He was born Desmond Adolphus Dacres in St. Andrew, Jamaica and grew up in Kingston, where he attended the Alpha Boys' School. After his mother took ill and died, his father moved him to St. Mary's, and then to St. Thomas, where he apprenticed as a tailor before returning to Kingston and taking a job as a welder, singing around his workplace while his co-workers encouraged him. In 1961 he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle). Neither were impressed by his talents, and the young man moved on to Leslie Kong's Beverley record label, where he auditioned before Derrick Morgan, then the label's biggest star.
With Morgan's support, Dekker was signed but did not record until 1963 because Leslie Kong wanted to wait for the perfect song, which "Honour Your Father and Mother" was felt to be.
“Honour Your Father and Mother” was a hit and was followed by “Sinners Come Home” and “Labour for Learning,” as well as a name change (from Desmond Dacres to Desmond Dekker). His fourth hit, however, made him into one of the island's biggest stars. It was “King of Ska,” a rowdy and jubilant song on which Dekker was backed by The Cherrypies (also known as The Maytals). The song remains well known among ska fans. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, who became his backing band, The Four Aces.
Dekker and the Howards recorded a number of hits including “Parents,” “Get Up Edina,” “This Woman,” and “Mount Zion.” Until 1967 Dekker's songs were polite and conveyed respectable, mainstream messages. In that year, however, he appeared on Derrick Morgan's “Tougher Than Tough,” which helped begin a trend of popular songs glamourizing the violent rude boy culture. Dekker's own songs did not go to the extremes of many other popular tunes though he did introduce lyrics which resonated with the rude boys starting with one of his best-known songs, “007 (Shanty Town)”. The song established Dekker as a rude boy icon and also became an established hero in the United Kingdom's mod scene. “007 (Shanty Town)” was a Top 15 hit in the UK, and he toured that country with a posse of mods following him.
Dekker continued with songs in the same vein such as “Rude Boy Train” and “Rudie Got Soul”, as well as continuing with his previous themes of religion and morality in songs like “It's a Shame”, “Wise Man”, “Hey Grandma”, “Unity”, “It Pays”, “Mother's Young Girl” and “Sabotage.” His “Pretty Africa” is a long-standing favourite among his fans and may be the earliest popular song promoting repatriation. Many of the hits from this era came from his debut album, 007 (Shanty Town).
In 1968 Dekker's “Israelites” was released, appearing on both the U.S. and UK singles chart, and eventually topping the latter and peaking in the Top Ten of the former. He was the first Jamaican performer to enter U.S. markets with pure Jamaican music, though he never repeated the feat. Equally, the track became the first reggae song to top the UK chart. That same year saw the release of “Beautiful and Dangerous,” “Writing on the Wall,” “Music Like Dirt”, “Bongo Girl,” and “Shing a Ling.” In the same year, Dekker was mentioned as "Desmond" by his friend Paul McCartney in The Beatles' song "Ob-La-Di, Ob-La-Da", when it was released on 'The White Album'.
1969 saw the release of “It Mek,” which first saw only lukewarm success but was re-recorded and became a hit both in Jamaica and the UK. He also released “Problems” and “Pickney Gal,” both of which were popular in Jamaica but saw only limited success elsewhere.
Mid career (the 1970s)
In the 1970s Dekker spent most of his time touring and moved to the UK, where he continued to record. Among his best known releases of this period was “You Can Get It If You Really Want,” written by Jimmy Cliff, which Dekker had not wanted to record but was convinced to do so by Leslie Kong. Dekker's recording of the song uses the same instrumental backing track as Cliff's original.
Kong, whose production had been an instrumental part of both Dekker's and Cliff's careers, died in 1971 and both his protegés lost direction for a period before returning to music.
Dekker continued recording, but with only limited success until he began working with the production duo Bruce Anthony in 1974. His first hit with the pair was 1975's “Sing a Little Song” which climbed in to the British Top Ten. Dekker was unable to follow its success, however, and did not chart in the UK for some time (except for the Top Ten re-charting of “Israelites” in 1975). Dekker also found only a limited audience in Jamaica.
At the end of the 1970s Dekker signed with Stiff Records, a punk label linked with the Two-Tone movement, a fusion of punk and ska. He recorded an album called Black & Dekker which featured his previous hits backed by The Rumour, Graham Parker's backing band. His first single was “Israelites,” a Top Ten Belgian hit, and was followed by “Please Don't Bend,” Jimmy Cliff's “Many Rivers to Cross” and “Book of Rules.” His next album was Compass Point, produced by Robert Palmer. Though Compass Point did not sell well, Dekker was still a popular live performer and he toured with The Rumour.
Later life
In the early 1980s, as the Two Tone movement died out, he saw his fortunes dwindle and he was declared bankrupt in 1984. Only a single live album was released in the late 80s, but a new version of “Israelites” reawakened public interest in 1990, following its use in a Maxell advertisement. He re-recorded some old singles, and worked with The Specials for 1992's King of Kings', which used hits from Dekker's musical heroes, including Derrick Morgan.
He also collaborated on a remix version of his classic “Israelites” with reggae artist Apache Indian.
Death
Desmond Dekker died of a heart attack on 25 May 2006, at his home in Thornton Heath in the London Borough of Croydon , England, aged 64. He was preparing to headline a world music festival in Prague. Mr. Dekker was divorced and is survived by a son and daughter.
Bongo Gal
Desmond Dekker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That's unforgettable
I like the way how you jump and shake a leg
That's unforgettable, Mathilda
Walk it up, push it up, shake it up, bongo gal
Ooh, that's unforgettable
Walk it up, push it up, shake it up, bongo gal
Bongo gal, ooh
Bongo gal, ooh
I like the way how you hold and treat me right
That's unforgettable
I like the way how you jump and shake your leg
That's unforgettable, Mathilda
Walk it up, push it up, shake it up, bongo gal
Ooh, that's unforgettable
Walk it up, push it up, shake it up, bongo gal
Ooh, that's unforgettable
Bongo gal, ooh
Walk it up, push it up, bongo gal, ooh
Push it up, bongo gal, ooh
Shake it up, bongo gal
Desmond Dekker's song "Bongo Gal" is a lively and rhythmic celebration of a woman's dancing skills. The song begins with the singer expressing his love for the woman and the way she treats him, speaking to her as if she is his partner. He then goes on to describe her dancing, specifically her ability to jump and shake her leg, which he finds unforgettable. The chorus of the song repeats the phrase "Walk it up, push it up, shake it up, bongo gal" four times, emphasizing the energetic and dynamic nature of the dance. In the second verse, the singer again expresses his admiration for the woman, describing her as unforgettable, and repeats the chorus several more times. The song ends with the singer chanting "bongo gal" repeatedly, seemingly lost in the rhythm of the dance.
Overall, "Bongo Gal" is a celebratory song that pays tribute to the vitality and energy of dance. The lyrics are simple and repetitive, but capture the joy and excitement of watching someone dance. The rhythmic cadence of the song, punctuated by the repeated "bongo gal" chants, creates a sense of urgency and immediacy, urging listeners to join in the dance and feel the same joy the singer is expressing.
Line by Line Meaning
I like the way how you hold and treat me right
I appreciate the way you take care of me and treat me with kindness.
That's unforgettable
Your actions have left an enduring impression on me.
I like the way how you jump and shake a leg
I admire how you move and dance with energy and enthusiasm.
Walk it up, push it up, shake it up, bongo gal
Follow my lead and move your body to the rhythm of the music, bongo girl.
Ooh, that's unforgettable
This experience is remarkable and memorable.
Bongo gal, ooh
You are the focal point of this song and celebration, bongo girl.
Walk it up, push it up, bongo gal, ooh
Continue to follow my lead and dance energetically, bongo girl.
Push it up, bongo gal, ooh
Move your body upwards in a lively and joyful way, bongo girl.
Shake it up, bongo gal
Move your body with enthusiasm and energy to the rhythm of the music, bongo girl.
Contributed by Alyssa J. Suggest a correction in the comments below.
Jahbird 94
What a song!!!!!!!!!!!! So groovy!!!!!!! Make me wanna dance all night!!!!!!Rocksteady is so great and Desmond is the KING!!! Glad to have seen him before he passed away... RIP DESMOND DEKKER
Sonjah
Beautiful music I say.. I can listen to this all day and night. Much respect to The late great Desmond Dekker
cornbreadleave
this sound is unforgettable !!
Ximena Menendez Diaz
sweet rocksteady!
Dj Rickey Ricardo
wicked chune Riddim !flashin mi selecta!
Mason S
Groovy
Brigadierlion
Chuneeeee
Cícero Batista da Silva
Jamaica Jamaica
Cícero Batista da Silva
Brasil né