Dr. Dre began his career in music as a member of the World Class Wreckin' Cru and he later found fame with the influential gangsta rap group N.W.A, which popularized the use of explicit lyrics in rap to detail the violence of street life. His 1992 solo debut The Chronic, released under Death Row Records, led him to become one of the best-selling American performing artists of 1993. In 1996 he left Death Row to found his own label Aftermath Entertainment, producing a compilation album, Dr. Dre Presents the Aftermath, in 1997 and releasing a solo album titled 2001 in 1999.
During the 2000s he focused his career on production for other artists, while occasionally contributing vocals in other artists' songs. Rolling Stone named him among the highest-paid performers of 2001 and 2004. Dr. Dre also had acting roles in the 2001 films The Wash and Training Day. In 2011, his final solo studio album, Detox, is set to be released following much delay and speculation.
Early life
The first child of Verna and Theodore Young, Dr. Dre was born as André Romelle Young on February 18, 1965. His mother was only 16 years old at the time of his birth, after being impregnated by teenage boyfriend Theodore, whom she later married. Young's middle name, "Romelle", came from Theodore Young's unsigned, amateur R&B singing group The Romells. In 1968 his mother divorced Theodore Young for another man, Curtis Crayon, and had other children with him, including two sons named Jerome and Tyree (both of whom are now deceased)[8][9] and daughter Shameka.[10] As a young child, Young was fascinated with vinyl records spinning on phonographs; his family's record collection included many popular R&B albums of the 1960s and 1970s, from such singers as Diana Ross, James Brown, and Aretha Franklin. According to an interview with the Los Angeles Times, his mother Verna found R&B music to be a relief from the two jobs she had to work daily.[11] Despite economic troubles, she continued to encourage Young not to give up in life. During Verna's second marriage, Young and his step-brother Tyree were raised primarily by their grandmother and Curtis Crayon, as their mother spent much time in search of work.[12]
In 1976 Young began attending Vanguard Junior High School and had a new sister named Shameka. However, due to gang violence around Vanguard, he transferred to nearby Roosevelt Junior High School.[13] Verna later married Warren Griffin, whom she met at her new job in Long Beach,[14] which added three new stepsisters and one new stepbrother to the family. The stepbrother, Warren Griffin III, would eventually become a rapper under the stage name Warren G.[15]
Young attended Centennial High School in Compton during his freshman year in 1979 but transferred to Fremont High School due to poor grades. On December 15, 1981, Young fathered a son with Lisa Johnson, however Curtis Young was not brought up by his father and they only met when Curtis had become rapper Hood Surgeon about 20 years later.[16] He was nearly enrolled to an apprenticeship program at Northrop Aviation Company until poor grades at school made him ineligible. Therefore, he focused on social life and entertainment for most of his high school years.[17]
Music career
World Class Wreckin' Cru (1984–1985)
Inspired by the Grandmaster Flash song "The Adventures of Grandmaster Flash on the Wheels of Steel", he often attended a club called The Eve After Dark to watch many DJs and rappers performing live. Thus, he became a DJ in the club, initially under the name "Dr. J" based on the nickname for Julius Erving, his favorite basketball player. At the club, he met aspiring rapper Antoine Carraby, later to become member DJ Yella of his group N.W.A.[18] Soon afterwards he adopted the moniker Dr. Dre, a mix of previous alias Dr. J and his first name, referring to himself as the "Master of Mixology".[19] He later joined the musical group World Class Wreckin' Cru under the independent Kru-Cut Records in 1984. The group would become stars of the electro-hop scene that dominated early 1980s West Coast hip hop, and their first hit "Surgery" would prominently feature Dr. Dre on the turntables and sell 50,000 copies within the Compton area.[20] Dr. Dre and DJ Yella also performed mixes for local radio station KDAY, boosting ratings for its afternoon rush-hour show The Traffic Jam.[21]
Due to the amount of time Dr. Dre was spending on his rap music he frequently skipped school, affecting his education. His absences also jeopardized his position as a diver for his school's swim team. However, when he did attend he received good grades in certain classes. After high school, he attended Chester Adult School in Compton following his mother's demands for him to get a job or go to school. After brief attendance at a radio broadcasting school, he relocated to the residence of his father and residence of his grandparents before returning to his mother's house.[22] He later dropped out of Chester to focus on performing at the Eve's After Dark nightclub.[23]
N.W.A and Ruthless Records (1986–1991)
In 1986 he met rapper Ice Cube, who collaborated with Dr. Dre to record songs for Ruthless Records, a rap record label run by local rapper and drug dealer Eazy-E. N.W.A however, along with fellow west coast rapper Ice T, debuted with rhymes including profanity and gritty depictions of crime and life on the street. No longer constricted to racially charged political issues pioneered by rap artists such as Public Enemy or Boogie Down Productions, N.W.A shot out with hardcore and realistic perspective of street violence and local black gangster lifestyle. Propelled by the hit "Fuck tha Police", the group's first full album Straight Outta Compton became a major success, despite an almost complete absence of radio airplay or major concert tours and warnings from the FBI.[2] The FBI sent letters to Arabian Prince, Ice Cube and Eazy-E urging them to stop releasing their music as a response to the large amount of complaints they had received about the group's lyrical content and use of expletives.[24]
After Ice Cube left N.W.A over financial disputes, Dr. Dre produced and performed for much of the group's second album Efil4zaggin. He also produced tracks for a number of other rap acts on Ruthless Records, including Above the Law, and The D.O.C. for the album No One Can Do It Better.[25] In 1991 at a music industry party in Hollywood, he assaulted television host Dee Barnes of the Fox television program Pump it Up, after he felt dissatisfied by a news report of hers on the feud between the remaining N.W.A members and Ice Cube. Thus, Dr. Dre was fined $2,500 and given two years' probation and 240 hours of community service, as well as a spot on an anti-violence public service announcement on television.[26][27]
The Chronic and Death Row Records (1992–1995)
After a dispute with Wright, Young left the group at the peak of its popularity in 1991 under the advice of friend, and N.W.A lyricist, The D.O.C. and his bodyguard at the time, Suge Knight. Knight, a notorious strongman and intimidator, was able to have Wright release Young from his contract and, using Dr. Dre as his flagship artist, found Death Row Records. In 1992 Young released his first single, the title track to the film Deep Cover, a collaboration with a rapper whom he met through his own stepbrother and rapper Warren G, Snoop Dogg.[2] Dr. Dre's debut album was The Chronic under Death Row Records. Young ushered in a new style of rap, both in terms of musical style and lyrical content.[28]
On the strength of singles such as "Nuthin' but a 'G' Thang", featuring protegé Snoop Doggy Dogg and hits like "Let Me Ride" and "Fuck wit Dre Day (and Everybody's Celebratin')" (known as "Dre Day" for radio and television play), The Chronic became a cultural phenomenon, its G-funk sound dominating much of hip hop music for the early 1990s.[2] In 1993 the Recording Industry Association of America certified the album multi-platinum,[29] and Dr. Dre also won the Grammy Award for Best Rap Solo Performance for his performance in "Let Me Ride".[30] For that year, Billboard magazine also ranked Dr. Dre as the eighth best-selling musical artist, The Chronic as the sixth best-selling album, and "Nuthin' but a 'G' Thang" as the 11th best-selling single.[3]
Besides working on his own material, Dr. Dre produced Snoop Dogg's debut album Doggystyle, which became the first debut album for an artist to debut at number one on the Billboard 200 album charts.[31] Young also produced other West Coast rap albums of Death Row Records, including Dogg Food by Tha Dogg Pound and the album Regulate...G Funk Era by his stepbrother Warren G. In 1994 Dr. Dre produced the soundtracks to the films Above the Rim and Murder Was the Case and the single "No Diggity" by Blackstreet. He collaborated with fellow N.W.A member Ice Cube for the song "Natural Born Killaz" in 1995.[2]
In 1995, just as Death Row Records was signing rapper 2Pac and positioning him as their major star, Young left the label amidst a contract dispute and growing concerns that label boss Suge Knight was corrupt, financially dishonest and out of control. Thus, in 1996, he formed his own label Aftermath Entertainment directly underneath the distributor label for Death Row Records, Interscope Records.[2] Consequently, Death Row Records suffered poor sales by 1997, especially following the death of 2Pac and the racketeering charges brought against Knight.[32]
Move to Aftermath Entertainment (1996–1998)
The Dr. Dre Presents the Aftermath album, released on November 26, 1996, featured songs by Dr. Dre himself as well as by newly signed Aftermath artists, and a solo track "Been There, Done That", intended as a symbolic farewell to gangsta rap.[33] Despite being classified platinum by the RIAA[34], the album was not very popular among music fans.[2] In October 1996 Dr. Dre appeared on the sketch comedy program Saturday Night Live, broadcast on the NBC television network in the United States, to perform "Been There, Done That".[35] In 1997 Young produced several tracks on Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album; although the album went platinum, it was met with similarly negative reviews from critics. Rumors began to abound that Aftermath was facing financial difficulties.[36]
The turning point for Aftermath came in 1998, when Jimmy Iovine, the head of Aftermath's parent label Interscope, suggested that Young sign the white Detroit rapper Marshall Mathers, artistically known as Eminem, to Aftermath. Young produced three songs and provided vocals for two on his controversial album, ("My Name Is", "Guilty Conscience" and "Role Model") in 1999.[37]
2001 (1999–2000)
Dr. Dre's second solo album, 2001, released in the fall of 1999, was considered an ostentatious return to his gangsta rap roots.[38] It was initially titled The Chronic 2000 to imply being a sequel to his debut album The Chronic but was re-titled 2001 after Death Row Records released an unrelated compilation album earlier in 1999. Other tentative titles included The Chronic 2001 and Dr. Dre.[39] The album featured numerous collaborators, including Devin the Dude, Hittman, Snoop Dogg, Xzibit, Nate Dogg and Eminem. Stephen Thomas Erlewine of the website All Music Guide described the sound of the album as "adding ominous strings, soulful vocals, and reggae" to Dr. Dre's style.[38] The album was highly successful, charting at number two on the Billboard 200 charts[40] and has since been certified six times platinum,[29] thus reaffirming a recurring theme featured in its lyrics, stating that Dr. Dre was still a force to be reckoned with, despite the lack of major releases in the previous few years. The album included popular hit singles "Still D.R.E." and "Forgot About Dre", both of which Dr. Dre performed on NBC's Saturday Night Live on October 23, 1999.[41] Dr. Dre won the Grammy Award for Producer of the Year in 2000,[2] and joined the Up in Smoke Tour with fellow rappers Eminem, Snoop Dogg, and Ice Cube that year as well.[42]
During the course of the popularity of 2001, Dr. Dre was involved in several lawsuits. Lucasfilm Ltd., the film company behind the Star Wars film franchise, sued him over the use of the THX-trademarked "Deep Note".[43] The Fatback Band also sued Dr. Dre over alleged infringement of its song "Backstrokin'" in his song "Let's Get High" from the 2001 album; Dr. Dre was ordered to pay $1.5 million to the band in 2003.[44] The online music file-sharing company Napster also settled a lawsuit with him and heavy metal rock band Metallica in the summer of 2001, agreeing to block access to certain files that artists do not want to have shared on the network.[45]
Focus on production (2001–present)
Following the success of 2001, Dr. Dre focused on producing songs and albums for other artists. He produced the single "Family Affair" by R&B singer Mary J. Blige for her album No More Drama in 2001.[4] Other successful albums that he produced for Aftermath have included the major-label debut album by Queens, New York-based rapper 50 Cent, Get Rich or Die Tryin', in 2003. The album featured the Dr. Dre-produced hit single "In da Club", as a joint production between Aftermath, Eminem's boutique label Shady Records and Interscope.[46] Dr. Dre also produced "How We Do", a 2005 hit single of rapper The Game from his album The Documentary.[47]
Another copyright-related lawsuit came upon Dr. Dre in the fall of 2002, when Sa Re Ga Ma, a film and music company based in Calcutta, India, sued Aftermath Entertainment over an uncredited sample of the Lata Mangeshkar song "Thoda Resham Lagta Hai" on the Aftermath-produced song "Addictive" by singer Truth Hurts. In February 2003, a judge ruled that Aftermath would have to halt sales of Truth Hurts' album Truthfully Speaking if the company would not credit Mangeshkar.[48] In April 2003 rapper Ja Rule released a mixtape of freestyle raps criticizing Dr. Dre and his associated artists 50 Cent and Eminem.[49] At the Vibe magazine awards show in November 2004, Dr. Dre was attacked by a fan named Jimmy James Johnson, who was asking for an autograph. Johnson, in September 2005, was sentenced to a year in prison and ordered to stay away from Dr. Dre until 2008.[50] For an issue of Rolling Stone magazine in April 2005, Kanye West praised Dr. Dre as among the greatest performing artists of all time.[51]
In November 2006 Dr. Dre began working with Raekwon on his album Only Built 4 Cuban Linx II.[52] He also contributed to the rap albums Buck the World by Young Buck[53] and Curtis by 50 Cent.[54] Other upcoming albums that he is involved with includeThe Reformation by Bishop Lamont,[55] The Nacirema Dream by Papoose,[56] Here I Am by Eve,[57] and L.A.X. by The Game.[58] Among planned but unreleased albums during Dr. Dre's tenure at Aftermath have included a full-length reunion with Snoop Dogg titled Breakup to Makeup, an album with fellow former N.W.A member Ice Cube which was to be titled Heltah Skeltah, an N.W.A reunion album, and a joint album with fellow producer Timbaland titled Chairmen of the Board.[59][25][60]
Detox: Final album
Detox is to be Dr. Dre's final album.[7] In 2002, Dre told Corey Moss of MTV News that he intended Detox to be a concept album.[6] Work for the album dates back to early 2004,[61] but later in that year he decided to stop working on the album to focus on producing for other artists but then changed his mind; the album had initially been set for a fall 2005 release.[62] After several delays, the album was finally scheduled to be released sometime in 2008 by Interscope Records, which has not set a firm release date for the album as of September 2007.[7] Producers confirmed to work on the album include Bernard "Focus" Edwards Jr.,[63] Hi-Tek,[64] J.R. Rotem,[65] RZA,[66] Jay-Z,[67] and Warren G.[68]
Film career
In 2001 Dr. Dre appeared in the movies The Wash and Training Day.[69] A song of his, "Bad Intentions" (featuring Knoc-Turn'Al) and produced by Mahogany, was featured on The Wash soundtrack.[70] Dr. Dre also appeared on two other songs "On the Blvd." and "The Wash" along with his co-star Snoop Dogg. In February 2007 it was announced that Dr. Dre would produce dark comedies and horror films for New Line-owned company Crucial Films, along with longtime video director Phillip Atwell. Dr. Dre announced "This is a natural switch for me, since I've directed a lot of music videos, and I eventually want to get into directing."[71]
Musical influences and style
Dr. Dre has said that his primary instrument in the studio is the Akai MPC3000, a drum machine and sampler, and that he uses as many as four or five to produce a single recording. He cites George Clinton, Isaac Hayes and Curtis Mayfield as primary musical influences. Unlike most rap producers, he tries to avoid samples as much as possible, preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo.[59] In 2001 he told Time magazine, "I may hear something I like on an old record that may inspire me, but I'd rather use musicians to re-create the sound or elaborate on it. I can control it better."[72] Other equipment he uses include the E-mu SP-1200 drum machine and other keyboards from such manufacturers as Korg, Rhodes, Wurlitzer, Moog, and Roland.[73]
After founding Aftermath Entertainment in 1996, Dr. Dre took on producer Mel-Man as a co-producer, and his music took on a more synthesizer-based sound, using fewer vocal samples (as he had used on "Lil' Ghetto Boy" and "Let Me Ride" on The Chronic, for example). Mel-Man has not shared co-production credits with Dr. Dre since approximately 2002, but fellow Aftermath producer Focus has credited Mel-Man as a key architect of the signature Aftermath sound.[74]
In 1999 Dr. Dre started working with Mike Elizondo, a bassist, guitarist, and keyboardist who has also produced, written and played on records for female singers such as Poe, Fiona Apple and Alanis Morissette,[75] for his album 2001. Elizondo has since worked for many of Dr. Dre's productions.[76][77] Dr. Dre also told Scratch magazine in a 2004 interview that he has been studying piano and music theory formally, and that a major goal is to accumulate enough musical theory to score movies. In the same interview he stated that he has collaborated with famed 1960s songwriter Burt Bacharach by sending him hip hop beats to play over, and hopes to have an in-person collaboration with him in the future.[59]
Work ethic
Dr. Dre has stated that he is a perfectionist, and is known to pressure the artists with whom he records to give flawless performances.[59] In 2006 Snoop Dogg told the website Dubcnn.com that Dr. Dre had made new artist Chauncey Black re-record a single bar of vocals 107 times.[78] Dr. Dre has also stated that Eminem is a fellow perfectionist, and attributes his success on Aftermath to his like-minded work ethic.[59]
A consequence of this perfectionism is that some artists that initially sign deals with Dr. Dre's Aftermath label never release albums. In 2001, Aftermath released the soundtrack to the movie The Wash. featuring a number of Aftermath acts such as Shaunta, Daks, Joe Beast and Toi. To date, none have released full-length albums on Aftermath and have apparently ended their relationships with the label and Dr. Dre. Other noteworthy acts to leave Aftermath without releasing albums include King Tee, 2001 vocalist Hittman and 1980s rap icon Rakim.[79]
However, over the years word of other collaborators has surfaced. During his tenure at Death Row Records, it was alleged that Dr. Dre's half brother Warren G and Tha Dogg Pound member Daz made many uncredited contributions to songs on his solo album The Chronic and Snoop Doggy Dogg's album Doggystyle (Daz received production credits on Snoop's similar-sounding, albeit less successful album Tha Doggfather after Young left Death Row Records).[80]
It is known that Scott Storch, who has since gone on to become a successful producer in his own right, contributed to Dr. Dre's second album 2001; Storch is credited as a songwriter on several songs and played keyboards on several tracks. In 2006 he told Rolling Stone:
"At the time, I saw Dr. Dre desperately needed something," Storch says. "He needed a fuel injection, and Dr. Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike [Elizondo] was on the bass guitar, and Dr. Dre was on the drum machine".[81]
Current collaborator Mike Elizondo, when speaking about his work with Young, describes their recording process as a collaborative effort involving several musicians. In 2004 he claimed to Songwriter Universe magazine that he had written the foundations of the hit Eminem song "The Real Slim Shady", stating, "I initially played a bass line on the song, and Dr. Dre, Tommy Coster Jr. and I built the track from there. Eminem then heard the track, and he wrote the rap to it."[77] This account is essentially confirmed by Eminem in his book Angry Blonde, stating that the tune for the song was composed by a studio bassist and keyboardist while Dr. Dre was out of the studio but later programmed the song's beat after returning.[82]
Furthermore, in the September 2003 issue of The Source, a group of disgruntled former associates of Dr. Dre complained that they had not received their full due for work on the label. A producer named Neff-U claimed to have produced the songs "Say What You Say" and "My Dad's Gone Crazy" on The Eminem Show, the songs "If I Can't" and "Back Down" on 50 Cent's Get Rich or Die Tryin', and the beat featured on Dr. Dre's commercial for Coors beer.[79]
Although Young studies piano and musical theory, he serves as more of a conductor than a musician himself, as Josh Tyrangiel of Time magazine has noted:
Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound. "My greatest talent," Dre says, "is knowing exactly what I want to hear."[72]
Although Snoop Dogg retains working relationships with Warren G and Daz, who are alleged to be uncredited contributors on the hit albums The Chronic and Doggystyle, he states that Dr. Dre is capable of making beats without the help of collaborators.[83] It should be noted that Dr. Dre's prominent studio collaborators, including Scott Storch, Elizondo, Mark Batson and Dawaun Parker, have shared co-writing, instrumental, and more recently co-production credits on the songs where he is credited as the producer.
It is also widely acknowledged that most of Dr. Dre's raps are written for him by others, though he retains ultimate control over his lyrics and the themes of his songs. As Aftermath Producer Mahogany told Scratch: "It's like a class room in [the booth]. He'll have three writers in there. They'll bring in something, he'll recite it, then he'll say. 'Change this line, change this word,' like he's grading papers."[84] As seen in the credits for tracks Young has appeared on, there are often multiple people who contribute to his songs (although it should be noted that often in hip hop many people are officially credited as a writer for a song, even the producer). As a member of N.W.A, The D.O.C. wrote lyrics for him while he stuck with producing.[85] Popular rapper Jay-Z ghostwrote lyrics for the single "Still D.R.E." from Dr. Dre's album 2001.[39]
Discography
* 1992: The Chronic
* 1999: 2001
* 2008: Detox
Awards and nominations
* "Let Me Ride"—Grammy Award for Best Rap Solo Performance - 1994
* "California Love"—Grammy Award Nomination as Best Rap Performance by a Duo or Group (with 2Pac and Roger Troutman) - 1997.
* "No Diggity"—Grammy Award for Best R&B Performance by a Duo or Group with Vocals (with Blackstreet and Queen Pen) - 1998
* "Forgot About Dre"—Grammy Award for Best Rap Performance By A Duo Or Group - 2001 | (with Eminem)
* "Still D.R.E."—Grammy Award Nomination Best Rap Performance by a Duo or Group (with Snoop Dogg) and The Source Awards Nomination Single of the year (2000)
* The Marshall Mathers LP—Grammy Award for Best Rap Album - 2001 (with Eminem)
Personal life
Marriages and family
From 1990 to 1996 Dr. Dre dated singer Michel'le, who frequently contributed vocals to Death Row Records albums. In 1991 the couple had a son, Marcel. In May 1996 Dr. Dre married Nicole Threatt, who was formerly married to NBA player Sedale Threatt.[86] Dr. Dre and Nicole have two children together: a son named Truth (born 1997) and a daughter named Truly (born 2001).[87] He is also the biological father of rapper Hood Surgeon (real name Curtis Young), impregnating his mother, Lisa Johnson, at 16 when he was 17.[88]
Income
In 2001, Dr. Dre earned a total of about $52 million from selling part of his share of Aftermath Entertainment to Interscope Records and his production of such hit songs that year as "Family Affair" by Mary J. Blige. Rolling Stone magazine thus named him the second highest-paid artist of the year.[4] Dr. Dre was ranked 44th in 2004 from earnings of just $11.4 million, primarily from production royalties from such projects as albums from G-Unit and D12 and the single "Rich Girl" by singer Gwen Stefani and rapper Eve.[5]
Filmography
Year Title Role
1992 Niggaz4Life: The Only Home Video Himself
1994 Set It Off Black Sam
2000 Up In Smoke Tour Himself
2001 Training Day Paul
The Wash Sean
Instrumental Still Dre
Dr. Dre Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm still fuckin' with ya
Still waters run deep
Still Snoop Dogg and D.R.E.
'99, nigga, guess who's back
Still, still doin' that shit, huh, Dre?
Oh, for sho'
Yeah
It's still Dre Day nigga, AK nigga
Though I've grown a lot, can't keep it home a lot
'Cause when I frequent the spots that I'm known to rock
You hear the bass from the truck when I'm on the block
Ladies, they pay homage, but haters say Dre fell off
How, nigga? My last album was The Chronic (nigga)
They want to know if he still got it
They say rap's changed, they wanna know how I feel about it
(If you ain't up on thangs)
Dr. Dre is the name, I'm ahead of my game
Still puffin' my leaves
Still fuck with the beats
Still not lovin' police (uh-uh)
Still rock my khakis with a cuff and a crease (for sho')
Still got love for the streets, reppin' 213 (for life)
Still the beats bang, still doin' my thang
Since I left ain't too much changed, still
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
Since the last time you heard from me I lost some friends
Well, hell, me and Snoop, we dippin' again (ah)
Kept my ear to the streets, signed Eminem
He's triple platinum, doin' 50 a week
Still, I stay close to the heat
And even when I was close to defeat, I rose to my feet
My life's like a soundtrack I wrote to the beat
Treat rap like Cali weed, I smoke 'til I sleep
Wake up in the AM, compose a beat
I bring the fire 'til you're soakin' in your seat
It's not a fluke, it's been tried, I'm the truth
Since "Turn Out the Lights" from the World Class Wreckin Cru
I'm still at it, after mathematics
In the home of drive-by's and ak-matics
Swap meets, sticky green, and bad traffic
I dip through, then I give you (still) the D.R.E.
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
It ain't nothin' but more hot shit
Another classic CD for y'all to vibe with
Whether you're coolin' on a corner with your fly bitch (biatch)
Laid back in the shack, play this track
I'm representin' for the gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
I'll break your neck, damn near put your face in your lap
Niggas try to be the king but the ace is back
(So if you ain't up on thangs)
Dr. Dre be the name still running the game (what?)
Still got it wrapped like a mummy
Still ain't trippin', love to see young Blacks get money
Spend time out the hood, take they moms out the hood
Hit my boys off with jobs, no more livin' hard
Barbeques every day, drivin' fancy cars (hey, hey)
Still gon' get mine regardless (still)
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
I'm representin' for them gangstas all across the world
(Still) Hittin' them corners in them low-low', girl
(Still) Takin' my time to perfect the beat
And I still got love for the streets, it's the D.R.E.
Right back up in your mothafuckin' ass
9-5 plus four pennies, add that shit up
D.R.E. right back up on top of thangs
Smoke some with your Dogg
No stress, no seeds, no stems, no sticks
Some of that real sticky-icky-icky
Ooh-wee, put it in the air
Boy, you's a fool D-R
Ha-ha
In "Still D.R.E.," Dr. Dre speaks on his return to rap after taking time off. This song is his way of letting everyone know that he's still got it and he's still the king. Throughout the song, he discusses his love for his neighborhood, his distaste for the police, and his devotion to being authentic in his music. In the first verse, Dre raps that he's "still fuckin' with ya" and he's still doing his thing. He notes that still waters run deep and that he and Snoop Dogg are still working together. He then boasts that he's ahead of his game and that not much has changed since he left.
Dre then moves on to talk more about his life and his career. In the second verse, he raps that he's lost some friends and signed Eminem, who has become a major player in rap. He also talks about staying close to the heat and always being ready to rise up again. The chorus repeats that Dre is representing for the gangsters across the world, and he's still hittin' them corners and takin' his time to perfect the beat.
Line by Line Meaning
Yeah, nigga
An exclamation to capture attention or introduce the start of a new thought
I'm still fuckin' with ya
I'm still with you, still supporting you, still your friend
Still waters run deep
People who are calm or reserved often have a strong and complex personality
Still Snoop Dogg and D.R.E.
Snoop Dogg and Dr. Dre are still best friends and collaborators
'99, nigga, guess who's back
In 1999 returns Dr. Dre
Still, still doin' that shit, huh, Dre?
Dr. Dre still doing well in his career
Oh, for sho'
An agreement to affirm what has been said, or to show understanding or approval
Yeah
An exclamation to express agreement or understanding
Check me out
Pay attention to what I'm about to say or do
It's still Dre Day nigga, AK nigga
It's still Dr. Dre's day, and he still has an AK-47;
Though I've grown a lot, can't keep it home a lot
Despite his personal growth, Dr. Dre still has to go out a lot because of work
'Cause when I frequent the spots that I'm known to rock
When Dr. Dre goes to his usual spots, his music can be heard from his car
You hear the bass from the truck when I'm on the block
Dr. Dre's music can be recognized from the amount of bass coming from his truck
Ladies, they pay homage, but haters say Dre fell off
Women show Dr. Dre respect, but negative people say that he's lost his touch
How, nigga? My last album was The Chronic (nigga)
Dr. Dre rebuts negativity by reminding people of his successful last album
They want to know if he still got it
People are questioning if Dr. Dre still has the skills to make good music
They say rap's changed, they wanna know how I feel about it
Since rap has changed, people want to know Dr. Dre's opinion on it
(If you ain't up on thangs)
An expression used to doubt someone's knowledge on a subject
Dr. Dre is the name, I'm ahead of my game
Dr. Dre is ahead of everyone in the music game
Still puffin' my leaves
Dr. Dre still smokes marijuana
Still fuck with the beats
Dr. Dre still collaborates with other artists to create music
Still not lovin' police (uh-uh)
Dr. Dre still does not like the police
Still rock my khakis with a cuff and a crease (for sho')
Dr. Dre still wears his pants with a cuff and a crease
Still got love for the streets, reppin' 213 (for life)
Dr. Dre still loves and represents the neighborhood of 213
Still the beats bang, still doin' my thang
Dr. Dre's music still sounds great and he's still working hard
Since I left ain't too much changed, still
Not much has changed since Dr. Dre's been out of the public eye
I'm representin' for them gangstas all across the world
Dr. Dre is representing all gangsters around the world
(Still) Hittin' them corners in them low-low', girl
Dr. Dre drives his car slowly around corners to show off his style
(Still) Takin' my time to perfect the beat
Dr. Dre is still taking the time he needs to create the perfect beat
And I still got love for the streets, it's the D.R.E.
Dr. Dre still loves the streets, and he is the D.R.E.
Since the last time you heard from me I lost some friends
The last few years of his life have been hard because a few of his friends have passed away
Well, hell, me and Snoop, we dippin' again (ah)
Dr. Dre and Snoop Dogg are collaborating again
Kept my ear to the streets, signed Eminem
Dr. Dre has been keeping up with what's popular and signs Eminem
He's triple platinum, doin' 50 a week
Eminem's album has sold over three million copies, selling 50,000 copies a week
Still, I stay close to the heat
Dr. Dre stays close to people who are passionate
And even when I was close to defeat, I rose to my feet
Dr. Dre stood up for what he believed in even when it seemed like he was losing
My life's like a soundtrack I wrote to the beat
Dr. Dre's life has multiple big moments that could be put into a soundtrack
Treat rap like Cali weed, I smoke 'til I sleep
Dr. Dre doesn't just make music, he lives and breathes it like he does with his marijuana
Wake up in the AM, compose a beat
Dr. Dre is constantly making music in his head
I bring the fire 'til you're soakin' in your seat
Dr. Dre's music is so good that people can't help but groove to it
It's not a fluke, it's been tried, I'm the truth
Dr. Dre's success is not luck it's because he's been tested and proven himself to be a great musician
Since "Turn Out the Lights" from the World Class Wreckin Cru
Dr. Dre's musical career has been successful since the song 'Turn Out the Lights'
I'm still at it, after mathematics
Dr. Dre is still making music after a great album, 'The Chronic'
In the home of drive-by's and ak-matics
Dr. Dre is still creating music in Compton, California, where there are often acts of violence
Swap meets, sticky green, and bad traffic
Dr. Dre reflects on where he's from and only recognizes the negative aspects of Compton
I dip through, then I give you (still) the D.R.E.
Dr. Dre reflects that he's still the D.R.E., even though he goes in and out of Compton
It ain't nothin' but more hot shit
Dr. Dre's new music is still as hot as ever
Another classic CD for y'all to vibe with
Dr. Dre is back with another classic album that his fans can listen to
Whether you're coolin' on a corner with your fly bitch (biatch)
Dr. Dre's music is perfect for listening to on a street corner
Laid back in the shack, play this track
Dr. Dre's music is perfect for relaxing and listening to
I'm representin' for the gangstas all across the world
Dr. Dre is representing all the gangsters around the world
I'll break your neck, damn near put your face in your lap
Dr. Dre's music is so good that it will make you groove so hard that your head will be banging and your face will be close to your lap
Niggas try to be the king but the ace is back
People try to be like Dr. Dre, but no one can do it like him
(So if you ain't up on thangs)
An expression to show that people who do not know current things and events are seen as uncool
Dr. Dre be the name still running the game (what?)
Dr. Dre is still the top dog in the music game
Still got it wrapped like a mummy
Dr. Dre still has his music wrapped up and ready to go for his fans
Still ain't trippin', love to see young Blacks get money
Dr. Dre is still not worried, and he loves seeing young African Americans earn money
Spend time out the hood, take they moms out the hood
Dr. Dre likes to give back to his community by spending time with them and helping his neighbors
Hit my boys off with jobs, no more livin' hard
Dr. Dre gives opportunities to his friends by hiring them so they can live better lives
Barbeques every day, drivin' fancy cars (hey, hey)
Dr. Dre is living the good life, throwing barbeques and driving luxury cars
Still gon' get mine regardless (still)
Dr. Dre is still working hard and will continue to create music and be successful
Right back up in your mothafuckin' ass
Dr. Dre is back to reclaim his position by overpowering anyone who tries to undermine him
9-5 plus four pennies, add that shit up
A metaphor representing the idea that people try to sum up Dr. Dre's worth but can't balance it completely
D.R.E. right back up on top of thangs
Dr. Dre is right back at the top of his game
Smoke some with your Dogg
Dr. Dre wants us to smoke some marijuana with him and Snoop Dogg
No stress, no seeds, no stems, no sticks
Dr. Dre only smokes the best-quality marijuana
Some of that real sticky-icky-icky
Dr. Dre only wants the best marijuana with high THC levels
Ooh-wee, put it in the air
Dr. Dre exhales smoke, making it look like a cloud in the air
Boy, you's a fool D-R
Dr. Dre is letting us know how foolish we are if we don't recognize his greatness
Ha-ha
An exclamation to express amusement, joy, or laughter
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, RESERVOIR MEDIA MANAGEMENT INC, Warner Chappell Music, Inc.
Written by: Melvin Bradford, Andre Romell Young, Scott Spencer Storch, Shawn C. Carter
Lyrics Licensed & Provided by LyricFind
Sam
Cê tá ligado que a Rise chegou
e esse é o dilema.
Eu falo tigrão e vocês: Invadiu a cena.
Tigrão Invadiu a cena. 2x
Cê tá ligado que não tem problema
O tigrão faz a sua rima, e o evangelho é o dilema.
Tigrão Invadiu a cena. 2x
Cê tá ligado que aqui é sem caô
Quando a rise chega
o bicho pega meu amor.
Fica ligado pra não perder esse free
Fazendo hip hop o tigrão vai te engolir.
Tribo imparável é melhor ficar ligado
que esse tigrão, é indomável
ou melhor
domado por Deus
em busca da promessa pra buscar quem são os seus.
Cê tá ligado que a Rise chegou
e esse é o dilema.
Eu falo tigrão e vocês: Invadiu a cena.
Tigrão Invadiu a cena. 4x
Esse Freestyle te explica…
O nosso propósito é alcançar sua vida.
Então
fica ligado.
O salvador te chama
Ele perdoa seus pecados
Ei, ei.
Então sai dessa
o mundo não merece alguém que nasceu pra viver uma promessa.
Cê tá ligado
Segue o salvador e vai viver o teu chamado.
Seja no pântano, aquário ou selva.
O tigre te acha, o tigre te pega.
Ei, então para de correr.
Na garra e na palavra vamos converter você!
Cê tá ligado que a Rise chegou
e esse é o dilema.
Eu falo tigrão e vocês: Invadiu a cena.
Tigrão Invadiu a cena. 4x
라니오니
벌스 쓰기 귀찮아서
그냥 프리스타일로
뭐 이정도만 해도
MC들 다 비탈로
보내버리는 래퍼
기대 충족하게 나는 spit 해
래퍼들은 나 때문에
핏대 올라가
Imma Young Generation
like 지코 딘
내 랩은 너무 잘 빨려
마치 니코틴
여기 수많은 래퍼들
내 보기엔 귀요미
랩 연습 대신
딴거해 니코니코니
ayo 주노플로
빨리 도망가는 게 좋아
난 너를 잡는
추노 플로우
면도는 면도하다가
베이고 빅원?
small size 라고 내가 랩하면
비기스몰즈
난 벌스는 안써도
뭐 이정도는
할 수 있다고 쇼미더머니
정형돈이라고
말할 수있어 왜냐
난 gettin' bigger
다른 사람들
전부 다 비켜
kledis hallunej
Per tutto quello che ti ho dato
E non avevo niente in mano
Spiegami dove ho sbagliato
Perché ancora non mi è chiaro
Ma ora dirtelo mi spezza il fiato
Forse non sono mai stato in grado
E ripenso a quei pugni che ho dato per te
Perché in fondo ti odiavo quanto odiavo me, ehi
La prima volta, ricordo, era un fine settimana (Ehi)
Stavo sui tredici, lo zaino pieno di Montana (Ehi)
Avevo i milioni in testa ma non in tasca (No)
E ci soffrivo come chi si innamora di una puttana
Ricordo quell'istituto in cui contavo soltanto le ore
Coi ragazzini, fra', bocciato tre anni di fila
Dentro allo specchio, frate', c'è il mio avversario peggiore
Potrei spaccarlo, tanto avrei sette anni di figa
Avevo il volto distrutto
Su quella 91 in cuffia Foto di gruppo
Pensavo: "Me ne fotto di tutto"
Lei vuole che la scopo di brutto
Con te ci viene a scopo di lucro
E colpiscimi più forte (Ah)
Tanto chi è morto dentro non può sentire le botte (No)
A pezzi come Rotten (Ehi)
Meglio che è senza nome a te che ti prostituisci (Bleh)
E se ti presto attenzione, poi me la restituisci, Zzala
Per tutto quello che ti ho dato
E non avevo niente in mano
Spiegami dove ho sbagliato
Perché ancora non mi è chiaro
Ma ora dirtelo mi spezza il fiato
Forse non sono mai stato in grado
E ripenso a quei pugni che ho dato per te
Perché in fondo ti odiavo quanto odiavo me, ehi
Peace
То ради чего стоит быть в этом мире, через боль переступая-
Это жизнь и свобода!
То, что дано каждому из нас,
У каждого есть свой шанс –
Это жизнь и свобода!
То, что важнее любых слов, любых понятий и суждений -
Это жизнь и свобода!
То, что придаёт нам силу творить и любить –
Это жизнь и свобода!
Приказано выжить - перешагнуть через боль
Чтоб сердце стучало свободой всем бедам назло
Порождает себя внутри наших голов
Ты опускаешь руки – говоришь, что не был готов
Сдаваясь без боя с пустым зраком отбоя
Сжигая себя не думая о будущем
Где стоя над твоей могилой мать
Не сможет удержать слёз
Так подумай хотя бы раз об этом всерьез
В чем твоё предназначенье
Для чего ты родился, на этот свет появился
Неспроста - тебе даны: лист белый - судьба
И краски для творения себя -
Жизнь и свобода! слово за тобой -
Пытаться жить и любить
Или в двадцать пять лет себя похоронить
Сломаться под напором внешних обстоятельств
Повесить на других ярлык причины своей гибели
Родители, вложившие в тебя душу с малых лет
Не осознают никогда, что тебя нет
Чувство вины им оставил ты на этом свете
Фотографию, где ты еще живой в черной ленте
На дубовом кресте капли утренней росы
Сливаясь с горем и бедой отцовской слезы
Тисками сдавливают горло, таким как я
Мне никогда не забыть прохлады того дня,
Когда умер мой друг - проколы рук,
Синее лицо… о, Боже нет! Это - не ты!
Я никогда не верил в то, что жизнь такая хрупкая
Мы шли по лезвию ножа - думая, что так надо!
Но оступился ты, прости, что не был рядом
Во сне вижу тебя теперь и своим взглядом
Говоришь и просишь передать всем всего два слова
То, что потерял ты: Жизнь и Свобода…
То ради чего стоит быть в этом мире, через боль переступая-
Это жизнь и свобода!
То, что дано каждому из нас,
У каждого есть свой шанс –
Это жизнь и свобода!
То, что важнее любых слов, любых понятий и суждений -
Это жизнь и свобода!
То, что придаёт нам силу творить и любить –
Это жизнь и свобода!
Тебе всё время везло - ты думал так будет всегда
Ты считал, что ты свободен и знаешь, как жить
Смерть и тюрьма для тебя роли не играли
Впрочем, как и дружба, как и правда, как чужая боль
Ты думал только о себе и хоть ты плакал
Когда наш общий друг покинул этот мир -
Ты втыкал…
Земля - ему пухом, тебе - тюремные решетки
Скажи всего два слова – спасибо героин
Им ты разрушил свою жизнь и потерял свободу
Оставив - матери слезы, отцу - стыд
Как я смогу тебя простить, когда ты мог лгать
Близким пацанам в глаза, А?
И я не знаю, кто теперь тебя спасет и кто поддержит
Когда я протянул руку – ложью ты в неё харкнул
И кто ты после для меня – лицо пустое
Навечно у тебя на лбу - 228/4
Ты покойник для меня, предатель чести
Обманув раз - обманешь не единожды
Одумайся хотя бы для себя - пока не поздно
Друзей ты потерял таких, каких найти сложно
Невозможно поднять твоё лицо из грязи
Сам в неё залез, увяз, так других не пачкай
И с каждой дачкой - к тебе приходит боль
Не умирай от голода, голый король…
То ради чего стоит быть в этом мире, через боль переступая-
Это жизнь и свобода!
То, что дано каждому из нас,
У каждого есть свой шанс –
Это жизнь и свобода!
То, что важнее любых слов, любых понятий и суждений -
Это жизнь и свобода!
То, что придаёт нам силу творить и любить –
Это жизнь и свобода!
Abdullah Saleem
Verse 1:
Likhta raho ga rap jab tak qalam mere hath main
Tujko rehna hai to reh mere sath main
Milke jiyange phir marjange sath main
Sath Dena hai to de warna nahi chahiya sath ye
Ab Bohot ho hai batain
Yeah
ab ho chal shoro
MAIN kese Roko
Ya haslo ya Ron
Zindigi hai ak us main sach he Bolon
Rap Karne se Milta mujhko Sokoon
Hip-hop hai life us main hi jiyoon
Apne ansoon ko main khud hi piyon
Yeah
Ab bohot ho gai rhymes
Bhool ja bure waqt ko ab change ho gay times
Life ko seedha chalne De mat kar rewind
bure thoughts aate to phir change karle mind
Rokna nahi bas tu karte rehna grind
Kya
Chorus:
"MAIN KARO RAP ES BEAT PE
LARNA CHAHTE MUJHSE PER BETA WO TO WEAK HAIN
Positive hain THOUGHTS aur baatain Karo streets pe
GAANE IN KE VIRAL KYU KE KARTE UNKO LEAK YE
Paise mere pas kyunke kamata main theek se"
Verse 2:
Es beat pe hain OG'S
Ye kar rahe mujhse baat jaise ho ye mere broskie
Likhta apni Marzi se kahta in ko lowkeys
Ye kar rahe meri copy per in se na ho gi
Yeah
Banda main ho same
Na change kiya name
Dekh kitni waqt main puri badal dali game
Tere Bhai pas dekh aj kitni aa gi fame
AB bila wajah tum mujhe karo mat blame
Ganne main aggression jaise lil Wayne
Dekh mere hath ma aj soone ki hai chain
Industry main dekh sari laga di hai flame
Yes I am the winner of this game
Yeah
Gaana hua nahi khatam abhi hua hai ye shoro
ASMANI PARENDY JASA hawa MIAN ORRO
Galat raston ko chor ke un raston se morro
Zindigi main bohot kuch hai main Kya Karo
Bolne ko hai bohot kuch main KYU bolo
Chorus:
"MAIN KARO RAP ES BEAT PE
LARNA CHAHTE MUJHSE PER BETA WO TO WEAK HAIN
Positive hain THOUGHTS aur baatain Karo streets pe
GAANE IN KE VIRAL KYU KE KARTE UNKO LEAK YE
Paise mere pas kyunke kamata main theek se"
Verse 3:
In bacho se kahta ho chor do na bahi
Duniya main tumhare elawa bohot kuch hai bhai
Tera Bhai hai ek rapper hai na koi halwai
Tere jaise log mujhe se kabhi na jod pai
Tum log Pete coffee aur main peta chai
Har KAM karta khola i never shy
Level tere bhai ka ab ho gaya hai high
Sidhu har zuban pe cause legend never die
Yeah
Lyrically strong mera chopper hai flow
Mere GAANE Sun ke inka mind hota blow
Body pe shine aur chahre pe glow
Main jinta hon fast ye utne hain slow
Main jitna Hon high ye utne hain low
Inke baare sochke main thak Jata bro
Yeah
Abhi ganna ho ga khatam
Is se pehle tujhe kardo ga basam
Tere jaise nakal aur mere jaise asal
Idher tak puhunche mian Karni padti hustle
My life is not easy
I am doing struggle
Paisa inta pas ke har cheez karlo double
Main dikhta Hon lean aur tu dikhta bouble
Yeah
Aase har baat pe ham kabhi nahi roote
Aj zindigi main Araam pehle sadak pe the soote
Karte rehna qam kyon ke chalte Sike khoote
Rehte sheeron jaisa na kote jaisa bhoonkte
Nilklta jab bahar log salaam mujko thookte
Sincere sab ke sath na dete kisko dookhe
Tere jinty log sare wo sirf mal hi to fookte
Chorus:
"MAIN KARO RAP ES BEAT PE
LARNA CHAHTE MUJHSE PER BETA WO TO WEAK HAIN
Positive hain THOUGHTS aur baatain Karo streets pe
GAANE IN KE VIRAL KYU KE KARTE UNKO LEAK YE
Paise mere pas kyunke kamata main theek se"
Riccardo Caon
TEDUA TYPE BEAT ORANGE
Seguo la mia cometa
Prezioso come una moneta
Una moneta antica
Nella vita non hai mai fatto fatica
Rime e incastri
Sei legato dai nastri,
Migliorare a chi lo dimostri?
No no di certo non a me
Fai il giullare e vuoi esser Re
Vuoi la corona d'oro
Io voglio la corona d'alloro
Il rap è il mio tesoro
Dammi un foglio
Con le rime lo coloro
Dammi i colori
Dal foglio vado fuori
Io oso tu non osi
Io il tempo lo doso
Tu nel tempo rosi-chi
Io non sono un manichi-no
Sto volando con il cervello
Lasciami ancora un pochi-no
Ricordo da bambi-no
Quando tutto era così bello
Con la pioggia senza ombrello
Non serviva riparo
Ora mi serve il faro
Per trovare la terra promessa
Una terra che si è dispersa
Ma non so dove
Brucio come il sole
[Ritornello]
Siamo in volo su Aeroplani
Stiamo realizzando i nostri Piani
Scalando per arrivare a quei piani
Sempre in volo su Aeroplani
a place where miracles happen
Я в такой же майке, что и десять лет назад
Правда тот квадрат был довольно тесноват
Блокнул их лейап, сделал в стиле акробат
Запах дыма и закат, мы богаты без зарплат
Этот трэк я помню на кассете (2002)
Вклеил минут 15 в середине, чтобы записать его
Щас включил всё на виниле, в косяке не палево
В меру хапнул пи**еца, в меру волевой
Чтоб могли вот так здесь собраться (эй-эй)
И это было нелегко, если вкратце
Не аул — svo, а много лет утекло с потом
Здесь вокруг, как будто СПИД.инфо, папарацци
Вам нужны б*льё и хлеб, а мы жарим мясо
[Переход, Скриптонит]
Вот почему мне
Не мешают думать у.е
Мы живем не как живут все
Передай им мой косой, пусть расслабятся
[Припев, Andy Panda]
Жарю сосисоны, рядом жарят бланты
Напаленые пацаны, напаленные мантры
Роксы и бутылки, друзья и их улыбки
Биксы и типы, ну что-то типо вечеринки
Мой огромный стейк не поместится в руках
Я доедаю мясо, танцую на костях
Это тоже твой кусок, и я готов тебя кормить
Но прежде, чем попасть в мой круг, -
Прекрати себя любить
Что ты делал, когда пало дали жар из Павлодара
Кода блади дали шуму, его оказалось мало
Тут Роксы и бутылки, друзья и их улыбки
Биксы и типы ну что-то типо вечеринки
[Переход, Скриптонит]
takvkusnee.kg
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Подробнее
Лемон и ака, обновил бокал
Залетел на пол часа в партейку дурака
Сатива, Индира всё в чем было ТГК
Не, это не привычка, это в моём ДНК, да
[Куплет 2, 104]
Можешь говорить о том, что я закрывал за собой двери
Когда шёл сюда - я танцевал в дряни
Много колорита, но Шоу не карнавал в телек
Дикий аппетит — это белая вдова в теле
Источник teksty-pesenok.ru
Утром в голове, под вечер под ножом и вилкой
Эта встреча не случайность и общули не за биткоин
Два года назад я бы назвал это разминкой
Сообщение в вотсап, но я потерял свой пинкод
[Припев, Andy Panda]
Жарю сосисоны, рядом жарят бланты
Напаленые пацаны, напаленные мантры
Роксы и бутылки, друзья и их улыбки
Биксы и типы, ну что-то типо вечеринки
Мой огромный стейк не поместится в руках
Я доедаю мясо, танцую на костях
Это тоже твой кусок, и я готов тебя кормить
Но прежде, чем попасть в мой круг, -
Прекрати себя любить
Что ты делал, когда пало дали жар из Павлодара
Кода блади дали шуму, его оказалось мало
Тут Роксы и бутылки, друзья и их улыбки
Биксы и типы ну что-то типо вечеринки
[Финал, Скриптонит]
Лемон и ака, обновил бокал
Залетел на пол часа в партейку дурака
Сатива, Индира все в чем было ТГК
Не, это не привычка, это в моем ДНК, да
Fresh Tomato
My father lost the control of his legs after a motorbike crash 5 years ago.
When I put on this song he got up to increase the volume.
Thanks doctor Dre.
Íris Muteca
❤❤😂
GuriBossFF
Father Be Like - I Am Still Live 💪
Oliver - international stream manager
His legs have good taste in music.
Nav m
He really is a doctor.
Elvis Alberto
@whosthefvnky no just the Piano Dr made beat two different thing
Just Some Guy without a Mustache
Still the most iconic beat to ever come out
RubiksCuber
hel naw he here again
julian melo
@Cuttism 1
Jadonplox
shook ones pt 2.