(1) A country singer an… Read Full Bio ↴There are at least two artists by this name:
(1) A country singer and songwriter from Texas.
(2) An alias of techno producer Thomas Wendel.
(1) Don Williams (Born May 27, 1939, in Floydada, Texas - Died September 8, 2017) spent much of his childhood in Corpus Christi, Texas. His father was a mechanic whose job took him to other regions, his mother played guitar and he grew up listening to country music. He and Lofton Kline formed a semi-professional folk group called the Strangers Two, and then, with the addition of Susan Taylor, they became the Pozo-Seco Singers, the phrase being a geological term to denote a dry well. Handled by Bob Dylan's manager Albert Grossman, they had major pop hits in the U.S. with "Time," "I Can Make It With You" and "Look What You've Done." Following Kline's departure, they employed several replacements, resulting in a lack of musical direction. After Williams had failed to turn the trio towards country music, they disbanded in 1971.
He then worked for his father-in-law but also wrote for Susan Taylor's solo album via Jack Clement's music publishing company. Clement asked Williams to record albums of his company's best songs, mainly with a view to attracting other performers. In 1973, Don Williams, Volume 1 was released on the fledgling JMI label and included such memorable songs as Bob McDill's apologia for growing old, "Amanda," and Williams' own "The Shelter of Your Eye." Williams' work was reissued by Dot Records, and Don Williams, Volume 2 included "Atta Way to Go" and "We Should Be Together." Williams then had a country No. 1 with Wayland Holyfield's "You're My Best Friend," which has become a standard and is the perennial sing-along anthem at his concerts. By now, the Williams' style had developed: gently paced love songs with straightforward arrangements, lyrics and sentiments. Williams was mining the same vein as Jim Reeves, but he eschewed Reeves' smartness by dressing like a ranch-hand. Besides having a huge contingent of female fans, Williams counted Eric Clapton and Pete Townshend among his admirers. Clapton recorded his country hit "Tulsa Time," written by Danny Flowers, a member of Williams' band.
Williams played a band member himself in the Burt Reynolds film W.W. & the Dixie Dance Kings and also appeared in Smokey and the Bandit 2. Williams' other successes include "Till the Rivers All Run Dry," "Some Broken Hearts Never Mend," "Lay Down Beside Me" and his only U.S. solo pop hit, "I Believe in You." Unlike most established country artists, he has not sought duet partners, although he and Emmylou Harris found success in 1981 with their version of Townes Van Zandt's "If I Needed You." Among the highlights of Williams' recording career is his interpretation of "Good Ol' Boys Like Me," McDill's homage to his southern roots. Moving to Capitol Records in the mid-'80s, Williams released such singles as "Heartbeat in the Darkness" and "Senorita," but the material was not as impressive. He took a sabbatical in 1988, but subsequent RCA Records recordings showed that nothing had changed.
In 1998, Williams released I Turn the Page on Giant Records, but the label soon closed its country music division. Following a live album in 2001, Williams retuned in 2004 with My Heart to You.
Maintaining his stress-free style, Williams continues to be a major concert attraction, especially in the U.K. and South Africa.
Williams initially started out as a songwriter for Jack Music Inc., since he lacked belief about going solo but then signed with JMI as a solo artist. His 1974 song "We Should Be Together" reached number five and he was signed on with ABC/Dot. His first single with ABC/Dot, "I Wouldn't Want to Live If You Didn't Love Me," became a number one hit, and was the first of a string of top ten hits he had between 1974 and 1991. In fact, only four of his 46 singles didn't make it to the Top Ten. Recently (as of 2012), he released the album And So It Goes.
From His Own Website.
They came to call Don Williams “the Gentle Giant” in the decades he was a dominating country hit maker because of his unique blend of commanding presence and that laid-back, easy style that has appealed to adult men and women alike—cutting across national and genre boundaries. If those personal and musical qualities stood out strongly across the 1970s, ‘80s and ‘90s, they are all the more distinctive in 2012, when so many country and pop records seem to work as check off lists of somebody’s idea of how to be a man, or hard-sell attempts to indicate affection for a woman. Don Williams has never sounded like he felt the need to sell somebody something, or to prove anything.
On And So It Goes, available from Sugar Hill on June 19th, that winning, self-assured ease is again front and center, and the musical style that has made Don a ballad vocal model for performers ranging from Eric Clapton (with whom he’d traded songs—“Tulsa Time,” “Lay Down Sally”) to Keith Urban (who guests on this release). One listen to the characteristically right-on-target vocals on this first Don Williams recording in eight years and his admirers will be wondering what he’s done to maintain that strength over the hiatus.
“Well, there are things that I don’t do,” Don laughs. “I don’t do a whole lot of sitting around chit-chatting, laughing, and carrying on—especially when I’m on the road, where that just makes you tired, anyway. Even at home on the farm there are literally days on end that I may not say anything but for an hour or two a day.”
This man who so clearly loves the quiet home life can still fill an auditorium or stadium across the U.S., the U.K., Europe and Africa; his special role as an international ambassador for American country and pop music is ongoing and his musical appeal, he has long since been astonished to find, is about the same from the Central Time Zone to central Africa.
“The weird thing about that is—no; I don’t change my show to go play England or Nairobi. I can pretty much choose anything from my repertoire and it works wherever I am, and that still amazes me, because you’re talking about different cultures, sometimes different languages, and the whole nine yards.”
The hundreds of memorable songs in that repertoire—over fifty of them major hits—whether contemplative ballads, affecting love songs or change-up rhythm numbers, have always been a core Don Williams strength and focus. Don and long-time producer Garth Fundis, who returns in that role on this new album, each credit the other with having contributed to their own song-picking and sequencing skills—skills well put to shared use again when Nashville’s finest writers submitted hundreds of songs for consideration for Don’s return to recording. They both knew what they were looking for in selections that would appear on And So It Goes:
“They’re very well written, they’re interesting, and the melody and the lyric are saying the same thing,” Don says. “Even when we’re starting looking for the songs, just experimenting, Garth and I are just in agreement; we just want to make good music that touches our hearts and, hopefully, touches others’ in the process. For many years, though, Garth has fussed at me about one thing— that we need to be sure and do whatever song that I wrote, because I would just pass over it. I get more excited about a new song that I’ve just heard than I do my own material!” (There are, in fact, two Don Williams co-writes among the ten outstanding songs on this new release.)
Riding and crossing the line between country and pop, and all the more distinctive for doing it, Don brought a sound and sensibility to the country charts that proved a smash—a development that was initially a surprise even to him.
“When I was just a wee lad,” he recalls, “I really appreciated people like Johnny Horton, Johnny Cash and Jim Reeves; all of those guys back then meant a lot to me, but at the same time, I really loved Brook Benton, and the Platters and all of those people. But even when I was ‘in pop’ myself, with everything that I wrote, the only people who really seemed to appreciate it were country fans. That has to tell you a little bit about where your heart’s at, whether your head agrees with it or not!”
Born in Floydada, Florida in 1939 and growing up near Corpus Christi, Texas, Don was playing guitar by age twelve, taught by his mother, and performed in folk, country and rock bands as a teenager. He first gained musical attention as a member of the pop folk trio The Pozo Seco Singers, which had six pop chart hits in 1966-’67, then was signed as a songwriter by Nashville’s Cowboy Jack Clement in 1971—the sort of songwriter whose demos demanded attention. Between 1974 and 1991, Don had at least one major hit every year, including such country standards to be as “ Good Ole Boys Like Me,” “Till the Rivers All Run Dry,” “It Must Be Love,” “I’m Just a Country Boy,” “Amanda” and “I Believe in You.” He also had a hit duet with Emmylou Harris on Townes Van Zandt’s “If I Needed You.” Don was the CMA Male Vocalist of the Year in 1978; his “Tulsa Time” was the ACM Record of the Year for 1979.
In 2010, Don received country music’s highest honor, with his induction into the Country Music Hall of Fame.
Don Williams died on 8 september 2017 after a short illness. He was 78 years old.
(2) Founder and owner of Mojuba & A.R.T.less Records and one half of the Tokomak Records company. He is the creative force behind these imprints and Tokomak's main founding member. His musical influences ranges from Classic, Funk and Jazz via Drum & Bass and Trip Hop to his beloved Detroit Techno and US House, which can be still enjoyed throughout his DJ-Sets. After a few releases on the legendary Pure Plastic imprint, he delivers tracks of his own brand of funk on labels like Rewired, Styrax Leaves and 100% Pure.
Jamaica Farewell
Don Williams Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And the sun shines gaily on the mountain top
I took a trip on a sailing ship
But when I reached Jamaica I made a stop
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
Sounds of laughter everywhere
And the dancing girls swaying to and fro
I must declare my heart is there
Though I've been from Maine to Mexico
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
I had to leave a little girl in Kingston town
Down at the market you can hear ladies
Cry out while on their heads they bear
Ackey rice salt fish are nice
And the run is good anytime of the year
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
I had to leave a little girl in Kingston town
Sad to say I'm on my way...
Don Williams's song Jamaica Farewell is a beautiful ode to the country and its people. The song is about a person who has visited Jamaica and fallen in love with the place and people there. The lyrics evoke the sights, sounds, and smells of Jamaica, painting a vivid picture of the island's beauty. The singer also speaks of the sadness of having to leave Jamaica and the little girl in Kingston town who has captured his heart.
The opening lines describe the joy and liveliness of Jamaica, with the "nights are gay" and the sun shining "gaily on the mountain top." The singer has taken a sailing ship to Jamaica and has been captivated by the sounds of laughter, dancing girls, and the overall joyous atmosphere of the island. Despite having traveled from Maine to Mexico, the singer declares that his heart is in Jamaica, and he is sad to be leaving.
The final stanza portrays the everyday life of Jamaican people, with women carrying food on their heads and calling out to customers. The singer mentions the beloved Jamaican dish Ackee rice and saltfish, and the refreshing drink "run," which is good "anytime of the year." Despite the beauty and appeal of Jamaica, the singer must leave and bid farewell to the little girl who has stolen his heart.
Overall, the song is a nostalgic tribute to the beauty and joy of Jamaica and its people. It captures the essence of the Jamaican spirit and is a timeless classic loved by people all over the world.
Line by Line Meaning
Down the way where the nights are gay
In a joyful and lively place further down the way
And the sun shines gaily on the mountain top
Where the sun shines brightly on the peak of the mountain
I took a trip on a sailing ship
I embarked on a journey on a sailing ship
But when I reached Jamaica I made a stop
When I arrived in Jamaica, I decided to stay for a bit
But I'm sad to say I'm on my way
Unfortunately, I must depart
Won't be back for many a day
I may not return for a long time
My heart is down my head is spinning around
I feel sadness and my mind is in disorder
I had to leave a little girl in Kingston town
I had to leave a special girl in the city of Kingston
Sounds of laughter everywhere
There is the sound of joyous laughter all around
And the dancing girls swaying to and fro
The women are dancing and moving their bodies rhythmically
I must declare my heart is there
I must confess that my heart is with them
Though I've been from Maine to Mexico
Even though I've traveled to many places
Down at the market you can hear ladies
At the market, you can hear the ladies
Cry out while on their heads they bear
Carrying things on their heads, they shout
Ackey rice salt fish are nice
They are selling tasty Ackee rice and salted fish
And the run is good anytime of the year
And the rum is good no matter the season
Sad to say I'm on my way...
It's melancholy that I must leave this beautiful place and the people I have grown fond of.
Lyrics © BMG Rights Management, Universal Music Publishing Group, RESERVOIR MEDIA MANAGEMENT INC
Written by: Irving Burgie
Lyrics Licensed & Provided by LyricFind
Thomas Levis
Down the way where the nights are gay
And the sun shines gaily on the mountain top
I took a trip on a sailing ship
But when I reached Jamaica I made a stop
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
I had to leave a little girl in Kingston town
Sounds of laughter everywhere
And the dancing girls swaying to and fro
I must declare my heart is there
Though I've been from Maine to Mexico
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
I had to leave a little girl in Kingston town
Down at the market you can hear ladies
Cry out while on their heads they bear
Ackey rice salt fish are nice
And the run is good anytime of the year
But I'm sad to say I'm on my way
Won't be back for many a day
My heart is down my head is spinning around
I had to leave a little girl in Kingston town
Sad to say I'm on my way...
Juma Daniela
I had to search for this song 😍 after Raila Odinga sang it on tv😭😭😭😭😭😭 long live baba. Greetings from Kenya 🇰🇪🇰🇪🇰🇪
Michael Chore
Same
Lydiah Boyani
Me too
Jeph Arondo
Greetings brother
Omar Bush
Long live Baba
Stellamaris Frelimo
I searched for it too coz of him
but I wasnt supporting him anyway..
Julie Smithson
Don and Harry are singing this gentle gem in Heaven now. Harry Belafonte joined the Heavenly ranks today, April 25, 2023, at age 96. I'm so thankful we have their amazing voices to listen to and remind us how beautiful music is when it's sung from the heart!
Oscar Ombaka
And the music shall outlive the legends🙏🙏🙏
ALBERTO HUMBLE
I love those songs it brings back memories of love 🥀❤️..
Gary R. Del Carlo
Rest In Peace Don! You brought joy with your music!