They generate strange and beautiful new shapes, rolling stories, and sonic panoramas out of spontaneous deconstructions created with brass, guitar and electronics. The simple seesawing of a melodeon gives way to cascading electronica and expressionistic soundscapes-- sometimes pulsating and abrasive, sometimes mysterious and exploratory. Through it all is woven the mordant wit of one of the most distinctive and charismatic singers in modern music, David Thomas.
David Thomas is the founder of the legendary Pere Ubu, an avant-rock group that's exerted a huge influence on the way countless bands have approached music since 1975. Formed in 1994, the two pale boys is one of a series of projects that redefine the partnership of voice and instrument in pursuit of a vehicle robust, spontaneous, and parochial enough to speak with the true voice of the human experience. It is urban folk music purged of urbanity, and rooted in the geography of sound.
Founding member of the pale boys, Keith Moliné (Pere Ubu, They Came From The Stars I Saw Them, Infidel) manipulates multiple voices, dynamic calamities, delicate whispers, and angular rhythms via a midi-guitar setup. Andy Diagram (Diagram Brothers, James, The Honkies, The Spaceheads) plays trumpet through radio receivers, echo machines & delays, layering sound-on-sound cascades of electronica. He joined the pale boys in 1996. He replaced violinist Chris Brierley who played with the pale boys in 1994-95.
David Thomas and two pale boys re-wrote the musical score and featured in the London West End production of the "junk opera" Shockheaded Peter for a 3 month run at the Albery Theatre, St Martins Lane from April 4 to June 16, 2002. They featured in Hal Willner's production of "Perfect Partners: Nino Rota & Federico Fellini," April 24 2004, at the Barbican in London, performing the soundtrack to "Satyricon." "A terrifying, raw-noise deconstructivist interpretation," according to The Guardian (4/27/04). In 2011 they began a series of live underscores to the 1962 cult b-movie "Carnival of Souls."
Soundman and ambient synthesist Gagarin from time to time performs as a pale boy.
Ghosts
David Thomas and Two Pale Boys Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the lights lead somewhere far away.
And the night is, uh... powdered!
And I'm headed into another black coffee dawn.
Nights like this I feel the weight of history,
And I hear somebody explaining it in my ear up close -
All these obligations.
The coffee cup -
Is on my mind.
A dried coffee ring, a ring around the moon,
And neon in a haze.
I figured that tears is nothing,
When I see a floodplain stretch out harsh in the moonlight -
And the river of blood that flows thru it.
They tore down the Wilson-Shute last year and built up a new one,
But I will not cross that bridge.
I know why.
And I don't know.
I know.
And I don't know.
In a way it had to end.
There comes a time when people don't understand,
When the stones will speak in a strange language.
And all those dreams,
All those fears and hopes,
Won't make any sense any more.
Something tired,
Something weary,
Something hurt hangs in the air -
Fearsome,
Terrible!
And they leave the lights on in this town all night,
For fear of the darkness.
When you're young you learn to love the thing that is despised,
That is unloved itself,
And unwanted.
And you may come to dream a dream,
And see a vision of a future that will never be.
But what if the vision is too strong,
And the vision comes at an age that's too young?
So what does happen to the dream deferred?
Does it shrivel like a raisin in the sun?
I know.
And I don't know.
We all live in ghost towns one way or the other.
Each of us lives in a ghost town.
And they leave the lights on in this town all night,
For fear of the darkness.
And a radio is playing all night,
For the fear of silence -
The silence of someone's thoughts.
The lyrics to "Ghosts" by David Thomas and Two Pale Boys paint a picture of a heavy and intense atmosphere, with the singer describing their experiences during a black coffee dawn. They speak of feeling the weight of history and having obligations pressing upon them, as if someone is whispering it in their ear. The image of a coffee cup, with a lipstick stain and a dried ring around the rim, is on their mind. The imagery of the coffee cup serves as a metaphor for something left behind, representing a past that can never be fully forgotten. The singer then shifts to describing a floodplain in the moonlight and a river of blood flowing through it, bringing to mind something dark and ominous. They mention the Wilson-Shute bridge, which was torn down and replaced with a new structure, explaining that they will not cross it and that they don't know why but they just feel a sense of foreboding. The final stanza focuses on the concept of living in a ghost town, where each of us has something haunting us, and where the fear of the unknown and the dark keeps the lights on and the radio playing all night. The lyrics suggest a feeling of fear, confusion, and uncertainty. The use of metaphors and imagery, along with the repetition of the phrase "I know and I don't know" creates a sense of ambiguity and complexity.
Line by Line Meaning
The air is heavy,
The atmosphere is thick and oppressive.
And the lights lead somewhere far away.
The lights suggest a distant place or future, not accessible in the present moment.
And the night is, uh... powdered!
The night feels as if it is covered in a layer of dust or powder, suggesting a sense of distance or surrealness.
And I'm headed into another black coffee dawn.
The artist is moving towards another early morning, symbolized by black coffee, potentially implying a sense of weariness or repetition.
Nights like this I feel the weight of history,
In moments like these, the artist is acutely aware of the heaviness of the past and its impact on the present moment.
And I hear somebody explaining it in my ear up close -
The singer can almost hear a voice explaining the weight of history to them, emphasizing its close proximity to their thoughts.
All these obligations.
The singer feels burdened by obligations, possibly related to the weight of the past.
The coffee cup -
The artist's thoughts are drawn to a particular coffee cup.
That one with the lipstick stain -
The coffee cup in question has a specific distinguishing feature, a lipstick stain.
Is on my mind.
The coffee cup occupies the artist's thoughts, suggesting a preoccupation with small details rather than the larger issues at hand.
A dried coffee ring, a ring around the moon,
The singer's thoughts continue to be preoccupied with coffee, particularly its physical traces, like a coffee ring or a halo around the moon.
And neon in a haze.
The artist observes neon lights through a haze or fog, perhaps suggesting a sense of disorientation or confusion.
I figured that tears is nothing,
The singer has realized that tears are meaningless, possibly implying a sense of resignation or acceptance.
When I see a floodplain stretch out harsh in the moonlight -
When the singer observes a floodplain in the moonlight, it appears harsh or severe, suggesting a sense of difficulty or struggle.
And the river of blood that flows thru it.
The singer observes a river of blood flowing through the floodplain, potentially symbolizing violence or conflict.
They tore down the Wilson-Shute last year and built up a new one,
A specific location in the artist's environment underwent transformation, with a new structure built to replace an old one.
But I will not cross that bridge.
The artist refuses to cross a particular bridge, potentially related to the location that was recently changed.
I know why.
The singer has a clear reason for refusing to cross the bridge, which is left unsaid.
And I don't know.
The singer is uncertain about something else, which is also unspecified.
I know.
Despite being uncertain about something, the artist is sure about their decision to avoid the bridge.
And I don't know.
The artist is still unsure about an unspecified matter.
In a way it had to end.
Something had to come to an end, potentially related to the artist's environment or experience.
There comes a time when people don't understand,
There are moments when other people do not comprehend the significance of a particular issue or experience.
When the stones will speak in a strange language.
At a certain point, people and objects may communicate in a way that feels unfamiliar or difficult to interpret.
And all those dreams,
The singer thinks about dreams in relation to the previous lines, which emphasized lack of understanding and difficulty communicating.
All those fears and hopes,
The dreams in question involve significant emotions, whether positive or negative.
Won't make any sense any more.
Despite their significance, the emotions related to dreams and hopes may eventually stop making sense or lose their significance.
Something tired,
The artist observes something that feels exhausted or worn out.
Something weary,
The same object or entities is also tired or fatigued.
Something hurt hangs in the air -
The atmosphere contains a sense of sadness or pain.
Fearsome,
This sadness or pain feels fearsome or unsettling.
Terrible!
The severity of the aforementioned emotions is emphasized with an exclamation point.
And they leave the lights on in this town all night,
The town has a practice of not turning off its lights at night, which is later explained to be due to fear of darkness.
For fear of the darkness.
The practice of leaving lights on at night is specifically to avoid darkness, which the townspeople fear.
When you're young you learn to love the thing that is despised,
During youth, people may learn to love things that others reject or belittle.
That is unloved itself,
The object of love is typically something that does not have other admirers or believers.
And unwanted.
The same object is also unwanted or rejected by others.
And you may come to dream a dream,
Despite this, the singer suggests that a person may still believe in a dream or vision for the future.
And see a vision of a future that will never be.
However, that dream or vision may ultimately prove to be unattainable or impossible to realize.
But what if the vision is too strong,
The idea of a compelling vision or dream is further explored with a rhetorical question.
And the vision comes at an age that's too young?
The impact of this vision may be particularly strong if experienced at a young age, potentially implying that it will affect the rest of one's life.
So what does happen to the dream deferred?
The singer shifts to a broader consideration of dreams that are delayed or unfulfilled.
Does it shrivel like a raisin in the sun?
The singer proposes a metaphorical image of a dream shriveling, which is further emphasized with the comparison to a raisin in the sun.
I know.
The artist has a clear answer to the question of what happens to deferred dreams.
And I don't know.
At the same time, the artist is also uncertain about a different issue or question.
We all live in ghost towns one way or the other.
A thematic conclusion is reached, suggesting that all people are influenced by the past and its legacy, and experience a sense of haunting or remnant experiences in daily life.
Each of us lives in a ghost town.
The singer emphasizes the universality of this idea, suggesting that it applies to every individual.
And they leave the lights on in this town all night,
The repeated mention of leaving lights on at night is further underscored as a symbol of fear and avoidance of the unknown.
For fear of the darkness.
This final line repeats the explanation that the town leaves lights on at night due to its fear of the darkness.
And a radio is playing all night,
Another detail of the townscape is revealed, with the sound of a radio playing constantly at night.
For the fear of silence -
The continued sound of the radio may be a way to avoid the silence that would otherwise be present at night.
The silence of someone's thoughts.
The implied reason for avoiding silence is that it may lead to reflection or introspection, something the town and its inhabitants appear to be avoiding.
Writer(s): Thomas, David Thomas, Keith David Moline, Moline, Diagram, Andrew John Perkins
Contributed by Benjamin W. Suggest a correction in the comments below.
@henrikthoms839
Großartig!