Buma in me zak
De Jeugd van Tegenwoordig Lyrics

F tot de aber Y tot de ayo, ayo
Introducing the artist using the letters of their name - F (Faberyayo) and Y (Vjèze Fur)

Je weet de P van de tv yo
Acknowledging the letter P in TV and referencing its importance to the artist

V P tot de R O, E tot de E O
Referencing the artist's name in a playful, rhyming fashion

Kabel tot de satelliet zie de Fabergéshow
Describing the artist's show as something that can be seen on both cable and satellite TV

Ezelinnenmelk op m'n diamanten muesli
A bizarre food combination that the artist consumes

Krulspelden, maar ik ben je tante Truus niet
Jokingly denying any relation to the fictional Aunt Truus

(Buma in mijn zak)
Referencing the Dutch copyright organization Buma/Stemra and implying that the artist has some connection to it

Anders is het ruzie, je dacht dat je ook stang was, maar dat was een illusie
A warning that there will be trouble if someone questions the artist's connection to Buma/Stemra

Slordig en onhandelbaar, cake op m'n broek
A description of the artist's current state, with a reference to cake on their clothing

Zit niet zo te zitten, lik de cake van m'n broek
Encouraging someone to stop worrying and instead lick the cake off the artist's clothing

Je dacht dat ik skeer was, je keek nog eens goed
Implying that someone underestimated the artist's wealth and had to take a second look

Je zag de (Buma in mijn zak) in m'n zweet in m'n bloed
Reiterating the artist's connection to Buma/Stemra, this time with a more dramatic flair

Want ik heb B tot de uma, brutaal, pak dat ik nu haal
Boasting about the artist's boldness and something they are currently acquiring

Uit de spleet van de duivel
A reference to the devil as the source of the artist's acquisition

Gappie ik tast diep in m'n B tot de uidel, en laat m'n pik hangen als een luifel
Revealing that the artist has something in their Buma/Stemra folder and using sexually suggestive language to make a point

Kerk
Ending the verse abruptly with the word 'church'

Buma in mijn zak, Buma Buma in mijn zak
The chorus repeats several times, simply stating that there is Buma/Stemra in the artist's possession

Noem me maar Superman, want de W is superstang
The artist introduces themselves again, this time using the letter W from their name and claiming to be a superhero

Vroeger was ik unterman, nu ben ik über spang
Comparing their past and present statuses and implying that they are now more successful than before

Nigga what zijn die papiertjes in m'n zak
Asking a question to someone who notices the papers in their pocket

Ik rol die niggers op want van Buma haal je pak
Implying that the papers in their pocket are related to Buma/Stemra and can be used to 'roll up' other people

Ho'tjes om te vozen, posters om te posen
Listing some possible uses for the papers in their possession

Hallen vol kristallen nigger, Ozewiezewoze
A nonsensical phrase, possibly implying that the artist has access to grandiose things

Willeman komt iller man, dus bitches schud die billen dan
Boasting about their forthcoming success and using vulgar language to address women

Buma is gevaarlijk dus ik koop er duizend pillen van
Acknowledging the danger of Buma/Stemra and claiming to be buying a large quantity of pills related to it

We chillen chillen dope dope (Buma, Buma) oh oh
Repeatedly using the phrase 'chillen chillen dope dope' and briefly referencing Buma/Stemra

Kakkig kakkig, ik hou het oppervlakkig
Acknowledging their own shallowness

Als ik diepgang wil, tast ik in m'n zakken
Implying that they can find depth and meaning by looking at the things they possess

Ik heb flappen, maar dat heb ik al gezegd
Admitting to already having mentioned their wealth

Doch ik zeg het nog een keer want misschien onthoud je slecht
Repeating their previous statement because they think someone may have forgotten

Dus hou je bek, als je boy Wiwa rapt
Telling the listener to be quiet while the artist is rapping

Nigga hou je bek, want je boy Wiwa heb
Ending the verse without finishing the sentence, leaving the listener to wonder

Kan ik een kerk horen niggertjes?
Asking if anyone can hear a church

Kan ik een echte kerk horen niggertjes?
Clarifying the question and emphasizing that it is important for the church to be 'real'

In een echte kerk hoor je galm, waar blijft de galm
Explaining the importance of echoes in a real church and wondering where those echoes are

Niggertjes, waar is m'n kerk?
Repeating the question, this time directly asking for an answer

Dankjewel
Thanking whoever answered the question (implied)

Buma in mijn zak movin' on up!
Starting a new verse by again referencing the artist's possession of Buma/Stemra

Van de Lidl naar de Ap, niggertje geen grap
Implying that the artist is moving from lower-class stores to higher-class ones

Is het Buma in mijn zak dan gooit Vjèze niggers nat
Stating that having Buma/Stemra in their possession makes the artist feel powerful

Buma in mijn zak maar Buma is een grap
Using wordplay to suggest that Buma/Stemra is not really important or serious

Het feit alleen al dat Buma past in je zak
Further discussing the idea that Buma/Stemra is not very impressive

Buma whoo Buma what Buma Twfoe! dat
Making nonsensical sounds and repeating the word 'Buma' several times for rhythmic effect

Nu is Buma op, eerst was het Buma in mijn zak nu is het Buma in m'n kop
Contrasting Buma/Stemra as something the artist used to possess physically versus now being something they think about a lot

Heb je ook Buma in je zak, door de stront
Asking if others also have Buma/Stemra in their possession, which may lead to some difficulty

Ik heb Buma in mijn zak, jij neemt Buma in je kont
A vulgar suggestion that others should leave the Buma/Stemra to the artist while they deal with something else

Buma in mijn sok, movin' on up
Ending the verse with another reference to Buma/Stemra and implying that the artist is continuing to move up in the world

Buma Buma in mijn zak
The chorus repeats several more times, reiterating that the artist has Buma/Stemra in their possession