In the late 1960s he led a blues-rock trio called Love Sculpture, who scored a quasi-novelty hit by reworking Khachaturian's classical piece "Sabre Dance" as a speed-crazed rock number. "Sabre Dance" became a hit after garnering the enthusiastic attention of British DJ John Peel.
After Love Sculpture split, Edmunds had a number one single with "I Hear You Knocking", a Smiley Lewis cover. His only acting role followed, as a band member in the David Essex movie Stardust (1974 movie). After learning the trade of producer, culminating in a couple of singles in the style of Phil Spector, "Baby I Love You" and "Born To Be With You", he became linked with the pub rock movement of the early 1970s, producing Brinsley Schwarz, Ducks Deluxe, and also The Flamin' Groovies, using a stripped down, grittier sound.
His own solo LP from that era, Subtle As A Flying Mallet, was similar in style. In 1977, the Brinsley Schwarz connection brought about a collaboration with Nick Lowe under the name Rockpile, with Billy Bremner and Terry Williams. For contractual reasons they could not record as Rockpile until 1980, but contemporary solo LPs (such as Nick Lowe's Labour of Lust and Edmunds' own Repeat When Necessary) were in fact group recordings. Dave Edmunds had more hits during this time, including Elvis Costello's "Girls Talk", Nick Lowe's "I Knew The Bride", Hank DeVito's "Queen of Hearts" ), Graham Parker's "Crawling From The Wreckage", and Melvin Endsley's "Singing The Blues" (originally a hit for Guy Mitchell).
Unexpectedly, after Rockpile relased their first LP under their own name (1980's Seconds Of Pleasure), the band split, generally attributed to tensions between Edmunds and Lowe. Edmunds spent the 1980s collaborating with and producing an assortment of artists, from Paul McCartney to King Kurt, and from The Stray Cats to Status Quo. He recorded the soundtrack for Porky's Revenge, supplying the main theme, "High School Nights", and was the musical director for a television special starring Carl Perkins, with assorted guests including George Harrison, Ringo Starr, and Rosanne Cash.
On his 1983 and 1984 releases, Information and Riff Raff, Edmunds collaborated on two songs with Jeff Lynne, the lead musician of Electric Light Orchestra. He recorded less frequently after the mid 1980s.
Edmunds now lives in Wales in semi-retirement, touring Scandinavia infrequently, after surviving a quadruple bypass several years ago.
Here Comes The Weekend
Dave Edmunds Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wednesday's a frenzy, Thursday's the worst day
Friday is great 'cause I can
Hardly wait until the weekend
I should be clockin' in at eight but I'm a little late
Can't blame my baby, 'cause I took her on a date
Two till ten and then it's Friday again
Here comes the weekend
Here comes the weekend
My working week's so tough
I think I've had enough
Until the weekend
I've had an overdose of doctor's notes
But it just don't ease the pain
Goin' on the sick don't do the trick
Sooner or later I'll be clockin' in again
Working like a dog more than ten-hour day
Never see enough from my take-home pay
They pay me for the shift like I was given a gift
Here comes the weekend
I've had an overdose of doctor's notes
But it just don't ease the pain
Goin' on the sick don't do the trick
Sooner or later I'll be clockin' in again
Someday I'll be able to forget my working days
Life will be a grin because my ship is comin' in
Everything will go my way and I won't have to say
Here comes the weekend
Here comes the weekend
Here comes the weekend
My working week's so tough
I think I've had enough
Until the weekend
Here comes the weekend
Here comes the weekend
Here comes the weekend
Here comes the weekend
Dave Edmunds's song Here Comes The Weekend talks about the struggles of a working man who looks forward to weekends as a way of breaking free from the monotony of work. The lyrics of the song reflect upon the daily grind of a 9-5 working week, and how the routine can become exhausting and mundane. The singer complains about each day of the week, starting with Monday as a day that is not fun, and Tuesday as a blue day. Wednesday is chaotic, and Thursday is the worst day, until finally, Friday arrives, and he can hardly wait for the weekend.
The song tells us about the daily struggles of the working class and the limited pleasure that they receive from the weekends. The singer of the song desires to forget his working days entirely and dream of a time when everything will go his way, and he won't have to say, "Here comes the weekend." The lyrics infer that the only way forward is to work hard in one's day job and eagerly await the weekend.
The song effectively captures how the working class looks forward to the weekends, and it remains a popular choice in karaoke bars, parties, and playlist collections.
Line by Line Meaning
Monday ain't a fun day, Tuesday's a blue day
Monday is not enjoyable, Tuesday is a sad day
Wednesday's a frenzy, Thursday's the worst day
Wednesday is chaotic, Thursday is the most horrible day
Friday is great 'cause I can
Friday is wonderful because I can
Hardly wait until the weekend
I can barely wait for the weekend
I should be clockin' in at eight but I'm a little late
I should be starting work at 8, but I am running a bit behind
Can't blame my baby, 'cause I took her on a date
I cannot blame my partner because I took them out on a date
Two till ten and then it's Friday again
Working from 2 PM till 10 PM, and then it's Friday again
Here comes the weekend
The weekend is approaching
Here comes the weekend
The weekend is coming
My working week's so tough
My work week is very challenging
I think I've had enough
I believe I cannot take it anymore
I've had an overdose of doctor's notes
I have taken too many doctor's notes
But it just don't ease the pain
But it doesn't relieve the agony
Goin' on the sick don't do the trick
Calling in sick doesn't work
Sooner or later I'll be clockin' in again
Eventually, I will have to start working again
Working like a dog more than ten-hour day
I am working long and hard like a dog for more than ten hours
Never see enough from my take-home pay
I never get enough from my pay after taxes
They pay me for the shift like I was given a gift
They pay me as if giving me a gift for working the shift
Here comes the weekend
The weekend is approaching
Someday I'll be able to forget my working days
One day, I will be able to forget about my work days
Life will be a grin because my ship is comin' in
Life will be happy because my fortune is coming
Everything will go my way and I won't have to say
Everything will happen the way I want, and I won't have to say
Here comes the weekend
The weekend is approaching
Here comes the weekend
The weekend is coming
Here comes the weekend
The weekend is approaching
Here comes the weekend
The weekend is coming
Lyrics Β© Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC
Written by: DAVE EDMUNDS, NICHOLAS ORAIN LOWE
Lyrics Licensed & Provided by LyricFind
@kofola1973
Here Comes the Weekend
Dave Edmunds
Monday ain't a fun day, Tuesday's a blue day
Wednesday's a frenzy, Thursday's the worst day
Friday is great 'cause I can
Hardly wait until the weekend
I should be clockin' in at eight but I'm a little late
Can't blame my baby, 'cause I took her on a date
Two till ten and then it's Friday again
Here comes the weekend
Here comes the weekend
Here comes the weekend
My working week's so tough
I think I've had enough
Until the weekend
I've had an overdose of doctor's notes
But it just don't ease the pain
Goin' on the sick don't do the trick
Sooner or later I'll be clockin' in again
Working like a dog more than ten-hour day
Never see enough from my take-home pay
They pay me for the shift like I was given a gift
Here comes the weekend
@dudemeisterSC
Memories of Pierre Robert playing this on Fridays on 93.3 wmmr Philadelphia
@billieandreotti6007
every friday after the coffee break!
@jamesbowen8960
I saw Dave Edmunds at St. Andrew's Hall in downtown Detroit on April 23,1994. Very few people were there,but he was outstanding. We were yelling different songs for him to sing and I yelled out "I AM THE WALRUS!" He turned around and looked at me like I was crazy. Everybody cracked up! Great times!!
@trudirosie4186
I love this guy he has sold rock 'n' roll to me! This song so sums up the joys of the weekend!
@dougstorky3223
Rockpile, Nov. 1980. The Agora in Cleveland. Memory of a lifetime for an 18 yr old seeing his first band in a bar.
@PattyRemmell
Buffalo NY and previously in Canada at Mosport (79 maybe?)
@ralphehowardjr
When I lived in the D. C. area in the late 80s, my young son (4 or 5) at the time, would look forward to Friday evenings as I picked him up from daycare to listen to Weasel on WHFS and his weekend medley. Don't forget he also played The Flirts, "We Just Wanna Dance."
@stacyjohnson4271
the weaze !
@rockvilleraven
@@stacyjohnson4271 Still on the air, he's on WTMD 89.7 in Baltimore doing his theme set show, Friday nights and repeated Saturday Afternoons, also on WOWD-LP 94.3 on Sunday Mornings co-hosting Forbidden Alliance with Robbie White. Listen live at takomaradio.org where some shows are archived on demand
@bif3578
...and The Kings, and Joe "King" Carrasco & the Crowns...