Coe's rebellious attitude, wild image, and unconventional lifestyle set him apart from other country performers, both winning him legions of fans and hindering his mainstream success by alienating the music industry establishment. Coe continues to be a popular performer on the country circuit.
Coe was born in Akron, Ohio. His favorite singer as a child was Johnny Cash. After being sent to the Starr Commonwealth For Boys reform school at the age of nine, he spent much of the next 20 years in correctional facilities, including three years at the Ohio Penitentiary. Coe claimed he received encouragement to begin writing songs from Screamin' Jay Hawkins, with whom he had spent time in prison.
After concluding another prison term in 1967, Coe embarked on a music career in Nashville, living in a hearse which he parked in front of the Ryman Auditorium while he performed on the street. He caught the attention of Shelby Singleton, owner of the independent record label Plantation Records and signed a contract with his label.
He is the father of Tyler Mahan Coe, who created the country music podcast Cocaine & Rhinestones. He has a daughter, Shelli Coe Mackie, and is father-in-law to the late Michael Mackie, formerly of Texas band 'Thunderosa'.
Coe's musical style derives from blues, rock, and country music traditions. His vocal style is described as a 'throaty baritone'. His lyrical content is often humorous or comedic, with William Ruhlmann describing him as a 'near-parody of a country singer'. Stephen Thomas Erlewine describes Coe as "a great, unashamed country singer, singing the purest honky-tonk and hardest country of his era […] he may not be the most original outlaw, but there is none more outlaw than him".
Coe's lyrics frequently include references to alcohol and drug use, and are often boisterous and cocky. Coe's debut album Penitentiary Blues was described as "voodoo blues" and "redneck music" by Allmusic's Thom Jurek. It focused on themes such as working for the first time, blood tests from veins used to inject heroin, prison time, hoodoo imagery, and death. The album's influences included Charlie Rich, Jerry Lee Lewis, Bo Diddley, Lightnin' Hopkins, and Tony Joe White. Coe later explained to Kristofer Engelhardt of Review: "I didn't really care for some of the country music until people like Kris Kristofferson and some of those people started writing songs. They had a little more to say than just, 'Oh baby I miss you', or whatever. I don't do anything halfway. Once I got into country music, I went back and researched it, and learned everything there was to know about it. I could do impersonations of Roy Acuff, Ernest Tubb, Hank Snow, Marty Robbins, just about anybody. I knew just about all there was to know about country music."
Coe's first country album, The Mysterious Rhinestone Cowboy, has been described as alt-country, 'pre-punk' and "a hillbilly version of Marc Bolan's glitz and glitter". Credited influences on the album include Merle Haggard. In his early career, Coe was known for his unpredictable live performances, in which he would ride a Harley-Davidson motorcycle onto the stage and curse at his audience. Coe has also performed in a rhinestone suit and a mask which resembled that of the Lone Ranger, calling himself the 'Mysterious Rhinestone Cowboy'.
The album Rebel Meets Rebel featured a song, "Cherokee Cry", which criticizes the United States government's treatment of Native Americans. When asked why he did not write more political songs, Coe replied, "I live in my own world, not thee world. I just write songs about what affects me in everyday life. At one point I wrote a song that was sort of a protest about when they were talking about drafting women into the military. It was about my son making it past the draft, but my daughter didn't. And I've done Farm Aid."
In his review of Coe's 1987 album A Matter of Life...and Death, Allmusic's Thom Jurek wrote, "Coe may have had some hits, but it is records like this that make one wonder if there was not a conspiracy to marginalize him and make him fail. Coe is a brilliant songwriter well into the 21st century, and deserves to be lauded along with the likes of [Willie] Nelson and [Waylon] Jennings and Kristofferson and Newbury – and even Cash."
House of the Rising Sun
David Allan Coe Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They call the Rising Sun,
And it's been the ruin for many a poor boy,
And God, I know I'm one.
My mother was a tailor,
Sewed my new blue jeans.
My father was a gambling' man
Now, the only thing a gambler needs
Is a suitcase and a trunk,
And the only time he'll be satisfied
Is when he's all drunk.
Oh, Mother, tell your children
Not to do what I have done,
Spend your lives in sin and misery
In the house of the Rising Sun.
Well, I've got one foot on the platform,
The other foot on the train.
I'm going back to New Orleans
To wear that ball and chain.
Well, there is a house in New Orleans
They call the Rising Sun,
And it's been the ruin for many a poor boy,
And God, I know I'm one.
The song, "House of the Rising Sun" by David Allan Coe, tells the story of a man who is reflecting on his past mistakes and regrets. He speaks of a house in New Orleans, known as the Rising Sun, which has been the ruin of many poor boys, including himself. He reflects on his family background, with a mother who was a tailor and a father who was a gambler. He speaks of how a gambler only needs a suitcase and a trunk and how they are only satisfied when they're drunk. He warns others not to follow in his footsteps, spending their lives in sin and misery in the house of the Rising Sun.
It is evident that the house of the Rising Sun is a metaphor for a place of temptation and vice that many are drawn to and end up regretting later on in life. The singer is remorseful and aware of his mistakes and warns others to avoid the same fate. The song is a cautionary tale about the perils of vice and the importance of making responsible choices.
Line by Line Meaning
There is a house in New Orleans
There is a specific house in New Orleans
They call the Rising Sun
It's referred to as the Rising Sun
And it's been the ruin for many a poor boy
The house has destroyed the lives of many poor boys who have been drawn to it
And God, I know I'm one
The artist is admitting to being one of the poor boys who has been destroyed by the house
My mother was a tailor
The artist's mother had the profession of being a tailor
Sewed my new blue jeans
She made a new pair of blue jeans for the singer
My father was a gambling' man
The singer's father had a gambling addiction
Down in New Orleans
He lived in New Orleans
Now, the only thing a gambler needs
The artist is about to provide his opinion on what a gambler needs
Is a suitcase and a trunk
To the artist, a gambler needs only a suitcase and a trunk to keep the items that they acquire with their gambling earnings
And the only time he'll be satisfied
According to the singer, the only time a gambler can truly be content is
Is when he's all drunk
Only when the gambler is drunk will they be satisfied with their winnings and gambling lifestyle
Oh, Mother, tell your children
The singer is giving advice to mothers
Not to do what I have done
They should inform their children to avoid the same mistakes and choices that they have made
Spend your lives in sin and misery
If they do not follow that advice, they will end up leading a life of immorality and despair
In the house of the Rising Sun
Just like the poor boys mentioned earlier in the song, they will end up in the same destructive place
Well, I've got one foot on the platform
The artist is referencing a train station platform
The other foot on the train.
The singer is ready to get on a train
I'm going back to New Orleans
The singer is returning to New Orleans
To wear that ball and chain
The artist is resigned to a certain fate and is returning to face the consequences of their actions
Well, there is a house in New Orleans
The song concludes as it started with a repetition of the opening line
They call the Rising Sun
Once again, the house is referred to as the Rising Sun
And it's been the ruin for many a poor boy,
The song comes full circle and reiterates the destruction caused by the house
And God, I know I'm one.
The song ends with the artist once again admitting to being one of the unfortunate victims of the house
Lyrics © BMG Rights Management, OLE MEDIA MANAGEMENT LP, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Alan Price
Lyrics Licensed & Provided by LyricFind
Dr. Craphead
on Damn I Wish I Was a Nigger
The song is not by David Allan Coe
Niggerhatingme
on Nigger Hatin Me
I like sugar and I like tea
But I don't like niggers, no sir-e
There are two lone things that'll make me puke
That's a hog eating slop and a big black spook
You know it, 'cuz I show it
Like a barnyard rooster I crow it
And the NAACP would sure like to get
A hold of nigger hatin' me.
Roses are red and violets are blue
Niggers are black and you know that's true
But they don't mind 'cuz what the heck
You gotta' be black to get a welfare check.
.And I'm broke, no joke. I ain't got a nickle
For a coat and I ain't black you see, so Uncle
Sam won't help poor nigger hatin' me.
Jigga-boo Jigga-boo where are you? I was
Here on the woodpile watching you. Jigga-boo
Jigga-boo come outdoors. No! I'sa scared of the
White man way down south.
You know it, 'cuz I show it. Stick your black
Head out and I blow it and the NAACP can't keep
You away from 'lil 'ol nigger hatin' me.
Mirror mirror on the wall who is the blackest
Of them all? A man named King it ain't no doubt
And he's causin' lots of trouble with his baboon
Mouth. Oh no it's he's a done it, caused by the
Trouble he's a brewin' and the NAACP can't win if
The white man stick with nigger hatin' me.
Hey Mr. President what'd ya say? When are we
Whites gonna have our day? The niggers've had
Theirs for such a long long time. I'm a white
And it's time that I had mine.
You know it, 'cuz I show it. Stick your black head
Out and I blow it and the NAACP can't win if the
White man stick with nigger hatin' me.
Nigger hatin me'
Nigger hatin me'
Nigger hatin me'
Nigger hatin me'
All true, how's the death count in chimpcago? https://heyjackass.com/
Ben - Moderator
on Nigger hatin me
Meaning of this line above has now been corrected
Matt
on Nigger hatin me
Who ever did the meaning lines is funny... woodpile is a real term, and when it says jig aboo come out doors, he imitates a poor sounding guy saying he's afraid of the racist whites from the south cuz if they even show themselves in public, they were a target. This is a bad song about the unspoken truth
cemegonuts
on You piss me off...you fuckin' jerk
This is not David Allen Coe. It is a song written by Gaye Delorme and performed by Garry Lee and Showdown.
Teresa Warnke
on Pick Em, Lick Em, Stick Em
Are there any decent constitutional lawyers in the house?
Mr. Coe has been barred from performing in most public forums.
He is one the last surviving Outlaws of country music. Although, Nigger Fucker has racist theme, Mr. Coe was defended by his life long friend, Charlie Pride, who inspired the song, all of his days. They were close friends until the end.
David Allen COE is elderly and we don't have long to have an opportunity to see him perform. What is more is that he deserves to use his constitutional right to free speech.
Some would like to have this song and many more that feel are offensive removed from existence. I am not a racist and recognize the foulness of the song, but, I am mature enough to turn off music or any other media that I don't like.
Personally, the Brian Adam's song, "Rum to You", makes me sick, as does Reba Macy tyre's, "Fancy" and "Whoever's in New England".
Ms. Macy tires songs if a mother pimping out her daughter and an abandoned housewife faithfully waiting for her man to return from fucking his mistress hurts women. The Brian Adam's song also hurts women. I do not for a minute believe that this music should never be heard again. It does provide opportunity to discuss these things with younger people.
I am going to delete my YouTube music account because they removed DAC for it's content. I did have much respect for YouTube for it's American spirit and patriotism even though the way they pay their talent is nonsensical. One deletion is a demonstration of what will follow. Eventually this could lead to less freedoms for all of us.
Please don't fall into the currant popular victim trend. Turn off music you don't like and get on with your day.
Or stand up to censorship of the arts.
Thank You,
Teresa Warnke
Rodan
on Cum Stains on the Pillow
Dribble it on her nose!
11inthemoney
on Itty Bitty Titty
Young sex is the best
11inthemoney
on Itty Bitty Titty
Shucks it's cool.
Rodan
on Cum Stains on the Pillow
Another AWESOME DAC song that makes me bellylaugh!!!