Get Wild
Dmx Feat. Ruff Ryders Lyrics

All my niggaz all my bitches
The song is a call to action for the artist's male and female associates.

Get high get drunk get wild buck fool
The artist invites his associates to get intoxicated and behave erratically.

You know my style get crunk
The artist asserts that his associates are already familiar with his style of music and performance that is characterized by being loud, lively, and primal.

Bitches bounce niggaz bounce
The artist describes the audience's reaction to his music, which is to move rhythmically and energetically.

Let me give you that funk shit blunt shit
The artist offers a type of music that is funky and raw, accompanied by marijuana.

While I make you bang it out your trunk
The artist intends his music to be played loudly in cars, to make the bass sound vibrate the trunk of the vehicle.

You cats, talk slick but walk quick when the dog hit
The artist addresses his critics who talk smoothly but move hastily when they encounter violence, likening them to cats.

The dog hits coming back to the raw shit
The artist plans to produce and perform a type of music that is uncensored, unapologetic, and rooted in reality.

Aww shit they done let me back out the gate
The artist is happy to return to the rap scene after a hiatus.

Back out to tape back out to rape
The artist is back to recording and releasing music that he intends to dominate the industry.

Back off the chains so please back out the way
The artist warns anyone in his path to move aside, or suffer consequences.

Before I blow ya back out with this fuckin AK
The artist threatens to shoot anyone who does not heed his warning with an automatic rifle.

Don't give a fuck what a nigga say no matter who he sound like
The artist is confident in his style and message, and does not care about other rappers' opinions, regardless of their similarity to him.

Make sure you know what the rain is but its gonna be coming down like
The artist cautions the listener to be aware of the possible consequences of his actions, yet also suggests that chaos is inevitable, 'coming down,' like rain.

Cats and dogs hold up it is cats and dogs
The artist uses an idiom to describe the conflict between himself and his opposition, clashing like two popular figures of speech.

Keep fucking with the dog its gonna be cats in the morgue
The artist asserts that those who dare to disrespect or oppose him will be killed, effectively burying themselves.

Twenty- two million sold lets keep it real
The artist boasts of his accomplishments in the music industry, having sold twenty-two million copies of his albums.

Most y'all killers ain't even twenty- two years old
The artist highlights the irony of young rappers who call themselves 'killers' before they have even reached the age of 22.

Ain't never felt the cold wet behind the ears
The artist suggests that these young rappers have not yet experienced life's hardships or faced real consequences for their actions.

Know what real pain is cried real tears
The artist implies that he has overcome real obstacles in his life that have caused him to feel true and genuine distress.

I go hard bogard and stand my ground
The artist asserts his unwavering commitment to his beliefs and challenges anyone who doubts him.

Fuck y'all niggaz it's how its goin down baby
The artist declares his defiance towards his haters and detractors in the industry and expects them to recognize his lead.

It just don't look right
The artist remarks that even though something appears to be acceptable or correct, its true nature is wrong or corrupted.

Bullshit coke don't cook right
The artist describes a low-quality form of cocaine that has not been processed correctly and will not produce the desired effects.

The judge ain't throwin the book right
The artist criticizes the criminal justice system, stating that it does not hold individuals accountable for their actions appropriately.

Should thank the lord that you blew up softy
The artist suggests that it was Gods grace, not individual talent that led the individual to success and urges humility.

Don't talk greasy you grew up off me
The artist warns others not to brag, as it was he who taught and raised them to their current status.

I ain't letting go of the block
The artist implies that he intends to retain his presence in the neighbourhood and will not relinquish his claim.

And if I get a good enough grip I ain't lettin go of the lock
The artist warns that he will cling to his possessions and wealth with everything he has, daring anyone to try to take them from him.

If I happen to pinched I ain't goin to shock
The artist implies that he is prepared for arrest and incarceration and will not be shocked or surprised if it occurs.

I'm gonna to get aquatinted with niggaz in general pop
The artist suggests that if he is imprisoned, he intends to interact and forge relationships with the general population.

Stop but don't hate 'cause everybody got a lil blood to donate
The artist implores the listener not to hate someone due to their actions, as everyone is capable of atonement and redemption.

Thugs'll go ape the women'll come around
The artist implies that some people will act recklessly, while others are more cautious, waiting until the violence has subsided.

Shortly after that is when the jealousy sets in then they'll shut it down
The artist suggests that some people will become jealous of his success, leading to them to try to undermine or end it.

It's just raspy nothin on the neck wrist ware just classy
The artist presents his image as being tough and rough, focusing more on his vocal skills than flashy accessories or attire.

No way I'm letting this money just get past me
The artist asserts he will not allow his wealth to slip away and will work to retain it.

When all I had to do in the first place from the beginning was get nasty
The artist reflects on his journey to success, realizing that all he needed was his natural talents and raw energy, which he conveyed in his music and performances.

Niggaz been waitin' for that west coast shit I tell them to go fish
The artist dismisses the expectations of his fans and critics, asserting his independence and refusal to cater to popular trends.

Blowin purple in a purple Laker jersey wit the gold kicks
The artist describes his appearance, indicating that he is wearing team colours from his hometown and flashy golden sneakers.

Bitches be like Toon you a mutha fuckin trip
The artist indicates that he attracts the attention of women who find him wild and exciting.

Hop in the whip and lean til that mutha fucka flip
The artist invites his associates to join him in his car and lean to the point where the vehicle flips over, indicating a reckless attitude.

And every club in Cali crackin' its gangsta town
The artist describes the popularity of his music in California's club scene, which is heavily influenced by gang culture.

Keep a couple of niggaz with me that'll bang you down
The artist indicates that he has bodyguards who will act violently if anyone threatens him.

Now lil mama put switches on and make it jump
The artist encourages female audience members to dance provocatively and engage with his music.

Before me you needed Lil Jon to make it crunk
The artist implies that he is responsible for establishing the crunk music scene and is superior to his predecessors.

Naw for real come to Cali player take ya pump
The artist warns aspiring rappers to be cautious when they come to California and must carry weapons to protect themselves.

My New York niggaz leave y'all wit razor bumps
The artist implies that his associates from his hometown would win in a confrontation and leave the opposition with skin cuts from the razor blades they carry.

Now pappa raised a rolling stone I feel like pops
The artist compares himself to his father, who was also a musician, suggesting that he inherited his talents and personality from him.

In the absence of Makaveli I feel like Pac
The artist draws a parallel between himself and the late rapper Tupac, suggesting that he intends to continue Pac's legacy.

Even though I got the deal I still might pop
The artist implies that he remains connected to the harsh reality of gang culture and is willing to engage in violent acts.

Right in front of the po-po you could feel my shots
The artist warns that he has no fear of the police and is willing to engage in violence even when law enforcement is present.

Man all my niggaz carry bangers we feel like SWAT
The artist suggests that his associates carry weapons and are as equipped as members of the police Tactical Response Team.

And that's the reason why Rialto feel like Watts
The artist suggests that his presence and influence have made Rialto, California feel like Watts, known for its history of gang violence and racial tension.

[Hook]
The chorus repeats, inviting the listener to re-engage with the song and its themes of intoxication, violence, and reckless behavior.