Born in Stewarton, in the parish of Clarendon, Jamaica, Derrick Morgan entered in 1957 the Vere Johns Opportunity Hour, a talent show held at the Palace Theatre in Kingston. He won with rousing impressions of Little Richard and, shortly after that, was recruited to perform around the island with the popular Jamaican comedy team Bim and Bam. In 1959 Morgan entered the recording studio for the first time. Duke Reid, the acclaimed sound system boss, was looking for talent to record for his Treasure Isle record label. Morgan cut two popular shuffle-boogie sides "Lover Boy", a.k.a. "S-Corner Rock", and "Oh My". Soon after, Morgan cut the bolero-tinged boogie "Fat Man", which also became a hit. He also found time to record for Coxsone Dodd.
In 1960 Morgan became the only artist ever to fill the places from one to seven on the Jamaican pop chart simultaneously. Among those hits were "Don't Call Me Daddy", "In My Heart", "Be Still", and "Meekly Wait and Murmur Not". But it was the following year that Morgan released the biggest hit of his career, the Leslie Kong production of "Don't You Know", later retitled "Housewives' Choice" by a local DJ. The song featured a bouncing ska riddim, along with a duet by Morgan and Millicent "Patsy" Todd.
"Housewives' Choice" began the legendary rivalry between Morgan and Prince Buster, who accused Morgan of stealing his ideas. Buster quickly released "Blackhead Chiney Man", chiding Morgan with the sarcastic put-down, "I did not know your parents were from Hong Kong" – a swipe at Kong. Morgan returned with the classic "Blazing Fire", in which he warns Buster to "Live and let others live, and your days will be much longer. You said it. Now it's the Blazing Fire". Buster shot back with, "Watch It Blackhead", which Morgan countered with "No Raise No Praise" and "Still Insist". Followers of the two artists often clashed, and eventually the government had to step in with a staged photo shoot depicting the rivals as friends.
Morgan had a major success in 1962 with "Forward March", a song celebrating Jamaican independence from Great Britain.
In the mid-1960s, when ska evolved into the cooler, more soulful rocksteady, Morgan continued to release top quality material, including the seminal rude boy classic, "Tougher Than Tough", "Do the Beng Beng", "Conquering Ruler", and a cover of Ben E. King's soul hit, "Seven Letters". Produced by Bunny Lee, "Seven Letters" is often cited as the first true reggae single. In 1969 Morgan cut the famous skinhead anthem "Moon Hop" (on Crab Records). However, failing eyesight then forced him to give up regular stage appearances. Morgan still performs occasionally at ska revival shows across the world – often backed by the guitarist Lynn Taitt. He remained popular in Jamaica and the UK into the early 1970s, and has lived primarily in the UK or the US since the late 1960s.
Morgan has written several songs that have won the Festival Song Contest for other artists, including "Jamaica Whoa" (1998, Neville Martin), "Fi Wi Island A Boom" (2000, Stanley Beckford), and "Progress" (2002, Devon Black).
In July 2002 in Toronto, Canada, a two-night "Legends of Ska" concert was held. Reuniting were The Skatalites, Lloyd Knibb, Rico Rodriguez, Lloyd Brevett, Lester Sterling, Johnny Moore and Lynn Taitt; along with Prince Buster, Alton Ellis, Owen Gray, Lord Creator, Justin Hinds, Derrick Harriott, Winston Samuels, Roy Wilson, Patsy Todd, Doreen Shaffer, Stranger Cole, Lord Tanamo and Derrick Morgan. In 2007 Morgan appeared on the bill at the annual Augustibuller music festival. His song "Tougher Than Tough" was featured in the video game Scarface: The World is Yours.
He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff a.o..
Discography
Albums
Seven Letters (1969)
Derrick Morgan in London (1969)
Moon Hop (1970)
Feel So Good (1975) (featuring Hortense Ellis)
People's Decision (1977)
Still in Love (1977) (also featuring Hortense Ellis)
Sunset at Moonlight City
Love City
The Legend of Derrick Morgan (1980)
I Am the Ruler (1992) – Trojan Records
Tougher Than Tough (Rudie in Court) (1992)
The Conquering Ruler (and the Sensational Yebo) (1994) – Pork Pie Records
Ska Man Classics (1995)
Ska Man Classics (1997)
21 Hits Salute (1997)
Meets the High Notes Live (2003)
Moon Hop: Best of the Early Years 1960–69 (2003)
Derrick:Top the Top (2003)
Derrick Meets the High Notes (2004)
Shake A Leg (2014)
Singles
"The Hop" / "Tell It To Me", 7-inch: Island WI 006, UK, 1962
"Forward March" / "Please Don't Talk About Me", 7-inch: Island WI 011, UK, 1962
"See The Blind" / "Cherry Home", 7-inch: Island WI 013, UK, 1962
"I Am The Ruler" / "I Mean It" Pyramid 1968
"No Dice" / "I Mean It" Pyramid 1968
"Moon Hop" – 1970 – UK No. 49
Singles on Crab Records
"River to the Bank" / "Reggae Limbo", 7-inch (B side – Peter King)
"Seven Letters" / "Lonely Heartaches", 7-inch (B side – The Tartons)
"The First Taste of Love" / "Dance All Night", 7-inch
"Don't Play That Song" / "How Can I Forget You", 7-inch
"Mek It Tan Deh" / "Gimme Back", 7-inch
"Send Me Some Loving" / "Come What May", 7-inch
"Hard Time" / "Death Rides A Horse", 7-inch (B Side – Roy Richards)
"Man Pon Moon" / "What A Thing", 7-inch
"Moon Hop" / "Harris Wheel", 7-inch (B Side – Reggaeites)
"A Night at the Hop" / "Telephone", 7-inch
"Oh Baby" / The Rat", 7-inch (B Side – The Thunderbirds)
"Need To Belong" / "Let's Have Some Fun", 7-inch (with Jennifer Jones)
"I Wish I Was An Apple" / "The Story", 7-inch
"Take A Letter Maria" / "Just A Little Loving", 7-inch (with Owen Gray)
"Rocking Good Way" / "Wipe These Tears", 7-inch (with Jennifer Jones)
"My Dickie" / "Brixton Hop", 7-inch
"I Can't Stand It No Longer" / "Beyond The Wall", 7-inch
"Endlessly" / "Who's Making Love", 7-inch
"Hurt Me" / "Julia", 7-inch
"Searching So Long" / "Drums of Passion", 7-inch
Dancing Mood
Derrick Morgan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm in a dancing mood
I'm in a dancing mood
When you feel the beat
You've got to move your feet
You've got to clap your hands
You've got all the soul,
‘Cause you can't hide
I'm in a dancing mood
I'm in a dancing mood
I'm in a dancing mood
Hey little girl I want to dance with you
Take me by my hand
Squeeze it tight
We want to dance all night
I'm in a dancing mood
When you feel the beat
You've got to move your feet
You've got to clap your hands
You've got all the soul,
Deep inside
‘Cause you can't hide
I'm in a dancing mood
I'm in a dancing mood
I'm in a dancing mood
Derrick Morgan's "Dancing Mood" is a classic piece of reggae music that is all about the joy of dancing. The song opens with the repetition of the lyrics "I'm in a dancing mood" which conveys a sense of energy and eagerness to move. The upbeat tempo and smooth melody encourage listeners to bop their heads and tap their feet. The next verse expresses the idea that when one feels the beat, they must move their feet and clap their hands. The song emphasizes the importance of allowing oneself to feel the rhythm and to dance with abandon, because there is a deep and uncontainable spirit within. The phrase "You've got all the soul, deep inside ‘Cause you can't hide" suggests that everyone has a natural inclination to dance because it is an emotional release that cannot be suppressed.
The chorus is repeated several times throughout the song, each time with increasing intensity. It is as if the beat and music is building up and urging the listener to get up and dance. The phrase "Hey little girl I want to dance with you" is a call to action that brings a sense of romanticism into the song. The suggestion of a partner dancing together adds another layer of fun and encourages all those listening to take up the invitation to dance.
Interestingly, "Dancing Mood" was originally released as an instrumental in 1962 but was later re-recorded with lyrics by Morgan in 1966. The song is a prime example of the ska genre of music, which combines elements of jazz, rhythm and blues, and Caribbean calypso. It had a significant impact on reggae music and was later covered by several prominent artists. In 1991, the ska-punk band The Mighty Mighty Bosstones made their own version of "Dancing Mood" in their debut album "Devil's Night Out." The song's catchy melody and upbeat rhythm were just as popular forty years later, proving the song's timelessness.
Line by Line Meaning
I'm in a dancing mood
I feel a strong desire to dance and enjoy myself
When you feel the beat
When you hear the rhythm of the music
You've got to move your feet
You need to start dancing by moving your feet
You've got to clap your hands
You should also clap your hands to the beat of the music
You've got all the soul,
You possess a deep and genuine love for music
Deep inside
Within yourself
‘Cause you can't hide
You can't suppress your love for music
Hey little girl I want to dance with you
I would like to dance with you, young lady
Take me by my hand
Hold my hand tight and lead me to the dance floor
Squeeze it tight
Hold my hand firmly
We want to dance all night
We plan on dancing for a very long time
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: DELROY GEORGE WILSON
Lyrics Licensed & Provided by LyricFind