Future
Dj TimeTrip a.k.a Dj HardSpace Lyrics

Fantôme
This is a reference to the artist’s stage name, suggesting that he is a specter or a ghostly figure.

No Future
This is an expression of nihilism and despair, suggesting that there is no hope for the future.

On débite la dope et on flex
This line repeats throughout the song, describing how the artist and his associates are busy selling drugs and showing off their wealth and status.

Trois quarts d'mes potes sur le banc d'accusé
This line suggests that most of the artist’s friends are in trouble with the law and may be facing trial or incarceration.

J'demande jamais si elle va m'la sucer
This line is vulgar and objectifying, suggesting that the artist is not concerned with his sexual partner’s consent or enjoyment.

J'ai vêt-sur noir et la petite mallette
This line suggests that the artist is dressed in a suit and carrying a briefcase, perhaps portraying himself as a sophisticated criminal or businessman.

Si les keufs tournent, y a mon pote qui m'alerte / Si ses seufs tournent c'est moi qui alerte mon pote
This line suggests that the artist and his associates are wary of police surveillance and have established a system of alerts to avoid detection.

À l'entrainement, c'est du Prada qu'on porte
This line suggests that the artist and his associates are obsessed with status symbols and luxury brands, even when engaging in illegal activities.

Il doit des sous, j't'en prie, parle à ton pote / Ou il termine sans dents, nourri à la compote
This line suggests that the artist and his associates are not hesitant to use violence or intimidation to collect debts owed to them.

Trois quarts d'mes potes ont fini à l'ombre
This line repeats the earlier suggestion that most of the artist’s friends are in prison or have been recently released.

Comme un blédard, j'veux m'taper une blonde
This line is derogatory and racist, implying that the artist is attracted to white women and considers himself superior to people from rural areas.

J'repère les voitures de police banalisées
This line suggests that the artist and his associates are vigilant and constantly on the lookout for law enforcement, even when not directly engaged in crime.

J'préparais l'joint, j'préparais l'thé / J'ai pris l'volant, on m'dit de lever le pied
These lines suggest that the artist and his associates regularly use drugs and drive recklessly, potentially putting themselves and others in danger.

Toujours s'méfier du sexe opposé
This line suggests that the artist and his associates are paranoid and mistrustful of women, perhaps due to past experiences or cultural conditioning.

Si les billets sont plats c'est pour être empilés
This line suggests that the artist and his associates are focused on accumulating wealth and are willing to engage in criminal activities to achieve this goal.

On veut la vida de Pablo, Ferrari Diablo / Fixer les tarots, scier les barreaux, brûler la prison
These lines suggest that the artist and his associates idolize famous drug kingpins and are willing to engage in violent and destructive activities to achieve their goals and escape punishment.

Monnaie dans l'crâne, monnaie dans l'four / 24 sur 7, monnaie en cours
These lines suggest that the artist and his associates are constantly focused on making money and are willing to work long and dangerous hours to achieve their financial goals.

Une embrouille ça s'règle sur un gauche droite gauche middle / J'suis avec tonton au fond du club, on plane comme les eagles
These lines suggest that the artist and his associates are not hesitant to use physical violence to resolve conflicts and that they enjoy the feeling of being high and powerful.

Va dire à Victoria Secret que j'ai d'la MD et de la méth' / Panaméenne sur la pesette
This line is vulgar and objectifying, suggesting that the artist is using his wealth and drugs to impress or entice women, specifically those who are conventionally attractive and fashion-conscious.

J'ai brulé des tonnes et des tonnes et des tonnes et des tonnes et des tonnes en espèces
This line suggests that the artist and his associates are engaging in large-scale money laundering or other illicit financial activities.

On cuisine la dope et on flex, on débite la dope et on flex / Polícia, on accélère / Dans ton quartier tout pourri, j'me crois chez ma mère comme de La Villardière / Mon son tourne comme un putain de sachet de blanche aux pieds d'mes bâtiments / Je reprends le four, je filtre les va-et-vient, j'filtre les habitants
These lines paint a picture of the artist and his associates engaging in various criminal activities, including drug production and distribution, evading police, and controlling their territory through violence and intimidation.

Fantôme
This is a repetition of the first line and suggests that the artist is still struggling with feelings of anonymity and invisibility despite his criminal activities and wealth.