(1) A country singer an… Read Full Bio ↴There are at least two artists by this name:
(1) A country singer and songwriter from Texas.
(2) An alias of techno producer Thomas Wendel.
(1) Don Williams (Born May 27, 1939, in Floydada, Texas - Died September 8, 2017) spent much of his childhood in Corpus Christi, Texas. His father was a mechanic whose job took him to other regions, his mother played guitar and he grew up listening to country music. He and Lofton Kline formed a semi-professional folk group called the Strangers Two, and then, with the addition of Susan Taylor, they became the Pozo-Seco Singers, the phrase being a geological term to denote a dry well. Handled by Bob Dylan's manager Albert Grossman, they had major pop hits in the U.S. with "Time," "I Can Make It With You" and "Look What You've Done." Following Kline's departure, they employed several replacements, resulting in a lack of musical direction. After Williams had failed to turn the trio towards country music, they disbanded in 1971.
He then worked for his father-in-law but also wrote for Susan Taylor's solo album via Jack Clement's music publishing company. Clement asked Williams to record albums of his company's best songs, mainly with a view to attracting other performers. In 1973, Don Williams, Volume 1 was released on the fledgling JMI label and included such memorable songs as Bob McDill's apologia for growing old, "Amanda," and Williams' own "The Shelter of Your Eye." Williams' work was reissued by Dot Records, and Don Williams, Volume 2 included "Atta Way to Go" and "We Should Be Together." Williams then had a country No. 1 with Wayland Holyfield's "You're My Best Friend," which has become a standard and is the perennial sing-along anthem at his concerts. By now, the Williams' style had developed: gently paced love songs with straightforward arrangements, lyrics and sentiments. Williams was mining the same vein as Jim Reeves, but he eschewed Reeves' smartness by dressing like a ranch-hand. Besides having a huge contingent of female fans, Williams counted Eric Clapton and Pete Townshend among his admirers. Clapton recorded his country hit "Tulsa Time," written by Danny Flowers, a member of Williams' band.
Williams played a band member himself in the Burt Reynolds film W.W. & the Dixie Dance Kings and also appeared in Smokey and the Bandit 2. Williams' other successes include "Till the Rivers All Run Dry," "Some Broken Hearts Never Mend," "Lay Down Beside Me" and his only U.S. solo pop hit, "I Believe in You." Unlike most established country artists, he has not sought duet partners, although he and Emmylou Harris found success in 1981 with their version of Townes Van Zandt's "If I Needed You." Among the highlights of Williams' recording career is his interpretation of "Good Ol' Boys Like Me," McDill's homage to his southern roots. Moving to Capitol Records in the mid-'80s, Williams released such singles as "Heartbeat in the Darkness" and "Senorita," but the material was not as impressive. He took a sabbatical in 1988, but subsequent RCA Records recordings showed that nothing had changed.
In 1998, Williams released I Turn the Page on Giant Records, but the label soon closed its country music division. Following a live album in 2001, Williams retuned in 2004 with My Heart to You.
Maintaining his stress-free style, Williams continues to be a major concert attraction, especially in the U.K. and South Africa.
Williams initially started out as a songwriter for Jack Music Inc., since he lacked belief about going solo but then signed with JMI as a solo artist. His 1974 song "We Should Be Together" reached number five and he was signed on with ABC/Dot. His first single with ABC/Dot, "I Wouldn't Want to Live If You Didn't Love Me," became a number one hit, and was the first of a string of top ten hits he had between 1974 and 1991. In fact, only four of his 46 singles didn't make it to the Top Ten. Recently (as of 2012), he released the album And So It Goes.
From His Own Website.
They came to call Don Williams “the Gentle Giant” in the decades he was a dominating country hit maker because of his unique blend of commanding presence and that laid-back, easy style that has appealed to adult men and women alike—cutting across national and genre boundaries. If those personal and musical qualities stood out strongly across the 1970s, ‘80s and ‘90s, they are all the more distinctive in 2012, when so many country and pop records seem to work as check off lists of somebody’s idea of how to be a man, or hard-sell attempts to indicate affection for a woman. Don Williams has never sounded like he felt the need to sell somebody something, or to prove anything.
On And So It Goes, available from Sugar Hill on June 19th, that winning, self-assured ease is again front and center, and the musical style that has made Don a ballad vocal model for performers ranging from Eric Clapton (with whom he’d traded songs—“Tulsa Time,” “Lay Down Sally”) to Keith Urban (who guests on this release). One listen to the characteristically right-on-target vocals on this first Don Williams recording in eight years and his admirers will be wondering what he’s done to maintain that strength over the hiatus.
“Well, there are things that I don’t do,” Don laughs. “I don’t do a whole lot of sitting around chit-chatting, laughing, and carrying on—especially when I’m on the road, where that just makes you tired, anyway. Even at home on the farm there are literally days on end that I may not say anything but for an hour or two a day.”
This man who so clearly loves the quiet home life can still fill an auditorium or stadium across the U.S., the U.K., Europe and Africa; his special role as an international ambassador for American country and pop music is ongoing and his musical appeal, he has long since been astonished to find, is about the same from the Central Time Zone to central Africa.
“The weird thing about that is—no; I don’t change my show to go play England or Nairobi. I can pretty much choose anything from my repertoire and it works wherever I am, and that still amazes me, because you’re talking about different cultures, sometimes different languages, and the whole nine yards.”
The hundreds of memorable songs in that repertoire—over fifty of them major hits—whether contemplative ballads, affecting love songs or change-up rhythm numbers, have always been a core Don Williams strength and focus. Don and long-time producer Garth Fundis, who returns in that role on this new album, each credit the other with having contributed to their own song-picking and sequencing skills—skills well put to shared use again when Nashville’s finest writers submitted hundreds of songs for consideration for Don’s return to recording. They both knew what they were looking for in selections that would appear on And So It Goes:
“They’re very well written, they’re interesting, and the melody and the lyric are saying the same thing,” Don says. “Even when we’re starting looking for the songs, just experimenting, Garth and I are just in agreement; we just want to make good music that touches our hearts and, hopefully, touches others’ in the process. For many years, though, Garth has fussed at me about one thing— that we need to be sure and do whatever song that I wrote, because I would just pass over it. I get more excited about a new song that I’ve just heard than I do my own material!” (There are, in fact, two Don Williams co-writes among the ten outstanding songs on this new release.)
Riding and crossing the line between country and pop, and all the more distinctive for doing it, Don brought a sound and sensibility to the country charts that proved a smash—a development that was initially a surprise even to him.
“When I was just a wee lad,” he recalls, “I really appreciated people like Johnny Horton, Johnny Cash and Jim Reeves; all of those guys back then meant a lot to me, but at the same time, I really loved Brook Benton, and the Platters and all of those people. But even when I was ‘in pop’ myself, with everything that I wrote, the only people who really seemed to appreciate it were country fans. That has to tell you a little bit about where your heart’s at, whether your head agrees with it or not!”
Born in Floydada, Florida in 1939 and growing up near Corpus Christi, Texas, Don was playing guitar by age twelve, taught by his mother, and performed in folk, country and rock bands as a teenager. He first gained musical attention as a member of the pop folk trio The Pozo Seco Singers, which had six pop chart hits in 1966-’67, then was signed as a songwriter by Nashville’s Cowboy Jack Clement in 1971—the sort of songwriter whose demos demanded attention. Between 1974 and 1991, Don had at least one major hit every year, including such country standards to be as “ Good Ole Boys Like Me,” “Till the Rivers All Run Dry,” “It Must Be Love,” “I’m Just a Country Boy,” “Amanda” and “I Believe in You.” He also had a hit duet with Emmylou Harris on Townes Van Zandt’s “If I Needed You.” Don was the CMA Male Vocalist of the Year in 1978; his “Tulsa Time” was the ACM Record of the Year for 1979.
In 2010, Don received country music’s highest honor, with his induction into the Country Music Hall of Fame.
Don Williams died on 8 september 2017 after a short illness. He was 78 years old.
(2) Founder and owner of Mojuba & A.R.T.less Records and one half of the Tokomak Records company. He is the creative force behind these imprints and Tokomak's main founding member. His musical influences ranges from Classic, Funk and Jazz via Drum & Bass and Trip Hop to his beloved Detroit Techno and US House, which can be still enjoyed throughout his DJ-Sets. After a few releases on the legendary Pure Plastic imprint, he delivers tracks of his own brand of funk on labels like Rewired, Styrax Leaves and 100% Pure.
Gulf Shore Line
Don Williams Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Sittin' in the sand, holdin' to your hand
I was ten and you were nine
Way out on the gulf shore line
You became my girl, I became your man
Underneath the stars, we were makin' plans
You said I do and you've done just fine
The sea will moan, waves will roll
The sea gulls fly, on the winds that blow
And I'll love you till the sun don't shine
Way out on the gulf shore line
Graduation day, Johnny walked away
Hard to say goodbye, harder not to cry
He had to leave his folks behind
Way out on the gulf shore line
Fifty years of life, thirty years of love
Time has gone so fast, one life's not enough
In heaven I know I'll find
You and the gulf shore line
Don Williams' song "Gulf Shore Line" tells the story of a love that was born on a sandy beach on the gulf shore line. The lyrics paint a vivid picture of summer days spent holding hands and dreaming about the future. As the waves roll in and the sea gulls fly overhead, the singer reminisces about the love that once was and the life they built together.
The song takes us through their journey – from childhood sweethearts to a couple who spent 50 years of life and 30 years of love together. They graduate and say goodbye to Johnny, but they continue to hold on to each other's hand, as they watch the waves crash onto the shore. The singer assures his love that he'll love her till the sun doesn't shine, reminiscing about their love in a place that meant so much to them.
The singer reminds us that time passes quickly - but that the love they shared was timeless. It lasted through graduation, through the highs and lows of life, through everything. In the end, we are reminded that their love story will continue, even after they are gone, in the place where it all began - on the gulf shore line.
Line by Line Meaning
Waves are rollin' in, lazy summer wind
The singer is at the beach with their significant other, enjoying the sound of the waves and the breeze.
Sittin' in the sand, holdin' to your hand
The singer and their significant other are sitting on the sand and holding hands.
I was ten and you were nine
The singer and their significant other met when they were young, at the age of ten and nine respectively.
Way out on the gulf shore line
The beach where the artist and their significant other met is located on the gulf shore line.
You became my girl, I became your man
The artist and their significant other fell in love and became a couple.
Underneath the stars, we were makin' plans
The couple spent many nights under the sky, dreaming and making plans for their future.
You said I do and you've done just fine
The singer's significant other married the singer and they have been living a happy life together.
Way out on the gulf shore line
The wedding ceremony took place at the same beach on the gulf shore line where they first met.
The sea will moan, waves will roll
The artist knows that the sound of the sea, including the moaning and the waves, will always remind them of their love with their significant other.
The sea gulls fly, on the winds that blow
The seagulls that fly over the beach are a symbol of freedom and remind the artist of the joy and happiness they feel with their significant other.
And I'll love you till the sun don't shine
The singer will love their significant other for eternity and nothing can change that.
Way out on the gulf shore line
The beach will always be a special place for the artist and their significant other, as it is where they fell in love, got married, and spent many happy times together.
Graduation day, Johnny walked away
The singer's friend Johnny left the beach, which was also a special place to him, on his graduation day.
Hard to say goodbye, harder not to cry
Saying goodbye to a special place is always hard, and the singer and Johnny were no exceptions. It was hard for them to leave the beach and not to cry.
He had to leave his folks behind
Johnny had to leave his family and friends behind when he left the beach, but the memories he made there will be with him forever.
Way out on the gulf shore line
The artist and Johnny's memories will forever be linked to the beach on the gulf shore line, where they both experienced many important moments in their lives.
Fifty years of life, thirty years of love
The artist and their significant other have been together for thirty years, which is a significant portion of their fifty years of life.
Time has gone so fast, one life's not enough
Although the singer and their significant other have spent thirty years together, it feels like time has gone by so quickly and there is never enough time to spend with the person you love.
In heaven I know I'll find
The singer believes that their significant other is waiting for them in heaven after they pass away.
You and the gulf shore line
In heaven, the artist hopes to be reunited with their significant other and relive their memories on the gulf shore line beach.
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group, NETTWERK ONE MUSIC (CANADA)LTD
Written by: MEL BESHER, HARLEY ALLEN, CARSON CHAMBERLAIN
Lyrics Licensed & Provided by LyricFind