Danny Howells was born in the South East England town of Hastings in 1970. … Read Full Bio ↴Danny Howells was born in the South East England town of Hastings in 1970. Howells's first event DJ-ing came in the late 1980s and he began to perform at local clubs. In 1991, Bedrock founder John Digweed heard one of Howells's mix tapes and invited Howells to join the Bedrock club nights. Howells traveled with Bedrock until they settled at the club Heaven in London. He would spend nine years as warm-up DJ for Digweed at Bedrock.
In 1995, Howells began producing experimental techno tracks with fellow Hastings native, Tim Cross, under the moniker Squelch. Over the next two years, Squelch produced several singles and attracted the attention of the record label Jackpot, who released what would be Cross's and Howells's final single together. In 1997, Cross and Howells split, though Howells stayed with Jackpot. Jackpot teamed Danny Howells up with Rob Green to produce a remix of React 2 Rhythm's "Intoxication". Howells performed for the first time outside of the UK, traveling to Holland for his first gig abroad, which gained him a large fan base there. Following his international tour, Howells signed with Dutch record label ID&T to create his debut mix album, Nightlife Report 1: Mick Boskamp Presents Danny Howells. Howells and Green continued to work together, including on a remix of Robbie Williams's "South of the Border. Howells began to produce solo as well, taking on projects such as Ashtrax's "Kafka" and BT's "Dreaming".
In 1999, Danny Howells began his Nocturnal Frequencies series of mix albums on the record label Obsessive. He also began remixing with Dick Trevor, and the two soon adopted the name Science Department for their original productions. Howells continued his live DJ-ing, playing regularly at clubs including Bedrock, Renaissance, Cream, and Ministry of Sound. After the release of his next Nocturnal Frequencies album, Howells left Bedrock and Ministry of Sound, taking a residency at Twilo in New York City. After finishing the Science Department track "Breathe", Howells compiled his next mix album Nubreed 002. The second entry in Global Underground's Nubreed series, Howells's album consisted largely of funky, progressive, tech house. Howells was voted number ten of the world's top DJs in DJ Magazine's 2001 Top 100 DJs poll.
Howells continued his relationship with Global Underground, releasing the first album in their 24:7 series in July 2003. The first disc features a primarily downtempo or chill out music, similarly to Nick Warren's Global Underground 024: Reykjavik, while the second is more of a club mix.
In 2005, Global Underground brought in Howells for the 27th entry in their series. Howells entry, Global Underground 027: Miami, is based on his 31 October 2004 performance at Club Space in Miami, Florida. The first disc is based on his morning set and the second disc on his late night set.
In 2008 he launched his own record label "Dig Deeper", initially as a means of showcasing his own productions, but more recently featuring many new and established artists. In 2011 he released the first compilation on this imprint, entitled "Phase One".
http://www.dannyhowells.com
In 1995, Howells began producing experimental techno tracks with fellow Hastings native, Tim Cross, under the moniker Squelch. Over the next two years, Squelch produced several singles and attracted the attention of the record label Jackpot, who released what would be Cross's and Howells's final single together. In 1997, Cross and Howells split, though Howells stayed with Jackpot. Jackpot teamed Danny Howells up with Rob Green to produce a remix of React 2 Rhythm's "Intoxication". Howells performed for the first time outside of the UK, traveling to Holland for his first gig abroad, which gained him a large fan base there. Following his international tour, Howells signed with Dutch record label ID&T to create his debut mix album, Nightlife Report 1: Mick Boskamp Presents Danny Howells. Howells and Green continued to work together, including on a remix of Robbie Williams's "South of the Border. Howells began to produce solo as well, taking on projects such as Ashtrax's "Kafka" and BT's "Dreaming".
In 1999, Danny Howells began his Nocturnal Frequencies series of mix albums on the record label Obsessive. He also began remixing with Dick Trevor, and the two soon adopted the name Science Department for their original productions. Howells continued his live DJ-ing, playing regularly at clubs including Bedrock, Renaissance, Cream, and Ministry of Sound. After the release of his next Nocturnal Frequencies album, Howells left Bedrock and Ministry of Sound, taking a residency at Twilo in New York City. After finishing the Science Department track "Breathe", Howells compiled his next mix album Nubreed 002. The second entry in Global Underground's Nubreed series, Howells's album consisted largely of funky, progressive, tech house. Howells was voted number ten of the world's top DJs in DJ Magazine's 2001 Top 100 DJs poll.
Howells continued his relationship with Global Underground, releasing the first album in their 24:7 series in July 2003. The first disc features a primarily downtempo or chill out music, similarly to Nick Warren's Global Underground 024: Reykjavik, while the second is more of a club mix.
In 2005, Global Underground brought in Howells for the 27th entry in their series. Howells entry, Global Underground 027: Miami, is based on his 31 October 2004 performance at Club Space in Miami, Florida. The first disc is based on his morning set and the second disc on his late night set.
In 2008 he launched his own record label "Dig Deeper", initially as a means of showcasing his own productions, but more recently featuring many new and established artists. In 2011 he released the first compilation on this imprint, entitled "Phase One".
http://www.dannyhowells.com
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Danny Howells Lyrics
We have lyrics for these tracks by Danny Howells:
Hot on the Heels of Love I'm hot on the heels of love Waiting for help from…
Papa Was A Rolling Stone It was the third of September; that day I'll always…
Sexual Li da di Li da di Li da di da…
You Can't Go Home Again And here's a story about being free…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@WisdomHouseCreative
Track 2 by NuBreed is one ofthe best progressive tracks of all time. Would still hold up in any club today.
@Original-Juice
better than 90% of the shit out there today. it's masterful as well as the track that immediately follows it.
@McDonnell1993
Deceptions - Deep Under. One of the funkiest little drum beats to get the feet stomping and the head wobbling. Lovely stuff.
@discodroidz429
facking loved tilt back in the day. Quality prog house for the soul.
@Original-Juice
@1:03:42 - We've all been so fortunate to have been in front of some BIG Speakers for a part like this
@arndsiepert2475
old memories popping up...i bought this double album ages ago. And i would have loved to see this style of psychedelic house music to swap over into Berlin clubs. but it never happened. Anyway....very unique.
@0rajjr0
Beautiful piece of work. Still one of my favorites. Hard af too.
@0rajjr0
Beautiful ending to a beautiful ride.
@esterherrero3773
tremendos¡¡¡ muy para estar a los saltos en la pista de baile....muy arriba...te deja descansar un brevisimo instante y arranca de nuevo al palo con bajos muy acelerados. Destaco el excelente uso de herramientas accesibles para todos como el efecto delay o el efecto eco, muy usado en las voces de este set. llego a ellos por melomania pura, puse el toronto gu de deep dish y busco en la lista de artistas que usaron. llegue y estoy muy arriba, es el disco dos, me imagino como sera el disco uno. hoy mejor reir olvidando que la vida es como te la contaron. mejor transitarla. me extendi un poquito. viva la musica. viva nosotros que aprendimos a usarlas para entrar a trances mentales de todo tipo. abrazos
@davidegaspari6910
✅