-equipped, 14 track album, 'Thoughts Become Things II' again explores every cleft and crevasse of the prog/trance/techno/house panoply.
Stylistically 'Thoughts II' picks up precisely where the first album left off, in the deeply trenched progressive of 'Gypsy Room'. From there the unmistakable churning, techno glint of 'Red Star' and the shadowy atmospherics of 'Where It Went Wrong' continue to build the bridge between the two albums. Each one a Dakota device purpose built to send strobe-lit underground dance spots unrelentingly towards critical mass.
Expanding its style sheet further is the house-led thematic of 'Terrace 5AM. Recalibrating Moroder's immortal, discofied 'I Feel Love' bassline to 2011 levels, its set to become a much-demanded spin at Schulz's new Space Ibiza residency. Equally 80's inclined is 'Tears', who's poignant, film-noir channels Vangelis' enigmatic 'Blade Runner' theme.
Every bit as redolent is the low-tempo industrial roll of 'Katowice's dystopian main line, the flowing transcendental melod-prog of 'In a Green Valley' and 'Apollo' – the expansive, epic album dénouement.
Dakota fans' first contact with 'Thoughts II' will inevitably have come through the propulsive twin-turbines of its first two singles… Together, over the last three months, 'Sinners' and 'Sleepwalkers' have nitro-injected Schulz's sets time and time again. The latter has already developed its own early cult status, when its emergence during his set at ASOT500 pushed Schulz into Twitter's worldwide trending top 10.
'Thoughts Become Things II' holds back its toughest sonic punches till last, with a closing track triumvirate. The gated synthery of 'Miami', the hard-ratcheting white-knuckle-tension of 'Cape Town' and stridently riffed, big-room suspense of 'Saints' all collectively producing the album its mighty endgame.
As with its first instalment, 'Thoughts Become Things II will have resonance with DJs of numerous electronic dance disciplines. With barely a track over the 130bpm mark and referencing many a dance sub-genre, it is this summer's most intrepid, creative long-player.
02. A Brief History of Dakota
by: Rick Manwiller, Dakota Keyboardist and Unofficial Historian
The strange saga of Dakota begins WAY back in the early 70's in Northeast Pa., with a band called The Buoys and a million-selling single called Timothy. The song, written by Rupert Holmes (The Pina Colada Song), was supposedly about the local Sheppton mine disaster, during which cannibalism was rumored to have occurred. Years later, another Holmes song, Give Up Your Guns, became a European hit and is still played on Euro-radio to this day. The band was spearheaded by lead singer/guitarist Bill Kelly, and also featured Jerry Hludzik on guitar and vocals. The two eventually broke off from the group to form The Jerry-Kelly Band , using members from popular local bands. Thanks to the efforts of long-time friend Michael "Dad" Stahl , (who was working for Claire Brothers Audio, doing house mix for the band Chicago) drummer Danny Seraphine and Rufus keyboardist Hawk Wolinski got a hold of a demo tape from the guys, and signed them to Columbia Records to record Somebody Else's Dream , the first and only Jerry-Kelly album. When it was time for the next Columbia release, the label felt it was time for a name change (I believe one comment was that the name 'Jerry-Kelly' sounded too much like the Irish Rovers). Drummer Gary Driscoll had left the band (and sadly, a few years later was murdered in an apparent case of mistaken identity) and producers Seraphine and Wolinksi had chosen John Robinson (also of Rufus, and quickly becoming one of the top studio session drummers in the world) to play drums for the now-drummer-less band. Rumor has it that John actually was the one who suggested the name Dakota, which Columbia thought was a great name. Therefore, it stuck... ...and Dakota was born. The first release yielded a regional hit across the country called If It Takes All Night (regional hit means that some radio stations played it, and most didn't). Michael Stahl was now working with a band called Queen, who were touring to support their album The Game. Michael worked his 'schmooze magic' once again, and Dakota wound up getting the nod to be the opening act, and a 35-date tour ensued. The band now consisted of Jerry Hludzik and Bill Kelly on guitars, Bill McHale on bass, Jeff Mitchell on keyboards, Lou Cossa on keys and guitar and new drummer Tony Romano. All sang but Tony, and the overall vocal sound was quite superb. ( Jerry and Brian May became fast friends.) At the time of the Queen tour , Columbia was feuding with Chicago, and the association with Danny Seraphine led to Dakota basically getting NO tour support. When it was over, it was "back to the bars" to start over. The crew at the time was Tom Cush /road manager/drum tech, Mike Keating /house mix and Dave "Waddy" Skaff /monitor mix/guitar & keyboard tech. Tom is now a big-time stock broker, Dave is out on tour with various name artists (U2, Steve Miller, etc.) and Mike (who does the main mix for Sting) took 1996 honors as Performance Magazine's "Live Soundman of the Year." Around the same time, in nearby Reading, Pa., Rick Manwiller was in a progressive rock band with guitarist Eric Rudy and drummer Spyro Sbilis, called Steph. Steph broke up in late 1981, and Rick heard through the grapevine that Northeast Pa. recording band Dakota was auditioning. He joined in early 1982. Less than a year later, he was off to Hollywood with Dakota to record Runaway (MCA-5502) , on the MCA/Full Moon label, engineered by Humberto Gatica, and produced by 'Hummy' and Danny Seraphine. Band drummer Tony Romano had left the group prior to the sessions, and Danny gladly pitched in and played drums on the album (also appearing on the album as players were guitarists Richie Zito and Paul Jackson, bassist Neal Steubenhouse, Rolling Stones sax-man Ernie Watts, Chicago singer Bill Champlin and Toto keyboardist Steve Porcaro). The bar scene had become quite taxing to the band members, and everyone decided to get away for a while: Jerry and Bill were doing their acoustic duo around NE Pa.; and Rick Manwiller and Bill McHale had skipped town to Bermuda to do their duo routine. Around the same time, another local band, Synch, was starting to write original music. Band leader Jimmy Harnen had, along with a friend, written a pop balled called Where Are You Now? . Jimmy was a big fan of Dakota, and wanted Bill and Jerry to get involved with the recording of a Synch EP. When Bill McHale officially left Dakota, Jerry convinced Jimmy to also hire Rick to help out with the Synch project. Rick actually wound-up co-producing and arranging Where Are You Now?, recorded at The Warehouse in Philadelphia. The song entered the Billboard Hot 100 Chart at 77, and eventually climbed into the Top Ten (more on that later.) When Runaway was set for release in July, 1984, Jerry, Bill and Rick started assembling a band to tour with. Syracuse drummer Robbie Spagnoletti was chosen, along with Tom Navagh on bass. Tom was later replaced with Robbie's friend, bassist Jim Fricano. This was the official 1984-5 lineup, but through the usual bad luck/bad politics syndrome that followed (it has since been re-dubbed "The Dakota Curse"), the Runaway album never got the proper promotion, and it 'withered on the vine'. As did the live tour... Jerry, Bill, and Rick decided they could only afford to maintain the nucleus of the band as a trio, and Rick's drum machine (affectionately dubbed "Dexter") was incorporated into the pseudo-4-piece band. (Dexter went on to become the most used drummer in NE Pa, playing on literally hundreds of studio sessions, by dozens of artists. He is currently in retirement at Rick's house, where he is used to "stud" small rhythm boxes). During this time, Jerry and Rick built Closet Studios in Rick's house, a small but high-quality 16-track facility, actually inside a walk-in closet. They also began to establish themselves as quality songwriting partners, as Bill became involved in non-musical things on his own. 1987 brought about the inevitable, as Dakota played what the band thought would be it's final performance at Scranton's Montage Amphitheatre , in front of roughly 17,000 loyal fans. Despite 3 acts on the bill, it's safe to say that most of those people were there to see Dakota- a fact Tommy Conwell unfortunately found out too late (but he WAS a good sport about it). As a final tribute, the three remaining members created a local release, Lost Tracks , several tracks from which got large amounts of airplay on local radio, particularly the pop ballad All Through the Night , which spent 7 solid weeks on the Top 5 request list. Almost the entire album was done at (or perhaps in) Closet Studios. Bill Kelly eventually moved to Nashville, and is currently playing as guitar player/singer with Canadian artist Charlie Major. Jerry and Rick decided to try something new, and Rick's old friend, guitarist Eric Rudy (from Steph) was brought in to play and sing, forming the new band, Secret City . Meanwhile, Jerry and Rick also experimented with writing country music, and once again Michael Stahl was instrumental with connections, and they wound up getting the Oak Ridge Boys to record two of the songs. This led to them eventually landing a deal as staff writers at MCA Nashville. In 1989, Jimmy Harnen's song Where Are You Now? experienced a major resurgence, and wound up rocketing up the Billboard charts, landing at #10 on the Top 100 , and #3 on the Adult Contemporary Chart (now Jerry, Bill and Rick were the producers of a Top 10 U.S. single.) Jerry, Rick and Eric from Secret City joined guitarist Jon Lorance (from Synch II) and drummer Joe Bennish to form Jimmy's backup band, doing a small tour that played Sarasota, Fla. and Springfield, Mass., amongst other venues. Secret City's need for a "real" drummer soon became evident, and Robbie Spagnoletti was once again added to the line-up. Eric Rudy eventually left, and was replaced by Jon Lorance, or "JL" (from Synch & Jimmy Harnen). Within a few months, Robbie had decided to get out of bands for a while, and Dexter manned the drum seat again. Secret City lasted till around 1992, when Rick Manwiller decided to "go solo", and headed to ST. Thomas, USVI for the summer, then a 4-month European tour over the winter (sounds backwards, doesn't it? Well, it was...) Rick also recorded a solo album, another fine Mesozoic (which got several rave reviews in print.) Jerry and JL put together a country band called Pony Express (with ex-Dakota member Lou Cossa), as well as an acoustic duo. Later, a rock band was formed called Little Big , with rock singer Josette Miles (Josette later recorded an album for Escape Music, LTD, produced by Jerry and engineered by Rick.) In March of 1994, Jerry started to get feedback from across Europe that Dakota, despite spotty support in the states over the years, was a well-known and well-respected band there, and he eventually singed a deal with Escape Music to re-release a slightly modified Lost Tracks as Mr. Lucky (ESM-005) . The resulting success of the new release led to Jerry contacting Rick Manwiller to start writing together again, and put together today's version of the band. Jerry sings and plays bass, Rick handles keyboards, Jon Lorance plays guitar, and Jerry's son Eli plays drums. The Mr. Lucky album paved the way for The Last Standing Man (a reference to Jerry, the only remaining original member of Dakota), and the CD was released across Europe in September '97 and in Japan in February '98. Encouraged by the success of The Last Standing Man in Europe and Japan, Dakota went to work on their next studio project, Little Victories . Released in 2000, Dakota again found success overseas. Dakota is currently in the studio, working on their sixth album. The as-yet-untitled album will feature founding member Bill Kelly on several tracks. Editor's Note: The above-mentioned sixth album has been finished. Entitled, Deep 6 , the album was released in December, 2003.
Sinners
Dakota Lyrics
We have lyrics for 'Sinners' by these artists:
Aquilina Lauren Our lives are stores, waiting to be told In search of…
Barns Courtney Fortune, fortune, smiling fate I haven't seen you much of la…
Ben Wells and the Middle Names A Sinner sink, or Sinner swim, Wash the dirt off ocean…
Benjamin Amaru Set Fire, we could really done for real Burned it, science…
big bang - taeyang Jeo haneure hansumeul baetji, Ppalgan noeuri nune deureowan…
Christine Owman Sinners (Music & Lyrics by Christine Owman) How can I be…
creedo I miss them cloudy nights I miss them raining days Before da…
Dallax Where are we supposed to go from here? Yeah Traveling on…
Dd luxz Get out of my head And on to the tip of…
Demxn Take a hit it go straight to my veins Already looking…
Drowning Pool Bend me, shape me Misdirect me It's all the same to me Look…
Everyone you know Nobody′s ever said it, so I'll say it first We can…
For I Am King Bloodshed and malice I will spread for the human race I…
Herman Frank Called me by name – I would raise all delight And…
Hypernova I'm not afraid To believe That the Gods are crazy and the…
Inmost Ego Always looking for this one pray Stoned by the godless crave…
J. Anthony Brown Spinning in circles, live my life without rehearsal If I die…
Jacob Miller Sinners gonna weep some more, whoah They can't hide for sure…
Jim Bianco My friends and I are sinners each and every one* I…
Justin Hinds & The Dominoes Pecadores, onde você vai correr? Onde você vai se esconder? …
K.A.T.A. Ha ha ha Woah Born Sinner I don't fit in the…
Lauren Aquilina Our lives are stories waiting to be told In search of…
Lauren Aquilinas Our lives are stores, waiting to be told In search of…
Leeboy Yeah, dont play around with no pigs cause I…
Lemon Wax Standing outside in the rain We could go inside if you…
LGND The Dirty kind live 30 lives, behind a curtain closed…
Lior Holzman She said she don't want to be alone in the…
Little Brother [Intro - Phonte] Lord forgive us We all look for guidance …
Little Brothers [Intro - Phonte] Lord forgive us We all look for guidance Go…
Lo-kee Into the fire, into the fire I'm falling Better the devil…
Madleaf Hey brother taking control I got a better view of you. Hey…
Maick-I Heavy lies the crown ima put one on my wrist Where…
Marcus and the Rebels Restless sinner, rest in sin, He's got no face to hold…
Matthew & Me Yes baby imma sinner When you come into my coast lemme…
Nic Koray & Band Welcome to a place where we once were lost but…
No PT They just talk a lot trust me I know that…
Pineapple Thief Purest eyes, Your purest eyes Can see the things I…
Rekuiem born into this world we are clean soon the battle will…
Requiem-X Yah yah yah And I say Eyah yah yah yah (Reachwaves, reachwav…
S.H.O.T. Okay hey, huh, hey, huh... I say All the b****s i done…
Savvy Ani Sinners A sinner’s a sinner I’ll only Be sinning With you …
Spellman Twinz Trying so hard to see right through All your flaws but…
The Cramps Well, I tell you sinners, sinners You're gonna go down ther…
The Pineapple Thief Purest eyes, Your purest eyes Can see the things I…
The Temple Woke up to the evening, kissed my cup of wine Neighbor…
TheKidBhart Chopper with a beam on it Love my Nina put a…
Tommy Trash We used to live in the other lines Just following behind Som…
White Walls I see you burning in a purple flame I see you…
We have lyrics for these tracks by Dakota:
All in My Head I think that you don't care And it's more than I…
All Through the Night Nameless ganggg Trappin' and juggin' all through night Ye…
All Thru' The Night It's Friday night I'm on my way I got the cooler…
Angry Men Sea breezes, soothing breezes come my way wake me to the…
Changes I've been down in my mind, haven't loved in some…
Chinook Take me back to the black hills The black hills of…
Dear Love When you sit by yourself at the end of the…
Dreams Dreams can come true, oh whoa, ooh Dreams can come true,…
Džokonda Iekrīt nomodā, iekrīt miegā laiks Kad tavos matos aizplūst P…
Fast Car Oh, oh, oh Oh, oh You got a fast car I want a…
Findin' You Tonight Someday, when I'm awfully low And the world is cold I will…
Friday On My Mind Monday mornin' feels so bad Ev'rybody seems to nag me Comin'…
Good Old Time La la la la la la la La la la la…
Hot Summer Night I wish that I could say In my 30's, "man I…
Interlude I've been trying To see you Summer almost over And no word f…
It Gets Easier Boutta put this shit on flip mode Feels like my head…
Ko tu teiksi rīt? Kāpēc no manis tu gribi to, ko negribu es Tāpat es…
Kurtizāņu ugunskurs Kur tavi smiekli, kur tavas asaras? Pāri no visa nav palicis…
Leave Me Out I tried to pretend that I didn't care But now I…
Let Go Well I've seen the waters Seen it rain and pour Standing at…
Long Hot Summer These days and nights go by We lead our secret lives If…
Lost in Brixton I watched the seasons come and go From Summer heat to…
Mans ceļš Tas mans ceļš, kas nav vairs sākumā Bet vēl nav izbeidzies,…
Mr Lucky YOU'VE GOT CLASS AND STYLE IN THE WAY YOU WALK BUT…
My Turn Now What now my love Now that you left me How can I…
Naktstauriņu karnevāls Nobirst ziedi stikla vāzē Reiz bez vārdiem dāvātie Nogrimst …
One For Heart What can I do Now that you say we're through I'm left…
Over and Over I don’t wanna to start like this All teared out Sitting in…
Papīra lidmašīna Laikam laika nav Viņš tāpat kā vējš apdzen mani ceļmalā Un e…
Piektdienas vakars Jau darba diena atkal iet uz beigām Un bodnieks savu veikalu…
Pirmdienas rīts Vakardiena atkal man kaut kur Pazudusi mazliet Šodien negrib…
Possession Possession, you've got a hold on me Possession, possession …
Promises Girl, you're every breath I take Oh baby, Your love rules e…
Remember Me Will you remember me tomorrow Will we ever feel the same We'…
Runaway I've seen the world, been to many places Made lots of…
Sand Ooh Yea There's a picture inside my mind Of a place of…
Sievietei Sieviete tavs vārds ir nakts Gribu tavā klēpī paslēpties Lai…
Somebody elses dream (V1) Well, here I am With my pride in my hand, all…
Sorry ch I'm sorry I didn't mean to let you down cnd…
Struggles With A Heart What can I do Now that you say we're through I'm left…
The Next Time If you got a good girl, hold her tight Cause these…
Timothy Trapped in a mine that had caved in And everyone knows…
Tonight Could Last Forever well i might have been lonely, i don't know maybe looking…
Vakariņas 5-atā Lai šis vakars izpaliek bez dažām dziesmām Gaida īrēts liela…
Water cye, aye, aye, woah cye, aye, aye, yeah Get it, get it,…
When the Rebel Comes Home He's a refugee from the highway Out there fighting for years…
Window Late yesterday night, I saw a light shine from a…
Wish Our path followed the sun The bright, but not the wise White…
You can be Don't you want my love anymore? Can't believe your heart is…
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@chelseaaxel1
In a Green Valley, Tears & Sinners the best track's of Dakota! (:
@GamefanTeam
Awesome track! #SaveTrance
@tricksterdaclair
MARKUS SCHULZ FOR THE WIN!!! This track's totally insane ! Another well done job by Schulz
@girasol911zoom
Found it!!
@alann922
The Best !
@JonsProductionsxxx
Markuz is tha best-!
@MrJotDog
this didn't deserve the remix title, the sound changed completely and to me this one sounds better
@fernandojcl29
this is once of my favorite of this album :D
@zueyyy
Fuark I'm smacking out hard right now
@bedussy77
PeAk 4 LiFe!