David Holmes is a Northern Irish DJ, musician and composer. Holmes was born… Read Full Bio ↴David Holmes is a Northern Irish DJ, musician and composer. Holmes was born on 14 February 1969, the youngest of ten children.
Holmes began DJing in the pubs of his native Belfast from the age of 15. His first hit was the song "DeNiro", with Ashley Beedle, in 1992. In the early to mid 1990's he ran two highly acclaimed and successful club nights in the Belfast Art College known as Sugar Sweet and Shake Yer Brain. Famously, the dance group Orbital wrote the track "Belfast", released on their debut album Orbital, after playing at Sugar Sweet.
Holmes released This Film's Crap Let's Slash the Seats, in 1995, and it received acclaim for being very scenic and chaotic dance music. One of the songs on the album was used in the soundtrack to the film Pi (Pi). At the time he described the album as being inspired by movies and movie soundtracks, a recurring theme throughout the album and of Holmes' work as a whole. The opening track, "No Man's Land," was reportedly inspired by the Daniel Day-Lewis film In the Name of the Father. In the same year, he also provided the ambient links between the songs on the album Infernal Love by the Northern Irish rock band Therapy?.
In 1997, Holmes released Let's Get Killed, described by some as the soundtrack to an imaginary film. Many of the tracks feature people talking in the streets of New York, recorded by Holmes using a dictaphone.
In 1998, Danny Devito commissioned him to do the score for Steven Soderbergh's film Out of Sight (Out of Sight).
He scored a second film for Soderbergh in 2001, including some songs from Let's Get Killed and Bow Down to the Exit Sign on the Ocean's Eleven remake (Ocean's Eleven).
After releasing a mix album, Come Get It I Got It, in 2002, Holmes released David Holmes Presents The Free Association in 2003. This was a departure for the artist as all his previous work had been solo. The Free Association featured 4 other bandmates who toured with Holmes after the album was launched.
As a remixer he has reworked tracks by U2, The Manic Street Preachers, Primal Scream, Page and Plant, and Ice Cube.
Before his musical career Holmes worked as a hairdresser and chef. He also briefly owned and ran a café called Mogwai near the Queen's University of Belfast.
Discography (Incomplete)
Albums
This Film's Crap Let's Slash the Seats (1995; features Steve Hillage and Jah Wobble)
Let's Get Killed (1997)
Essential Mix (1998 previously broadcast on BBC Radio 1)
Bow Down to the Exit Sign (2000)
Come Get It I Got It (2002 mix album)
David Holmes Presents The Free Association (2003)
The Holy Pictures (2008)
Film soundtracks
Resurrection Man (1998)
Out of Sight (1998)
Buffalo Soldiers (2001)
Ocean's Eleven (2002)
Analyze That (2003)
Code 46 (2003)
Stander (2003)
Ocean's Twelve (2004)
Ocean's Thirteen (2007)
Dave Holmes is also the alias of trance and hard trance producer, Mustafa Alici. Releases under this name have included Devotion, Freedom and Samsara.
Holmes began DJing in the pubs of his native Belfast from the age of 15. His first hit was the song "DeNiro", with Ashley Beedle, in 1992. In the early to mid 1990's he ran two highly acclaimed and successful club nights in the Belfast Art College known as Sugar Sweet and Shake Yer Brain. Famously, the dance group Orbital wrote the track "Belfast", released on their debut album Orbital, after playing at Sugar Sweet.
Holmes released This Film's Crap Let's Slash the Seats, in 1995, and it received acclaim for being very scenic and chaotic dance music. One of the songs on the album was used in the soundtrack to the film Pi (Pi). At the time he described the album as being inspired by movies and movie soundtracks, a recurring theme throughout the album and of Holmes' work as a whole. The opening track, "No Man's Land," was reportedly inspired by the Daniel Day-Lewis film In the Name of the Father. In the same year, he also provided the ambient links between the songs on the album Infernal Love by the Northern Irish rock band Therapy?.
In 1997, Holmes released Let's Get Killed, described by some as the soundtrack to an imaginary film. Many of the tracks feature people talking in the streets of New York, recorded by Holmes using a dictaphone.
In 1998, Danny Devito commissioned him to do the score for Steven Soderbergh's film Out of Sight (Out of Sight).
He scored a second film for Soderbergh in 2001, including some songs from Let's Get Killed and Bow Down to the Exit Sign on the Ocean's Eleven remake (Ocean's Eleven).
After releasing a mix album, Come Get It I Got It, in 2002, Holmes released David Holmes Presents The Free Association in 2003. This was a departure for the artist as all his previous work had been solo. The Free Association featured 4 other bandmates who toured with Holmes after the album was launched.
As a remixer he has reworked tracks by U2, The Manic Street Preachers, Primal Scream, Page and Plant, and Ice Cube.
Before his musical career Holmes worked as a hairdresser and chef. He also briefly owned and ran a café called Mogwai near the Queen's University of Belfast.
Discography (Incomplete)
Albums
This Film's Crap Let's Slash the Seats (1995; features Steve Hillage and Jah Wobble)
Let's Get Killed (1997)
Essential Mix (1998 previously broadcast on BBC Radio 1)
Bow Down to the Exit Sign (2000)
Come Get It I Got It (2002 mix album)
David Holmes Presents The Free Association (2003)
The Holy Pictures (2008)
Film soundtracks
Resurrection Man (1998)
Out of Sight (1998)
Buffalo Soldiers (2001)
Ocean's Eleven (2002)
Analyze That (2003)
Code 46 (2003)
Stander (2003)
Ocean's Twelve (2004)
Ocean's Thirteen (2007)
Dave Holmes is also the alias of trance and hard trance producer, Mustafa Alici. Releases under this name have included Devotion, Freedom and Samsara.
Radio 7
David Holmes Lyrics
We have lyrics for these tracks by David Holmes:
Compared to What I love the lie and lie the love A-Hangin' on, with…
Gone I'm gonna hide She don't even know I'm gonna run away And y…
Gritty Shaker I'm sittin' at a coffee table, unable to see straight Watchi…
I Heard Wonders Here she comes again Not satisfied with the state I'm in She…
Love Reign Over Me This is what you mean to me I close my eyes,…
Ocean I'm sittin' at a coffee table, unable to see straight Watch…
Ocean's 11 Theme I'm sittin' at a coffee table, unable to see straight Watch…
Slash The Seats attention attention ship computer to all personel the hyperd…
Theme / I.M.C This Is The Beginning! This Is The Beginning! ...Of Prog…
Theme / I.M.C. This Is The Beginning! This Is The Beginning! ...Of Prog…
Theme IMC This Is The Beginning! This Is The Beginning! ...Of Prog…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Jack
Now, I'd love to have Steven Soderbergh direct a James Bond film with David Holmes composing the soundtrack. Win-Win!
Warp75
Yeah
Geoff, Captain C Paige
John Barry's original is amazing but David took it further
Quaddamage
From lowest to low bass just incredible part
Gabriela Bruckner
La música minimalista exagera o estereotipa uno de los momentos estéticos ( la reiteración ). Este recurso deviene en género, de modo que exigirle a esta clase de composiciones el vértigo de las modulaciones resulta al menos una nota de sandez. El arte debe ser disfrutado de acuerdo a su contexto técnico Un disco puro y muy bien trabajado, original
Seán O'Nilbud
I think it's in the shed round the back.
P G
this is the first bond theme tune to give me goosebumps in a while
Martin Del Carpio
Love this!
Hard Boiled Entertainment
The question is answered before we asked: What if David Holmes did the score for a James Bond movie? His style sounds rather like David Arnold, during the Pierce Brosnan era.
Puppet Master
Funny you should write that, because this song where meant to be the theme song for a Bond movie.
The producers didn't like it, so they went with David Arnold instead.