Deafheaven's second album, Sunbather, was released in 2013 to wide critical acclaim, becoming one of the best reviewed albums of the year in the US. In 2015 the band followed up with New Bermuda and in 2018 with Ordinary Corrupt Human Love. Their 2021 fifth album, Infinite Granite, drastically reduced the presence of screamed vocals.
Deafheaven formed in February 2010 in San Francisco with vocalist George Clarke and guitarist Kerry McCoy, who previously performed in a grindcore band together. Clarke isn’t sure how he arrived on the name Deafheaven, though he is aware of its appearance in William Shakespeare’s Sonnet 29. The two words ‘deaf’ and ‘heaven’ were combined as an homage to Slowdive.
Clarke and McCoy recorded their demo in April, 2010 at Atomic Garden Studios which was released both on cassette tape format in limited quantities and digitally. It featured four songs that combined black metal and post-rock. Originally, Deafheaven did not intend to release the material but they later sent it out to a few of their favorite blogs.
After the demo had been positively received, Clarke and McCoy recruited three additional musicians, bassist Derek Prine, guitarists Nick Bassett of the shoegaze bands Whirr and Nothing, and drummer Trevor Deschryver who responded to an ad on Craigslist to form a five-piece group and started playing their first shows on July, 2010.
Their debut full-length Roads to Judah was released by Deathwish Inc. on April 26, 2011. As early as September, 2011 Deafheaven announced they had begun writing new music for a potential split album, EP or full-length. At the time, McCoy described it as being "faster, darker, heavier and far more experimental" than their previous material. However in December, 2012 Clarke described their new material as "less melancholic and less centered around only black metal," but rather featuring a more "lush and rock-driven, even pop-driven sound at times."
Their third album titled Sunbather was written solely by founding members Clarke and McCoy. This was similar to the way the band's first demo was composed, and different from Roads to Judah, which was written as a five-piece band. The duo was also joined in the studio by new drummer Daniel Tracy, who "added his own drum style to already-constructed song skeletons." The title of the album reflects Clarke's idea of perfection. He stated that it's meant to represent "a wealthy, beautiful, perfect existence that is naturally unattainable and the struggles of having to deal with that reality because of your own faults, relationship troubles, family troubles, death, et cetera." Deafheaven entered the studio to record in January 2013 with Jack Shirley, and released the album on June 11, 2013 through Deathwish Inc.
Sunbather was critically acclaimed upon release. Metacritic rated the album 92/100, based on 18 reviews, and later declared it the best-reviewed major album of 2013. It was also Deafheaven's first release to chart on Billboard — it ranked at number 130 on the Billboard 200 and number 2 on the Top Heatseekers chart.
In addition to new drummer Daniel Tracy, who was a part of the band for the recording of Sunbather, the band recruited bassist Stephen Clark and guitarist Shiv Mehra for the 2013-2014 tours. Founding members Clarke and McCoy said previous band members parted ways due to difficulties with life on the road and earning little-to-no money.
In 2014, the band released the track "From the Kettle onto the Coil" as a free download for the cable television network Adult Swim's weekly singles series. Their third album, New Bermuda, was released on October 2, 2015, through the ANTI- record label, to critical acclaim.
The band started working on the follow up to New Bermuda in January 2018, when they announced they were in the studio working on a new album, scheduled for release later in the year. On April 17, 2018, the band released "Honeycomb", the lead single to their fourth studio album Ordinary Corrupt Human Love. On June 12, 2018, a new track from the new album titled "Canary Yellow" was released.The album was released on July 13, 2018 through Anti- Records. It received widespread acclaim from critics.
Their music is described as “a dizzying hybrid of shoegaze shimmer, hardcore punk passion, emo vulnerability, and black metal intensity.” They have cited a wide range of musical influences, including, but not limited to: Morbid Angel, The Smiths, Burzum, Godspeed You! Black Emperor, Orchid, Emperor and My Bloody Valentine.
Deafheaven
Current Members
George Clarke – lead vocals (2010–present)
Kerry McCoy – guitar (2010–present), bass (2010, 2012–2013)
Daniel Tracy – drums (2012–present)
Shiv Mehra – guitar, backing vocals, keyboards (2013–present)
Chris Johnson – bass, backing vocals (2017–present)
Former Members
Nick Bassett – guitar (2010–2012)
Derek Prine – bass (2010–2012)
Trevor Deschryver – drums (2010–2011)
Korey Severson – drums (2011–2012)
Stephen Clark – bass (2013–2017
2010 - Demo (Remastered in 2012)
2011 - DW Live Series 08: Live at The Blacktop 01.15.11
2011 - Libertine Dissolves (single)
2011 - Roads to Judah
2012 - Deafheaven / Bosse-de-Nage (with Bosse-de-Nage)
2013 - Sunbather
2014 - From the Kettle onto the Coil
2015 - New Bermuda
2018 - Ordinary Corrupt Human Love
2021 - Infinite Granite
Near
Deafheaven Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Can I rest for a while?
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Can I rest for awhile?
Wishing you were near
The lyrics to Deafheaven's song "Near" are quite simple, yet emotionally charged, expressing a sense of yearning for someone who is not present. The repetition of the phrase "Thought I saw you there, Wishing you were near" reinforces the feeling of longing and desire for the person being referred to. The repetition also adds a sense of urgency and desperation, as if the singer is searching frantically for this person who they miss so much.
Throughout the song, the singer asks for a moment to rest, to perhaps collect their thoughts and emotions, possibly to grieve for the absence of this person. The phrase "Can I rest for a while?" represents a plea for a moment of pause amid the turmoil of emotions.
The song is primarily instrumental, with the lyrics being repeated as a refrain throughout the song. The repetitive and haunting nature of the song perfectly encapsulates the feeling of longing and desire expressed in the lyrics, without the need for elaborate verses or bridges.
Line by Line Meaning
Thought I saw you there
I had an illusion that you were present in my vicinity
Wishing you were near
I desperately longed for your company
Thought I saw you there
My mind played a trick on me, conjuring up an image of you
Wishing you were near
My heart yearned for your physical presence
Thought I saw you there
Once again, my senses betrayed me by creating a mirage of you
Wishing you were near
I fervently desired your close proximity
Can I rest for a while?
I am emotionally drained and need a break
Wishing you were near
My exhaustion would have been alleviated if you could be with me
Lyrics © Wixen Music Publishing, DOMINO PUBLISHING COMPANY
Written by: George Lesage Clarke, Kerry Dylan McCoy
Lyrics Licensed & Provided by LyricFind
Nino Bekauri
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Can I rest for a while?
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Thought I saw you there
Wishing you were near
Can I rest for awhile?
Wishing you were near
GeneralGrape
Any time Deafheaven wants to become a full-time shoegaze band, fine with me.
Thiago Bittencourt
your prayers have been answered
Bryce Czech
Blackgaze
Fiki Firmansyah
Call them hipster black metal or whatever you want... I'm in love with this albums.
Juan Valdez
Try not to rigidly group music. There are two types of music: good music and bad music. This is good, beautiful in fact
dreambather
I wish deafheaven will go full shoegaze on one of their next releases in the future. They seem to be fully able to do so. They could make a straight up black metal, post rock or a shoegaze album if they wanted to - instead they mix it together in various amounts and create something truly special.
That One Guy
I mean, this album was blackgaze meets dream pop. Roads to Judah was their most 'post-rock' sounding album, Sunbather had the most in terms of shoegaze and New Bermuda was a cross of post-metal, hardcore and black metal. This album just embodies a different side of Deafheaven.
David Laffey
That One Guy
It'd be terrible. Great album but this track is terrible, bland boring, vocals that just follow the guitar to a tee. It's been written a thousand times better before by a thousand other shoegaze bands. Would slowdive make a good black metal track? I think not. These tracks work as interludes, but a full album of this would be a disaster move by the band. Unfortunately, I'd imagine that's where they're heading with the next album. I think Night People is great, but how much of that is down to Chelsea and Ben?
Lauren
Fans will hate it. Alcest did that with Shelter and the reception was awful. Edit: and I didn't even read Mark's post! Haha
mongsoup
@Lauren But that's because Alcest sucks... (im kidding)