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Das EFX's wildly playful, rapid-fire stuttering -- dense with rhymes and nonsense words -- was one of the most distinctive and influential lyrical styles in early-'90s hip-hop. While the duo completely rewrote the MC rule book, they themselves were increasingly pegged as a one-dimensional novelty the longer their career progressed, despite watching elements of their style creep into countless rappers' bags of tricks. Krazy Drazyz (born Andre Weston; Teaneck, NJ) and Skoob (born Willie Hines) were both raised in Brooklyn, but didn't begin performing together until they met at Virginia State University in 1988. Removed from an active music scene, the two were free to develop their most idiosyncratic tendencies; they started making up gibberish words (anything ending in "-iggity" was a favorite) that added loads of extra syllables to their lines, and wove plenty of pop-cultural references into the tongue-twisting lyrical gymnastics that resulted. Das EFX caught their big break when they performed at a talent show judged by EPMD; though they didn't win, EPMD was impressed enough to offer them a deal, and the duo became part of the Hit Squad crew of protégés.
Signing to the East West label, Das EFX began work on their debut album, commuting between Virginia and New York and mailing tapes to EPMD (then touring the country) for guidance. Upon its release in 1992, Dead Serious caused an immediate sensation, and is still considered something of a landmark in hip-hop circles. The first single, the instantly memorable signature song "They Want EFX," was a Top 40 pop hit and a Top Ten R&B hit, and helped push sales of Dead Serious past the platinum mark. Wary of being pigeonholed by repeating themselves, the duo slowed down their lyrical flow and downplayed the surrealistic side of their interplay on the follow-up album, 1993's Straight Up Sewaside, which went gold. Around the time of 1995's disappointing Hold It Down, Das EFX found themselves caught in the middle of EPMD's ugly breakup; it led to a three-year absence from recording. By the time they returned in 1998 with Generation EFX, the group was playing more to a devoted but narrower cult audience; they have remained largely silent since. Steve Huey, All Music Guide
Baknaffek
Das EFX Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(People, people, people, people)
Shippity bop, well hot diggity
Where's the iggity? The bum siggity
Niggas wanna know but check the flow my little chickadee
I'm comin' with the Books and kid it looks like it's a winner
Ya better get'cha plate because I'm servin' raps for dinner
I swoop in on the loop just like I was a kamikaze
See they thought I lost my spot
So they went and got real comfy
So now I gotta hit 'em hard and Bogart, like Humphrey
Ya hypocrite, I'm rippin' it because I'm flyer
You're phony, full of bologna like Oscar Mayer
See I attack a pack of rappers just for practice
I bust my tactics, I'm sharper than a, cactus
(Set it off)
One two (set it off)
Yo it's the Books in reverse
The next kid up sendin' a big-up to my borough
I'm thorough, breded in the ghetto from a teenie bop
Takin' lessons, sweatin' niggas on graffiti rock
And now the slang bringer bring a thing of interpretations
My nerves is achin', see I'm sick of niggas perpetratin'
But can't see this, I'm screamin' on their records like Beavis
Or Butthead, I bust heads like Amy
Fisher, it's a
Pisser, hit you like an accident
And if I'm in your town
You might peep me at the Radisson
Or splatterin', batterin' crews for lip chatterin'
It ain't nothing new
That's how we do, my crew is back again
(People, people, people, people) Back in effect, how's that?
(People, people, people, people) Back in effect, how's that?
(People, people, people, people) Back in effect, how's that?
Just when you thought it was safe
(People, people, people, people) Back in effect, how's that?
(And yo I still wanna battle)
Well here I go again, so check the flow again
Try not to bite
I'll fake a nigga with my left and then
I (fling) him with my right
I'm outta sight, look how I do it
Ya blew it if you dissed a
Nigga on the microphone 'cause I can bone your sister
Word is bond, I'm on some new, do, like this
Grab the piece of steel and shoot the gift like Kris
Kringle, bust my jingle, don't it make ya shiver?
Give a nigga what he needs so he can bleed when I deliver (what? Nigga)
A microphone check, what the heck?
I threw that in because I used to catch wreck
With it, that's the time I, hack-too, spit it
For Christ's sakes I meant it
Hit the brakes and you skidded
You, my style you bit it
But y'all can keep that
'Cause now I'm on some other type of flow
And best believe that
And all that, small cat, my format's deranged
Honey I'm back to run things
'Cause some things just never changed, punk
So if you're drunk, I freak the funk until you're sober
But still be gettin' chills when niggas play "The Bridge is Over"
Kickin' the flam yo it's the man, tick tock, I jam like gridlock
My style is fender bendin' sendin' rappers to the pit stop
Good Lord ah mercy, hit reverse G if you missed it
And bust my gift of speech
'Cause like the priest, baby I'm twisted
Kid I swing a dome-buster like Bonecrusher Smith
Bust up your lips then puff up a spliff
So yo, who be dat that
That wanna do me back? Just to get
Booby trapped, jacked
'Cause my crew be strapped fat like that
(People, people, people, people) Back in effect, how's that?
Word up
(People, people, people, people) Back in effect, how's that?
Yeah word up
(People, people, people, people) Back in effect, how's that?
X Squad in the house boy
(People, people, people, people) Back in effect, how's that?
Young and restless
Maestro flavor
Word up uh, yeah, uh, yeah
Check it out
The opening lyrics of Das EFX's "Baknaffek" serve as a rallying call, with the group addressing crowds and getting them pumped up. The song then continues with the group delivering their trademark fast-paced, intricate rhymes over a funky beat. The lyrics touch on a range of topics from boasting about their rhyming skills to calling out fake rappers and hyping up their crew. The chorus repeats the phrase "Back in effect, how's that?" which reinforces the group's return and their desire to make an impact on the rap scene.
One interesting fact about "Baknaffek" is that it is a single from Das EFX's second album, "Straight Up Sewaside," released in 1993. The album was a commercial success, peaking at number 16 on the Billboard 200 charts. Additionally, the song's title is a clever play on words, with "baknaffek" sounding phonetically like "back in effect." Another notable fact is that the song's beat was produced by Solid Scheme, who worked with Das EFX on several other tracks.
Furthermore, "Baknaffek" has been sampled by several other artists, including Ghostface Killah on his track "Buck 50" and Jay-Z on his song "Dope Man". The song has also been featured in several films and TV series, such as "Fear of a Black Hat" and "The Defiant Ones."
The chords to "Baknaffek" are not publicly available due to the song's sampling of other copyrighted materials.
In summary, "Baknaffek" is a high-energy rap song that showcases the lyrical skills of Das EFX. The song's catchy chorus, intricate rhymes, and funky beat have made it a classic that has stood the test of time.
Line by Line Meaning
Shippity bop, well hot diggity
Excitement and enthusiasm is being expressed
Where's the iggity? The bum siggity
Asking where the party or fun is at
Niggas wanna know but check the flow my little chickadee
The rapper is confident in their skills and invites others to listen and learn from them
I'm comin' with the Books and kid it looks like it's a winner
The rapper is bringing their A-game and anticipates success
Ya better get'cha plate because I'm servin' raps for dinner
Metaphorically, they are delivering great musical performances that are worthy of attention, appreciation and respect
See I freak it from the sewer plus I'm quick to do ya posse
The rapper draws inspiration for their music from their environment, while also being quick to defeat their opponents
I swoop in on the loop just like I was a kamikaze
The rapper has a rapid and aggressive approach to their art, and they're willing to be self-destructive if it means achieving greatness
See they thought I lost my spot
Other rappers thought that the artist was no longer relevant or popular
So they went and got real comfy
The other rappers became complacent thinking they had no competition
So now I gotta hit 'em hard and Bogart, like Humphrey
The artist now needs to assert their position at the top and push past their competitors, reminding them who's in charge and dominant
Ya hypocrite, I'm rippin' it because I'm flyer
The rapper is calling out the hypocrisy of others who talk trash while not being able to back it up themselves. They are also asserting their own superiority
You're phony, full of bologna like Oscar Mayer
Lyrically, the rapper asserts that their opponents are fake, and aren't authentic or real
See I attack a pack of rappers just for practice
The artist has honed their skill enough that they can take on opponents just for the challenge itself and not take it seriously
I bust my tactics, I'm sharper than a, cactus
Their wordplay is sharp and their metaphors are on point, showing their mastery of language and lyricism
(Set it off)
Beginning of a new part of the song that is about to “set it off” and get the party started
One two (set it off)
The artist is ready to begin and counting down from three to one to “set it off”
Yo it's the Books in reverse
The artist is introducing themselves in a unique and interesting way, adding a sense of excitement and intrigue to their persona
The next kid up sendin' a big-up to my borough
The rapper is representing their hometown and giving a shoutout to those who came before them
I'm thorough, breded in the ghetto from a teenie bop
The artist has had a long history of coming up in the struggles of their neighborhood and this has shaped them as a rapper
Takin' lessons, sweatin' niggas on graffiti rock
The artist grew up learning how to battle and hone their craft on the streets with other rappers
And now the slang bringer bring a thing of interpretations
The rapper is known for their unique style and ability to bring new slang and terminology to the scene
My nerves is achin', see I'm sick of niggas perpetratin'
The artist is getting fed up with other rappers fronting and acting like they are something they're not
But can't see this, I'm screamin' on their records like Beavis
The artist is calling out those who struggle to see their greatness and are not true fans, by referencing a popular fictional character who screams and gets agitated easily
Or Butthead, I bust heads like Amy
The artist is capable of defeating others in battle and showcasing their skills, as seen in another popular character's name being referenced
Fisher, it's a
The artist is making a pun on the infamous Amy Fisher scandal, showcasing their ability to not take themselves too seriously at times
Pisser, hit you like an accident
The artist's insults are potent and can hit others without warning or preparation like a sudden accident
And if I'm in your town
If the artist is visiting another rapper's hometown
You might peep me at the Radisson
Others may see the artist staying at a popular hotel chain, possibly implying their success and fame
Or splatterin', batterin' crews for lip chatterin'
The artist is willing to battle and destroy other crews who talk behind their backs, showcasing their aggression and superiority
It ain't nothing new
The artist has done this before and it's not a new pattern
That's how we do, my crew is back again
The artist is emphasizing their team and allies who are supporting them in their comeback
(People, people, people, people) Back in effect, how's that?
The chorus is about the rapper's triumphant return and them being back on their game
(And yo I still wanna battle)
The artist is still competitive and isn't afraid of taking on and defeating anyone who challenges them or their crew
Well here I go again, so check the flow again
The artist is about to showcase their flow once again and prove they are still on top
Try not to bite
Other rappers should not steal the artist's style or lyrics
I'll fake a nigga with my left and then I (fling) him with my right
The artist is skilled enough to fake out and trick their opponents, and then defeat them with ease, using a boxing metaphor
I'm outta sight, look how I do it
The artist is showcasing their unique and impressive style, and they're confident in their ability to perform and win
Ya blew it if you dissed a
Those who have criticized or disrespected the artist in the past have already made a mistake and lost the game
Nigga on the microphone 'cause I can bone your sister
The artist is threatening their opponents by saying they can take what they love - family members - if they cross the line into disrespect
Word is bond, I'm on some new, do, like this
The artist promises to showcase a new style and flow which will impress others and leave them in awe
Grab the piece of steel and shoot the gift like Kris
The artist will use their talent and skill as a lethal weapon to defeat others, using a play on words with a popular Christmas character (Kris Kringle)
Kringle, bust my jingle, don't it make ya shiver?
The artist is continuing the play on words while also showing off how their style and music evokes strong emotions and impressions in others
Give a nigga what he needs so he can bleed when I deliver (what? Nigga)
The artist promises to deliver a powerful performance that will leave others mesmerized and potentially defeated. They emphasize their skill and dominance by using a metaphorical play on making blood flow.
A microphone check, what the heck?
The artist is commanding attention to the beginning of the rap battle by starting with a microphone check
I threw that in because I used to catch wreck
The artist is reminiscing back to the good old days of battle rapping and throwing in extra lyrics because they could
With it, that's the time I, hack-too, spit it
The artist is showcasing their quick rhyming abilities as well as their skill in freestyling lyrics
For Christ's sakes I meant it
The artist's lyrics are serious and shouldn't be taken lightly
Hit the brakes and you skidded
Others who may try to keep up with the artist's flow will ultimately crash and fail, using a play on words with cars
You, my style you bit it
Others have tried to imitate or copy the artist's style but have failed
But y'all can keep that
The artist is unimpressed with and dismissive towards those who try to copy them
'Cause now I'm on some other type of flow
The artist is moving forward and changing up their style, emphasizing their growth and development as an artist
And best believe that
Others should know and believe that the artist is still victorious and successful in their rap battles
And all that, small cat, my format's deranged
The artist is showing off the originality and nonconformity of their style, not following the typical rap format
Honey I'm back to run things
The artist is back and ready to take charge and control everything
'Cause some things just never changed, punk
The artist is reminding others that while they've changed and grown, they still have the same power and dominance as before
So if you're drunk, I freak the funk until you're sober
No matter how inebriated or distracted the opponent may be, the artist is capable of defeating them and showcasing their talent and skill
But still be gettin' chills when niggas play 'The Bridge is Over'
While the artist may seem untouchable and unbeatable, there are still classic rap battles that they themselves admire and respect.
Kickin' the flam yo it's the man, tick tock, I jam like gridlock
The artist is showing off their unique style which is unmatched by others and effectively stopping others in their tracks with their talent and ability to rap over various beats
My style is fender bendin' sendin' rappers to the pit stop
The artist is stating that their style is so powerful it can derail others and send them back to the drawing board
Good Lord ah mercy, hit reverse G if you missed it
The artist is shouting with glee as they showcase their skills, making sure others don't miss it
And bust my gift of speech 'Cause like the priest, baby I'm twisted
The artist is showcasing their ability to verbally outmatch their opponents, using a play on words between gift of speech and twisting of religion
Kid I swing a dome-buster like Bonecrusher Smith
The artist is demonstrating their ability to knock people out and punch as hard as the boxing legend, Bonecrusher Smith
Bust up your lips then puff up a spliff
After defeating their opponent, the artist will celebrate by smoking and relaxing
So yo, who be dat that That wanna do me back?
The artist is challenging and taunting any opponents who may want to take them down
Just to get Booby trapped, jacked
The artist is threatening to hurt anyone who challenges them, somewhat of a taunting warning
'Cause my crew be strapped fat like that
The artist's crew is always ready and equipped for conflict.
(X Squad in the house boy)
The artist is giving a shoutout to the X Squad, their crew, and emphasizing their dominance and presence in the scene
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: Christopher Allen Charity, Larry Graham, Willie D Hines, Derek Francisco Lynch, Freddie Stone, Andre G Weston
Lyrics Licensed & Provided by LyricFind
@undagroundvangerzmusic
WHO IS STILL DOWN WIT THIS IN 2023 ?!? ✌️🔥😎🔥✌️
@bufubyusfyou8440
Im here . Nigga
@CyrylB
AINT NOTHING LIKE THIS FIRE EVER GONNA BE MADE AGAIN. TIMELESS CLASSIC
@gabrielle14140428
Brasil
@KaiqueReis-do4wz
Tesão de flow
@kovacsdaniel1287
Me2🎉
@1980keb
One of the most underrated hip hop groups of all time.
@mroakland420
Das EfX,Leaders of the New School & Lord's of the Underground were under appreciated groups of the 90's
@arcticjungle4741
Thought I was the only one still listening to this Golden age masterpiece glad I'm not 👌
@chapingaryjr
@@arcticjungle4741 nah I've been rocking with das since day one ish...my favorite hip hop group