Dempsey's earliest musical influences were the post-pub singsongs that his parents used to have at their home when he was a toddler. Good, bad or indifferent, everyone had to sing. Today his unique sound reflects the influence of traditional Sean-Nós as well as his musical heroes: Bob Marley and Elvis Presley.
After completing his secondary education,Dempsey went on to the Ballyfermot "Rock School" for 2 years where he studied musical performance as well as the practical side of the music industry. The school had its own small record label and star students were awarded a release on the label. Damien was chosen for that honour and the EP, "The Contender", was released in 1995.
In 1997 "Dublin Town", Dempsey's first commercial single, reached No. 18 in the Irish charts. Ireland's HOT PRESS remarked that it was "..an underground anthem for disaffected youth and closet balladeer alike". A re-recorded version of the song appeared on Dempsey's first album; "They Don't Teach This Shit In School" released in 2000.
His next release, the "Negative Vibes EP", (2002) featured Sinéad O'Connor on the title track and led to an invitation to support Sinéad on her 2002/2003 Irish, UK and European tour.
Dempsey's second album, "Seize the Day", was released May 2003 in Ireland on Clear Records via Sony and entered the charts first week of release at No. 5. It has since achieved double-platinum sales. Released in May 2004 in the UK on IRL, the album was awarded "CD of the Week" in the Sunday Times and received enthusiastic reviews in the National and music press.
Nominated in 4 categories in the 2004 Irish Meteor Awards, Dempsey walked away with two, the only 2004 double winner.
A documentary, "It's All Good: The Damien Dempsey Story" by independent filmmaker Dara McCluskey, that followed Dempsey's career progression up to the release of "Seize the Day", was broadcast on Ireland's national TV station RTE and shown at film festivals in Ireland and New York.
During 2004, Dempsey toured extensively headlining his own shows as well as supporting Bob Dylan during the Irish leg of his European tour and making his debut appearances at The Fleadh and Womad.
Dempsey has earned the passionate support of his peers, one of whom is Morrissey who invited him to support him on various UK and Irish dates as well as his autumn 2004 US tour. Morrissey went on to sign Dempsey to his Attack label, and "Seize the Day" had its U.S. release in October 2004.
His third album, "Shots", simultaneously released in Ireland and the UK in March 2005, entered the Irish album charts at Number 1 and achieved platinum status in December 2005.
In February 2006, Dempsey increased his Meteor Awards by winning in The Best Irish Male category.
Recorded in December 2005 at Dublin's Olympia Theatre and released in June 2006 in both Ireland and the UK, Dempsey's first live album, "Live at The Olympia", entered the Irish album chart at Number 10.
Colony
Damien Dempsey Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
How many years and you're still not free
And your mother cries and you ask god why
Greed is the knife and the scars run deep
How many races with much reason to weep
And your children cry
And you ask god why
The TB came and killed her family all around
Population booms
Eleven in two rooms
Katie she came from down Townsend street
Ten in a bed and no shoes on their feet
1916 came
They played the patriots game
Freddy, he came from the Iveagh flats
Tenement slums and infested with rats
Sleeping on damp straw
Trying not to break the law
Thomas, he came from Kilmaine in Mayo
Semi starvation was the only life you'd know
In a two room shack
Then jailed in Letterfrack
I look to the east, I look to the west
To the north and the south, and I'm not too impressed
Time after time
After crime after crime
They raped, robbed, pillaged, enslaved and murdered
Jesus Christ was their god and they done it in his name
So he could take the blame if it's not all a game
With bible in one hand and a sword in the other
They came to purify my land of my Gaelic Irish mothers
And fathers, and sisters and brothers
With our own ancient customs, laws, music, art
Way of life and culture
Tribal in structure
We had a civilization
When they were still neanderthal nations
We suffer with the Native American, the Indian in Asia
Aboriginal Australia
The African people with their history so deep
And our children still weep and our lives are still cheap
You came from Germany, from France, from England
And from Spain
From Belgium and from Portugal
You all done much the same
You took what was not yours
Went against your own bible
You broke your own laws
Just to out do the rival
But did you ever apologize
For the hundreds and millions of lives
You destroyed and terrorized
Or have you never realized
Did you never feel shame
For what was done in your country's name
And find out who's to blame and why they were so inhumane
And still they teach you in your school
About those glorious days of rule
And how it's your destiny to be
Superior to me
But if you've any kind of mind
You'll see that all human kind
Are the children of this earth
And your hate for them will chew you up and spit you out
You'll never kill our will to be free, to be free
You'll never kill our will to be free, to be free
You'll never kill our will to be free, to be free
Inside our minds we hold, hold the key
The song "Colony" by Damien Dempsey is a powerful commentary on the legacy of colonialism and its ongoing impact on oppressed communities. It reflects on the struggle for liberation and dignity from the perspective of those who have been colonized, oppressed, and dehumanized. The lyrics express a deep sense of pain, anger, and resistance against the widespread injustices inflicted by the colonizing forces on the dominated people.
The opening line "I sing the song of the colony" establishes the theme of the song, which is the story of the suffering and oppression endured by colonized people. The subsequent lines highlight the persistence of oppression despite the passage of time and the enduring nature of the wounds inflicted by colonialism. The chorus, "You'll never kill our will to be free," expresses the determination of the colonized people to resist and overcome the shackles of oppression.
The song also pays tribute to the specific struggles of different communities that have faced the brutality of colonialism. The verses recount the stories of Annie from Dunlavin Town, Katie from Townsend Street, Freddy from the Iveagh flats, and Thomas from Kilmaine in Mayo. These names and places symbolize the wider history of Ireland's colonization and illustrate how the Irish people suffered from brutal oppression and exploitation at the hands of their colonizers. The song also makes clear references to the colonizing forces' use of religion and military power to subjugate and control the colonized people.
Overall, "Colony" is a powerful song that speaks to the ongoing struggles of colonized communities and the need to resist and overcome that oppression in order to achieve true freedom and dignity.
Line by Line Meaning
I sing the song of the colony
The singer is singing about the experiences of colonized people.
How many years and you're still not free
Despite years of struggle, the colonized people have yet to gain freedom.
And your mother cries and you ask god why
The colonized people's suffering is so great that they question the existence of God.
Greed is the knife and the scars run deep
The colonized people have been hurt deeply by the greed of their oppressors.
How many races with much reason to weep
There are many different races of people who have suffered under colonialism.
And your children cry
The cycle of suffering continues through the generations.
And you ask god why
The singer repeats that the colonized people are questioning the existence of God.
Annie, she came from Dunlavin Town
The artist introduces Annie, a person from the town of Dunlavin.
The TB came and killed her family all around
Annie's family died from tuberculosis.
Population booms
There were many people limited to just a few rooms.
Eleven in two rooms
11 people lived crammed into 2 rooms.
Katie she came from down Townsend street
The artist introduces Katie, a person from Townsend street.
Ten in a bed and no shoes on their feet
The children had to sleep in a crowded bed without shoes on their feet.
1916 came
This is a reference to the Easter Rising in 1916.
They played the patriots game
The Irish people rose up in a nationalist movement to fight against British colonial rule.
Freddy, he came from the Iveagh flats
The artist introduces Freddy, a person from the Iveagh flats.
Tenement slums and infested with rats
The area where Freddy lived was a poor, slum-like neighborhood with rat infestations.
Sleeping on damp straw
Freddy had to sleep on uncomfortable, damp straw.
Trying not to break the law
The singer implies that it is difficult to survive in these areas without resorting to crime.
Thomas, he came from Kilmaine in Mayo
The artist introduces Thomas, a person from Kilmaine in Mayo.
Semi starvation was the only life you'd know
Thomas had to live a life of semi-starvation due to lack of resources.
In a two room shack
Thomas lived in a very small, modest dwelling.
Then jailed in Letterfrack
Thomas was eventually jailed in Letterfrack, a reformatory school.
I look to the east, I look to the west
The artist is searching for answers everywhere.
To the north and the south, and I'm not too impressed
The singer is dissatisfied with what they find.
Time after time
Throughout history.
After crime after crime
After committing one atrocity after another.
They raped, robbed, pillaged, enslaved and murdered
Colonizers have committed many horrific acts against colonized people.
Jesus Christ was their god and they done it in his name
Many colonizers committed atrocities in the name of Christianity.
So he could take the blame if it's not all a game
The singer introduces the idea that Christianity and colonialism may be seen as a game.
With bible in one hand and a sword in the other
Colonizers used religion as a tool of oppression alongside violence.
They came to purify my land of my Gaelic Irish mothers
The colonizers came to oppress and destroy the native culture of the Irish people.
And fathers, and sisters and brothers
The colonizers aimed to eliminate entire families and communities.
With our own ancient customs, laws, music, art
The Irish had their own unique culture that was destroyed by colonialism.
Way of life and culture
The colonizers aimed to destroy everything that made the Irish people unique.
Tribal in structure
The Irish people had a complex, connected society that colonizers sought to break apart.
We had a civilization
The Irish had their own well-established culture and society.
When they were still neanderthal nations
The singer implies that colonizers were less advanced and human than the colonized people.
We suffer with the Native American, the Indian in Asia
The Irish people are in solidarity with other colonized people.
Aboriginal Australia
The artist includes Australia’s indigenous population in this conversation on colonization.
The African people with their history so deep
The artist includes Africa’s population.
And our children still weep and our lives are still cheap
Colonization continues to have lasting effects on the current day.
You came from Germany, from France, from England
The colonizers came from various nations.
And from Spain
Spain also participated in colonization, including in Ireland.
From Belgium and from Portugal
These two countries were also colonizers.
You all done much the same
Regardless of what country they came from, colonizers did the same things to colonized people.
You took what was not yours
Colonizers took what did not belong to them. Including the lives and land, of colonized people.
Went against your own bible
Colonizers did not practice the morals promoted by Christianity.
You broke your own laws
Colonizers did not adhere to the laws of their own nation.
Just to outdo the rival
Colonizers committed atrocities against others in order to become more powerful in the colonial world.
But did you ever apologize
The singer questions if colonizers have ever apologized for their atrocities.
For the hundreds and millions of lives
Colonizers have taken many lives through their actions.
You destroyed and terrorized
Colonizers destroyed lives, cultures and terrorized others.
Or have you never realized
The singer wonders if colonizers understand the extent of their actions and the pain they caused.
Did you never feel shame
The singer challenges colonizers to feel shame for their actions.
And find out who's to blame and why they were so inhumane
The artist encourages colonizers to investigate why they acted cruelly towards other humans.
And still they teach you in your school
There are many people who still teach children the false history of colonization.
About those glorious days of rule
Many people still speak positively about the days of colonization and how they brought civilization.
And how it's your destiny to be
These people assert that certain countries were destined to be better off than the rest of the world.
Superior to me
They imply that some people are superior to others based on race and status as colonizers or the colonized.
But if you've any kind of mind
The singer believes that people who are intelligent and compassionate cannot accept the lies about colonization.
You'll see that all human kind
All humans are a part of the same global community.
Are the children of this earth
We all share the same planet.
And your hate for them will chew you up and spit you out
Hate for others will lead to self-destruction rather than success or happiness.
You'll never kill our will to be free, to be free
The colonized people will never give up on their desire for freedom.
Inside our minds we hold, hold the key
The singer believes that the desire to be free is one of the most powerful things a person can hold within their mind.
Lyrics © O/B/O APRA AMCOS
Written by: DAMIEN JUDE PATRICK DEMPSEY
Lyrics Licensed & Provided by LyricFind
Campbell Mangoleso Casteel
Listening back to this years later, shedding a tear.. what a powerful song. i remember seeing this live, the chanting for the last part was euphoric, almost revolutionary feeling. Now in 2020 this song has even more power
Asier Urteaga
@CK Palmeiras Im Basque, and personaly the situation explained in the song could fit in any culture under forced asimilation proccess, from atlantic coasts to Hokaido islands.
Sile O'Donoghue-Bergin
Damien is absolutely brilliant...Amazing 🎵song...love his voice...he's 👍great...and Irish.....Greeting from 🇮🇪 Ireland
Megan Canapary Sears
Just recently discovered Damien 🎸
Ricardo
@CK Palmeiras I agree, but the feeling of the song is so Irish, It refers the Irish history in such a beautiful way.
CK Palmeiras
@Ricardo I’m Irish, but this song is bigger than just Irishness. It’s anybody made crawl by thugs
Ethan Murray
Damien dempsey is a legend for this song!! History lesson in a song, unreal!
Gangster Times
One of the greatest Irish songs
M Duffin
One of the greatest songs ever written!! Great stuff Damo!
Charles Kelly
I thought our music was over with Brady, Christy and Andy Irvine until I discovered Damien!!! GREAT!