1) Death was an … Read Full Bio ↴There are multiple artists sharing the name Death;
1) Death was an American death metal band formed in Altamonte Springs, Florida in 1984 by guitarist and vocalist Chuck Schuldiner. Death is considered to be among the most influential bands in heavy metal and a pioneering force in the extreme metal subgenre of death metal. Their debut album, Scream Bloody Gore, has been widely regarded one of the first death metal records, alongside the first records from Possessed and Necrophagia.
Death had a revolving lineup, with Schuldiner being the sole consistent member. The group's style also progressed, from the raw sound on its first two albums to a more sophisticated one in its later stage. The band ceased to exist after Schuldiner died of glioma and pneumonia in December 2001, but remains an enduring influence on heavy metal.
Founded in 1984 by Chuck Schuldiner under the original name of Mantas in Altamonte Springs, Florida, Death was among the more widely known early pioneers of the death metal sound, along with California's Possessed. Inspired by Nasty Savage, Death was among the first bands in the Florida death metal scene. In the late 80s, the band was both a part of and integral in defining the death metal scene which gained international recognition with the release of albums by a number of area acts.
Together with Kam Lee, and Rick Rozz, Schuldiner started to compose songs that were released on several rehearsal tapes in 1984. These tapes, along with the Death by Metal demo, circulated through the tape-trader world, quickly establishing the band's name. In 1984, Schuldiner dissolved Mantas and quickly started a new band under the name Death. Tim Aymar, in an article written in December 2010, states that Chuck Schuldiner renamed the band Death in order to turn his experience of the death of his brother Frank years earlier into "something positive". Its members again included Rick Rozz and Kam Lee. Another demo was released, called Reign of Terror.
In 1985, the Infernal Death tape was recorded and released. Rick Rozz was out of the band by early 1985. Kam Lee played with Scott Carlson and Matt Olivo, bassist and guitarist respectively, of the band Genocide (later to be renamed Repulsion) for a short time. However, Kam had some "personal problems" that caused him to be ejected from the band. Olivo and Carlson left soon afterward. Schuldiner moved to the San Francisco Bay Area and recruited Dirty Rotten Imbeciles drummer Eric Brecht, then recorded the Back from the Dead demo. However, Chuck was not happy with this incarnation of Death and moved back to Florida without a band. In 1986, Schuldiner got an invitation from early Canadian thrash metal band Slaughter to play on their album, which he accepted, moving to Canada. However, this only lasted two weeks, and he returned to the States. He returned to Florida, then moved back to the San Francisco Bay Area again, where he joined with 17-year-old drummer Chris Reifert.
Schuldiner and Reifert recorded the Mutilation demo in April of 1986, which led to a deal with Combat Records. That summer, they began recording their first album, which was abandoned and written off as a mistake after Combat was not satisfied with the recording, which Reifert blamed on the studio engineers. In November of 1986, the band was sent to Los Angeles to re-record the album at The Music Grinder with Randy Burns, which the band felt optimistic about due to his work on Possessed's Seven Churches. The basic tracks were recorded in a couple of days, while the bass, lead guitars and vocals were recorded by Schuldiner at Rock Steady Studios, which was also in L.A.
Scream Bloody Gore was released in 1987, widely considered a genre template for death metal. The band briefly had a second guitar player, John Hand, but he did not appear on the album (though his photo did). By this time Schuldiner had moved back to Florida, splitting with Reifert who had chosen to remain in California, where he went on to form Autopsy. There, Schuldiner teamed up with former bandmate Rick Rozz and two members of Rozz's band Massacre, Terry Butler and Bill Andrews.
Death is considered to be one of the most influential bands in heavy metal and a pioneering force in death metal. Death is also now recognized as one of the most acclaimed music groups of all time, held in high praise by critics, metal musicians, and fans. Scream Bloody Gore is widely regarded as the first death metal album. Music biographer Garry Sharpe-Young considered Death "a genre-breaking band centered upon frontman Chuck Schuldiner" and that the band "would become one of the prime instigators of the death metal movement". However, Schuldiner dismissed such attributions by stating, in an interview with Metal-Rules.com, "I don't think I should take the credits for this death metal stuff. I'm just a guy from a band, and I think Death is a metal band". In Death's later output, the band's music became more technical and melodic, moving to a technical death metal, progressive metal, and melodic death metal style. In January 2001, Mahyar Dean, an Iranian musician, wrote Death, a book about Death and Schuldiner, and released it in Iran. The book includes bilingual lyrics and many articles about the band. The book was sent through the site keepers of emptywords.org to Schuldiner, who in his words was "truly blown away and extremely honored by the obvious work and devotion he put into bringing the book to life". A documentary entitled Death by Metal was released in 2016.
Regarding percussion styles, Gene Hoglan is recognised as a percussionist using double kick drum equipment and one of a crop who "set new standards in speed and endurance". During an interview he described Sean Reinert's drumming on Human as "godly", and praised it as "the fastest double bassing around at the time" and "a template which we tried to match on Individual Thought Patterns".
Kam Lee designed Death's original logo before he was kicked out. Schuldiner designed the various incarnations during the length of his career. In 1991, before the release of Human, he cleaned up the logo; he took out more intricate details, and the "T" in the logo was swapped from an inverted cross to a more regular-looking "T", one reason being to quash any implication of being anti-religious. The logo was changed again, between Symbolic and The Sound of Perseverance, to a more streamlined look; also, a hooded reaper was removed above the "H".
2) A garage rock and protopunk demo band formed in Detroit, Michigan, in 1971 by brothers Bobby Hackney(bass, vocals) / David Hackney (guitar) / Dannis Hackney (drums).
In 1964, the three young Hackney brothers were sat down by their father to witness The Beatles' first appearance on The Ed Sullivan Show. The following day, David found a discarded guitar in an alley and set about learning to play. Brothers Bobby and Dannis soon followed suit and they began playing music together.
The brothers practiced and recorded early demos in a room in the family home and performed their earliest gigs from their garage. Originally calling themselves RockFire Funk Express, guitarist David convinced his brothers to change the name of the band to Death. "His concept was spinning death from the negative to the positive. It was a hard sell," Bobby Hackney recalled in 2010.
In 1974 at Detroit’s United Sound Studios with engineer Jim Vitti, they recorded seven songs written by David and Bobby. According to the Hackney family, Columbia Records president Clive Davis funded the recording sessions, but implored the band to change its name to something more commercially palatable than Death. When the Hackneys refused, Davis ceased his support. The band only recorded seven songs instead of the planned dozen. The following year they self-released (on their label Tryangle Records) a single taken from the sessions: "Politicians in My Eyes / Keep On Knocking" in a run of just 500 copies.
The Hackney brothers ended the band in 1977. The brothers then moved to Burlington, Vermont and released two albums of gospel rock as The 4th Movement in the early 1980s. David moved back to Detroit in 1982, and died of lung cancer in 2000. Bobby and Dannis still reside in Vermont and lead the reggae band Lambsbread.
In 2008 the sons of Bobby Hackney Sr (Julian, Urian, and Bobby Hackney Jr) started a band called Rough Francis covering the songs of Death after discovering the old recordings in their parents attic.
In 2009, Drag City Records released all seven Death songs from their 1975 United Sound sessions on CD and LP under the title ...For the Whole World to See. In September 2009, a reformed Death played three shows with original members Bobby and Dannis Hackney, with Lambsbread guitarist Bobbie Duncan taking the place of the late David Hackney.
During a 2010 performance at the Boomslang Festival in Lexington, Kentucky the band announced that Drag City would release a new album with demos and rough cuts that predate the 1974 sessions. The album Spiritual Mental Physical was released in January 2011.
An independent documentary film titled A Band Called Death, directed by Jeff Howlett and Mark Covino, was released in 2012.
In 2013 the EP Relief/Story of the World was released.
3) A horrorcore rapper from New Orleans, who released an album "Possessed by the Ouija Board" in 1993.
4) Death (real name: Thomas Peter Heckmann), is a German musician born in Mainz, Germany.His first release was as Exit 100 in 1991 on the Force Inc. Music Works label out of Frankfurt. In 1993 he founded Trope Recordings, and its sub-label Acid Fuckers Unite (A.F.U.) the following year. In 1998 he succeeded those labels by starting Wavescape, and its sub-label Sub~Wave in 2000. He currently produces Hard Techno with strong EBM influences, and has been a frequent collaborator with Jörg Henze since 1998.
empty words
Death Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Through the winds of change
Words are blown away
When visions that should be
Are tattooed in your mind
The power to let go
Is sometimes hard to find
In the writing of others
Or the words of a trained mind
In a precious world of memories
We find ourselves confined
Claws so razor sharp
Ripping at the spirit
Promises a potential to hurt
Is anything real?
When forever is to be until
Deep inside, in the world of empty words...
No escaping from those haunting
Empty words...
Do you ever feel it?
A craving that is so strong
To by thought rewind in order to find
Expectations that shined through the doubt
That soon would turn into the price
Of what a word will be worth
When tomorrow comes
To be and we are left
Standing on our own-
And seeing what is real...
The answer cannot be found
In the writing of others
Or the words of a trained mind
In a precious world of memories
We find ourselves confined
Claws so razor sharp
Ripping at the spirit
[Repeat chorus]
In Death's song Empty Words, the lyrics refer to the struggle of dealing with broken promises, shattered expectations, and the difficulty of letting go. The bond between ashes and promises is a reference to the idea that promises, like ashes, are easily blown away by the winds of change. The idea that visions are tattooed in the mind suggests that the memory of what was promised is hard to forget, even if it's not fulfilling in reality. The power to let go is a challenge many face when struggling with broken promises, as the promises have become deeply ingrained in their minds.
The song also touches on the idea that the answer to one's struggle cannot be found in the writing of others or the words of a trained mind, but in the individual's own experience. The world of memories that we confine ourselves to might be filled with empty promises and words that can hurt us. The lyrics allude to the idea that the claws of those empty words are sharp and can rip at one's spirit, especially when it comes to broken promises.
The chorus repeats the idea that we cannot escape from these haunting empty words that can taunt us, leaving us craving the answer to our struggles. Towards the end of the song, the lyrics speak of the doubt that soon turns into the price of what a word will be worth when tomorrow comes. The song suggests that the only way to find the answer to our struggles is to stand on our own and see what's real.
Line by Line Meaning
Ashes and promises share a bond
The remains of what was once wanted have a connection
Through the winds of change
In the midst of transformation
Words are blown away
Expressions are futile
When visions that should be
When imaginary aspirations are formed
Are tattooed in your mind
Are ingrained in your thoughts
The power to let go
The ability to release is not easy
Is sometimes hard to find
Can be a challenging task
The answer cannot be found
The solution is not evident
In the writing of others
In someone else's words
Or the words of a trained mind
Or in the strategized phrasing of an educated brain
In a precious world of memories
In a world full of valuable recollections
We find ourselves confined
We limit ourselves
Claws so razor sharp
Talons that cut deep
Ripping at the spirit
Destroying the soul
Promises a potential to hurt
Ensuring the possibility of harm through commitments
Is anything real?
Can anything be considered truthful?
When forever is to be until
When eternity is the limit
Deep inside, in the world of empty words...
Internally, within a realm of meaningless language
No escaping from those haunting
There is no avoiding the tormenting
Empty words...
Absent expressions...
Do you ever feel it?
Do you experience this too?
A craving that is so strong
An intense desire
To by thought rewind in order to find
To mentally revisit for the sake of discovering
Expectations that shined through the doubt
Hopes that prevailed despite skepticism
That soon would turn into the price
That would eventually become the cost
Of what a word will be worth
Of the value placed in spoken or written language
When tomorrow comes
When the future arrives
To be and we are left
To exist, and we are abandoned
Standing on our own-
Alone...
And seeing what is real...
Observing the truth...
[Repeat chorus]
Repeat the previous verse
Lyrics © Universal Music Publishing Group
Written by: CHUCK SCHULDINER
Lyrics Licensed & Provided by LyricFind