Darwin Hobbs is especially popular for his spirit moving song 'He's able' which has taken the breath of Nigerians away. The song indeed has been an inspiration for many, many, many gospel singers.
- Sheffieldhottie
His debut solo project (Mercy) was characterized by an anointing pieced together in soulful song with the help of producers Fred Hammond and Victor and Cedric Caldwell (see review).
Darwin Hobbs turns around swiftly on Vertical, his sophomore project with EMI Gospel, by combining both some of the same, and some fresh twists too.
Production mainstays Victor and Cedric Caldwell return to the fold, and join forces with Tommy Sims, whose Positive Movement production house has blown notorious in recent years. A fascinating choice of guest artists also marks this effort.
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Crucial to the album is the groovified "Cast All Your Cares", which harnesses the writing hooks of Angie Winans and the brothers Caldwell, is powered by the guitar finesse of Paul Jackson Jr., and features a strong chorus supporting Hobb's soulful delivery on lead.
The familiar voice of Donna Summer graces "When I Look Up". It's a softly soaring AC ballad about the liberty that Jesus brings, with Hobbs intertwining his pipes with Summer's exquisite phrasing over subtle bird twittering effects and a soft rhythm track. Written by the Caldwells with up-and-comer Hallerin Hill, it's a quiet full force gale, complete with backing vocals from Angie Winans.
Continuing on the guest artist theme, former Doobie Brother turned solo artist Michael McDonald joins his husky soul with Hobbs' rich tones on the head-bob track, Everyday. Fueled by musical elements of the Gap Band's "Outstanding", the Tommy Sims composition is an urban delight. Check these lines:
Surely the mercy of your love is in this place
I know that every day, come rain or shine
That it's mine all mine.
—from "Everyday"
On "So Amazing", Hobbs turns the tables on those who can't refrain from constantly comparing his vocal vibe to that of Luther Vandross. With his Gospel cover of this Vandross hit, Hobbs boldly tackles this comparison issue head on. No doubt he could easily be mistaken for the crooner, but with Hobbs' spirit of sensitivity infused throughout, there's no comparison on the deeper level. Virtue softly provides sweet backing vocals.
Michael McDonald
Michael McDonald contributed vocals to a couple of The Winans' projects (Decision and Back 2 Back) back when.
He's primarily known for his work with The Dobbie Brothers and Steely Dan, plus his own solo work.
Other hits have come in collaborations with James Ingram, Aretha Franklin, Kenny Loggins, Christopher Cross and Donna Summer (who also appears with Darwin Hobbs on this Vertical project).
Hobbs has stated that on this project, "every song was written strategically to represent some aspect of our relationship to God and His relationship to us" —hence the title Vertical, indicating that relationship.
So it's no surprise then, that the jewel in this CD jewel case is the medley of praise and worship ("Praise Medley"). It's on this soft, 8-minute, vocals-focused cut that Hobbs truly astounds with his range and selection of expression. The fact that he doesn't need vocal dramatics to do this speaks volumes to his gift. Holy praise tunes included are "El Shaddai", "You Are Holy", "You Are My Hiding Place" and "Great Is Your Mercy".
Set your alarm clock now, because you certainly don't want to sleep on this project. There's so much to love on this disk that you may not be able to handle it in one listen.
I'm still reeling.
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Deeper
Darwin Hobbs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But they can't duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I want it all day long
They can imitate you
But they can't duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I'm addicted like it's wrong
I want it all day long
I'm addicted like it's—
Whatcha gon', whatcha gon' do with that dessert?
Murder that, murder that dance floor, dance floor
Murder that
Murder that
Murder that, murder that
(Silentó, let's go!)
The way your body movin' got me hesitating
I'm lookin' at you girl, yeah, you so amazing
Kinda complicated, got me educated (what?)
When I watch you I feel the rhythm in my heart
When I see you girl, I knew it from the start
Movin' to the beat, I'm just tryin' to play my part
I'm addicted, I just can't miss this chance
To go ahead and get my dance
They can imitate you
But they can't duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I'm addicted like it's wrong
I want it all day long
I'm addicted like it's wrong
[Pre-2: Dawin
They can imitate you
But they can't duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I'm addicted like it's wrong
I want it all day long
I'm addicted like it's—
Whatcha gon', whatcha gon' do with that dessert?
Murder that, murder that dance floor, dance floor
Murder that
Murder that
Murder that
Whatcha gon', whatcha gon' do with that dessert?
Murder that
Murder that
Murder that
Murder that, murder that
Are you saving that dessert for me?
Cause if you are, baby, you know you could work for me
The way you do it causing jealousy
But you don't ever gotta worry about the enemy
They try to do it like you
And they get mad cause they don't do it successfully
They try to copy your moves
But they don't never ever do it that tastefully
They can imitate you
But they can't duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
(All day long, all day long, all day long)
I want it all day long
(All day long, all day)
Whatcha gon', whatcha gon' do with that dessert?
The lyrics to Darwin Hobbs's song Deeper feature both the main artist and a guest artist, Dawin. The song is catchy and upbeat, with a strong focus on addiction and desire. The opening of the song talks about how people can try to imitate the subject of the song but can never truly replicate what they have, as they have something special that makes others want to taste them. There is a repeated desire for the subject's attention all day long and a sense of wrongness in feeling so addicted to them.
The song then transitions into the guest artist's section with the lyrical outburst "whatcha gon', whatcha gon' do with that dessert?" The use of the word dessert is a metaphor for the subject of the song, as they are something sweet and addictive that the singer craves. The guest artist talks about the complexities of the desire and how watching the subject move their body causes rhythm in their heart. There is jealousy over the subject's abilities and the fact that others try to copy their moves without success. The chorus repeats the sentiments of the opening, with the subject having something special that makes others want to taste them and the singer being addicted to them.
Overall, the song is an exploration of addictive desire and the way that certain people can truly capture our attention and hearts in a way that is impossible for others. It speaks to the complexities of craving someone and the jealousy and imitation that often follows.
Line by Line Meaning
They can imitate you
Others may try to be like you
But they can't duplicate you
But they can never truly be you
Cause you got something special
You have a unique quality
That makes me wanna taste you
That makes me want to experience what you have to offer
I want it all day long
I desire it constantly
I'm addicted like it's wrong
I crave it so much it's almost unhealthy
Whatcha gon', whatcha gon' do with that dessert?
What will you do with what you have to offer?
Murder that, murder that dance floor, dance floor
Dominate and own the dance floor
The way your body movin' got me hesitating
Your movements are so impressive it's almost intimidating
I'm lookin' at you girl, yeah, you so amazing
You are absolutely incredible
Kinda complicated, got me educated (what?)
Your complexity is intriguing and I am learning from you
When I watch you I feel the rhythm in my heart
Your movements are so captivating that it affects me emotionally
When I see you girl, I knew it from the start
From the moment I saw you, I knew you were special
Movin' to the beat, I'm just tryin' to play my part
I am doing my best to keep up with you on the dance floor
I'm addicted, I just can't miss this chance
I can't resist the opportunity to dance with you
To go ahead and get my dance
To fully engage and dance with you
Are you saving that dessert for me?
Are you reserving your best for me?
Cause if you are, baby, you know you could work for me
If the answer is yes, then you have something valuable to offer me
The way you do it causing jealousy
Your skills are so impressive it makes others envious
But you don't ever gotta worry about the enemy
But you don't have to worry about those who envy you
They try to do it like you
They attempt to mimic your style
And they get mad cause they don't do it successfully
But they become frustrated when they can't replicate your success
They try to copy your moves
They strive to emulate your technique
But they don't never ever do it that tastefully
But they can never execute it with the same grace and finesse
(All day long, all day long, all day long)
Repeated emphasis on wanting it all day long
(All day long, all day)
Further emphasis on wanting it all day long
Contributed by Caden C. Suggest a correction in the comments below.
zhanae
on Heal the Land
(Chorus)
(Oh!
If my people
Who are called
By my name would
Humbly pray
Seek my face and change
their ways
I'll heal the land)
Oh!
Let's talk about the problems
Please tell me how we solve them
There has to be a brighter day.
Ohhhh!
On your mark, get set, let's go now
Lights, Camera, Action showed now
Seems like this is what we've become
What do we do, Ohhhhh
(Chorus)
(Oh!
If my people
Who are called
By my name would
Humbly pray
Seek my face and change
their ways
I'll heal the land
Oh!)
We've got to find our way back
To the idea that we first had
Somehow we've gone and lost our way
Ohhhh
Wake up and smell the brew now
Make this our finest hour
All faces turn into the ground
This is the answer!
(Chorus)
(Oh!
If my people
Who are called
By my name would
Humbly pray
Seek my face and change
their ways
I'll heal the land)
Why? Oh Why?
is the question, tell me.
Who will stand?
Wanna know how did we end up here?
Or when will it end?
Lord, tell me where do we go from hereee?
(Chorus)
(Oh!
If my people
Who are called
By my name would
Humbly pray
Seek my face and change
their ways
I'll heal the land)
Oh OH Oh OH Oh OHhhh (8x)
HEAL THE LAND!
Pray, seek my face!
(Chorus)
(Oh!
If my people
Who are called
By my name would
Humbly pray
Seek my face and change
their ways
I'll heal the land)
Paula Carr
on My Promise To You
Why don't they have lyrics to this song