Can't You See It's Me
Diana Ross and the Supremes Lyrics
I know where you've been
As surely as you stand there
You're seeing her again
Don't say you haven't been there
It's in your eyes
There's no misunderstanding
I've seen that look before
The last time you left me stranded
Don't go my love
You know I how try to satisfy
You can't deny that I've been good to you
Can't you see
It's me who loves you babe
Can't you see
It's me who needs you babe
I'm the one you can always depend on
I'm the one who's always here
Does she give you something
That I just don't possess
Are my kisses not as sweet
Is she better than my best
I can't fight the shadow
Of some girl I never see
But her love is no greater
Than the love for you and me
Oh no my love
Don't go my love
Why can't I make you understand
I've got all the love you need
Can't you see
It's me who loves you babe
Can't you see
It's me who needs you babe
I'm the one
You can always depend on
I'm the one
Who's always here
Can't you see it's me
Oh baby
Can't you see it's me
Open up your eyes
Can't you see it's me
Oh baby
Can't you see me
You must be blind if you can't see
How much I love you babe
You must be blind if you can't see
How much I need you babe
Open up your eyes
Can't you see me
Oh baby
Can't you see
Can't you see me
Lyrics © Sony/ATV Music Publishing LLC
Written by: IVY HUNTER, IVY JO HUNTER, JACK GOGA, PAMELA JOAN SAWYER
Lyrics Licensed & Provided by LyricFind
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The Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
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