Pariah
Danielle Dax Lyrics


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An acid-bath
For sloganeers
Who have sent their lambs
To the slaughter

Never mindful
Of wayward kin
Who would sell their souls
For a quarter

I've been on the other side

In the darkness
The gunshots echo
And wine won't stifle
Their bastard pride

Torches burning
Their numbers growing
With ill-intent
As they prowl the night

I----------
I've been on the other side

Walking sick sick
They walking the town
Walking sick sick
They walking the town
Walking sick sick
They walking the town
Walking sick sick
They walking the town

Call the man
Who will lead the clan
An avenging angel
Unhallowed tone

Baron Samedi
As only saviour
Disturbed from slumber
To walk alone

I----------
I've been on the other side

Walking sick sick
They walking the town
Walking sick sick
They walking the town
Walking sick sick
They walking the town




Walking sick sick
They walking the town

Overall Meaning

The lyrics to Danielle Dax’s song “Pariah” are quite enigmatic, touching on themes of violence, betrayal, and alienation. The song may be interpreted as a commentary on the power of propaganda and slogans that blind people to the consequences of their actions. The opening lines, “An acid-bath for sloganeers who have sent their lambs to the slaughter” suggest that the people who use slogans carelessly, with little thought or concern for the impact they may have on others. The image of an “acid-bath” conjures up an extreme, almost violent reaction, suggesting that there will be harsh consequences for those who are duped by such rhetoric. The metaphor of “lambs to the slaughter” underscores the idea that people are being sacrificed for some greater purpose, without regard for their well-being or safety.


The second stanza shifts to the first-person point of view, with the singer confessing, “I’ve been on the other side.” The line implies that the singer has experienced something traumatic, possibly witnessing or participating in acts of violence. The gunshots that echo in the darkness, and the visceral image of “their bastard pride,” suggest that the singer has been a victim of some kind of extremist group or mob. The image of torches burning and numbers growing with ill-intent, as they prowl the night, suggests that the singer has encountered a dangerous gang or cult. The repetition of “I’ve been on the other side” reinforces the idea that the singer feels isolated from the rest of society, having seen things or been involved in things that others have not.


As for the walking sick sick refrain, it seems to be a rallying cry, a way of emphasizing the condition of the singer and others who have been affected by some kind of violence, abuse, or trauma. It is repeated several times, suggesting that it is a kind of mantra that helps the singer to endure. The final stanza introduces the idea of a savior, in the form of Baron Samedi, the Haitian deity associated with death and resurrection. The image of an avenging angel with an unhallowed tone suggests that this is not a traditional heroic figure, but rather someone unusual or unexpected. The use of the phrase “Disturbed from slumber” implies that Baron Samedi has been awakened from a state of inactivity or dormancy, which could suggest that he is rising to the challenge of protecting those who have been victimized. The final repetition of “I’ve been on the other side” suggests that the singer still feels isolated and disconnected from others, but is perhaps beginning to find hope in the idea of a savior.


Line by Line Meaning

An acid-bath
A destructive process


For sloganeers
For those who speak without thinking


Who have sent their lambs
Who have sacrificed the innocent


To the slaughter
To their own destruction


Never mindful
Completely unaware


Of wayward kin
Of those who are lost or misguided


Who would sell their souls
Who are willing to do anything for money


For a quarter
For a small amount of profit


I've been on the other side
I have experienced what they have not


In the darkness
In the shadows where they thrive


The gunshots echo
The sound of violence


And wine won't stifle
And alcohol won't numb


Their bastard pride
Their twisted arrogance


Torches burning
Flames lighting up their way


Their numbers growing
They are multiplying


With ill-intent
With harmful purposes


As they prowl the night
As they move with predatory behavior


Walking sick sick
A description of their state of being


They walking the town
They are present in the community


Call the man
Summon the leader


Who will lead the clan
Who will gather and direct them


An avenging angel
A destructive figure


Unhallowed tone
A message of evil


Baron Samedi
A powerful figure in voodoo folklore


As only saviour
As the only hope


Disturbed from slumber
Awakened from a dormant state


To walk alone
To undertake a solitary mission




Contributed by Carter G. Suggest a correction in the comments below.
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Most interesting comment from YouTube:

Jim Fitton

Hey I didn't noticed until you mentioned it. This version seems to be:
Avenging creature from putrid hole
……......disturb their slumber
uproot their crosses that start to rot.

where as the original is:
Avenging angel, unhallowed tone,
Baron Samedi as only* saviour
disturbed from slumber to walk alone.

*sometimes she uses the word token instead of only.



All comments from YouTube:

Matt Saunders

What a talent. Shame she didn't get much mainstream recognition but she certainly still has a strong cult following.

Olivier Swingedau

je ne comprends pas son manque de succès, elle est sublime.....

Gorky M.

This girl was a talent indeed!!! Saw her live and will never forget her show! She opened up for "Sisters of Mercy"

Alex Koppert

This girl is(!) a talent indeed!!!

JimmyTGoose

And i bet she slayed them !

Beckinsale

Ms. Dax was light years ahead of other artists at that time. Love her!

Beano Bawz

Nine years into the future since you posted this, and Danielle Dax is still light years ahead of all the buskers and ballbags people listen to now

michael thompson

This woman was only limited by the technology, The sound is still years ahead of now but the visuals are positively '80s.

Andrew

What an amazing track one of her best. Saw her many times back in the eighties there was so much rubbish but so much good stuff

Richard Macleod

To me this is what the Goth scene was about, each band/singer with their own sound their own look.

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