Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.
After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure" (a 1981 collaboration with Queen). He achieved massive commercial success in the 1980s starting with Let's Dance (1983). Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with The Next Day. He remained musically active until his death from liver cancer at his home in New York City. He died two days after both his 69th birthday and the release of his final album, Blackstar (2016).
During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling musicians of all time. In the UK, he was awarded ten platinum, eleven gold and eight silver album certifications, and released 11 number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest artists in history. As of 2022, Bowie was the best-selling vinyl artist of the 21st century.
Full Wikipedia article: https://en.wikipedia.org/wiki/David_Bowie
Studio albums
David Bowie (1967)
David Bowie/Space Oddity (1969)
The Man Who Sold the World (1970)
Hunky Dory (1971)
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Aladdin Sane (1973)
Pin Ups (1973)
Diamond Dogs (1974)
Young Americans (1975)
Station to Station (1976)
Low (1977)
"Heroes" (1977)
Lodger (1979)
Scary Monsters (and Super Creeps) (1980)
Let's Dance (1983)
Tonight (1984)
Never Let Me Down (1987)
Black Tie White Noise (1993)
The Buddha of Suburbia (1993)
Outside (1995)
Earthling (1997)
Hours (1999)
Heathen (2002)
Reality (2003)
The Next Day (2013)
Blackstar (2016)
Rock and Roll Suicide
David Bowie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You pull on your finger, then another finger, then your cigarette
The wall to wall is calling, it lingers, then you forget
Ohhh, you're a rock 'n' roll suicide
You're too old to lose it, too young to choose it
And the clock waits so patiently on your song
You walk past a cafe but you don't eat when you've lived too long
Chev brakes are snarling as you stumble across the road
But the day breaks instead so you hurry home
Don't let the sun blast your shadow
Don't let the milk float ride your mind
You're so natural, religiously unkind
Oh no love! You're not alone
You're watching yourself but you're too unfair
You got your head all tangled up
But if I could only make you care
Oh no love! You're not alone
No matter what or who you've been
No matter when or where you've seen
All the knives seem to lacerate your brain
I've had my share, I'll help you with the pain
You're not alone
Just turn on with me and you're not alone
Let's turn on with me and you're not alone
Gimme your hands 'cause you're wonderful
Gimme your hands 'cause you're wonderful
Oh gimme your hands
In "Rock n' Roll Suicide," Bowie sings about a person who is struggling with their identity and purpose in life. The lyrics "Time takes a cigarette, puts it in your mouth" and "You're too old to lose it, too young to choose it" suggest that the person is stuck in a transitional period of life and is using drugs, particularly smoking cigarettes, as a coping mechanism. However, the person realizes that they are on the brink of self-destruction as they are referred to as a "rock n' roll suicide." The person attempts to forget their problems through drugs and alcohol, but ultimately fails to escape them as the "wall to wall is calling." The lyric "You're watching yourself but you're too unfair" implies that the person is harshly self-criticizing and cannot find a way out of their personal struggle.
Line by Line Meaning
Time takes a cigarette, puts it in your mouth
Time is slipping away, and life is passing you by. You need something to hold onto, something to ground you, so you reach for the comfort of a cigarette.
You pull on your finger, then another finger, then your cigarette
As you smoke, you desperately try to slow time down, savoring each drag as if it might be your last.
The wall to wall is calling, it lingers, then you forget
The distractions of everyday life seem to call out to you, but they soon fade away into insignificance as you become lost in your own thoughts.
Ohhh, you're a rock 'n' roll suicide
Your life is spiraling out of control, and you're not sure how much longer you can keep it up. You feel like a rock star who's burning out too soon.
You're too old to lose it, too young to choose it
You're caught between youth and middle age, uncertain which path to take. You're not ready to give up, but you're not exactly sure what you're fighting for either.
And the clock waits so patiently on your song
Time continues to tick by, oblivious to your struggles. You feel like you're running out of time, yet the clock inexorably ticks on.
You walk past a cafe but you don't eat when you've lived too long
You're past the point of finding pleasure in simple things like food or drink. Life has lost its flavor, and you're left with a bitter taste in your mouth.
Oh, no, no, no, you're a rock 'n' roll suicide
As much as you try to fight it, you know deep down that your lifestyle is unsustainable. You're living too fast and too hard, and it's only a matter of time before you crash and burn.
Chev brakes are snarling as you stumble across the road
Your reckless behavior is starting to catch up with you. You're lucky to be alive, and you know it, but you can't seem to slow down.
But the day breaks instead so you hurry home
Each new day brings the promise of a fresh start, but you're not sure you're ready for that yet. You race home, hoping to find some measure of peace in your own familiar surroundings.
Don't let the sun blast your shadow
You're afraid of what the future might bring, of what you might become. You're trying to hold onto what you are, to avoid being consumed by the harsh light of day.
Don't let the milk float ride your mind
You're easily distracted, your mind wandering from one thing to another. You struggle to stay focused, to keep moving forward, but it's a constant battle.
You're so natural, religiously unkind
You're a product of your environment, a natural result of the choices you've made. But those choices have left you hardened and cynical, unkind to those around you.
Oh no love! You're not alone
Despite the despair and loneliness you feel, you're not truly alone. Others have gone through similar struggles, and there are people who care about you and want to help.
You're watching yourself but you're too unfair
You're your own worst critic, judging yourself harshly for things that are beyond your control. You need to learn to be kinder to yourself, to give yourself a break.
You got your head all tangled up
Your thoughts and emotions are a mess, tangled up in a web that's difficult to unravel. You need help sorting through them, but you don't know where to turn.
But if I could only make you care
There are people who care about you and want to help, but you need to be open to their support. If you could see that they genuinely care, it might make all the difference.
No matter what or who you've been
Your past doesn't define you, and it doesn't dictate your future. You have the power to change your life, to become the person you want to be.
No matter when or where you've seen
Despite the struggles you've faced and the challenges you've endured, you can still find hope and meaning in your life. It's never too late to turn things around.
All the knives seem to lacerate your brain
Every painful memory, every harsh word, every personal failing seems to cut you to the core. You're burdened by your own mistakes, your own shortcomings.
I've had my share, I'll help you with the pain
The person singing this song has also gone through hard times, and they're willing to help you through your struggles. They understand what you're going through and want to support you.
Just turn on with me and you're not alone
The singer is offering a sense of solidarity and companionship to anyone who feels lost or alone. They're saying, 'I'm here with you, I understand, and we can get through this together.'
Let's turn on with me and you're not alone
This line is a continuation of the invitation to join the singer in a shared experience. They're reaching out to anyone who needs a friendly hand or a listening ear, promising that together they can face anything.
Gimme your hands 'cause you're wonderful
Finally, the singer is emphasizing the value and worth of every individual. Despite the struggles and the pain, they want you to know that you are a valuable and wonderful human being, worthy of love and respect.
Gimme your hands 'cause you're wonderful
In this final line, the singer repeats the message of inclusion and support, calling for people to join together and support each other through the trials of life.
Lyrics © EMI Music Publishing, Peermusic Publishing, Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, BMG RIGHTS MANAGEMENT US, LLC, TINTORETTO MUSIC
Written by: DAVID BOWIE, JORGE SEU
Lyrics Licensed & Provided by LyricFind
DrJKintobor
on I Can't Give Everything Away
I can totally imagine this being the end theme of Sabrina Online, when Sabrina marries Richard and they drive off into the sunset...
Peter Bonney
on Diamond Dogs
If you like free music and you have google chrome, try this free app .SonicHits .