Dr. Dre began his career in music as a member of the World Class Wreckin' Cru and he later found fame with the influential gangsta rap group N.W.A, which popularized the use of explicit lyrics in rap to detail the violence of street life. His 1992 solo debut The Chronic, released under Death Row Records, led him to become one of the best-selling American performing artists of 1993. In 1996 he left Death Row to found his own label Aftermath Entertainment, producing a compilation album, Dr. Dre Presents the Aftermath, in 1997 and releasing a solo album titled 2001 in 1999.
During the 2000s he focused his career on production for other artists, while occasionally contributing vocals in other artists' songs. Rolling Stone named him among the highest-paid performers of 2001 and 2004. Dr. Dre also had acting roles in the 2001 films The Wash and Training Day. In 2011, his final solo studio album, Detox, is set to be released following much delay and speculation.
Early life
The first child of Verna and Theodore Young, Dr. Dre was born as André Romelle Young on February 18, 1965. His mother was only 16 years old at the time of his birth, after being impregnated by teenage boyfriend Theodore, whom she later married. Young's middle name, "Romelle", came from Theodore Young's unsigned, amateur R&B singing group The Romells. In 1968 his mother divorced Theodore Young for another man, Curtis Crayon, and had other children with him, including two sons named Jerome and Tyree (both of whom are now deceased)[8][9] and daughter Shameka.[10] As a young child, Young was fascinated with vinyl records spinning on phonographs; his family's record collection included many popular R&B albums of the 1960s and 1970s, from such singers as Diana Ross, James Brown, and Aretha Franklin. According to an interview with the Los Angeles Times, his mother Verna found R&B music to be a relief from the two jobs she had to work daily.[11] Despite economic troubles, she continued to encourage Young not to give up in life. During Verna's second marriage, Young and his step-brother Tyree were raised primarily by their grandmother and Curtis Crayon, as their mother spent much time in search of work.[12]
In 1976 Young began attending Vanguard Junior High School and had a new sister named Shameka. However, due to gang violence around Vanguard, he transferred to nearby Roosevelt Junior High School.[13] Verna later married Warren Griffin, whom she met at her new job in Long Beach,[14] which added three new stepsisters and one new stepbrother to the family. The stepbrother, Warren Griffin III, would eventually become a rapper under the stage name Warren G.[15]
Young attended Centennial High School in Compton during his freshman year in 1979 but transferred to Fremont High School due to poor grades. On December 15, 1981, Young fathered a son with Lisa Johnson, however Curtis Young was not brought up by his father and they only met when Curtis had become rapper Hood Surgeon about 20 years later.[16] He was nearly enrolled to an apprenticeship program at Northrop Aviation Company until poor grades at school made him ineligible. Therefore, he focused on social life and entertainment for most of his high school years.[17]
Music career
World Class Wreckin' Cru (1984–1985)
Inspired by the Grandmaster Flash song "The Adventures of Grandmaster Flash on the Wheels of Steel", he often attended a club called The Eve After Dark to watch many DJs and rappers performing live. Thus, he became a DJ in the club, initially under the name "Dr. J" based on the nickname for Julius Erving, his favorite basketball player. At the club, he met aspiring rapper Antoine Carraby, later to become member DJ Yella of his group N.W.A.[18] Soon afterwards he adopted the moniker Dr. Dre, a mix of previous alias Dr. J and his first name, referring to himself as the "Master of Mixology".[19] He later joined the musical group World Class Wreckin' Cru under the independent Kru-Cut Records in 1984. The group would become stars of the electro-hop scene that dominated early 1980s West Coast hip hop, and their first hit "Surgery" would prominently feature Dr. Dre on the turntables and sell 50,000 copies within the Compton area.[20] Dr. Dre and DJ Yella also performed mixes for local radio station KDAY, boosting ratings for its afternoon rush-hour show The Traffic Jam.[21]
Due to the amount of time Dr. Dre was spending on his rap music he frequently skipped school, affecting his education. His absences also jeopardized his position as a diver for his school's swim team. However, when he did attend he received good grades in certain classes. After high school, he attended Chester Adult School in Compton following his mother's demands for him to get a job or go to school. After brief attendance at a radio broadcasting school, he relocated to the residence of his father and residence of his grandparents before returning to his mother's house.[22] He later dropped out of Chester to focus on performing at the Eve's After Dark nightclub.[23]
N.W.A and Ruthless Records (1986–1991)
In 1986 he met rapper Ice Cube, who collaborated with Dr. Dre to record songs for Ruthless Records, a rap record label run by local rapper and drug dealer Eazy-E. N.W.A however, along with fellow west coast rapper Ice T, debuted with rhymes including profanity and gritty depictions of crime and life on the street. No longer constricted to racially charged political issues pioneered by rap artists such as Public Enemy or Boogie Down Productions, N.W.A shot out with hardcore and realistic perspective of street violence and local black gangster lifestyle. Propelled by the hit "Fuck tha Police", the group's first full album Straight Outta Compton became a major success, despite an almost complete absence of radio airplay or major concert tours and warnings from the FBI.[2] The FBI sent letters to Arabian Prince, Ice Cube and Eazy-E urging them to stop releasing their music as a response to the large amount of complaints they had received about the group's lyrical content and use of expletives.[24]
After Ice Cube left N.W.A over financial disputes, Dr. Dre produced and performed for much of the group's second album Efil4zaggin. He also produced tracks for a number of other rap acts on Ruthless Records, including Above the Law, and The D.O.C. for the album No One Can Do It Better.[25] In 1991 at a music industry party in Hollywood, he assaulted television host Dee Barnes of the Fox television program Pump it Up, after he felt dissatisfied by a news report of hers on the feud between the remaining N.W.A members and Ice Cube. Thus, Dr. Dre was fined $2,500 and given two years' probation and 240 hours of community service, as well as a spot on an anti-violence public service announcement on television.[26][27]
The Chronic and Death Row Records (1992–1995)
After a dispute with Wright, Young left the group at the peak of its popularity in 1991 under the advice of friend, and N.W.A lyricist, The D.O.C. and his bodyguard at the time, Suge Knight. Knight, a notorious strongman and intimidator, was able to have Wright release Young from his contract and, using Dr. Dre as his flagship artist, found Death Row Records. In 1992 Young released his first single, the title track to the film Deep Cover, a collaboration with a rapper whom he met through his own stepbrother and rapper Warren G, Snoop Dogg.[2] Dr. Dre's debut album was The Chronic under Death Row Records. Young ushered in a new style of rap, both in terms of musical style and lyrical content.[28]
On the strength of singles such as "Nuthin' but a 'G' Thang", featuring protegé Snoop Doggy Dogg and hits like "Let Me Ride" and "Fuck wit Dre Day (and Everybody's Celebratin')" (known as "Dre Day" for radio and television play), The Chronic became a cultural phenomenon, its G-funk sound dominating much of hip hop music for the early 1990s.[2] In 1993 the Recording Industry Association of America certified the album multi-platinum,[29] and Dr. Dre also won the Grammy Award for Best Rap Solo Performance for his performance in "Let Me Ride".[30] For that year, Billboard magazine also ranked Dr. Dre as the eighth best-selling musical artist, The Chronic as the sixth best-selling album, and "Nuthin' but a 'G' Thang" as the 11th best-selling single.[3]
Besides working on his own material, Dr. Dre produced Snoop Dogg's debut album Doggystyle, which became the first debut album for an artist to debut at number one on the Billboard 200 album charts.[31] Young also produced other West Coast rap albums of Death Row Records, including Dogg Food by Tha Dogg Pound and the album Regulate...G Funk Era by his stepbrother Warren G. In 1994 Dr. Dre produced the soundtracks to the films Above the Rim and Murder Was the Case and the single "No Diggity" by Blackstreet. He collaborated with fellow N.W.A member Ice Cube for the song "Natural Born Killaz" in 1995.[2]
In 1995, just as Death Row Records was signing rapper 2Pac and positioning him as their major star, Young left the label amidst a contract dispute and growing concerns that label boss Suge Knight was corrupt, financially dishonest and out of control. Thus, in 1996, he formed his own label Aftermath Entertainment directly underneath the distributor label for Death Row Records, Interscope Records.[2] Consequently, Death Row Records suffered poor sales by 1997, especially following the death of 2Pac and the racketeering charges brought against Knight.[32]
Move to Aftermath Entertainment (1996–1998)
The Dr. Dre Presents the Aftermath album, released on November 26, 1996, featured songs by Dr. Dre himself as well as by newly signed Aftermath artists, and a solo track "Been There, Done That", intended as a symbolic farewell to gangsta rap.[33] Despite being classified platinum by the RIAA[34], the album was not very popular among music fans.[2] In October 1996 Dr. Dre appeared on the sketch comedy program Saturday Night Live, broadcast on the NBC television network in the United States, to perform "Been There, Done That".[35] In 1997 Young produced several tracks on Nas, Foxy Brown, AZ, and Nature Present The Firm: The Album; although the album went platinum, it was met with similarly negative reviews from critics. Rumors began to abound that Aftermath was facing financial difficulties.[36]
The turning point for Aftermath came in 1998, when Jimmy Iovine, the head of Aftermath's parent label Interscope, suggested that Young sign the white Detroit rapper Marshall Mathers, artistically known as Eminem, to Aftermath. Young produced three songs and provided vocals for two on his controversial album, ("My Name Is", "Guilty Conscience" and "Role Model") in 1999.[37]
2001 (1999–2000)
Dr. Dre's second solo album, 2001, released in the fall of 1999, was considered an ostentatious return to his gangsta rap roots.[38] It was initially titled The Chronic 2000 to imply being a sequel to his debut album The Chronic but was re-titled 2001 after Death Row Records released an unrelated compilation album earlier in 1999. Other tentative titles included The Chronic 2001 and Dr. Dre.[39] The album featured numerous collaborators, including Devin the Dude, Hittman, Snoop Dogg, Xzibit, Nate Dogg and Eminem. Stephen Thomas Erlewine of the website All Music Guide described the sound of the album as "adding ominous strings, soulful vocals, and reggae" to Dr. Dre's style.[38] The album was highly successful, charting at number two on the Billboard 200 charts[40] and has since been certified six times platinum,[29] thus reaffirming a recurring theme featured in its lyrics, stating that Dr. Dre was still a force to be reckoned with, despite the lack of major releases in the previous few years. The album included popular hit singles "Still D.R.E." and "Forgot About Dre", both of which Dr. Dre performed on NBC's Saturday Night Live on October 23, 1999.[41] Dr. Dre won the Grammy Award for Producer of the Year in 2000,[2] and joined the Up in Smoke Tour with fellow rappers Eminem, Snoop Dogg, and Ice Cube that year as well.[42]
During the course of the popularity of 2001, Dr. Dre was involved in several lawsuits. Lucasfilm Ltd., the film company behind the Star Wars film franchise, sued him over the use of the THX-trademarked "Deep Note".[43] The Fatback Band also sued Dr. Dre over alleged infringement of its song "Backstrokin'" in his song "Let's Get High" from the 2001 album; Dr. Dre was ordered to pay $1.5 million to the band in 2003.[44] The online music file-sharing company Napster also settled a lawsuit with him and heavy metal rock band Metallica in the summer of 2001, agreeing to block access to certain files that artists do not want to have shared on the network.[45]
Focus on production (2001–present)
Following the success of 2001, Dr. Dre focused on producing songs and albums for other artists. He produced the single "Family Affair" by R&B singer Mary J. Blige for her album No More Drama in 2001.[4] Other successful albums that he produced for Aftermath have included the major-label debut album by Queens, New York-based rapper 50 Cent, Get Rich or Die Tryin', in 2003. The album featured the Dr. Dre-produced hit single "In da Club", as a joint production between Aftermath, Eminem's boutique label Shady Records and Interscope.[46] Dr. Dre also produced "How We Do", a 2005 hit single of rapper The Game from his album The Documentary.[47]
Another copyright-related lawsuit came upon Dr. Dre in the fall of 2002, when Sa Re Ga Ma, a film and music company based in Calcutta, India, sued Aftermath Entertainment over an uncredited sample of the Lata Mangeshkar song "Thoda Resham Lagta Hai" on the Aftermath-produced song "Addictive" by singer Truth Hurts. In February 2003, a judge ruled that Aftermath would have to halt sales of Truth Hurts' album Truthfully Speaking if the company would not credit Mangeshkar.[48] In April 2003 rapper Ja Rule released a mixtape of freestyle raps criticizing Dr. Dre and his associated artists 50 Cent and Eminem.[49] At the Vibe magazine awards show in November 2004, Dr. Dre was attacked by a fan named Jimmy James Johnson, who was asking for an autograph. Johnson, in September 2005, was sentenced to a year in prison and ordered to stay away from Dr. Dre until 2008.[50] For an issue of Rolling Stone magazine in April 2005, Kanye West praised Dr. Dre as among the greatest performing artists of all time.[51]
In November 2006 Dr. Dre began working with Raekwon on his album Only Built 4 Cuban Linx II.[52] He also contributed to the rap albums Buck the World by Young Buck[53] and Curtis by 50 Cent.[54] Other upcoming albums that he is involved with includeThe Reformation by Bishop Lamont,[55] The Nacirema Dream by Papoose,[56] Here I Am by Eve,[57] and L.A.X. by The Game.[58] Among planned but unreleased albums during Dr. Dre's tenure at Aftermath have included a full-length reunion with Snoop Dogg titled Breakup to Makeup, an album with fellow former N.W.A member Ice Cube which was to be titled Heltah Skeltah, an N.W.A reunion album, and a joint album with fellow producer Timbaland titled Chairmen of the Board.[59][25][60]
Detox: Final album
Detox is to be Dr. Dre's final album.[7] In 2002, Dre told Corey Moss of MTV News that he intended Detox to be a concept album.[6] Work for the album dates back to early 2004,[61] but later in that year he decided to stop working on the album to focus on producing for other artists but then changed his mind; the album had initially been set for a fall 2005 release.[62] After several delays, the album was finally scheduled to be released sometime in 2008 by Interscope Records, which has not set a firm release date for the album as of September 2007.[7] Producers confirmed to work on the album include Bernard "Focus" Edwards Jr.,[63] Hi-Tek,[64] J.R. Rotem,[65] RZA,[66] Jay-Z,[67] and Warren G.[68]
Film career
In 2001 Dr. Dre appeared in the movies The Wash and Training Day.[69] A song of his, "Bad Intentions" (featuring Knoc-Turn'Al) and produced by Mahogany, was featured on The Wash soundtrack.[70] Dr. Dre also appeared on two other songs "On the Blvd." and "The Wash" along with his co-star Snoop Dogg. In February 2007 it was announced that Dr. Dre would produce dark comedies and horror films for New Line-owned company Crucial Films, along with longtime video director Phillip Atwell. Dr. Dre announced "This is a natural switch for me, since I've directed a lot of music videos, and I eventually want to get into directing."[71]
Musical influences and style
Dr. Dre has said that his primary instrument in the studio is the Akai MPC3000, a drum machine and sampler, and that he uses as many as four or five to produce a single recording. He cites George Clinton, Isaac Hayes and Curtis Mayfield as primary musical influences. Unlike most rap producers, he tries to avoid samples as much as possible, preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo.[59] In 2001 he told Time magazine, "I may hear something I like on an old record that may inspire me, but I'd rather use musicians to re-create the sound or elaborate on it. I can control it better."[72] Other equipment he uses include the E-mu SP-1200 drum machine and other keyboards from such manufacturers as Korg, Rhodes, Wurlitzer, Moog, and Roland.[73]
After founding Aftermath Entertainment in 1996, Dr. Dre took on producer Mel-Man as a co-producer, and his music took on a more synthesizer-based sound, using fewer vocal samples (as he had used on "Lil' Ghetto Boy" and "Let Me Ride" on The Chronic, for example). Mel-Man has not shared co-production credits with Dr. Dre since approximately 2002, but fellow Aftermath producer Focus has credited Mel-Man as a key architect of the signature Aftermath sound.[74]
In 1999 Dr. Dre started working with Mike Elizondo, a bassist, guitarist, and keyboardist who has also produced, written and played on records for female singers such as Poe, Fiona Apple and Alanis Morissette,[75] for his album 2001. Elizondo has since worked for many of Dr. Dre's productions.[76][77] Dr. Dre also told Scratch magazine in a 2004 interview that he has been studying piano and music theory formally, and that a major goal is to accumulate enough musical theory to score movies. In the same interview he stated that he has collaborated with famed 1960s songwriter Burt Bacharach by sending him hip hop beats to play over, and hopes to have an in-person collaboration with him in the future.[59]
Work ethic
Dr. Dre has stated that he is a perfectionist, and is known to pressure the artists with whom he records to give flawless performances.[59] In 2006 Snoop Dogg told the website Dubcnn.com that Dr. Dre had made new artist Chauncey Black re-record a single bar of vocals 107 times.[78] Dr. Dre has also stated that Eminem is a fellow perfectionist, and attributes his success on Aftermath to his like-minded work ethic.[59]
A consequence of this perfectionism is that some artists that initially sign deals with Dr. Dre's Aftermath label never release albums. In 2001, Aftermath released the soundtrack to the movie The Wash. featuring a number of Aftermath acts such as Shaunta, Daks, Joe Beast and Toi. To date, none have released full-length albums on Aftermath and have apparently ended their relationships with the label and Dr. Dre. Other noteworthy acts to leave Aftermath without releasing albums include King Tee, 2001 vocalist Hittman and 1980s rap icon Rakim.[79]
However, over the years word of other collaborators has surfaced. During his tenure at Death Row Records, it was alleged that Dr. Dre's half brother Warren G and Tha Dogg Pound member Daz made many uncredited contributions to songs on his solo album The Chronic and Snoop Doggy Dogg's album Doggystyle (Daz received production credits on Snoop's similar-sounding, albeit less successful album Tha Doggfather after Young left Death Row Records).[80]
It is known that Scott Storch, who has since gone on to become a successful producer in his own right, contributed to Dr. Dre's second album 2001; Storch is credited as a songwriter on several songs and played keyboards on several tracks. In 2006 he told Rolling Stone:
"At the time, I saw Dr. Dre desperately needed something," Storch says. "He needed a fuel injection, and Dr. Dre utilized me as the nitrous oxide. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. So I'd be on the keyboards, and Mike [Elizondo] was on the bass guitar, and Dr. Dre was on the drum machine".[81]
Current collaborator Mike Elizondo, when speaking about his work with Young, describes their recording process as a collaborative effort involving several musicians. In 2004 he claimed to Songwriter Universe magazine that he had written the foundations of the hit Eminem song "The Real Slim Shady", stating, "I initially played a bass line on the song, and Dr. Dre, Tommy Coster Jr. and I built the track from there. Eminem then heard the track, and he wrote the rap to it."[77] This account is essentially confirmed by Eminem in his book Angry Blonde, stating that the tune for the song was composed by a studio bassist and keyboardist while Dr. Dre was out of the studio but later programmed the song's beat after returning.[82]
Furthermore, in the September 2003 issue of The Source, a group of disgruntled former associates of Dr. Dre complained that they had not received their full due for work on the label. A producer named Neff-U claimed to have produced the songs "Say What You Say" and "My Dad's Gone Crazy" on The Eminem Show, the songs "If I Can't" and "Back Down" on 50 Cent's Get Rich or Die Tryin', and the beat featured on Dr. Dre's commercial for Coors beer.[79]
Although Young studies piano and musical theory, he serves as more of a conductor than a musician himself, as Josh Tyrangiel of Time magazine has noted:
Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. (They carry beepers. When he wants to work, they work.) He'll program a beat, then ask the musicians to play along; when Dre hears something he likes, he isolates the player and tells him how to refine the sound. "My greatest talent," Dre says, "is knowing exactly what I want to hear."[72]
Although Snoop Dogg retains working relationships with Warren G and Daz, who are alleged to be uncredited contributors on the hit albums The Chronic and Doggystyle, he states that Dr. Dre is capable of making beats without the help of collaborators.[83] It should be noted that Dr. Dre's prominent studio collaborators, including Scott Storch, Elizondo, Mark Batson and Dawaun Parker, have shared co-writing, instrumental, and more recently co-production credits on the songs where he is credited as the producer.
It is also widely acknowledged that most of Dr. Dre's raps are written for him by others, though he retains ultimate control over his lyrics and the themes of his songs. As Aftermath Producer Mahogany told Scratch: "It's like a class room in [the booth]. He'll have three writers in there. They'll bring in something, he'll recite it, then he'll say. 'Change this line, change this word,' like he's grading papers."[84] As seen in the credits for tracks Young has appeared on, there are often multiple people who contribute to his songs (although it should be noted that often in hip hop many people are officially credited as a writer for a song, even the producer). As a member of N.W.A, The D.O.C. wrote lyrics for him while he stuck with producing.[85] Popular rapper Jay-Z ghostwrote lyrics for the single "Still D.R.E." from Dr. Dre's album 2001.[39]
Discography
* 1992: The Chronic
* 1999: 2001
* 2008: Detox
Awards and nominations
* "Let Me Ride"—Grammy Award for Best Rap Solo Performance - 1994
* "California Love"—Grammy Award Nomination as Best Rap Performance by a Duo or Group (with 2Pac and Roger Troutman) - 1997.
* "No Diggity"—Grammy Award for Best R&B Performance by a Duo or Group with Vocals (with Blackstreet and Queen Pen) - 1998
* "Forgot About Dre"—Grammy Award for Best Rap Performance By A Duo Or Group - 2001 | (with Eminem)
* "Still D.R.E."—Grammy Award Nomination Best Rap Performance by a Duo or Group (with Snoop Dogg) and The Source Awards Nomination Single of the year (2000)
* The Marshall Mathers LP—Grammy Award for Best Rap Album - 2001 (with Eminem)
Personal life
Marriages and family
From 1990 to 1996 Dr. Dre dated singer Michel'le, who frequently contributed vocals to Death Row Records albums. In 1991 the couple had a son, Marcel. In May 1996 Dr. Dre married Nicole Threatt, who was formerly married to NBA player Sedale Threatt.[86] Dr. Dre and Nicole have two children together: a son named Truth (born 1997) and a daughter named Truly (born 2001).[87] He is also the biological father of rapper Hood Surgeon (real name Curtis Young), impregnating his mother, Lisa Johnson, at 16 when he was 17.[88]
Income
In 2001, Dr. Dre earned a total of about $52 million from selling part of his share of Aftermath Entertainment to Interscope Records and his production of such hit songs that year as "Family Affair" by Mary J. Blige. Rolling Stone magazine thus named him the second highest-paid artist of the year.[4] Dr. Dre was ranked 44th in 2004 from earnings of just $11.4 million, primarily from production royalties from such projects as albums from G-Unit and D12 and the single "Rich Girl" by singer Gwen Stefani and rapper Eve.[5]
Filmography
Year Title Role
1992 Niggaz4Life: The Only Home Video Himself
1994 Set It Off Black Sam
2000 Up In Smoke Tour Himself
2001 Training Day Paul
The Wash Sean
Watch Me
Dr. Dre Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Uh uh uh-uh, boom boom boom
D-R-E
Say it with me niggaz, boom boom
And Jay-Z
Boom boom boom boom
What the fuck?
Boom boom boom boom
Jigga-man, ya heard? Boom boom boom
Brooklyn, ya heard? Boom boom booom
Compton
Gotti Gotti ya heard? Yo,
C'mon
You gotta, pop that styles, rock that watch dial
See that Benz? Cop that now
Drop-that-top-down, they gon' kill us anyway
Them cops uptown hit Holmes with forty-one rounds
Live yo' life, get yo' ice
She been with you since day one nigga, trick on yo' wife
Spend that dough, when in doubt, take that trip
She ain't livin' for the moment homey shake that bitch
He that cool, he can't take you nowhere? Then leave that fool
Be that rude if he that cool
Save for what? Ball til your days is up
This place is fucked, all type of AIDS and such
How they make it where you afraid to fuck
They gave us drugs then turned around and investigated us
Life is short, then you on life support
So in between it all I'ma say I seen it all, watch me
Place yourself in the shoes of true felons (uh-huh)
And tell me you won't ball every chance you get (uh, watch me)
At any, chance you hit (that's right) we live for the moment
(Yo, watch, watch) makes sense don't it? Now make dollars
(Watch me) You see me around some cheese
(Watch me) See me with hustlers around them G's
(Watch me) Blowin' 'dro runnin' through pounds of weed
(Watch me) At the bar baby, round's on me
(Watch me)
Watch me turn somethin' out of nothin', turn platinum from gold
Watch me light the Cohiba off the Viking stove
I take an empty bank account, fill it with oh's
I take an empty building then I fill it with hoes
Watch me, cop that Coupe, shine for the ladies
Have em sayin', "Damn I never seen a watch that blue"
And while they still mesmerized I pop that cooch'
Shit, law enforcement couldn't stop that dude
Guess who? Fresh off of "Volume 2"
Back at you, peep the numbers my album do
They call me Champagne-hovah, wake up with a hangover
When y'all think the game's over, do the same thing over
Still with the same soldiers
Still gettin' brain and it's plain ain't a thang gon' change over
Hop out the truck, hand on my cock and nuts
Who got the bank, I'm stoppin' it up, watch me
Place yourself in the shoes of true felons (uh-huh)
And tell me you won't ball every chance you get (watch me)
At any, chance you hit, we live for the moment
Makes sense don't it? Now make dollars
(Watch me) You see me around some cheese
(Watch me) Hangin' with hustlers around them G's
(Watch me) Blowin' 'dro runnin' through pounds of weed
(Watch me) At the bar bitch, round's on me
(Watch me)
Yo the watch too rocky, need shades
Continental sittin' on blades, spinnin' like waves
Gun too Brock-y, behave
Big shot, plus I'm feelin' like Rocky these days
Ice don't melt I could ski through a heatwave
Nights won't help you see Jay, it'll be day
My shit too bright, I rip through mics
Plus I push more powder than Crystal Light
Chick mad, said I hold my pistol too tight
Get a grip bitch, this how I get through life
I buy out the bar, spit Crist' through the mic
See Jigga in the 6 and all the shit you like
See Jigga givin' dick to every bitch you like
I told her, "It's Jay-Day and Hit-You-Night"
You wanna, see me again you gotta get two dice
I got rules I can't hit you twice, you heard me?
Watch me
Place yourself in the shoes of true felons (uh-huh)
And tell me you won't ball every chance you get (that's right)
At any, chance you hit, we live for the moment
Makes sense don't it? Now make dollars
(Watch me) You see me around some cheese
(Watch me) See me with hustlers around them G's
(Watch me) Blowin 'dro runnin through pounds of weed
(Watch me) At the bar baby, round's on me
(Watch me)
(Watch me) You see me around some cheese
(Watch me) Hangin with hustlers around them G's
(Watch me) Blowin 'dro runnin through pounds of weed
(Watch me) At the bar bitch, round's on me
(Watch me)
Uh-huh-uh uh-uh uh-uh, uh
Uh-huh-uh uh-uh uh-uh,
Uh-huh-uh, Jigga Jigga shit huh?
Uh-huh, uh-huh-uh, Brooklyn-Brooklyn shit huh?
(Compton) Uh-huh-uh, Gotti Gotti shit huh?
(C'mon) Uh-huh, uh-huh-uh, Lil' Rob shit huh?
(C'mon) Uh-huh-uh-UHH, Roc-a-Fella shit y'all
(C'mon) Uh-huh, uh-huh, murder murder shit y'all
(Watch me!)
The song "Watch Me" by Dr. Dre featuring Jay-Z is a song about living life to the fullest and not worrying about the consequences. The chorus, "Place yourself in the shoes of true felons and tell me you won't ball every chance you get," sets the tone for the song's message of enjoying life while you can. The verses include references to material possessions like expensive cars and watches, as well as drugs and partying. The line "Life is short, then you on life support" is a reminder that life is not guaranteed, and we should make the most of the time we have.
The song includes collaborations with a number of artists, including Jay-Z, Lil' Rob, and Gotti. It also references different cities, including Brooklyn and Compton, which are both important to the hip-hop industry. The use of repetitive "boom boom boom" sounds creates a catchy beat that keeps the listener engaged. The song's message of living life to the fullest has resonated with fans, and it continues to be popular years after its release.
Line by Line Meaning
Yeah
Agreement or affirmation to what's being said.
Uh uh uh-uh, boom boom boom
An upbeat and high energy beat leading into the song.
D-R-E
Identification of the artist who produced the track.
Say it with me niggaz, boom boom
Directing the listeners to join in on the rhythm by vocalizing the sound 'boom'.
And Jay-Z
Acknowledging Jay-Z as a collaborator on the song.
What the fuck?
An expression of surprise or confusion.
Watch me
A phrase meant to catch the listener's attention and encourage them to pay attention to what comes next.
Brooklyn, ya heard? Boom boom booom
Shout-out to Brooklyn and getting listeners involved in the music.
Compton
A reference to the artist's hometown.
Gotti Gotti ya heard? Yo,
Another shout-out and invitation for response from the listeners.
You gotta, pop that styles, rock that watch dial
Encouragement for the listener to embrace their personal style and fashion.
See that Benz? Cop that now
Encouragement to pursue material wealth and status symbols.
Drop-that-top-down, they gon' kill us anyway
Living life to the fullest because tomorrow you may not be here.
Them cops uptown hit Holmes with forty-one rounds
Referencing police brutality and the shooting of Amadou Diallo by NYPD officers.
Live yo' life, get yo' ice
Live your life to the fullest and acquire the material possessions you desire.
She been with you since day one nigga, trick on yo' wife
Encouragement to cheat on your long-term partner for temporary pleasure.
Spend that dough, when in doubt, take that trip
Using your money to experience new things and live life to the fullest.
She ain't livin' for the moment homey shake that bitch
Stop wasting your time with someone who doesn't share the same values or desires as you.
He that cool, he can’t take you nowhere? Then leave that fool
Stop wasting your time with someone who can't help you achieve your goals or enhance your life in any way.
Be that rude if he that cool
Don't feel bad for cutting ties with someone if it's not benefitting you.
Save for what? Ball til your days is up
You can't take your money with you when you're gone, so enjoy it while you can.
This place is fucked, all type of AIDS and such
Acknowledging the harsh realities of the world, including diseases and other issues.
How they make it where you afraid to fuck
Questioning societal norms that discourage sexual expression and promote fear.
They gave us drugs then turned around and investigated us
Referencing government hypocrisy in terms of drug enforcement and investigation.
Life is short, then you on life support
We only have a limited amount of time in this life before we pass away.
So in between it all I'ma say I seen it all, watch me
Acknowledging the artist's extensive life experience and inviting the listener to witness their journey firsthand.
Place yourself in the shoes of true felons (uh-huh)
Inviting the listener to imagine themselves in the shoes of people who have faced challenges and difficulties in life.
And tell me you won't ball every chance you get (uh, watch me)
Suggesting that given the opportunity, people would seize the chance to enjoy life to the fullest and pursue their desires.
At any, chance you hit (that's right) we live for the moment
Emphasis on the idea of living in the present and not waiting for tomorrow.
(Yo, watch, watch) makes sense don't it? Now make dollars
Acknowledging the logic behind the philosophy, and encouraging the listener to get rich and pursue their goals.
Watch me turn somethin' out of nothin', turn platinum from gold
An assertion of the artist's ability to turn small opportunities into big successes.
Watch me light the Cohiba off the Viking stove
Describing an extravagant lifestyle with expensive cigars and luxury appliances.
I take an empty bank account, fill it with oh's
A boast about the artist's ability to make money.
I take an empty building then I fill it with hoes
A reference to filling an establishment with women for entertainment purposes.
Watch me, cop that Coupe, shine for the ladies
Asserting the artist's ability to acquire expensive cars and attract women with them.
Have em sayin', "Damn I never seen a watch that blue"
Impressing others with unique and expensive jewelry.
And while they still mesmerized I pop that cooch'
Taking advantage of the situation to engage in sexual activity.
Shit, law enforcement couldn't stop that dude
Boasting about one's power and influence.
Guess who? Fresh off of "Volume 2"
Acknowledging the artist's recent success and popularity.
Back at you, peep the numbers my album do
Highlighting the commercial success of the artist's album.
They call me Champagne-hovah, wake up with a hangover
A nickname given to the artist, emphasizing their luxurious lifestyle and partying habits.
When y'all think the game's over, do the same thing over
Stressing the importance of persisting in the face of adversity.
Still with the same soldiers
Remaining loyal to the people who have supported the artist throughout their career.
Still gettin' brain and it's plain ain't a thang gon' change over
Entertaining women sexually will always remain a constant in the artist's life.
Hop out the truck, hand on my cock and nuts
Exhibiting confidence and having a strong sense of self.
Who got the bank, I'm stoppin' it up, watch me
Asserting the ability to make money and control finances.
Yo the watch too rocky, need shades
Wearing expensive and flashy jewelry that attracts attention.
Continental sittin' on blades, spinnin' like waves
Driving an extravagant car with spinning wheels.
Gun too Brock-y, behave
Having a gun that is ready to be used if needed.
Big shot, plus I'm feelin' like Rocky these days
Feeling powerful and unstoppable like the titular character of the Rocky franchise.
Ice don't melt I could ski through a heatwave
Having valuable and unique jewelry that can withstand high temperatures.
Nights won't help you see Jay, it'll be day
No matter the time, the artist's talent and success remain visible.
My shit too bright, I rip through mics
Describing the artist's lyrical prowess.
Plus I push more powder than Crystal Light
A reference to selling large quantities of drugs.
Chick mad, said I hold my pistol too tight
Upsetting a woman and causing her to complain about the artist's behavior.
Get a grip bitch, this how I get through life
Asserting the artist's right to engage in the behaviors they desire, regardless of other people's opinions.
I buy out the bar, spit Crist' through the mic
Purchasing large amounts of alcohol and performing live with a microphone.
See Jigga in the 6 and all the shit you like
Attracting attention and admiration for owning a luxurious sports car.
See Jigga givin' dick to every bitch you like
Asserting the artist's ability to have sex with attractive women.
I told her, "It's Jay-Day and Hit-You-Night"
Announcing that the artist is fully in control of the situation and will have sex with the woman when they choose to.
You wanna, see me again you gotta get two dice
Challenging the woman to a game of chance in order to earn another sexual encounter.
I got rules I can't hit you twice, you heard me?
Acknowledging personal boundaries and limitations in relationships.
Watch me
Ending the song with the same phrase used to begin it, invoking a sense of repetition and continuity.
Lyrics © Sony/ATV Music Publishing LLC
Written by: Irving Lorenzo, Robert Mays, Shawn Carter
Lyrics Licensed & Provided by LyricFind
Ermis
on Fuck You
best dr.dre song and that phone call in the beginning funny ash