Decoded Feedback burst on to the industrial scene in the mid 1990s with the highly acclaimed self-titled demo tape Decoded Feedback. This creative duo brought together all the elements and contrasts that exist between the sexes, and at the same time using their diverse backgrounds, European and Canadian, to successfully create their own unique sound. This proved to be a powerful combination. After an amazing review in Belgium’s Side-Line magazine, Decoded Feedback was picked up immediately by one of Europe’s leading industrial labels, Hard Records.
1996 marked the year of their first CD release entitled Overdosing. The quality and power of Overdosing opened more doors for Decoded Feedback, capturing the attention of not just the industrial community, but also of Europe's leading electro label, Zoth Ommog, who arranged to release the band's second CD Technophoby in 1997. This CD later came to the attention of America's leading industrial label, Metropolis Records, who soon after became Decoded Feedback’s official North American label. The band’s third CD Bio-Vital was released in 1998 and instantly hit the German Alternative Charts (DAC). Decoded Feedback was also voted one of the best groups on Zoth Ommog. EVOLution marked their fourth release and demonstrated their growth and established position in the electronic community. This CD brought together a perfect mix of Industrial and EBM, pulling you in and enveloping you into the interwoven dance floor textures and symphonic melodies.
In 2000, Decoded Feedback signed to the up and coming German label, Bloodline. Reflect in Silence was Marco and Yone’s first single which was released in Sept 2000 to critical acclaim. The full length CD Mechanical Horizon was released soon after. This CD pulled together all of the elements that had now become the famous Decoded Feedback sound, but added some new touches. More elaborate sequences, less distorted vocals, richer soundscapes. It perfectly demonstrated the versatility of this Italian/Canadian band. 2001 was the year of touring, festivals and studio production. In April, they headlined a European tour with Noisex, Sonar and Re/Work. In August they participated in their first European festival, Eurorock 2001. 2002 was a year dedicated to hard work in the Defcode Lab studio preparing for their next release.
2003 marked the year of a powerful return to their roots and a change in European record companies. DF is now signed to Out of Line. Phoenix and Shockwave show a return to a harder, more minimalist sound. Very edgy and powerful, reminiscent of Technophoby and Bio-Vital. Phoenix and Shockwave were so well received that Decoded Feedback embarked on a full European tour with Haujobb in May/June 2003. On May 5th, Shockwave hit the DAC (Deutsche Alternative Charts) at number 4. Shockwave stayed on the DAC charts for 7 weeks. It entered the charts at number 4 and stayed in the top 3 positions, along with Marilyn Manson and Linkin Park, for 6 weeks reaching number 1 on week 22. Shockwave had the honour of being voted #3 Top International Album of 2003 on the DAC.
2004 proved to be a very productive and exciting year. Decoded Feedback embarked on yet another European tour in February/March, this time with support group God Module. The huge success of this tour brought Decoded Feedback to the attention of Europe’s biggest festival M’era Luna in Germany, where they played in August. To round up this very successful year, Decoded Feedback was invited to play an exclusive show in Mexico City at the renowned DadaX club.
2005 has been an extremely productive and exciting year so far. Combustion was released worldwide in September to rave reviews. Decoded Feedback were a huge hit at 2 major festivals: Infest 2005 (UK) and Blacksun Festival (USA). They will wrap up this exciting year co-headlining the Out of Line festival tour in Germany in November with Blutengel. A full European and North American tour are planned for spring 2006.
In 2010, Decoded Feedback return with their new album "Aftermath ". Throughout their musical career, Decoded Feedback has managed to stay true to their industrial roots while at the same time experimenting with various new sounds and techniques. Decoded Feedback have now returned with their much anticipated follow-up to Combustion entitled Aftermath. Picking up where its predecessor left off, the album is a striking barrage of hard hitting basslines, acidic synths, and distorted vocals all fueled by emotion.
Biagiotti and Dudas originally experimented with the fusion of punk and electro, but over time developed a more cold, industrial-oriented sound. By the time Evolution was released, they had attempted to create a blend of industrial and electronic body music, with "interwoven dance floor textures and symphonic melodies". This sound culminated with Mechanical Horizon, but turned sharply with Shockwave, an album that was seen as somewhat of a return to an older style. The duo's most recent release, Combustion, continues in this trend.
Both members have also cited the tensions that exist between genders and international boundaries, as well as their own unique backgrounds, as a driving force behind their music - especially in an attempt to create their own unique style. Decoded Feedback's music is popular within the darker electronic music scene, especially among fans of electro-industrial music. Comparable artists include fellow Metropolis Records label mates Haujobb, Wumpscut, Suicide Commando, and Front Line Assembly, as well as Zoth Ommog label mates X Marks the Pedwalk and Evil's Toy.
Decoded Feedback are:
Marco Biagiotti - vox, lyrics, samples, sequences, arrangement, basses and drums
Yone Dudas - keyboards, sequences, arrangement, samples, basses, drums and lyrics
Discography:
* Decoded Feedback - (CS) 1993 - no label
* Elektroküte – (CS Mini Album) 1994 - no label
* Overdosing – (CD Album) 1996 - Hard Records, Cleopatra • (CD Album) 2002 - Dying Culture
* Technophoby – (CD Album) 1997 - Zoth Ommog, Metropolis
* Bio-Vital – (CD Album) 1998 - Zoth Ommog • 1999 Metropolis
* EVOlution – (CD) 1999 - Zoth Ommog, Metropolis
* Mechanical Horizon – (CD Album) 2000 - Metropolis, Bloodline
* Reflect in Silence – (CD Maxi) 2000 - Bloodline
* Phoenix – (CD Maxi) 2002 - Out of Line
* Shockwave – (CD Album, Enhanced) 2003 - Metropolis • (CD Album, Enhanced) 2004 - Irond
* BioMechanic – (2xCD) 2004 - Metropolis
* Combustion – (CD Album, Enhanced) 2005 - Out of Line, Metropolis • (CD Album, Enhanced) 2005 - Irond
* Aftermath – (CD Album) 2010 - Metropolis Records
* disKonnekt – (CD Album) 2012 - Metropolis Records
* Dark Passenger – (CD Album) 2016 - Metropolis Records
Phoenix
Decoded Feedback Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Flying free and powerful
Eternal and legendary
Eternal I am
Burning with passion and life
I am reborn
How long before I collapse in ashes
Another cycle of
Creation and destruction
How long before I collapse in ashes
How long, how long
The lyrics to "Phoenix" by Decoded Feedback evoke a powerful and timeless symbol of rebirth and renewal. The title refers to the mythical bird that burns itself to ashes and rises anew from its own flames. The opening lines, "Here I am again, flying free and powerful, eternal and legendary," suggest the phoenix's enduring spirit and the sense of freedom and strength that comes with rebirth. The phrase "eternal I am" reinforces the idea that the phoenix cannot be destroyed or defeated, but instead lives forever in a cycle of creation and destruction.
As the song progresses, the lyrics take on a more ominous tone, with the repeated question, "How long before I collapse in ashes?" This phrase suggests the phoenix's awareness of its own mortality and the knowledge that, no matter how powerful or invincible it may seem, it will ultimately burn out and be consumed by its own fire. This theme of transience and impermanence is echoed in the lines "Another cycle of creation and destruction," which acknowledge the cyclical nature of life and death, and the fact that all things must eventually come to an end.
Overall, "Phoenix" is a powerful meditation on the themes of rebirth, mortality, and the cyclical nature of existence. The lyrics use vivid imagery and concise language to evoke the timeless myth of the phoenix, and to explore the deeper meanings and emotions that this symbol embodies.
Line by Line Meaning
Here I am again
I have been reborn and am here once again
Flying free and powerful
I am flying without any constraints and feeling unstoppable
Eternal and legendary
I will live forever and be remembered as a legend
Eternal I am
I am eternal and will never die
Burning with passion and life
I am filled with intense passion and energy
I am reborn
I have been reborn and am starting anew
How long before I collapse in ashes
How long will it be until I am destroyed and reduced to ashes
How long, how long
How much time do I have left
Another cycle of
This is another repetition of
Creation and destruction
The process of creation and destruction is continuing
How long before I collapse in ashes
How long will it be until I am destroyed and reduced to ashes
How long, how long
How much time do I have left
Lyrics © Sony/ATV Music Publishing LLC
Written by: HARLEY WEBSTER
Lyrics Licensed & Provided by LyricFind
izovire
Here's an excellent list of listen-to's:
Hocico
Amduscia
Suicide Commando
X-Fusion
Noisuf-X
H.exe
Fractured
Grendal
Blackopz
Cryogenic Echelon
Agonoize
Nitronoise
Cygnosic
The Retrosic
The Enigma TNG
Antythesys
Centhron
Diffuzion
Nachtmahr
Psyclon 9
Reaper
Schallfaktor
Shiv-R
Velvet Acid Christ
God Module
Whitar
Wynardtage
XMH
Edge Of Dawn
Rotersand
Neurotech
Not all are strictly Aggrotech, but they are some great EBM, Cyber, Cyber Metal, Dubstep, DnB. They all have heavy sounds nonetheless.
D.J De'Ath
Epic track that still sounds as good today as when it first came out!
ALBA
... seit fast 20 Jahren in den Clubs - und immer noch geil!!! 😈
WillowMoon
I'm a little new to the aggrotech scene, but this is one of my fav songs! :D
izovire
Here's an excellent list of listen-to's:
Hocico
Amduscia
Suicide Commando
X-Fusion
Noisuf-X
H.exe
Fractured
Grendal
Blackopz
Cryogenic Echelon
Agonoize
Nitronoise
Cygnosic
The Retrosic
The Enigma TNG
Antythesys
Centhron
Diffuzion
Nachtmahr
Psyclon 9
Reaper
Schallfaktor
Shiv-R
Velvet Acid Christ
God Module
Whitar
Wynardtage
XMH
Edge Of Dawn
Rotersand
Neurotech
Not all are strictly Aggrotech, but they are some great EBM, Cyber, Cyber Metal, Dubstep, DnB. They all have heavy sounds nonetheless.
Diegog5
izovire In behalf all the people that will stumble upon your list in the future. Thank you.
ThePowerOf42
izovire Also.
Combichrist.
Suicide Commando
Skinny Puppy (Kind "Must hear")
KMFDM
Leaether Strip
(CombiChrist was what got me into this kind of music in the first place)
izovire
SortenRavn X-fusion is what I first listened to in terms of Aggrotech.
After that it was all Youtube related videos. Click on them until you get into the weird section of Youtube... like cats being dumb or some shit like that.
ThePowerOf42
izovire I prefer humans being dumb (Animals are innocent.. Humans.. Well)
El Jefe
3/2/2022. I still love it!!!!
Black Rose
This is how very early aggrotech sounded. Harsh, minimal techno structures and martial rhythms with powernoise elements. You can hear how supersaw (or hoover) is in background along with GUITARS! Later Agonoize destroyed it by created Hellectro trance crap. Noitekk created harsh electro against it but they failed. This song was my gate to electro-industrial music as everything was like Agonoize in that time. In Europe.