On the Dancefloor
David Guetta Lyrics
I got that fire, fire, fire, fire, fire, fire, fire, fire, fire, fire on the dance floor
I got that fire, fire, fire, fire, fire, fire, fire, fire, fire, fire on the dance floor
Turn it up
I got that fire, fire, fire, fire, fire, fire, fire, fire, fire, fire on the dance floor
I got that fire, fire, fire, fire, fire, fire, fire, fire, fire, fire on the dance floor
Turn it up
Turn it up
Turn it up
Turn it up
Up
Turn it up
Up
Turn it up up up
On the dance floor
Lyrics ยฉ BMG Rights Management, Universal Music Publishing Group
Written by: WILL ADAMS, ALLAN PINEDA, SANDY JULIEN WILHELM, DAVID GUETTA, JEAN-CLAUDE SINDRES
Lyrics Licensed & Provided by LyricFind
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David Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 โ really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. Read Full BioDavid Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 โ really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single "Just A Little More Love," an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guettaโs first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album's second, even more devastating single, "Love Don't Let Me Go," a track reminiscent of Moroder's techno-disco style crossed with Depeche Mode's new-wave sound.
Like fellow Frenchman Laurent Garnier, David started off his career in the gay clubs around Paris. Les Halles district in the mid-80s, going on to make a name for himself in acid-house and hip-hop. His first album heralded the beginning of a new DJ career โ this time on a global level. Named after the parties he hosts on Ibiza, the fabled isle of techno, David's "F*** ME I'M FAMOUS: IBIZA DJ MIX", which featured his remix of David Bowie's "Heroes," went gold: no small feat for a compilation CD. For the last three years, David has been invited to mix throughout Europe on a regular basis and, more and more often, in the United States, Australia, Japan, Singapore and Israel as well. He is also resident DJ at The Cross in London, Barcelona โs Discoteca and the Lausanne club Mad.
Propelled by the rock guitars of the single Money, Davidโs second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first albumโs co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive, and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britainโs Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new โ and always spectacular โ heights.
From GUETTA BLASTERโs opening salvos, "Money and Stay," we get beats that are cranked up a notch beyond the hard-dance formula of "Just A Little More Love." Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive.
"Used To Be The One," with vocals by Willis, owes a debt to both Yazooโs Don't Go and garage music. Similarly, the counterpoint of Time evokes Eurythmicsโ Sweet Dreams, blending the best of English pop and dance culture โ something David has mastered like no one else. Open Your Eyes, a track tailor-made for the Stereo MCs, is built on a rubbery break beat and an acid sequence, with a rap that brings their classic Connected to mind. The abrasive AC/DC, clearly a future hit on the underground/rave circuit, is like the missing link between Jeff Mills and Ministry of Sound.
Two velvet-smooth cuts neatly crown the album: "In Love With Myself," a track that could hold its own against Moroder & Oakeyโs Electric Dreams any day, is followed by "Higher," on which Chris Willis pays homage to the style of phrasing and embellishment popularized by Stevie Wonder, an approach that has proliferated in both R&B and garage/house music ร la New Jersey duo Blaze. GUETTA BLASTER drives its point home with the metronomic Movement Girl, featuring James Perry, and the killer Get Up, on which macho riffs, the hysterical falsetto of Chris Willis and screaming guitars swirl around a punchy beat.
On GUETTA BLASTER, David Guetta has not only successfully avoided the pitfalls of second albums โ he has truly launched himself into a new dimension.
The song "Just A Little More Love" appeared in the film The Football Factory, was sung in the Gospel version at the 2006 Victoria's Secret Fashion Show.
On New Year's Day 2007 he appeared at Big Beach Boutique 3, a concert held on the beach of Brighton, UK, put together by and headlined by Fatboy Slim.
His fourth album is "Pop Life" released in France on 23 April, 2007 with the leading single
"Love is gone."
24. August 2009. he released "One Love". He introduces this album with the hit singles "When Love Takes Over" feat. Kelly Rowland and "Sexy Bitch/Chick" feat. Akon. He wanted to make a new music stream named House Pop or Hip House. In this album he worked with well known vocalists, producers and DJs like Chris Willis, Estelle, Kid Cudi, Novel, Ne-Yo, Will I Am & Apl De Ap from The Black Eyed Peas, Lil' John, DJ Chuckie, Abel Ramos, Koen Groenveld, Afrojack, DJ Footloose, Joachim Garraud and others.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 โ really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. Read Full BioDavid Guetta (born November 7th, 1967 in Paris) is a French DJ.
He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 โ really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. In 2001, however, he went back to his first love: making music.
Launched by the single "Just A Little More Love," an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guettaโs first album was released by Virgin in June 2002 and went on to sell 250,000 copies. This resounding success carried through in the album's second, even more devastating single, "Love Don't Let Me Go," a track reminiscent of Moroder's techno-disco style crossed with Depeche Mode's new-wave sound.
Like fellow Frenchman Laurent Garnier, David started off his career in the gay clubs around Paris. Les Halles district in the mid-80s, going on to make a name for himself in acid-house and hip-hop. His first album heralded the beginning of a new DJ career โ this time on a global level. Named after the parties he hosts on Ibiza, the fabled isle of techno, David's "F*** ME I'M FAMOUS: IBIZA DJ MIX", which featured his remix of David Bowie's "Heroes," went gold: no small feat for a compilation CD. For the last three years, David has been invited to mix throughout Europe on a regular basis and, more and more often, in the United States, Australia, Japan, Singapore and Israel as well. He is also resident DJ at The Cross in London, Barcelona โs Discoteca and the Lausanne club Mad.
Propelled by the rock guitars of the single Money, Davidโs second album, GUETTA BLASTER, is even gutsier. David and Joachim Garraud (the first albumโs co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive, and New Order, to name the most prominent influences. All the tracks on this second album are original compositions. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britainโs Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new โ and always spectacular โ heights.
From GUETTA BLASTERโs opening salvos, "Money and Stay," we get beats that are cranked up a notch beyond the hard-dance formula of "Just A Little More Love." Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. The result is 100% addictive.
"Used To Be The One," with vocals by Willis, owes a debt to both Yazooโs Don't Go and garage music. Similarly, the counterpoint of Time evokes Eurythmicsโ Sweet Dreams, blending the best of English pop and dance culture โ something David has mastered like no one else. Open Your Eyes, a track tailor-made for the Stereo MCs, is built on a rubbery break beat and an acid sequence, with a rap that brings their classic Connected to mind. The abrasive AC/DC, clearly a future hit on the underground/rave circuit, is like the missing link between Jeff Mills and Ministry of Sound.
Two velvet-smooth cuts neatly crown the album: "In Love With Myself," a track that could hold its own against Moroder & Oakeyโs Electric Dreams any day, is followed by "Higher," on which Chris Willis pays homage to the style of phrasing and embellishment popularized by Stevie Wonder, an approach that has proliferated in both R&B and garage/house music ร la New Jersey duo Blaze. GUETTA BLASTER drives its point home with the metronomic Movement Girl, featuring James Perry, and the killer Get Up, on which macho riffs, the hysterical falsetto of Chris Willis and screaming guitars swirl around a punchy beat.
On GUETTA BLASTER, David Guetta has not only successfully avoided the pitfalls of second albums โ he has truly launched himself into a new dimension.
The song "Just A Little More Love" appeared in the film The Football Factory, was sung in the Gospel version at the 2006 Victoria's Secret Fashion Show.
On New Year's Day 2007 he appeared at Big Beach Boutique 3, a concert held on the beach of Brighton, UK, put together by and headlined by Fatboy Slim.
His fourth album is "Pop Life" released in France on 23 April, 2007 with the leading single
"Love is gone."
24. August 2009. he released "One Love". He introduces this album with the hit singles "When Love Takes Over" feat. Kelly Rowland and "Sexy Bitch/Chick" feat. Akon. He wanted to make a new music stream named House Pop or Hip House. In this album he worked with well known vocalists, producers and DJs like Chris Willis, Estelle, Kid Cudi, Novel, Ne-Yo, Will I Am & Apl De Ap from The Black Eyed Peas, Lil' John, DJ Chuckie, Abel Ramos, Koen Groenveld, Afrojack, DJ Footloose, Joachim Garraud and others.
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Family Pop TV
I've seen David in Cafe Mambo in San Antonio Ibiza in 2009, remember this one very well!!! One of the best tracks ever produced, with that 'dutch' portamento synths. Love it!!!
Manash Kalita
David guetta was the ultimate bangers in his prime.2007-2012 was the era for him...
Javier Dรญaz S. Medrano
This will surely put fire on the dance floor... I hadn't heard this song since years ago...
3cs3hs
this and i wanna go crazy are two of the best bangers of all time!
Halle Luja
this is 1 of my fave guetta tracks. surprised not more views. x
Perrazo0 Bsksla
Aรบn la escucho 2021
Thrashmobin
Because I played this song on DJ hero, I still hear the remix in my head
normz
This is my favorate music. back in 2011. I miss those days.
Hakim Patel
It doesnt mttr when or how you listen to it...... This is 1 of d best by David Guetta.
3cs3hs
wanna go crazy and this one are my favs