El Scorcho
Dashboard Confessional Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Goddamn you half-Japanese girls,
Do it to me every time.
Oh, the redhead said you shred the cello,
And I'm jello, baby.
But you won't talk, won't look, won't think of me.
I'm the epitome,
Of Public Enemy.
Why you wanna go and do me like that?
Come down on the street and dance with me.

I'm a lot like you so please.
Hello, I'm here, I'm waiting.
I think I'd be good for you,
And you'd be good for me.

I asked you to go to the Green Day concert.
You said you never heard of them.
How cool is that?
So I went to your room and read your diary.
"Watching grunge leg drop New Jack through a press table."
And then my heart stopped:
"Listening to Cho Cho San 'fall in love all over again'."

I'm a lot like you so please.
Hello, I'm here, I'm waiting.
I think I'd be good for you,
And you'd be good for me.

How stupid is it?
I can't talk about it.
I gotta sing about it,
And make a record of my heart.
How stupid is it?
Won't you gimme a minute?
Just come up to me,
And say hello to my heart.
How stupid is it?
For all I know you want me too.
Or maybe you just don't know what to do.
And maybe you're scared to say,
"I'm falling for you."

I wish I could get my head outta the sand,
'Cause I think we'd make a good team.
And you would keep my fingernails clean.
But that's just a stupid dream that I won't realize,
'Cause I can't even look in your eyes without shakin'.
And I ain't fakin'.
I'll bring home the turkey if you bring home the bacon.

I'm a lot like you so please.
Hello, I'm here, I'm waiting.
I think I'd be good for you,
And you'd be good for me.

I'm a lot like you.
I'm a lot like you.
I'm waiting.




I think I'd be good for you,
And you'd be good for me.

Overall Meaning

The lyrics to Dashboard Confessional's song "El Scorcho" express the singer's infatuation with a half-Japanese girl who captivates him every time they interact. The opening lines, "Goddamn you half-Japanese girls, do it to me every time," convey his overwhelming attraction to her. The mention of a redhead commenting on her cello skills emphasizes her talent and adds to his jealousy, as indicated by the line "And I'm jello, baby." However, despite his strong feelings, she ignores him, refuses to engage with him, and doesn't acknowledge his existence. This leads the singer to see himself as the epitome of someone who is viewed as a public enemy.


The chorus repeats the singer's plea for attention, expressing his desire to be noticed and valued by her. He believes that they are similar and that a romantic relationship between them would be mutually beneficial. The bridge reveals a moment of vulnerability when the singer discovers some personal aspects of her life through reading her diary. The line "Listening to Cho Cho San 'fall in love all over again'" refers to a fictional geisha character in the opera "Madama Butterfly," highlighting her romantic inclinations and further deepening his desire for her.


The second verse demonstrates the issues the singer faces in expressing his feelings directly. He finds it difficult to talk about his emotions, so he resorts to singing and making music to articulate his love. He acknowledges the possibility that the girl might have similar feelings for him or may be unsure about what to do, which suggests that she could be afraid of admitting her own attraction.


In the final verse, the singer acknowledges a longing for a relationship with the girl, imagining a future together where they would complement each other. However, he feels inadequate and insecure, struggling to even maintain eye contact with her. The line "I'll bring home the turkey if you bring home the bacon" playfully symbolizes a traditional gender role reversal, indicating his willingness to contribute to a potential partnership.


Overall, "El Scorcho" delves into the complexities of infatuation, unrequited love, and the challenges one faces in expressing their feelings to someone they desire.


Line by Line Meaning

Goddamn you half-Japanese girls,
I can't resist the way half-Japanese girls captivate and intrigue me.


Do it to me every time.
They always have this effect on me, making me feel drawn to them.


Oh, the redhead said you shred the cello,
There's this rumor that the redhead mentioned, stating that you're an amazing cello player.


And I'm jello, baby.
It makes me feel jealous and insecure about my own talents and abilities.


But you won't talk, won't look, won't think of me.
You choose to ignore me completely, refusing to acknowledge or consider my existence.


I'm the epitome,
I represent the perfect example.


Of Public Enemy.
To you, I seem like someone you should avoid or see as an opponent.


Why you wanna go and do me like that?
Why do you treat me this way?


Come down on the street and dance with me.
I want you to come down from your high position and engage with me, connecting on a deeper level.


I asked you to go to the Green Day concert.
I invited you to accompany me to a Green Day concert.


You said you never heard of them.
You responded by saying that you have no knowledge of Green Day.


How cool is that?
I find it fascinating and appealing that you possess this level of uniqueness and individuality.


So I went to your room and read your diary.
Out of curiosity, I invaded your personal space and read your private thoughts in your diary.


"Watching grunge leg drop New Jack through a press table."
One entry in your diary described the thrilling act of witnessing a wrestling move involving grunge music and a person named New Jack.


And then my heart stopped:
At that moment, my heart skipped a beat.


"Listening to Cho Cho San 'fall in love all over again'."
Another entry revealed your emotions while listening to Cho Cho San, possibly expressing the desire to experience love once more.


How stupid is it?
It feels absurd and foolish.


I can't talk about it.
I find it challenging to discuss my feelings openly and honestly.


I gotta sing about it,
Instead, I choose to express my emotions through music and songwriting.


And make a record of my heart.
Through this record and album, I leave a documented testament of my emotional experiences.


Won't you gimme a minute?
Can you please give me a moment to share my thoughts and feelings with you?


Just come up to me,
Simply approach me and initiate a conversation or interaction.


And say hello to my heart.
Acknowledge the existence of my emotions and the vulnerability I have opened up to you.


For all I know you want me too.
Considering the circumstances, there is a possibility that you might have feelings for me as well.


Or maybe you just don't know what to do.
Alternatively, you could be uncertain about how to handle the situation or manage your own emotions.


And maybe you're scared to say,
Perhaps fear inhibits you from expressing your true feelings.


"I'm falling for you."
Your emotions might be leaning towards developing romantic feelings for me.


I wish I could get my head outta the sand,
I yearn to break free from my obliviousness and face reality.


'Cause I think we'd make a good team.
I believe that we have the potential to work well together and complement each other.


And you would keep my fingernails clean.
In a metaphorical sense, you would take care of the small, mundane tasks, allowing me to focus on more significant matters.


But that's just a stupid dream that I won't realize,
Sadly, it remains an unrealistic and impractical wish that I will never achieve.


'Cause I can't even look in your eyes without shakin'.
I feel so nervous and intimidated that I can't even maintain eye contact with you.


And I ain't fakin'.
To clarify, my anxiety and unease are genuine and sincere.


I'll bring home the turkey if you bring home the bacon.
I am willing to contribute and support our partnership, even in traditional gender roles, if you do the same.


I'm a lot like you so please.
I share many similarities with you, hence our potential compatibility.


Hello, I'm here, I'm waiting.
I am present and patiently waiting for a chance to connect with you.


I think I'd be good for you,
Based on my self-awareness, I believe I could positively impact your life and be a beneficial presence.


And you'd be good for me.
Similarly, I recognize the potential for you to positively influence and enrich my life as well.


I'm a lot like you.
Once again, I emphasize the similarity and resemblance between us.


I'm waiting.
I remain patient, anticipating a chance for us to connect and see if our similarities can be further explored.


I think I'd be good for you,
Continuing to express my belief in our compatibility and potential positive impact on your life.


And you'd be good for me.
Reiterating the mutual benefits and positive influence we could bring to each other's lives.




Lyrics © O/B/O APRA AMCOS

Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found
Comments from YouTube:

MRJ12744

Us Weezer fans approve. So does Rivers.

Luke Riley

This is great, i like how they treat the chorus like it's a real song. It brings out a lot of beauty in the lyrics.

Sophia L

I was ecstatic when I discovered this cover as weezer and dashboard confessional are two of my all-time favorite bands. I actually love this cover and especially love how the "how co is that" part plays out (which is pretty high praise from me because that's my absolute favorite part of the original). Though it's nothing like the weird and powerful Weezer version, I like the softer and adversely weird aspects of this one quite a lot.

Sean

same with me :)

ringodingo

Very good treatment of the El Scorcho. Pretty harmonies also.

DoomSparkles

This cover is good for learning the intricate parts of the original

LiamX

It's not terribly intricate. One chord.

Ephlaght

I love this band’s take on this song! It has a more whimsical and floaty feel to it.

Peter Washington

they're both really good! i mean weezer gets credit for writing the song but this guy has done a very good cover.

VarynDar

I like the unplugged acoustic sound of this cover

More Comments

More Versions