Day's film career began during the latter part of the Classical Hollywood Film era with the 1948 film Romance on the High Seas, and its success sparked her twenty-year career as a motion picture actress. She starred in a series of successful films, including musicals, comedies, and dramas. She played the title role in Calamity Jane (1953), and starred in Alfred Hitchcock's The Man Who Knew Too Much (1956) with James Stewart. Her most successful films were the bedroom comedies she made co-starring Rock Hudson and James Garner, such as Pillow Talk (1959) and Move Over, Darling (1963), respectively. She also co-starred in films with such leading men as Clark Gable, Cary Grant, David Niven, and Rod Taylor. After her final film in 1968, she went on to star in the CBS sitcom The Doris Day Show (1968–1973).
Day was usually one of the top ten singers between 1951 and 1966. As an actress, she became the biggest female film star in the early 1960s, and ranked sixth among the box office performers by 2012. In 2011, she released her 29th studio album, My Heart, which became a UK Top 10 album featuring new material. Among her awards, Day has received the Grammy Lifetime Achievement Award and a Legend Award from the Society of Singers. In 1960, she was nominated for the Academy Award for Best Actress, and in 1989 was given the Cecil B. DeMille Award for lifetime achievement in motion pictures. In 2004, she was awarded the Presidential Medal of Freedom by President George W. Bush followed in 2011 by the Los Angeles Film Critics Association's Career Achievement Award. She was one of the last surviving stars of the Golden Age of Hollywood.
Her death was announced by her charity, the Doris Day Animal Foundation, on Monday 13th May 2019.
Discography
chart hits
Year Title Chart Positions
US CB UK
1945 "Sentimental Journey" (w/ Les Brown) 1 — —
"My Dreams Are Getting Better All the Time" (w/ Les Brown) 1 — —
"'Tain't Me" (w/ Les Brown) 10 — —
"Till the End of Time" (w/ Les Brown) 3 — —
"Aren't You Glad You're You?" (w/ Les Brown) 11 — —
"Come to Baby Do" (w/ Les Brown) / 13 — —
1946 "You Won't Be Satisfied (Until You Break My Heart)" (w/ Les Brown) 4 — —
"Day by Day" (w/ Les Brown) 15 — —
"I Got the Sun in the Mornin' (and the Moon at Night)" (w/ Les Brown) 10 — —
"The Whole World Is Singing My Song" (w/ Les Brown) 6 — —
1947 "The Christmas Song" (w/ Les Brown) 12 — —
"Sooner or Later" (w/ Les Brown) 13 — —
"Papa, Won't You Dance With Me" 21 — —
1948 "Thoughtless" (w/ Modernaires) 24 — —
"Love Somebody" (w/ Buddy Clark) / 1 — —
"Confess" (w/ Buddy Clark) 16 — —
"Put 'em in a Box, Tie 'em with a Ribbon, and Throw 'em in the Deep Blue Sea" / 27 — —
"It's Magic" 2 — —
"My Darling, My Darling" (w/ Buddy Clark) 7 — —
1949 "Powder Your Face with Sunshine" (w/ Buddy Clark) 16 — —
"Again" 2 — —
"Everywhere You Go" 22 — —
"Let's Take an Old-Fashioned Walk" (w/ Frank Sinatra) 17 — —
"Now That I Need You" 20 — —
"Canadian Capers" 15 — —
"Bluebird on Your Windowsill" 19 — —
1950 "Quicksilver" 20 — —
"I Said My Pajamas (and Put on My Prayers)" 21 — —
"Enjoy Yourself (It's Later than You Think)" 24 — —
"Hoop-Dee-Doo" 17 — —
"Bewitched, Bothered and Bewildered" 9 — —
"I Didn't Slip, I Wasn't Pushed, I Fell" 19 — —
"A Bushel and a Peck" 16 — —
1951 "It's a Lovely Day Today" 30 — —
"Would I Love You (Love You, Love You)" 10 — —
"Shanghai" 7 — —
"Domino" 21 — —
1952 "A Guy Is a Guy" 1 — —
"Sugarbush" (w/ Frankie Laine) 7 12 8
"When I Fall in Love" 20 — —
"No Two People" (w/ Donald O'Connor) 25 — —
"My Love and Devotion" — 31 10
"The Cherries" — 39 —
"A Full Time Job" (w/ Johnnie Ray) / 20 21 11
"Ma Says, Pa Says" (w/ Johnnie Ray) 23 28 12
1953 "Mister Tap Toe" 10 11 —
"When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)" 29 — —
"Candy Lips" (w/ Johnnie Ray) / 17 18 —
"Let's Walk That-a-Way" (w/ Johnnie Ray) — 31 4
"Kiss Me Again, Stranger" / 30 — —
"A Purple Cow" 25 — —
"Choo Choo Train (Ch-Ch-Foo) 20 — —
1954 "Secret Love" 1 1 1
"The Black Hills of Dakota" — — 7
"Lost in Loveliness" — 25 —
"I Speak to the Stars" 16 17 —
"Someone Else's Roses" — 32 —
"If I Give My Heart to You" / 3 2 4
"Anyone Can Fall in Love" 27 41 —
"Ready, Willing, and Able" / — 31 7
"Hold Me in Your Arms" — 39 —
1955 "Foolishly Yours" — 25 —
"Love Me Or Leave Me" — — 20
"I'll Never Stop Loving You" 13 14 17
"Ooh Bang Jiggily Jang" 83 — —
1956 "Let It Ring" 51 — —
"Que Sera, Sera (Whatever Will Be, Will Be)" 2 3 1
"Julie" / 64 40 —
"Love in a Home" 79 — —
"The Party's Over" 63 47 —
1957 "Twelve O'Clock Tonight" 68 — —
1958 "Teacher's Pet" 56 36 —
"A Very Precious Love" — — 16
"Everybody Loves a Lover" 6 6 25
"Tunnel of Love" 43 53 —
1959 "Love Me in the Daytime" 100 51 —
1960 "Any Way the Wind Blows" 50 109 —
"Please Don't Eat the Daisies" 102 102 —
"A Perfect Understanding" 111 — —
1962 "Lover Come Back" 98 — —
1964 "Move Over Darling" — — 8
"Send Me No Flowers" 135 — —
1967 "Sorry" * — — —
* "Sorry" made the US AC charts at #19.
Albums
10" LP
You're My Thrill (1949)
Young Man with a Horn (1950, soundtrack with Harry James)
Tea for Two (1950, soundtrack)
Lullaby of Broadway (1951, soundtrack)
On Moonlight Bay (1951, soundtrack)
I'll See You in My Dreams (1951, soundtrack)
By the Light of the Silvery Moon (1953, soundtrack)
Calamity Jane (1953, soundtrack)
Young at Heart (1954, soundtrack with Frank Sinatra)
12" LPs
Love Me or Leave Me (1955, soundtrack)
Day Dreams (1955, expanded re-issue of You're My Thrill)
Day By Day (1956)
The Pajama Game (1957, soundtrack)
Day by Night (1957)
Hooray for Hollywood (2 volumes, 1958)
Cuttin' Capers (1959)
What Every Girl Should Know (1960)
Show Time (1960)
Listen to Day (1960)
Bright and Shiny (1961)
I Have Dreamed (1961)
Duet (with André Previn, 1962)
You'll Never Walk Alone (1962)
Billy Rose's Jumbo (1962, soundtrack with film cast)
Annie Get Your Gun (1963, with Robert Goulet)
Love Him (1963)
The Doris Day Christmas Album (1964)
With a Smile and a Song (1964)
Latin for Lovers (1965)
Doris Day's Sentimental Journey (1965)
The Love Album (recorded in 1967, released in 1994)
My Heart (2011)
Singles
Hit records:
(with Les Brown's Band of Renown)
"Sentimental Journey"
5,000,000+ sales
"My Dreams Are Getting Better All The Time"
1,000,000+ sales
(As a solo performer)
"It's Magic"
1,000,000+ sales
"Again"
"Love Somebody" (duet with Buddy Clark)
1,000,000+ sales
"Confess" (duet with Buddy Clark) (also done by Patti Page)
"Bewitched"
1,000,000+ sales
"Shanghai"
"Sugarbush" (duet with Frankie Laine)
1,000,000+ sales
"Mister Tap Toe"
"Secret Love"
1,000,000+ sales
"If I Give My Heart to You" (also done by Denise Lor)
"I'll Never Stop Loving You"
1,000,000+ sales
"Whatever Will Be, Will Be (Que Sera, Sera)" ("Que Sera, Sera")
1,000,000+ sales
"Everybody Loves a Lover"
"Move Over Darling"
Little Girl Blue
Doris Day Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But I didn't know a soul
And them someone said let's have fun
Bring out that limbo pole
They pushed right by me onto the floor
And I felt so left out
Till I felt someone take my hand
Let the little girl limbo
Let the little girl limbo
Let the little girl limbo
Oh, you know she can go so low
And as they all let me through
He said you know what to do
Little girl you can limbo
I believe in you
First I limbo'd high
(Too high, you gotta go lower)
Then I began to try
(Nice try, but you gotta go lower)
Then I went so low
(So low, no one ever went lower)
(Oh, that girl can go)
Watch me now
I go to lots of parties now
And I always feel so proud
'Cause he's with me and I can see
Now I'm in with the crowd
And when that limbo music begins
We both smile with delight
'Cause ev'rybody begins to shout
The way he did that night
Let the little girl limbo
Let the little girl limbo
Let the little girl limbo
Oh, you know she can go so low
And as they all let me through
He said you know what to do
Little girl you can limbo
I believe in you
First I limbo'd high
(Too high, you gotta go lower)
Then I began to try
(Nice try, but we know you go lower)
Then I went so low
(So low, no one ever gone lower)
(Oh, that girl can go)
Watch me now
The song "Let the Little Girl Limbo" by Doris Day tells a story about a young woman who attends a party where she doesn't know anyone. The party is going well, but she feels left out until someone suggests doing the limbo dance. She is hesitant at first, but someone takes her by the hand and encourages her to try. She begins to get the hang of it, and by the end of the song, she is an expert at the limbo and is proud to be a part of the crowd.
The lyrics of the song have a deeper meaning than just a story about a dance. They highlight the importance of inclusivity and encouragement. The young woman in the song feels like an outsider until someone takes the time to help her participate. This message can be applied to larger social issues like racism or ableism, where people may feel left out of society because of their differences. By encouraging others and making them feel included, we can create a more welcoming and accepting community.
Line by Line Meaning
The party really swung that night
The party was very lively and energetic that evening.
But I didn't know a soul
However, I didn't have any acquaintances/friends present there.
And them someone said let's have fun
Then suddenly, someone suggested enjoying and having fun.
Bring out that limbo pole
By taking out the limbo pole - a game ingredient - they aim to have fun.
They pushed right by me onto the floor
The people pushed me aside and walked towards the dancing area.
And I felt so left out
As a result, I began to feel excluded.
Till I felt someone take my hand
Until someone grabbed my hand.
And heard that someone shout
And I heard someone shouting.
Let the little girl limbo
Encouraging me to play the game of limbo.
Let the little girl limbo
Continuing to encourage me to play the game of limbo.
Let the little girl limbo
Continuing to encourage me to play the game of limbo.
Oh, you know she can go so low
Recognizing that I'm adept at playing limbo.
And as they all let me through
As they all cleared the path for me.
He said you know what to do
He said that I know how to do it - play limbo.
Little girl you can limbo
Calling me little girl, he appreciates my skill at playing the game.
I believe in you
Expressing confidence in my abilities.
First I limbo'd high
Starting with raising the bar high initially, while playing limbo.
(Too high, you gotta go lower)
(Suggesting that the bar was set too high and asking me to lower it down more.
Then I began to try
Then I started to make an attempt.
(Nice try, but you gotta go lower)
(Even though I tried, it wasn't quite enough and I needed to lower the bar further.)
Then I went so low
Finally, I was able to lower the bar very close to the ground.
(So low, no one ever went lower)
(Lowering it further than anyone else had ever gone.)
(Oh, that girl can go)
(Impressed by my skill in playing the game.)
Watch me now
I'm about to play limbo again and want everyone to watch me perform.
I go to lots of parties now
Now, I attend a lot of parties.
And I always feel so proud
I'm always proud of myself.
'Cause he's with me and I can see
Because he is with me and now I can see clearly.
Now I'm in with the crowd
Now, I feel like I’m part of the crowd.
And when that limbo music begins
And when the limbo music starts playing.
We both smile with delight
Both of us are extremely happy and delighted.
'Cause ev'rybody begins to shout
Because, when the game starts, everybody starts cheering and rooting for us.
The way he did that night
The way he cheered for me that night.
Nice try, but we know you go lower
Even though I tried well, I have set the bar too high and need to lower it to play the game efficiently.
(So low, no one ever gone lower)
Setting the bar so low that nobody had ever gone lower than it.
Lyrics © O/B/O APRA AMCOS
Written by: BARRY MANN, CYNTHIA WEIL
Lyrics Licensed & Provided by LyricFind
@mca1218
One of Doris Day's best adult moments on screen. All of her film scenes were lovely, but they mostly evoked eternal youth, innocence, optimism. Here, in one of the final MGM musicals, she gives a tender and sophisticated reading of the always sophisticated Rodgers and Hart. At first we fear the entire song will be in voice-over (the modern musical films' best friend- because, apparently, singing on-camera is harder to explain than multiple incarnations of Spider-Man), but then mercifully, the vocal begins anew at 1:56 with Day singing on-camera and also acting a myriad of emotions, until teary-eyed in a wistful exit. Absolute Bravo.
@oohyllab
mca1218 also watch her in Love Me or Leave Me, w/Jimmy Cagney!! Hard to watch because she had such a rough time of it in real life with bad husbands. But she does amazing in dramas.
@Aldolinozinho
Nice, touching scene, especially when you watch it with all the film to understand her feelings. Great actress. Amazing singing and voice.
@Bigbadwhitecracker
So freaking powerful. Best version of this song - EVER.
@benorn100
GOODBYE LITTLE GIRL BLUE THANKS FOR JOY THAT YOU GAVE US WITH YOUR WARM SMILE AND WONDERFUL VOICE GOD BLESS
@khussein6409
AWESOME!
@77778598
Such a beautiful and lovely lady and great actress too loved all her movies this movie was so beautiful Doris and Stephen Boyd were so good together gone but not forgotten God bless y
@juliaread9115
A voice of an angel. Love this film 💖💖💖
@stephanieladeinde3224
Memories 💜💜💜💜💓💜
@benorn100
HER EXPRESSION SIMPLY GREAT BEAUTIFUL SHE COULD DO ANYTHING SO MUCH FEELING