He was born Desmond Adolphus Dacres in St. Andrew, Jamaica and grew up in Kingston, where he attended the Alpha Boys' School. After his mother took ill and died, his father moved him to St. Mary's, and then to St. Thomas, where he apprenticed as a tailor before returning to Kingston and taking a job as a welder, singing around his workplace while his co-workers encouraged him. In 1961 he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle). Neither were impressed by his talents, and the young man moved on to Leslie Kong's Beverley record label, where he auditioned before Derrick Morgan, then the label's biggest star.
With Morgan's support, Dekker was signed but did not record until 1963 because Leslie Kong wanted to wait for the perfect song, which "Honour Your Father and Mother" was felt to be.
“Honour Your Father and Mother” was a hit and was followed by “Sinners Come Home” and “Labour for Learning,” as well as a name change (from Desmond Dacres to Desmond Dekker). His fourth hit, however, made him into one of the island's biggest stars. It was “King of Ska,” a rowdy and jubilant song on which Dekker was backed by The Cherrypies (also known as The Maytals). The song remains well known among ska fans. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, who became his backing band, The Four Aces.
Dekker and the Howards recorded a number of hits including “Parents,” “Get Up Edina,” “This Woman,” and “Mount Zion.” Until 1967 Dekker's songs were polite and conveyed respectable, mainstream messages. In that year, however, he appeared on Derrick Morgan's “Tougher Than Tough,” which helped begin a trend of popular songs glamourizing the violent rude boy culture. Dekker's own songs did not go to the extremes of many other popular tunes though he did introduce lyrics which resonated with the rude boys starting with one of his best-known songs, “007 (Shanty Town)”. The song established Dekker as a rude boy icon and also became an established hero in the United Kingdom's mod scene. “007 (Shanty Town)” was a Top 15 hit in the UK, and he toured that country with a posse of mods following him.
Dekker continued with songs in the same vein such as “Rude Boy Train” and “Rudie Got Soul”, as well as continuing with his previous themes of religion and morality in songs like “It's a Shame”, “Wise Man”, “Hey Grandma”, “Unity”, “It Pays”, “Mother's Young Girl” and “Sabotage.” His “Pretty Africa” is a long-standing favourite among his fans and may be the earliest popular song promoting repatriation. Many of the hits from this era came from his debut album, 007 (Shanty Town).
In 1968 Dekker's “Israelites” was released, appearing on both the U.S. and UK singles chart, and eventually topping the latter and peaking in the Top Ten of the former. He was the first Jamaican performer to enter U.S. markets with pure Jamaican music, though he never repeated the feat. Equally, the track became the first reggae song to top the UK chart. That same year saw the release of “Beautiful and Dangerous,” “Writing on the Wall,” “Music Like Dirt”, “Bongo Girl,” and “Shing a Ling.” In the same year, Dekker was mentioned as "Desmond" by his friend Paul McCartney in The Beatles' song "Ob-La-Di, Ob-La-Da", when it was released on 'The White Album'.
1969 saw the release of “It Mek,” which first saw only lukewarm success but was re-recorded and became a hit both in Jamaica and the UK. He also released “Problems” and “Pickney Gal,” both of which were popular in Jamaica but saw only limited success elsewhere.
Mid career (the 1970s)
In the 1970s Dekker spent most of his time touring and moved to the UK, where he continued to record. Among his best known releases of this period was “You Can Get It If You Really Want,” written by Jimmy Cliff, which Dekker had not wanted to record but was convinced to do so by Leslie Kong. Dekker's recording of the song uses the same instrumental backing track as Cliff's original.
Kong, whose production had been an instrumental part of both Dekker's and Cliff's careers, died in 1971 and both his protegés lost direction for a period before returning to music.
Dekker continued recording, but with only limited success until he began working with the production duo Bruce Anthony in 1974. His first hit with the pair was 1975's “Sing a Little Song” which climbed in to the British Top Ten. Dekker was unable to follow its success, however, and did not chart in the UK for some time (except for the Top Ten re-charting of “Israelites” in 1975). Dekker also found only a limited audience in Jamaica.
At the end of the 1970s Dekker signed with Stiff Records, a punk label linked with the Two-Tone movement, a fusion of punk and ska. He recorded an album called Black & Dekker which featured his previous hits backed by The Rumour, Graham Parker's backing band. His first single was “Israelites,” a Top Ten Belgian hit, and was followed by “Please Don't Bend,” Jimmy Cliff's “Many Rivers to Cross” and “Book of Rules.” His next album was Compass Point, produced by Robert Palmer. Though Compass Point did not sell well, Dekker was still a popular live performer and he toured with The Rumour.
Later life
In the early 1980s, as the Two Tone movement died out, he saw his fortunes dwindle and he was declared bankrupt in 1984. Only a single live album was released in the late 80s, but a new version of “Israelites” reawakened public interest in 1990, following its use in a Maxell advertisement. He re-recorded some old singles, and worked with The Specials for 1992's King of Kings', which used hits from Dekker's musical heroes, including Derrick Morgan.
He also collaborated on a remix version of his classic “Israelites” with reggae artist Apache Indian.
Death
Desmond Dekker died of a heart attack on 25 May 2006, at his home in Thornton Heath in the London Borough of Croydon , England, aged 64. He was preparing to headline a world music festival in Prague. Mr. Dekker was divorced and is survived by a son and daughter.
Unity
Desmond Dekker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
This is the time that we all should live as one, sisters
So come along brothers and come along sisters
U.N.I.T.Y., this unity
So come along brothers and sisters, woah
Aah aah, we must live as one
Look into the age that we're living in today, brothers
Look into the age that we're living in today, sisters
So come along brothers and come along sisters
U.N.I.T.Y., this unity
So come along brothers and sisters, woah
Aaa, aaa, aah
Look into the age that we're living in today, brothers
Look into the age that we're living in today, sisters
So come along brothers and come along sisters
U.N.I.T.Y., this unity
U.N.I.T.Y., this unity
U.N.I.T.Y., this unity
...
Desmond Dekker's "Unity" is a message of hope and a call to action for people to come together and work towards unity in these troubled times. As the song suggests, this is a time when we should all live as one, not just as individuals, but as a community that works in harmony.
The lyrics of the song are simple and straightforward, but the message behind the song is quite powerful. The song is a rallying cry for people to set aside their differences and work towards a common goal. Dekker sings about the need for unity in the face of adversity and the importance of coming together in order to confront the social ills that plague society.
The refrain of the song, "U.N.I.T.Y., this unity" is a reminder that unity is the key to overcoming the problems that we face today. The song suggests that we need to look beyond ourselves and our own individual interests and work towards a larger goal of creating a more just and peaceful society.
Line by Line Meaning
This is the time that we all should live as one, brothers
Now is the time for all of us to come together as one, my brethren
This is the time that we all should live as one, sisters
Now is the time for all of us to come together as one, my sisters
So come along brothers and come along sisters
Join us brothers and sisters, let's unite
U.N.I.T.Y., this unity
Unity is what we need, let's spell it out for you
So come along brothers and sisters, woah
All of us need to come together now, oh yes
Aah aah, we must live as one
Yes, indeed, we must live together as a community
'Coz two wrongs can never make a right
Making a bad thing worse never leads to a positive outcome
Look into the age that we're living in today, brothers
Take a good look at the modern times we live in, brothers
Look into the age that we're living in today, sisters
Take a good look at the modern times we live in, sisters
U.N.I.T.Y., this unity
Remember, unity is what we need right now
Aaa, aaa, aah
Interlude
So come along brothers and come along sisters
Please join us, brothers and sisters
U.N.I.T.Y., this unity
Unity is what we require, it's time to unite
U.N.I.T.Y., this unity
Remember, unity is what we need right now
U.N.I.T.Y., this unity
Unity is what we must emphasize, let's spell it out again
Lyrics © Universal Music Publishing Group
Written by: DESMOND DEKKER
Lyrics Licensed & Provided by LyricFind
Calvert Smith
❤This song can now be sung in church 🙏🏽👍🏽😀
BwoYbQuiet007
U-N-I-T-Y is unity. Wicked riddim🔥🔥🔥🔥🔥🔥🔥
Colm Dooley
Rest in peace king of ska
Reggae Music Playlist TV
💚💛❤REGGAE IS LOVE AND LOVE IS THE KEY FOR A PEACEFUL WORLD💚💛❤
Big✨👍✨Up 👑Trojan👑 blessed greetings the Reggae Family worldwide with
JAH👑LOVE
ouncy
Rebel music?
Raymond Kennedy
Class