You Gave Me Love
Diana Ross and the Supremes Lyrics
I'm gonna do all the thing for you
A girl wants a man to do
Oh, baby (Oh, baby)
I'll sacrifice for you
I'll even do wrong for you
Oh, baby (Oh, baby)
Every minute, every hour
I'm gonna shower you
With love and affection
And I'm
I'm gonna make you love me
Oh, yes I will
Yes I will
I'm gonna make you love me
Oh, yes I will
Yes I will
Look here
My love is strong, you see
I know you'll never get tired of me
Oh, baby (Oh, baby)
And I'm gonna use every trick in the book
I'll try my best to get you hooked
Hey, baby (Hey, baby)
And every night, every day
I'm gonna say
I'm gonna get you, I'm gonna get you
Look out boy, 'cause I'm gonna get you
I'm gonna make you love me
Oh, yes I will
Yes I will
And I'm gonna make you love me
Oh, yes I will
You know I will
Every breathe I take
And each and every step I make
Brings me closer, baby
Closer to you
And with each beat of my heart
For every day we're apart
I'll hunger for every wasted hour
And I
Every night
And every day
I'm gonna get you, I'm gonna get you
Look out, 'cause I'm gonna get you
I'm gonna make, I'm gonna make you love me
Oh
I'm gonna make you love me
Oh, yes I will
Yes I will
Yes I will
I'm gonna make you love me
Yes I will, yes I will
I'm gonna make you love me
Yes I will
Yes I will
Lyrics © Warner Chappell Music, Inc.
Written by: JERRY J. ROSS, KENNETH GAMBLE
Lyrics Licensed & Provided by LyricFind
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The Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
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