Davis Eli "David" Ruffin (January 18, 1941 – June 1, 1991) was an American … Read Full Bio ↴Davis Eli "David" Ruffin (January 18, 1941 – June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of the Temptations from 1964 to 1968 (or the group's "Classic Five" period as it was later known). He was the lead voice on such famous songs as "My Girl" and "Ain't Too Proud to Beg."
Known for his unique raspy and anguished tenor vocals, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008. He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with the Temptations. Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, "I heard [in his voice] a strength my own voice lacked."
Ruffin was born Davis Eli Ruffin in the rural unincorporated community of Whynot, Mississippi, fifteen miles from Meridian, Mississippi. He was the third born son of Elias "Eli" Ruffin, a Baptist minister, and Ophelia Ruffin (née Davis). His siblings were Quincy B. Ruffin, Rita Ruffin, and Jimmy L. Ruffin. His parents were both natives of Mississippi. His father Eli worked as a truck driver at a lumber mill and his mother Ophelia worked out of their home. As far as the ancestry of the Ruffin family, Eli's parents had moved from Alabama to Mississippi, due to the harsh circumstances of living after the American Civil War. Prior to living in Alabama, David Ruffin's great grandparents, John Ruffin and Clara Ruffin, had moved from Bertie County, North Carolina. John Ruffin was a Civil War Veteran, fighting with the 14th United States Colored Heavy Artillery Regiment.
Ruffin's father was strict and at times violently abusive. Ruffin's mother died just months after his birth and his father married a schoolteacher, Earline, in 1942. As a young child, Ruffin, along with his other siblings (older brothers Quincy and Jimmy, and sister Rita Mae), traveled with their father and their stepmother as a family gospel group, opening shows for Mahalia Jackson and The Five Blind Boys of Mississippi, among others. Ruffin sang in the choir at Mount Salem Methodist Church, talent shows, and wherever else he could. In 1955, at the age of fourteen, he left home under the guardianship of a minister and went to Memphis, Tennessee with the purpose of pursuing the ministry.
At age 15, Ruffin went to Hot Springs, Arkansas with the jazz musician Phineas Newborn, Sr. There they played at the Fifty Grand Ballroom and Casino. Ruffin continued to sing at talent shows, worked with horses at a jockey club and eventually became a member of the Dixie Nightingales. He also sang with the Soul Stirrers briefly after the departure of Johnnie Taylor. It was in Ruffin's travels as a teenager that he met such later popular personalities as Elvis Presley, Little Richard, Frankie Lymon, Bobby Womack, the Staple Singers, the Swan Silvertones and the Dixie Hummingbirds.
After some of his singing idols like Sam Cooke and Jackie Wilson had left gospel music and gone secular, Ruffin also turned in that direction. The 16-year-old Ruffin met and came under the guardianship of Eddie Bush and his wife Dorothy Helen, who took the teenager to Detroit, Michigan, where his brother Jimmy was pursuing a career in music while working at the Ford Motor Company.
After moving to Detroit with the Bushes, Ruffin recorded his first released records with the songs "You and I" (1958) b/w "Believe Me" (1958) and the original version of "Statue of a Fool." These songs were recorded at Vega Records and released under the name "Little David Bush", using the last name of the man he was living with at the time, Eddie Bush. Ruffin would later recall how he initially recorded "a different kind of music", strongly influenced by the smoother pop and R&B of the time, when he first recorded in Detroit for Vega.
In 1957, Ruffin met Berry Gordy, Jr., then a songwriter with ambitions of running his own label. Ruffin lived with Gordy's father, a contractor, and helped "Pops" Gordy do construction work on the building that would become Hitsville USA, the headquarters for Gordy's Tamla Records (later Motown Records) label. Ruffin's brother Jimmy would eventually be signed to Tamla's Miracle Records label as an artist.
Ruffin also worked alongside another ambitious singer, Marvin Gaye, as an apprentice at Anna Records, a Chess-distributed label run by Gordy's sister Gwen Gordy Fuqua and his songwriting partner Billy Davis. Asked about Ruffin in the Detroit Free Press in 1988, Gordy Fuqua said, "He was very much a gentleman, yes ma'am and no ma'am, but the thing that really impressed me about David was that he was one of the only artists I've seen who rehearsed like he was on stage."
Eventually, Ruffin started recording at Anna Records, and recorded the song "I'm in Love" b/w "One of These Days" (1961), with the Voice Masters, which included future Motown producer Lamont Dozier and members of the singing group the Originals Ty Hunter, C.P. Spencer, Hank Dixon and Voice Masters and The Originals founder Walter Gaines (and, at one time, it also had another future Temptations member, Melvin Franklin, one of numerous people David would claim as a cousin).
Ruffin eventually met an up-and-coming local group by the name of The Temptations. His older brother Jimmy Ruffin went on a Motortown Revue tour with the Temptations, and he told David that they needed someone to sing tenor in their group. Ruffin showed interest in joining the group to Otis Williams whom he lived very close to in Detroit. In January 1964, Ruffin became a member of the Temptations after founding member Elbridge "Al" Bryant was fired from the group (Ruffin's first recording session with the group was January 9, 1964). Though both David and his brother Jimmy were considered, David was given an edge over Jimmy thanks to his performance skills, which David displayed when he joined the Temptations on-stage during the New Year's Eve party in 1963.
The bespectacled Ruffin initially sang backgrounds, while the role of lead singer mostly alternated between Eddie Kendricks and Paul Williams. He did sing a few lead parts both on stage and in the studio during his first year with the group, but his leads on these studio tracks would not be released for over a year, as they were considered not good enough to showcase Ruffin's vocals. Smokey Robinson, who produced and co-wrote most of the Temptations' material at this point, saw Ruffin during this period as a "sleeping giant" in the group with a unique voice that was, "mellow," yet, "gruff." Robinson thought that if he could write just the perfect song for Ruffin's voice, then he could have a smash hit. The song was to be something that Ruffin could "belt out" yet something that was also "melodic and sweet". That song, "My Girl", was recorded in November 1964 and released a month later, became the group's first number-one single in 1965. "My Girl" became the Temptations' signature song and elevated Ruffin to the role of lead singer and front man.
The follow-ups to "My Girl" were also extremely successful singles, including the Ruffin-led hits "It's Growing" (1965), "Since I Lost My Baby" (1965), "My Baby" (1965), "Ain't Too Proud to Beg" (1966), "Beauty Is Only Skin Deep" (1966), "(I Know) I'm Losing You" (1966), "All I Need" (1967), "(Loneliness Made Me Realize) It's You That I Need" (1967), "I Wish It Would Rain" (1967), and "I Could Never Love Another (After Loving You)" (1968). Ruffin also shared lead vocals on the 1967 hit single "You're My Everything" with Eddie Kendricks. The tall, 6'3", Ruffin's passionate and dramatic performances endeared him to the Temptations' audiences and fans. According to Otis Williams, Ruffin (playfully nicknamed "Ruff" by the group) was initially a natural comedian and a hard-working singer when he first joined the group. Ruffin's most notable non-vocal contribution to the Temptations was the masterminding of their trademark four-headed microphone stand.
By 1967, however, ego problems with Ruffin became an issue for the group. He became addicted to cocaine and began missing rehearsals and performances. Refusing to travel with the other Temptations, Ruffin and his then-girlfriend Tammi Terrell traveled in a custom limo (with the image of his trademark black rimmed glasses painted on the door). After the Supremes had their name changed to Diana Ross & the Supremes in early 1967, Ruffin felt that he should become the focal point of the Temptations, just as Diana Ross was for her group and began demanding that the group name be changed to David Ruffin & the Temptations. This led to a number of disagreements between Ruffin and the group's de facto leader, Otis Williams. In addition to the group's problems with Ruffin's ego, he began inquiring into the Temptations' financial records, demanding an accounting of the group's money. This caused friction between Ruffin and Gordy.
In June 1968, the Temptations agreed that Ruffin had finally crossed the line when he missed a June 22 Cleveland, Ohio date with the Temptations to instead attend a performance by his new girlfriend, Barbara Gail Martin (Dean Martin's daughter). Ruffin was fired on June 27 and replaced with Dennis Edwards, a former member of The Contours who had been a friend of Ruffin and the group as a whole beforehand. Though Ruffin himself personally encouraged Edwards to take his place, Ruffin began turning up unannounced at Temptations' concerts during Edwards' first few dates with the group. When the group started to perform a Ruffin-era song such as "My Girl" or "Ain't Too Proud to Beg", Ruffin would suddenly walk on to the stage, take the microphone from Edwards' hands, and steal the show, embarrassing the group but entertaining the fans. According to Edwards, the adulation and Ruffin's pleas convinced the other four Temptations to give Ruffin a second chance, but when he arrived late to what was to be his return show with the group in Gaithersburg, Maryland, The Temptations decided to keep Edwards and drop considerations of rehiring Ruffin.
In October 1968, Ruffin filed suit against Motown Records, seeking a release from the label and an accounting of his money. Motown counter-sued to keep the singer from leaving the label and eventually the case was settled. The settlement required Ruffin to remain with Motown to finish out his initial contract (Ruffin joined Motown as a solo artist and always had a separate contract from the other Temptations, which some felt caused a lot of the in-fighting within the group).
Ruffin's first solo single was a song originally intended for the Temptations, "My Whole World Ended (The Moment You Left Me)". The single from the album entitled My Whole World Ended was released in 1969 followed soon by the album Feelin' Good. The single reached the US Pop & R&B "Top Ten." A third album, titled David, was recorded in 1970-71, but was shelved by Motown and did not see a commercial release until 2004; his next official release for Motown did not arrive until 1973, when David Ruffin was released. His final Top Ten hit was 1975's "Walk Away from Love", produced by Van McCoy, which reached number nine on the Pop chart. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in February 1976. Other notable recordings from Ruffin's solo career include "I Lost Everything I've Ever Loved" (1969); the gospel-inflected "I'm So Glad I Fell For You" (1970); "Blood Donors Needed (Give All You Can)" (1973); "Common Man" (1973) (which was sampled on the 2001 Jay-Z song "Never Change"); "No Matter Where" (1974); "Who I Am" (1975); "Statue of a Fool" (1975); and cover versions of the Jackson Five's "I Want You Back", "Rainy Night in Georgia" popularized by Brook Benton (both recorded for the shelved 1970 album); and Harold Melvin and the Blue Notes' "I Miss You", featuring Eddie Kendrick (1973).
In 1970 Ruffin recorded an album with his brother Jimmy, I am My Brother's Keeper, for which they had minor hits with "When My Love Hand (Comes Tumbling Down)" and "Your Love Was Worth Waiting For". While his solo career initially showed promise, Ruffin reportedly went into decline in part because of his cocaine addiction and the lack of support from Motown.
After leaving Motown in 1977, Ruffin recorded for Warner Bros. Records releasing the albums So Soon We Change (1979) and Gentleman Ruffin (1980), and later signed with RCA Records, accompanied by former Temptations band-mate Eddie Kendrick, who chose to rekindle their friendship when Kendrick himself started experiencing problems with the Temptations.
In 1982, Ruffin and Eddie Kendricks re-joined the Temptations for the recording of their album Reunion and the tour to promote the album. Reunion included the R&B hit "Standing on the Top" with Rick James. The reunion tour, however, was short lived as Ruffin started to miss shows due to his cocaine addiction, leading the group to be fined thousands of dollars. Otis Williams fired Ruffin for the second and final time from the group along with Kendricks (whose voice was weakened due to heavy chain smoking) by Christmas 1982. Ruffin started touring with Kendrick (who dropped the "s" from his last name at this time) as a duo act in 1985.
In 1982, Ruffin was sentenced to six months in a low-security prison in Terre Haute, Indiana, for failing to pay taxes during the mid-1970s. On May 19, 1986, he pleaded no contest to a charge of receiving and concealing stolen property worth less than $100 (a Colt .32-caliber handgun) and was fined $50 plus $100 in court costs. Charges of assault and battery and receiving stolen property worth more than $100 were dropped. A 1987 cocaine arrest landed him in jail for repeated parole violations.
In 1985, longtime Temptations fans Hall & Oates teamed up with Ruffin and Kendrick to perform at the re-opening of the Apollo Theater in New York. Their performance was released as a relatively successful live album and single. The four singers also sang a medley of Temptations hits at Live Aid on July 13, 1985. John Oates later wrote a minor hit single for Ruffin and Kendrick, but the two duos fell out, allegedly due to Daryl Hall's objections to Ruffin's heavy drug use. After being inducted into the Rock and Roll Hall of Fame, in 1989, with the other Temptations, Ruffin, Kendrick and Dennis Edwards began touring and recording as "Ruffin/Kendrick/Edwards: Former Leads of The Temptations". On August 17, 2013 in Cleveland, Ohio The Official R&B Music Hall of Fame inducted David Ruffin as a solo artist and also a member of The Temptations. His family was on hand for this great honor.
Ruffin was married twice. His first marriage was to Sandra Ruffin in 1961 with whom he had three daughters, Cheryl, Nedra and Kimberly. In 1976, Ruffin married Joy Hamilton. He also had one son he named David Ruffin Junior with his former girlfriend Genna Sapia, who--after his death--would add "Ruffin" to her last name in tribute to their long-term relationship, as well as to the fact that they had a son together. The two lived as husband and wife, but were never legally married.
Ruffin also had a well publicized relationship with Motown label mate and Marvin Gaye duet partner, singer Tammi Terrell.
After a successful month-long tour of England with Kendrick and Edwards, Ruffin died on June 1, 1991, in a Philadelphia, Pennsylvania, hospital of "an adverse reaction to drugs" - namely cocaine. Although the cause of death was ruled an accident, Ruffin's family and friends suspected foul play, claiming that a money belt containing the proceeds from the tour ($300,000) was missing from his body. He had just finished recording the single "Hurt the One You Love" for Motorcity Records.
In The Temptations television miniseries, Ruffin's beaten body is depicted as being thrown from a moving car in front of a hospital, where he dies. Also stated in the mini-series was that his body remained unclaimed in a morgue for a week after his death. As a result, Ruffin's estate filed suit against NBC and other major players involved in the making of the series, claiming defamation. According to the plaintiffs in the case, Ruffin was actually taken to the hospital by a limousine and was escorted to the waiting area by his driver, who informed the attendants of his identity. The Ruffin children further state that his body was claimed by one of them within a few days after his death. (Ruffin's estate lost the lawsuit; the ruling against them was upheld on appeal.)
Ruffin had many admirers among his fellow artists, mainly for the emotive power he brought to every song he sang. "Nobody could sing like David Ruffin," said his close friend and colleague Martha Reeves (of Martha and the Vandellas fame). His contemporary, label-mate, and long-time acquaintance Marvin Gaye was particularly impressed with the virility of Ruffin's voice. Gaye said Ruffin's work "made me remember that when a lot of women listen to music, they want to feel the power of a real man."
Daryl Hall of Hall & Oates, one of Ruffin's biggest fans, said, "His voice had a certain glorious anguish that spoke to people on many emotional levels". Ruffin himself said, "I don't know what kind of voice I have, I really don't"...it's just about "the feeling I get for the song."
The raspy-voiced Rod Stewart fell in love with Ruffin's voice after he heard "I Wish It Would Rain". "It jumped out of the speakers and ravished my soul," Stewart exclaimed. Stewart would later become friends with Ruffin. "His voice was so powerful -- like a foghorn on the Queen Mary," Stewart told Rolling Stone magazine.
For all of his nearly forty years in the music business, much of it with modest success, Ruffin is remembered almost exclusively for his relatively brief stint in the Temptations. The cover art of his last album Gentleman Ruffin was the inspiration on the art of rapper Wiz Khalifa's mixtape Kush and Orange Juice.
In 1998, NBC aired The Temptations, a four-hour television miniseries about the group's career. Ruffin was portrayed by Leon Robinson (who uses the professional name "Leon"). The actor won high praise for his portrayal of Ruffin, but Ruffin's family was upset by the way the miniseries portrayed Ruffin and filed a lawsuit against the producers of the miniseries and also Otis Williams, whose memoir had been the source material for the miniseries. The case was dismissed in favor of the defendants, with Williams later claiming that he had no real control over the presentation of the material.
Grand Puba of Brand Nubian referenced the singer on the 1990 single "All for One", stating: "I hit a beat and swing a note as if my name was David Ruffin".
Rapper Machine Gun Kelly also referenced the singer on his 2013 song "See My Tears" stating:"Fought every temptation shit, I guess I’m David Ruffin huh?"
The first song on Fall Out Boy's 2005 CD From Under the Cork Tree was to have been titled "My Name is David Ruffin...and These are The Temptations" but for legal reasons, the name was changed (to "Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued").
Hotstylz used Ruffin's song and referred his name on their hip-hop single "Lookin' Boy".
American rap rock group Gym Class Heroes references Ruffin in the 2008 song "Like Father, Like Son (Papa's Song)" from their album The Quilt stating: "I never understood temptation. But I guess we both got a little David Ruffin in us."
Known for his unique raspy and anguished tenor vocals, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008. He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with the Temptations. Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, "I heard [in his voice] a strength my own voice lacked."
Ruffin was born Davis Eli Ruffin in the rural unincorporated community of Whynot, Mississippi, fifteen miles from Meridian, Mississippi. He was the third born son of Elias "Eli" Ruffin, a Baptist minister, and Ophelia Ruffin (née Davis). His siblings were Quincy B. Ruffin, Rita Ruffin, and Jimmy L. Ruffin. His parents were both natives of Mississippi. His father Eli worked as a truck driver at a lumber mill and his mother Ophelia worked out of their home. As far as the ancestry of the Ruffin family, Eli's parents had moved from Alabama to Mississippi, due to the harsh circumstances of living after the American Civil War. Prior to living in Alabama, David Ruffin's great grandparents, John Ruffin and Clara Ruffin, had moved from Bertie County, North Carolina. John Ruffin was a Civil War Veteran, fighting with the 14th United States Colored Heavy Artillery Regiment.
Ruffin's father was strict and at times violently abusive. Ruffin's mother died just months after his birth and his father married a schoolteacher, Earline, in 1942. As a young child, Ruffin, along with his other siblings (older brothers Quincy and Jimmy, and sister Rita Mae), traveled with their father and their stepmother as a family gospel group, opening shows for Mahalia Jackson and The Five Blind Boys of Mississippi, among others. Ruffin sang in the choir at Mount Salem Methodist Church, talent shows, and wherever else he could. In 1955, at the age of fourteen, he left home under the guardianship of a minister and went to Memphis, Tennessee with the purpose of pursuing the ministry.
At age 15, Ruffin went to Hot Springs, Arkansas with the jazz musician Phineas Newborn, Sr. There they played at the Fifty Grand Ballroom and Casino. Ruffin continued to sing at talent shows, worked with horses at a jockey club and eventually became a member of the Dixie Nightingales. He also sang with the Soul Stirrers briefly after the departure of Johnnie Taylor. It was in Ruffin's travels as a teenager that he met such later popular personalities as Elvis Presley, Little Richard, Frankie Lymon, Bobby Womack, the Staple Singers, the Swan Silvertones and the Dixie Hummingbirds.
After some of his singing idols like Sam Cooke and Jackie Wilson had left gospel music and gone secular, Ruffin also turned in that direction. The 16-year-old Ruffin met and came under the guardianship of Eddie Bush and his wife Dorothy Helen, who took the teenager to Detroit, Michigan, where his brother Jimmy was pursuing a career in music while working at the Ford Motor Company.
After moving to Detroit with the Bushes, Ruffin recorded his first released records with the songs "You and I" (1958) b/w "Believe Me" (1958) and the original version of "Statue of a Fool." These songs were recorded at Vega Records and released under the name "Little David Bush", using the last name of the man he was living with at the time, Eddie Bush. Ruffin would later recall how he initially recorded "a different kind of music", strongly influenced by the smoother pop and R&B of the time, when he first recorded in Detroit for Vega.
In 1957, Ruffin met Berry Gordy, Jr., then a songwriter with ambitions of running his own label. Ruffin lived with Gordy's father, a contractor, and helped "Pops" Gordy do construction work on the building that would become Hitsville USA, the headquarters for Gordy's Tamla Records (later Motown Records) label. Ruffin's brother Jimmy would eventually be signed to Tamla's Miracle Records label as an artist.
Ruffin also worked alongside another ambitious singer, Marvin Gaye, as an apprentice at Anna Records, a Chess-distributed label run by Gordy's sister Gwen Gordy Fuqua and his songwriting partner Billy Davis. Asked about Ruffin in the Detroit Free Press in 1988, Gordy Fuqua said, "He was very much a gentleman, yes ma'am and no ma'am, but the thing that really impressed me about David was that he was one of the only artists I've seen who rehearsed like he was on stage."
Eventually, Ruffin started recording at Anna Records, and recorded the song "I'm in Love" b/w "One of These Days" (1961), with the Voice Masters, which included future Motown producer Lamont Dozier and members of the singing group the Originals Ty Hunter, C.P. Spencer, Hank Dixon and Voice Masters and The Originals founder Walter Gaines (and, at one time, it also had another future Temptations member, Melvin Franklin, one of numerous people David would claim as a cousin).
Ruffin eventually met an up-and-coming local group by the name of The Temptations. His older brother Jimmy Ruffin went on a Motortown Revue tour with the Temptations, and he told David that they needed someone to sing tenor in their group. Ruffin showed interest in joining the group to Otis Williams whom he lived very close to in Detroit. In January 1964, Ruffin became a member of the Temptations after founding member Elbridge "Al" Bryant was fired from the group (Ruffin's first recording session with the group was January 9, 1964). Though both David and his brother Jimmy were considered, David was given an edge over Jimmy thanks to his performance skills, which David displayed when he joined the Temptations on-stage during the New Year's Eve party in 1963.
The bespectacled Ruffin initially sang backgrounds, while the role of lead singer mostly alternated between Eddie Kendricks and Paul Williams. He did sing a few lead parts both on stage and in the studio during his first year with the group, but his leads on these studio tracks would not be released for over a year, as they were considered not good enough to showcase Ruffin's vocals. Smokey Robinson, who produced and co-wrote most of the Temptations' material at this point, saw Ruffin during this period as a "sleeping giant" in the group with a unique voice that was, "mellow," yet, "gruff." Robinson thought that if he could write just the perfect song for Ruffin's voice, then he could have a smash hit. The song was to be something that Ruffin could "belt out" yet something that was also "melodic and sweet". That song, "My Girl", was recorded in November 1964 and released a month later, became the group's first number-one single in 1965. "My Girl" became the Temptations' signature song and elevated Ruffin to the role of lead singer and front man.
The follow-ups to "My Girl" were also extremely successful singles, including the Ruffin-led hits "It's Growing" (1965), "Since I Lost My Baby" (1965), "My Baby" (1965), "Ain't Too Proud to Beg" (1966), "Beauty Is Only Skin Deep" (1966), "(I Know) I'm Losing You" (1966), "All I Need" (1967), "(Loneliness Made Me Realize) It's You That I Need" (1967), "I Wish It Would Rain" (1967), and "I Could Never Love Another (After Loving You)" (1968). Ruffin also shared lead vocals on the 1967 hit single "You're My Everything" with Eddie Kendricks. The tall, 6'3", Ruffin's passionate and dramatic performances endeared him to the Temptations' audiences and fans. According to Otis Williams, Ruffin (playfully nicknamed "Ruff" by the group) was initially a natural comedian and a hard-working singer when he first joined the group. Ruffin's most notable non-vocal contribution to the Temptations was the masterminding of their trademark four-headed microphone stand.
By 1967, however, ego problems with Ruffin became an issue for the group. He became addicted to cocaine and began missing rehearsals and performances. Refusing to travel with the other Temptations, Ruffin and his then-girlfriend Tammi Terrell traveled in a custom limo (with the image of his trademark black rimmed glasses painted on the door). After the Supremes had their name changed to Diana Ross & the Supremes in early 1967, Ruffin felt that he should become the focal point of the Temptations, just as Diana Ross was for her group and began demanding that the group name be changed to David Ruffin & the Temptations. This led to a number of disagreements between Ruffin and the group's de facto leader, Otis Williams. In addition to the group's problems with Ruffin's ego, he began inquiring into the Temptations' financial records, demanding an accounting of the group's money. This caused friction between Ruffin and Gordy.
In June 1968, the Temptations agreed that Ruffin had finally crossed the line when he missed a June 22 Cleveland, Ohio date with the Temptations to instead attend a performance by his new girlfriend, Barbara Gail Martin (Dean Martin's daughter). Ruffin was fired on June 27 and replaced with Dennis Edwards, a former member of The Contours who had been a friend of Ruffin and the group as a whole beforehand. Though Ruffin himself personally encouraged Edwards to take his place, Ruffin began turning up unannounced at Temptations' concerts during Edwards' first few dates with the group. When the group started to perform a Ruffin-era song such as "My Girl" or "Ain't Too Proud to Beg", Ruffin would suddenly walk on to the stage, take the microphone from Edwards' hands, and steal the show, embarrassing the group but entertaining the fans. According to Edwards, the adulation and Ruffin's pleas convinced the other four Temptations to give Ruffin a second chance, but when he arrived late to what was to be his return show with the group in Gaithersburg, Maryland, The Temptations decided to keep Edwards and drop considerations of rehiring Ruffin.
In October 1968, Ruffin filed suit against Motown Records, seeking a release from the label and an accounting of his money. Motown counter-sued to keep the singer from leaving the label and eventually the case was settled. The settlement required Ruffin to remain with Motown to finish out his initial contract (Ruffin joined Motown as a solo artist and always had a separate contract from the other Temptations, which some felt caused a lot of the in-fighting within the group).
Ruffin's first solo single was a song originally intended for the Temptations, "My Whole World Ended (The Moment You Left Me)". The single from the album entitled My Whole World Ended was released in 1969 followed soon by the album Feelin' Good. The single reached the US Pop & R&B "Top Ten." A third album, titled David, was recorded in 1970-71, but was shelved by Motown and did not see a commercial release until 2004; his next official release for Motown did not arrive until 1973, when David Ruffin was released. His final Top Ten hit was 1975's "Walk Away from Love", produced by Van McCoy, which reached number nine on the Pop chart. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in February 1976. Other notable recordings from Ruffin's solo career include "I Lost Everything I've Ever Loved" (1969); the gospel-inflected "I'm So Glad I Fell For You" (1970); "Blood Donors Needed (Give All You Can)" (1973); "Common Man" (1973) (which was sampled on the 2001 Jay-Z song "Never Change"); "No Matter Where" (1974); "Who I Am" (1975); "Statue of a Fool" (1975); and cover versions of the Jackson Five's "I Want You Back", "Rainy Night in Georgia" popularized by Brook Benton (both recorded for the shelved 1970 album); and Harold Melvin and the Blue Notes' "I Miss You", featuring Eddie Kendrick (1973).
In 1970 Ruffin recorded an album with his brother Jimmy, I am My Brother's Keeper, for which they had minor hits with "When My Love Hand (Comes Tumbling Down)" and "Your Love Was Worth Waiting For". While his solo career initially showed promise, Ruffin reportedly went into decline in part because of his cocaine addiction and the lack of support from Motown.
After leaving Motown in 1977, Ruffin recorded for Warner Bros. Records releasing the albums So Soon We Change (1979) and Gentleman Ruffin (1980), and later signed with RCA Records, accompanied by former Temptations band-mate Eddie Kendrick, who chose to rekindle their friendship when Kendrick himself started experiencing problems with the Temptations.
In 1982, Ruffin and Eddie Kendricks re-joined the Temptations for the recording of their album Reunion and the tour to promote the album. Reunion included the R&B hit "Standing on the Top" with Rick James. The reunion tour, however, was short lived as Ruffin started to miss shows due to his cocaine addiction, leading the group to be fined thousands of dollars. Otis Williams fired Ruffin for the second and final time from the group along with Kendricks (whose voice was weakened due to heavy chain smoking) by Christmas 1982. Ruffin started touring with Kendrick (who dropped the "s" from his last name at this time) as a duo act in 1985.
In 1982, Ruffin was sentenced to six months in a low-security prison in Terre Haute, Indiana, for failing to pay taxes during the mid-1970s. On May 19, 1986, he pleaded no contest to a charge of receiving and concealing stolen property worth less than $100 (a Colt .32-caliber handgun) and was fined $50 plus $100 in court costs. Charges of assault and battery and receiving stolen property worth more than $100 were dropped. A 1987 cocaine arrest landed him in jail for repeated parole violations.
In 1985, longtime Temptations fans Hall & Oates teamed up with Ruffin and Kendrick to perform at the re-opening of the Apollo Theater in New York. Their performance was released as a relatively successful live album and single. The four singers also sang a medley of Temptations hits at Live Aid on July 13, 1985. John Oates later wrote a minor hit single for Ruffin and Kendrick, but the two duos fell out, allegedly due to Daryl Hall's objections to Ruffin's heavy drug use. After being inducted into the Rock and Roll Hall of Fame, in 1989, with the other Temptations, Ruffin, Kendrick and Dennis Edwards began touring and recording as "Ruffin/Kendrick/Edwards: Former Leads of The Temptations". On August 17, 2013 in Cleveland, Ohio The Official R&B Music Hall of Fame inducted David Ruffin as a solo artist and also a member of The Temptations. His family was on hand for this great honor.
Ruffin was married twice. His first marriage was to Sandra Ruffin in 1961 with whom he had three daughters, Cheryl, Nedra and Kimberly. In 1976, Ruffin married Joy Hamilton. He also had one son he named David Ruffin Junior with his former girlfriend Genna Sapia, who--after his death--would add "Ruffin" to her last name in tribute to their long-term relationship, as well as to the fact that they had a son together. The two lived as husband and wife, but were never legally married.
Ruffin also had a well publicized relationship with Motown label mate and Marvin Gaye duet partner, singer Tammi Terrell.
After a successful month-long tour of England with Kendrick and Edwards, Ruffin died on June 1, 1991, in a Philadelphia, Pennsylvania, hospital of "an adverse reaction to drugs" - namely cocaine. Although the cause of death was ruled an accident, Ruffin's family and friends suspected foul play, claiming that a money belt containing the proceeds from the tour ($300,000) was missing from his body. He had just finished recording the single "Hurt the One You Love" for Motorcity Records.
In The Temptations television miniseries, Ruffin's beaten body is depicted as being thrown from a moving car in front of a hospital, where he dies. Also stated in the mini-series was that his body remained unclaimed in a morgue for a week after his death. As a result, Ruffin's estate filed suit against NBC and other major players involved in the making of the series, claiming defamation. According to the plaintiffs in the case, Ruffin was actually taken to the hospital by a limousine and was escorted to the waiting area by his driver, who informed the attendants of his identity. The Ruffin children further state that his body was claimed by one of them within a few days after his death. (Ruffin's estate lost the lawsuit; the ruling against them was upheld on appeal.)
Ruffin had many admirers among his fellow artists, mainly for the emotive power he brought to every song he sang. "Nobody could sing like David Ruffin," said his close friend and colleague Martha Reeves (of Martha and the Vandellas fame). His contemporary, label-mate, and long-time acquaintance Marvin Gaye was particularly impressed with the virility of Ruffin's voice. Gaye said Ruffin's work "made me remember that when a lot of women listen to music, they want to feel the power of a real man."
Daryl Hall of Hall & Oates, one of Ruffin's biggest fans, said, "His voice had a certain glorious anguish that spoke to people on many emotional levels". Ruffin himself said, "I don't know what kind of voice I have, I really don't"...it's just about "the feeling I get for the song."
The raspy-voiced Rod Stewart fell in love with Ruffin's voice after he heard "I Wish It Would Rain". "It jumped out of the speakers and ravished my soul," Stewart exclaimed. Stewart would later become friends with Ruffin. "His voice was so powerful -- like a foghorn on the Queen Mary," Stewart told Rolling Stone magazine.
For all of his nearly forty years in the music business, much of it with modest success, Ruffin is remembered almost exclusively for his relatively brief stint in the Temptations. The cover art of his last album Gentleman Ruffin was the inspiration on the art of rapper Wiz Khalifa's mixtape Kush and Orange Juice.
In 1998, NBC aired The Temptations, a four-hour television miniseries about the group's career. Ruffin was portrayed by Leon Robinson (who uses the professional name "Leon"). The actor won high praise for his portrayal of Ruffin, but Ruffin's family was upset by the way the miniseries portrayed Ruffin and filed a lawsuit against the producers of the miniseries and also Otis Williams, whose memoir had been the source material for the miniseries. The case was dismissed in favor of the defendants, with Williams later claiming that he had no real control over the presentation of the material.
Grand Puba of Brand Nubian referenced the singer on the 1990 single "All for One", stating: "I hit a beat and swing a note as if my name was David Ruffin".
Rapper Machine Gun Kelly also referenced the singer on his 2013 song "See My Tears" stating:"Fought every temptation shit, I guess I’m David Ruffin huh?"
The first song on Fall Out Boy's 2005 CD From Under the Cork Tree was to have been titled "My Name is David Ruffin...and These are The Temptations" but for legal reasons, the name was changed (to "Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued").
Hotstylz used Ruffin's song and referred his name on their hip-hop single "Lookin' Boy".
American rap rock group Gym Class Heroes references Ruffin in the 2008 song "Like Father, Like Son (Papa's Song)" from their album The Quilt stating: "I never understood temptation. But I guess we both got a little David Ruffin in us."
Feeling Alright
David Ruffin Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Seems I've got to have a change of scene
'Cause every, every, every night I have the strangest dream
Imprisoned by the way it could have been
Left here on my own or so it seems
I've got to leave before I start to scream
I heard someone locked the door and threw away the key
Are you feeling alright?
I'm not feeling too good, too good myself
Are you feeling alright? Are you feeling alright?
Alright, I'm not feeling too good, too good myself
Are you feeling alright?
Well boy, you took me, you took me for a ride
And even now I sit and wonder, I wonder why
That when I think of you, I start to cry
I just can't be wasting my time, I gotta keep trying
Gotta stop believing, believing in all your lies
'Cause I got a lot of living to do before I lay down to die
Are you feeling alright? Alright
I'm not feeling too good, too good myself
Are you feeling alright? Alright, are you feeling alright?
I'm not feeling too good, too good myself
Are you feeling alright? Oh yeah
Well, well, well, well
Do it again
Don't get too lost, too lost in all I say
Though at times I really thought that I felt that way
But that was then, now it's today
I just can't get out so I think I'm, I'm here to stay
Till someone comes along and takes my place
With a different name, and by the way a different face
Are you feeling alright? Are you feeling alright?
I'm not feeling too good, too good myself
Are you feeling alright? Are you feeling alright?
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Are you feeling alright?
I'm not feeling too good, too good myself
'Cause every, every, every night I have the strangest dream
Imprisoned by the way it could have been
Left here on my own or so it seems
I've got to leave before I start to scream
I heard someone locked the door and threw away the key
Are you feeling alright?
Are you feeling alright? Are you feeling alright?
Alright, I'm not feeling too good, too good myself
Are you feeling alright?
Well boy, you took me, you took me for a ride
And even now I sit and wonder, I wonder why
That when I think of you, I start to cry
I just can't be wasting my time, I gotta keep trying
Gotta stop believing, believing in all your lies
'Cause I got a lot of living to do before I lay down to die
Are you feeling alright? Alright
I'm not feeling too good, too good myself
Are you feeling alright? Alright, are you feeling alright?
I'm not feeling too good, too good myself
Are you feeling alright? Oh yeah
Well, well, well, well
Do it again
Don't get too lost, too lost in all I say
Though at times I really thought that I felt that way
But that was then, now it's today
I just can't get out so I think I'm, I'm here to stay
Till someone comes along and takes my place
With a different name, and by the way a different face
Are you feeling alright? Are you feeling alright?
I'm not feeling too good, too good myself
Are you feeling alright? Are you feeling alright?
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Alright, I'm not feeling too good, too good myself
Are you feeling alright? Alright
Are you feeling alright?
I'm not feeling too good, too good myself
In "Feeling Alright" by David Ruffin, the lyrics describe the need for a change of circumstance and the uncertainty that comes with it. The singer is struggling with a sense of imprisonment, whether it's in their own mind or their current situation, and just wants to break free before it's too late. The lines "Well boy, you took me, you took me for a ride / And even now I sit and wonder, I wonder why / That when I think of you, I start to cry" suggest that the source of their unhappiness could be a person who betrayed their trust and left them feeling hurt.
The chorus repeats the question "Are you feeling alright?" suggesting that the singer isn't the only one who's struggling. The repetition of "too good myself" implies that there's an air of forced positivity going on, or possibly a sense of self-deception when it comes to what they're feeling. The song suggests that the way to move forward is to stop believing in lies and keep trying, despite the setbacks and challenges that come along the way. The final lines hint at the possibility of finding someone new who can take their place and help them move forward.
Line by Line Meaning
Seems I've got to have a change of scene
I feel the need for a new environment since the current one is causing me to feel trapped and unhappy.
'Cause every, every, every night I have the strangest dream
Each night I experience bizarre dreams that leave me feeling unsettled and restless.
Imprisoned by the way it could have been
I feel trapped by the thoughts of how things could have been different if I had made different choices in life.
Left here on my own or so it seems
I feel abandoned and alone in this situation, with nobody to turn to for support.
I've got to leave before I start to scream
It's crucial that I leave this situation before my frustration and unhappiness boil over and I completely lose control.
I heard someone locked the door and threw away the key
The situation feels hopeless and irreversible, as if someone has deliberately ensured that I cannot escape from it.
Are you feeling alright?
The singer is asking if the listener is happy and content with their current state of being.
I'm not feeling too good, too good myself
The singer is acknowledging that they themselves are not feeling okay, and that they hope to find comfort in talking to someone about it.
Well boy, you took me, you took me for a ride
Addressing a specific person, the singer acknowledges that they have been misled and hurt by them in some way.
And even now I sit and wonder, I wonder why
Despite the passage of time, the singer is still confused and trying to make sense of what happened between them and the person they are addressing.
That when I think of you, I start to cry
Thoughts of this person that has hurt them cause the singer to feel emotional and upset.
I just can't be wasting my time, I gotta keep trying
The singer is determined not to let the situation keep them down or stop them from moving forward and trying to improve their life.
Gotta stop believing, believing in all your lies
The singer has come to the realization that they were misled by this person, and they need to let go of any false beliefs or illusions they were holding onto about them.
'Cause I got a lot of living to do before I lay down to die
There's still much that the singer wants to see and experience in life before they pass on, and they don't want to waste any more time on a negative situation.
Do it again
The word 'again' suggests that the singer is tired of repeating the same patterns and experiences in life - they want something new and different.
Don't get too lost, too lost in all I say
The singer is warning the listener not to take everything they say too seriously, perhaps because they are in a vulnerable or emotional state.
Though at times I really thought that I felt that way
The singer has experienced strong emotions in the past and is acknowledging that those feelings were real, even if they are struggling to feel them again now.
But that was then, now it's today
The singer is reminding themselves and the listener that the past is over and it's important to focus on the present moment.
I just can't get out so I think I'm, I'm here to stay
Despite these thoughts and emotions, the singer feels unable to leave the situation and believes they will be stuck there indefinitely.
Till someone comes along and takes my place
The singer is waiting for someone else to come and fix the situation, or to take their role in it.
With a different name, and by the way a different face
The singer is imagining that the person who takes their place will be unrecognizable and fundamentally different from them in every way.
Lyrics © Universal Music Publishing Group
Written by: DAVID LOEFFLER, TREY PARKER, DAMON BUTLER, PHILLIP GORDY, DARRIC LAWRENCE GRAHAM
Lyrics Licensed & Provided by LyricFind
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Mr. BassMan
One of Jamerson's best basslines. Ruffin's voice was so soulful too, Funk Brothers!!!!!!!!!
ddlstr
One of my favorite cuts by David. Saw him perform this live at the Gemini 101 back in the early 70's.
a1992aron
ddlstr You're so lucky. I know he tore it up!
Barclay Eke
I don't think I have heard any version of this incredible song that I didn't like. Each version added an element of uniqueness to it that made the song universally acceptable to the avid music lovers.
Busta Bass
Ruff's sparkling baritone lead singer's voice was at its greatest when he covered this iconic 60s rock staple from Dave Mason and Traffic. Of course, this was after his "Classic Five" run with soul music's greatest male vocal group THE Temptations, and before the demons finally won the battle for his talent and his life. Rest in peace my brother.
🎤👓🎩👞
Black Elvis 18
This song is making all kinds of love to my ears right now
Adlin A.M
David Ruffin the best singer of the world
Christophe THOUROT
Totally agree with you, the greatest one.
youngboss24able
love the vibe from this song
Bianca Bagnolet
où là là c'est magnifique c'est tellement géniale c'est fantastique c'est trop trop mimi j'adore ❤