Donald Lawrence studied at Cincinnati Conservatory, where he earned a Bachelor of Fine Arts Degree in music. While in Cincinnati, he was also the Minister of Music at the Southern Baptist Church on Reading Road. To his credit, Donald's musicality has seen many incarnations, as vocal coach to the R&B group En Vogue, musical director for Stephanie Mills, songwriter for The Clark Sisters, and producer for a host of artists including Peabo Bryson and Kirk Franklin.
Lawrence took on The Tri-City Singers after a friend vacated his position as musical director.[1] (NOTE: The three cities that The Tri-City Singers come from are Spartanburg, SC, Gastonia, NC, and Charlotte, NC.) The group debuted in 1993 with A Songwriter's Point Of View on a then-brand-new independent record label called GospoCentric Records. The set debuted at #2 on the Billboard Top Gospel Charts.[3] The group's follow-up release Bible Stories would top those same charts when it arrived in 1995.[4] It was the first to be billed as Donald Lawrence & The Tri-City Singers and featured black church-ubiquitous hits such as "A Message For The Saints", "I Am God" and "Stranger". The album was released on Lawrence's newly minted label Crystal Rose Records which was distributed through Sparrow Records.
In 1997, Donald Lawrence produced the live portion of Karen Clark Sheard's Grammy-nominated Finally Karen debut. Lawrence & Tri-City also released the seasonal Hello Christmas the same year. Later, Lawrence signed a contract with the Island Records imprint Island Inspirational. Though a live recording did take place for release, the album never materialized.
In 2000, Donald Lawrence & The Tri-City Singers signed to EMI Gospel. To promote the new album, a maxi CD of the lead single "Testify" to the mainstream. House remixes by Junior Vasquez sent the song to #33 on Billboard's Mainstream Dance Charts. When tri-city4.com was finally released in 2001, the set peaked at #2 on Billboard's Top Gospel Charts and #13 on Billboard's Heatseekers Charts. The album also got a profile boost from the all-star standout "God's Favor", featuring vocal turns from Karen Clark Sheard, Kim Burrell, and Kelly Price.
Lawrence only waited a year before delivering the follow-up Go Get Your Life Back in 2002. "The Best is Yet to Come", a song sonically much in the vein of the previous smash "Testify," was chosen as the album's lead single. This release featured guest appearances from Ann Nesby (formerly of Sounds of Blackness) and gospel pioneer Walter Hawkins. The momentum continued with the 2003 release of Restoring The Years, a greatest hits album featuring two new songs.
The next album would mark a fresh start for Donald Lawrence. I Speak Life was his first solo album, the debut for his newly inked recording contract with Verity Records, and also the first release under his new sublabel Quiet Water Entertainment. Though the album was without The Tri-City Singers, guest appearances were plenteous. Donnie McClurkin, Hezekiah Walker, Faith Evans, Richard Smallwood, and Carl Thomas all contributed to the album. Even jazz notables Ramsey Lewis and Lalah Hathaway were on hand for a remake of the Bible Stories classic "Don't Forget To Remember". The effort earned Lawrence a total of 7 Stellar Award nominations, and 6 wins.
In March 2006, The Tri-City Singers announced that they would retire, but not before one last live recording. Finale: Act One and Finale: Act Two were released simultaneously on April 4, 2006. Each release was a CD/DVD set that chronicled the audio and video of one half of the concert, with packages that locked into one another respectively. A special edition of Finale was later released with both CDs and DVDs. The blowout concert included guest appearances from Karen Clark Sheard, Vanessa Bell Armstrong, Daryl Coley, LaShun Pace, Darwin Hobbs, and many other gospel luminaries. The album's lead single "The Blessing Of Abraham" was nominated for a Grammy Award for Best Gospel Performance in December 2006. His sophomore solo album, The Law of Confession Part I was released in February 2009. Donald said in an interview that The Law of Confession, Part II will be released soon, but he's focusing on other projects.
O'Peter
Donald Lawrence & The Tri-City Singers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Đo chiều dài nỗi nhớ
Có khoảng mênh mông nào
Sâu thẳm hơn tình thương
Ở đâu đây nỗi nhớ
Anh mơ về bên em
Ngôi sao như xuống thấp
Cho ta gần nhau thêm
Đêm nghe tiếng mưa rơi
Đếm mấy triệu hạt rồi
Mà chưa vơi nỗi nhớ
Ở hai đầu nỗi nhớ
Yêu và thương sâu hơn
Ở hai đầu nỗi nhớ
Nghĩa tình đằm thắm hơn
Đêm nghe tiếng mưa rơi
Đếm mấy triệu hạt rồi
Mà chưa vơi nỗi nhớ
Ở hai đầu nỗi nhớ
Yêu và thương sâu hơn
Ở hai đầu nỗi nhớ
Nghĩa tình đằm thắm hơn
Có một không gian nào
Đo chiều dài nỗi nhớ
Có khoảng mênh mông nào
Sâu thẳm hơn tình thương
Ở đâu đây nỗi nhớ
Anh mơ về bên em
Ngôi sao như xuống thấp
Cho ta gần nhau thêm
Đếm mấy triệu hạt rồi
Mà chưa vơi nỗi nhớ
Ở hai đầu nỗi nhớ
Yêu và thương sâu hơn
Ở hai đầu nỗi nhớ
Nghĩa tình đằm thắm hơn
Ở hai đầu nỗi nhớ
Yêu và thương sâu hơn
Ở hai đầu nỗi nhớ
Nghĩa tình đằm thắm hơn
Nghĩa tình đằm thắm hơn
The lyrics of "O'Peter" by Donald Lawrence & The Tri-City Singers evoke a profound sense of longing and connection, as they explore themes of love, remembrance, and the emotional landscapes that emerge from separation. The lyrical imagery presents a world where physical distance is measured not by tangible metrics but by the depths of emotional experience. For instance, the mention of measuring the length of longing suggests that the singer is attempting to quantify an emotional state that is inherently difficult to define. The longing is presented as an expansive space that holds more weight than even love itself; it speaks to the idea that the emotional resonance between the singer and their beloved is so powerful that it transcends ordinary understanding.
As the lyrics unfold, the motif of rain serves as a backdrop that amplifies the feeling of longing. The singer listens to the sound of raindrops and counts the falling droplets, implying a relentless pursuit of measuring their sorrow or longing. Despite this metaphorical quantification, the memory of their beloved remains ever-present and unfulfilled, highlighting the ironic struggle of trying to escape or manage feelings that are overwhelming and ever-growing. The repetition of imagery emphasizes not only the persistence of longing but also how it can overshadow experiences and thoughts; no amount of counting or distraction can alleviate the profound sense of desire for connection.
Furthermore, the idea of "two ends of longing" illustrates a duality in the experience of love. On one side, there is the fervent love and deep affection for the beloved, while on the other, there exists a corresponding and perhaps complementary sense of deep caring or commitment, suggesting that the longing is not merely for romantic union but also for a bond that represents a profound connection. The relationship described in the song can be interpreted as an intricate tapestry woven with threads of love, memory, and mutual emotional depth, affirming that even in separation, the ties that bind two souls can become stronger and more complex.
Ultimately, the lyrics convey a yearning that is beautifully melancholic. The juxtaposition of the vast, almost unfathomable spaces of love and longing indicates a recognition that these feelings can be both comforting and painful. The singer's hope that the stars may bring them closer serves as a testament to the strength of their desire for reconnection, suggesting that even in moments of darkness and separation, hope and love persist in their intensity. Through these lyrics, listeners are invited to reflect on their own experiences of love and distance, resonating with the universal truth that longing can be both a source of pain and a reminder of the depth of one’s affections.
Line by Line Meaning
Có một không gian nào
Is there a realm or space that captures the essence of longing?
Đo chiều dài nỗi nhớ
Can we measure the vastness of our yearning and lost moments?
Có khoảng mênh mông nào
Is there an expanse so infinite that it echoes our unfulfilled desires?
Sâu thẳm hơn tình thương
That resonates deeper than the very depths of love itself?
Ở đâu đây nỗi nhớ
Where, in this moment, do we find this profound sense of longing?
Anh mơ về bên em
I yearn for the times spent in the presence of you, dreaming of our togetherness.
Ngôi sao như xuống thấp
As if the stars themselves descend from the heavens above, bridging the distance.
Cho ta gần nhau thêm
Allowing us to feel closer, as if the universe conspired to unite our hearts.
Đêm nghe tiếng mưa rơi
In the night, the gentle sound of rain falling fills the air.
Đếm mấy triệu hạt rồi
Counting countless droplets that fall like reminders of my grief.
Mà chưa vơi nỗi nhớ
Yet, not a single drop quenches the thirst of my longing.
Ở hai đầu nỗi nhớ
At both ends of this feeling of longing, I stand alone in my reflections.
Yêu và thương sâu hơn
Love and affection blossom deeply within this tender reminiscence.
Ở hai đầu nỗi nhớ
At both ends of this lingering nostalgia, I grasp for what was.
Nghĩa tình đằm thắm hơn
The bonds of love and meaning become richer, more profound with each memory.
Đêm nghe tiếng mưa rơi
Once again, in the night, the harmonious sounds of rain echo around me.
Đếm mấy triệu hạt rồi
As I continue to count these millions of drops, each a symbol of my sorrow.
Mà chưa vơi nỗi nhớ
However, none alleviate the ache of the memories I carry.
Ở hai đầu nỗi nhớ
Within the expanse of this nostalgia, I find both ends of my yearning.
Yêu và thương sâu hơn
Love, deeper and more intense, thrives amidst the essence of our shared history.
Ở hai đầu nỗi nhớ
At these two distant points, my thoughts perpetually return to you.
Nghĩa tình đằm thắm hơn
The significance of our love grows more tender and intricate with every thought.
Nghĩa tình đằm thắm hơn
This enduring affection continues to blossom into something truly beautiful.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
@Charles73358
It's a shame that these loving Christians that are praising the most High God to their upmost High pitch voices don't even realize the clothes that they are wearing represents the Egyptian idol God's
Osiris
Osiris is the Egyptian Lord of the Underworld and Judge of the Dead, brother-husband to Isis, and one of the most important gods of ancient Egypt. The
Hathor was the ancient Egyptian deity of many realms: mother to Horus, god of the sky, and Ra, the sun god; and goddess of beauty (including cosmetics ...
Just to name a few anyone that acknowledges any forms of idolatrous graven images will not inherit the Kingdom of God 😢
Amen 🙏!
@ladyofdistinction22
Donald is my favorite artist hands down! Bible Stories put an adult soundtrack to my childhood Bible Study and Sunday School teachings.
Yes God!
@virtueeg
My brother, friend, mentor, and musical influence as songwriter, producer in this here video I always visualized myself playing a Keytar Synthesizer My dream came true. U and Donald Lawrence were awesome together I was so inspired back then and even to this day I'm encouraged. Oh Peter from Bible Stories. Keep what you are doing Brother Bond and Donald Lawrence.
@3RTracing
so cool to see all these children of the Most High groovin' to this awesome encouraging worship song. Oh Peter, DO NOT BE Afraid, for He will watch over you and keep you. AMEN and AMEN and AMEN!!
@3RTracing
so wonderful to see all these little children of the Most High God and Father worshiping and praising God with Donald on stage. What a great event and testimony,
@claytonthompsonjr5665
Walk out on the water of life just believe Jesus
@BrotherWilliams91
Real Good Times Back Then!!❤❤
@zanetasmith9954
now THIS is the original Wakanda! 🙅🏾♀️🙅🏾♀️🙅🏾♀️🙅🏾♀️🙅🏾♀️🙅🏾♀️🙅🏾♀️🙅🏾🙅🏾🙅🏾🙅🏾🙅🏾🙅🏾
@check5000
😂 that’s funny
@LGKids
This is how you make the Bible funky! Peace!
@terryallen7853
Whew Lord they sanging. A powerful group of sangers