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Don Toliver Lyrics

Huh, huh, huh, huh (woo)
The song begins with an ad-lib that shows Toliver's excitement and energy.

Huh, huh, huh, huh (yeah)
Toliver repeats his ad-lib to start the next verse, still showing his high energy.

Two hoes (wait, wait)
Toliver is addressing two women, possibly suggesting a sexual encounter or offering a choice between them.

I sent your girl back home in new clothes (yeah, yeah)
Toliver boasts about having enough wealth to provide his partner's friend/lover new clothes, potentially implying success or the ability to impress women.

Dodgin' paparazzi, keep that head low, low (yeah, yeah)
Toliver is avoiding public attention by dodging paparazzi, possibly enjoying his privacy and avoiding unnecessary public scandals.

When I'm in the trap, I can't do no photos
Toliver refuses to take pictures of himself while he's focused on creating new music in the studio, demonstrating his dedication to his craft over fame.

Me and you, high mileage, don't tell 'em about it
Toliver and his partner have experience in the dating scene, but they treat it as a mere physical experience and do not talk about it with others.

The price is right, then I might buy it
Toliver considers the worth of everything before making a buying decision, reflecting his business-like decision making.

Somewhere on the jet, I'm flyin'
Toliver is wealthy enough to travel on a private jet, something he considers a luxury.

Fuck 'em all, shawty cryin'
Toliver doesn't care about upsetting those who are emotional about him, implying a lack of emotional attachment in his relationships.

Officer, I got a stick in my boot
Toliver is warning the police officer that he's carrying a weapon, suggesting a need for protection and perhaps danger in his lifestyle.

If you play around dumb then a nigga might shoot (boom, boom, boom)
Toliver doesn't hesitate to use his weapon if he feels threatened, possibly reflecting gang-related experiences or his need for heightened security.

I can't be greedy, I know they need me
Toliver acknowledges his fans' appreciation for his music, showing gratitude and a sense of responsibility to provide for them.

Cookin' up fettuccine
Toliver is in the studio working hard, metaphorically cooking up his next musical project.

I got her in town eatin' tortellini
Toliver is able to impress his partner with his wealth, affording her high-quality food in town.

She a bad, bad, bad, hella bad, bad
Toliver boasts about the woman he's with, suggesting that she's physically attractive and desirable.

Oh, you're gonna pay a big bag, come see me
Toliver suggests that he's worth a significant amount of money and expects potential partners to pay for his company.

3400, I was clipping up two-piece
Toliver is referencing a type of gun he's assembling, potentially describing his dangerous lifestyle and possibly illegal activities.

Comin' up my idol was Gucci
Toliver idolizes the fashion designer Gucci or perhaps Gucci Mane, as a successful, wealthy figure to aspire to.

You're kinda bad, oh yeah (oh)
Toliver compliments a woman he's attracted to, further emphasizing his interest in physical attraction.

You better go hide yourself (ohh-oh)
Toliver suggests that he's so desirable that those who are attracted to him may be in danger or face consequences from others for trying to pursue him.

You're finna get high, oh yeah (high)
Toliver suggests that he enjoys indulging in drugs, potentially reflecting a party-oriented lifestyle and a lack of concern for the consequences.

She do or die, oh yeah (ooh)
Toliver finds the woman he's with to be attractive and valuable, perhaps reflecting his tendency to prioritize physical attraction over other qualities in a partner.

Get in the ride, oh yeah
Toliver invites his partner to ride with him, perhaps reflecting his desire for companionship and his tendency to prioritize physical attraction in his partners.

Time to get high, oh yeah
Toliver suggests that he enjoys indulging in drugs, perhaps reflecting a party-oriented lifestyle and a lack of concern for the consequences.

Huh, huh, huh, huh (woo)
Toliver repeats his ad-lib to conclude the song, still showing his high energy.

Two hoes (wait, wait)
The song ends with Toliver addressing two women again, perhaps reflecting his party-oriented lifestyle and interest in physical attraction.

I sent your girl back home in new clothes (yeah, yeah)
Toliver boasts about his ability to provide his partner's friend/lover new clothes, again reflecting his wealth and success in attracting women.

Dodgin' paparazzi, keep that head low, low (yeah, yeah)
Toliver repeats this line from earlier in the song, again reflecting his desire for privacy and avoiding unnecessary public scandals.

When I'm in the trap, I can't do no photos
Toliver repeats this line from earlier in the song, demonstrating his dedication to his craft over fame and avoiding distractions while working on new music.

I can't do no photos, I can't
Toliver's statement is then repeated, hammering home his refusal to take pictures, even in public situations.