The verge that separate insanity and genius is almost inexistent, although not any vulgar madman could be called a genius, is very frequent to find legitimate geniuses absolutely fallen into madness, or at least, rebelled against the order absolute imposed as rule of behaviour or as logic command for artistic creation, therefore labelled madmen as a symptom of common incomprehension and prejudice.
Peter Andersson the man or Lina baby doll the alter-ego that sustain the heavy structure that compromise Deutsch Nepal is one of those characters, the kind that is really needed more often in the scene of industrialism, avant-garde, music and art in general as his sonic attacks are able to bring originality from the very core of chaos and the results are actually able to seduce the listener.
Deutsch Nepal is capable to re-create/re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as heathenism and christianism and converge them into a typical cocktail blend that characterizes a unique now famous style.
Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works, his main goal? To mesmerize the listener, to subjugate the mind and to put the spirit into reverberation mode.
It is difficult to reduce all his works to a simple description or review, All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythm has special method and most important strategy, Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent/precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality. Beyond that subjective approach there’s probably nothing more than the subconscious world of Lina, or is it Peter? Who cares. We need to give him the chance to bury his secret inside the tomb of his soul.
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Gouge Free Market
Deutsch Nepal Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It is a blessed condition, believe me
To be whispered about in street corners
To live in other peoples dreams
But not to have to be
Do you understand?
The lyrics to Deutsch Nepal's Gouge Free Market seem to embody a very cryptic and metaphoric message, with the singer introducing themselves as "Rumour". The first verse suggests that being a rumor is a desirable state, as it comes with a certain level of mystical allure - people discuss it in whispers on street corners, and it's a subject of fascination for others. The second part of the verse implies that being a rumor allows one to exist within the dreams of others, without actually having to experience the realities of that existence.
The refrain phrase of "Do you understand?" may be interpreted in a number of ways - as a challenge to the listener to decipher the meaning of the cryptic lyrics, as a question of the singer's own comprehension of their own musings, or even as a more existential inquiry about the nature of truth and understanding.
Overall, the lyrics to Gouge Free Market evoke a sense of enigmatic fascination with the unknowable and the exotic, calling attention to the allure of being an outsider, a whisper, a rumor.
Line by Line Meaning
I am Rumour
I am the embodiment of gossip and hearsay
It is a blessed condition, believe me
It is considered fortunate to be talked about and notorious
To be whispered about in street corners
To be discussed in hushed tones amongst the public
To live in other peoples dreams
To be the subject of someone's aspirations or desires
But not to have to be
Yet, not actually having to bear the consequences or responsibilities of the rumors
Do you understand?
Do you comprehend the paradoxical nature of this situation?
Lyrics © O/B/O APRA AMCOS
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