Polly Adelaide Hendricks Hazelwood (February 22, 1920 – October 3, 1989), k… Read Full Bio ↴Polly Adelaide Hendricks Hazelwood (February 22, 1920 – October 3, 1989), known professionally as Del Wood, was an American pianist.
Hendricks was born in Nashville, Tennessee. A lifetime resident of Nashville, she was surrounded by the influences of early country music and the remaining vestiges of ragtime, particularly through the guitar pickers. She took up piano at age five, and played ragtime, gospel, and country music. Despite her parent's best efforts to encourage a direction towards classical music, the environment in Nashville, plus the early local programming on radio, convinced her that she wanted to play piano in the honky-tonk style. Her dream goal was the Grand Ole Opry, something she would realize in her early 30s.
Shortening her married name (Adelaide Hazelwood) to something easier to remember (and intentionally non-gender specific), Wood began playing in bands and honky-tonk joints in her 20s. After a decade of building repertoire and reputation, she spent some time as a staff pianist at WLBJ in Bowling Green, Kentucky. It was there that she was heard playing "Down Yonder" among other pieces, which led to a gig with a recording group called Hugh `Baby' Jarrett and his Dixieliners. This led to the first of many recording sessions for the Tennessee Records label starting in 1951. "Down Yonder" soon became a national hit in both the country and pop categories in Billboard record charts, sold over one million copies, and was awarded a gold disc. She is probably the first female country solo instrumentalist to sell a million copies of a record.
This success was turned into appearances on the Grand Ole Opry starting in 1952, which led to an eventual full-time gig there in 1953, fulfilling her long-time dream. Two years later her fame culminated with a contract from RCA Victor Records, where she would make some of the first country/honky-tonk stereo recordings in the late 1950s. While nothing else that she put out had the same success as "Down Yonder", her offerings over the next decade were frequent and consistent. Wood gained the title, Queen of the Ragtime Pianists, sometimes shared with junior fellow plunker Jo Ann Castle. She was also divorced from her stage-namesake, Carson Hazelwood, during this period, but not before adopting a son they named Wesley.
During the Vietnam War, Wood was part of one of the Grand Ole Opry package tours that entertained troops overseas in 1968. Her recordings after the late 1960s were infrequent at best, but her appearances on the Opry continued until just before her death from a stroke on October 3, 1989 at the age of 69.
She was interred in the Mount Olivet Cemetery in Nashville.
Hendricks was born in Nashville, Tennessee. A lifetime resident of Nashville, she was surrounded by the influences of early country music and the remaining vestiges of ragtime, particularly through the guitar pickers. She took up piano at age five, and played ragtime, gospel, and country music. Despite her parent's best efforts to encourage a direction towards classical music, the environment in Nashville, plus the early local programming on radio, convinced her that she wanted to play piano in the honky-tonk style. Her dream goal was the Grand Ole Opry, something she would realize in her early 30s.
Shortening her married name (Adelaide Hazelwood) to something easier to remember (and intentionally non-gender specific), Wood began playing in bands and honky-tonk joints in her 20s. After a decade of building repertoire and reputation, she spent some time as a staff pianist at WLBJ in Bowling Green, Kentucky. It was there that she was heard playing "Down Yonder" among other pieces, which led to a gig with a recording group called Hugh `Baby' Jarrett and his Dixieliners. This led to the first of many recording sessions for the Tennessee Records label starting in 1951. "Down Yonder" soon became a national hit in both the country and pop categories in Billboard record charts, sold over one million copies, and was awarded a gold disc. She is probably the first female country solo instrumentalist to sell a million copies of a record.
This success was turned into appearances on the Grand Ole Opry starting in 1952, which led to an eventual full-time gig there in 1953, fulfilling her long-time dream. Two years later her fame culminated with a contract from RCA Victor Records, where she would make some of the first country/honky-tonk stereo recordings in the late 1950s. While nothing else that she put out had the same success as "Down Yonder", her offerings over the next decade were frequent and consistent. Wood gained the title, Queen of the Ragtime Pianists, sometimes shared with junior fellow plunker Jo Ann Castle. She was also divorced from her stage-namesake, Carson Hazelwood, during this period, but not before adopting a son they named Wesley.
During the Vietnam War, Wood was part of one of the Grand Ole Opry package tours that entertained troops overseas in 1968. Her recordings after the late 1960s were infrequent at best, but her appearances on the Opry continued until just before her death from a stroke on October 3, 1989 at the age of 69.
She was interred in the Mount Olivet Cemetery in Nashville.
My Gal Sal
Del Wood Lyrics
We have lyrics for 'My Gal Sal' by these artists:
Al Jolson The bells are ringing for me and my gal. The birds…
Bob Wills & His Texas Playboys (Oh-oh) (Alright) (Yes, sir) They called her frivolous Sal …
Burl Ives The bells are ringing for me and my gal. The birds…
Claude Hopkins and His Orchestra I want a zoot suit with the reet pleat With the…
Dick Robertson and His Orchestra Somebody stole my gal, Somebody stole my pal, Somebody came …
Fletcher Henderson and His Orchestra I want a zoot suit with the reet pleat With the…
Guy Lombardo The bells are ringing for me and my gal. The birds…
Lester Lanin and His Orchestra I want a zoot suit with the reet pleat With the…
Pied Pipers They call her frivolous Sal A peculiar sort of a gal With…
SIDNEY BOWMAN AND HIS ORCHESTRA I want a zoot suit with the reet pleat With the…
The Everly Brothers They called her frivolous Sal A peculiar sort of a gal Wit…
The Mills Brothers They called her frivolous Sal A peculiar sort of a gal With…
Tiny Hill and His Orchestra I want a zoot suit with the reet pleat With the…
We have lyrics for these tracks by Del Wood:
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