Born in Corning, New York, he began playing the guitar at the age of five. In 1951 his family moved to Tucson, and then to Coolidge, Arizona. At the age of 16 he obtained a Chet Atkins model Gretsch guitar, and formed a duo, Jimmy and Duane, with his friend Jimmy Delbridge (who later recorded as Jimmy Dell). While performing at local radio station KCKY they met disc jockey Lee Hazlewood, who produced the duo's single, "Soda Fountain Girl", recorded and released in 1955 in Phoenix. Hazlewood then produced Sanford Clark's 1956 hit, "The Fool", featuring guitarist Al Casey, while Eddy and Delbridge performed and appeared on radio stations in Phoenix before joining Buddy Long's Western Melody Boys, playing country music in and around the city.
Eddy devised a technique of playing lead on his guitar's bass strings to produce a low, reverberant "twangy" sound. In November 1957, Eddy recorded an instrumental, "Movin' n' Groovin'", co-written by Eddy and Hazlewood. As the Phoenix studio had no echo chamber, Hazlewood bought a 2,000 gallon water storage tank which he used as an echo chamber to accentuate the "twangy" guitar sound. In 1958, Eddy signed a recording contract with Lester Sill and Lee Hazlewood to record in Phoenix at the Audio Recorders studio. Sill and Hazlewood leased the tapes of all the singles and albums to the Philadelphia-based Jamie Records.
"Movin' n' Groovin'" reached number 72 on the Billboard Hot 100 in early 1958; the opening riff, borrowed from Chuck Berry's "Brown Eyed Handsome Man," was itself copied a few years later by The Beach Boys on "Surfin' U.S.A.". For the follow-up, "Rebel 'Rouser", the record featured overdubbed saxophone by Los Angeles session musician Gil Bernal, and yells and handclaps by doo-wop group The Rivingtons. The tune became Eddy's breakthrough hit, reaching number 6 on the Billboard Hot 100 chart. It sold over one million copies, earning Eddy his first gold disc.
Eddy had a succession of hit records over the next few years, and his band members, including Steve Douglas, saxophonist Jim Horn and keyboard player Larry Knechtel would go on to work as part of Phil Spector's Wrecking Crew. According to writer Richie Unterberger, "The singles - 'Peter Gunn,' 'Cannonball,' 'Shazam,' and 'Forty Miles of Bad Road' were probably the best - also did their part to help keep the raunchy spirit of rock & roll alive, during a time in which it was in danger of being watered down." On January 9, 1959, Eddy’s debut album, Have 'Twangy' Guitar Will Travel, was released, reaching number 5, and remaining on the album charts for 82 weeks. Eddy's biggest hit came with the theme to the movie Because They're Young in 1960, which featured a string arrangement, and reached a chart peak of number 4 in America and number 2 in the UK in September 1960. It became his second million selling disc. Eddy's records were equally successful in the UK, and in 1960, readers of the UK's NME voted him World's Number One Musical Personality, ousting Elvis Presley.
In 1960 Eddy signed a contract direct with Jamie Records, bypassing Sill and Hazlewood. This caused a temporary rift between Eddy and Hazlewood. The result was that for the duration of his contract with Jamie, Eddy produced his own singles and albums.
"Duane Eddy and the Rebels" became a frequent act on The Dick Clark Show.
During the 1960s Eddy launched an acting career, appearing in such films as A Thunder of Drums, The Wild Westerners, Kona Coast, The Savage Seven, and two appearances on the television series Have Gun–Will Travel. He married singer Jessi Colter in 1962 and that same year he signed a three-year contract with Paul Anka's production company, Camy, whose recordings were issued on the RCA Victor label. It was in the early days of recording in RCA's studios that he renewed contact with Lee Hazlewood, who became involved in a number of his RCA released singles and albums. Eddy's 1962 single release, "(Dance With) The Guitar Man", co-written with Hazlewood, earned his third gold disc by selling a million records.
In the 1970s, he produced album projects for Phil Everly and Waylon Jennings. In 1975, a collaboration with hit songwriter Tony Macaulay and former founding member of The Seekers, Keith Potger, led to another UK top ten record, "Play Me Like You Play Your Guitar". The single, "You Are My Sunshine", featuring Willie Nelson and Waylon Jennings, hit the country charts in 1977. He also recorded an album of completely acoustic music, Songs of Our Heritage.
In 1986, Eddy recorded with Art of Noise, remaking his 1960 version of Henry Mancini's "Peter Gunn". The song was a Top Ten hit around the world, ranking number 1 on Rolling Stone's dance chart for six weeks that summer. "Peter Gunn" won the Grammy for Best Rock Instrumental of 1986. It also gave Eddy the distinction of being the only instrumentalist to have had Top 10 hit singles in four different decades in the UK. (Although his 1975 top 10 hit featured a female vocal group).
The following year, Duane Eddy, was released on Capitol. Several of the tracks were produced by Paul McCartney, Jeff Lynne, Ry Cooder, and Art of Noise. Guest artists and musicians included John Fogerty, George Harrison, Paul McCartney, Ry Cooder, James Burton, David Lindley, Phil Pickett, Steve Cropper, and original Rebels, Larry Knechtel and Jim Horn. The album included a cover of Paul McCartney's 1979 instrumental, "Rockestra Theme". In 1992 Eddy recorded a duet with Hank Marvin on Marvin's album Into the Light, with a cover version of The Chantays' 1963 hit "Pipeline".
In the spring of 1994, Eddy was inducted into the Rock and Roll Hall of Fame. Eddy's "Rebel Rouser" was featured that same year in Forrest Gump. Oliver Stone's Natural Born Killers used "The Trembler", a track written by Eddy and Ravi Shankar. Also in 1994, Eddy teamed up with Carl Perkins and The Mavericks to contribute "Matchbox" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. Eddy was the lead guitarist on Foreigner's 1995 hit "Until the End of Time", which reached the top ten on the Billboard Adult Contemporary chart. In 1996, Eddy played guitar on Hans Zimmer's soundtrack for the film Broken Arrow.
On 5 April 2000, at the Ryman Auditorium in Nashville, Tennessee, the title "Titan of Twang" was bestowed upon Eddy by the mayor.
In 2004, Eddy was presented with the Guitar Player Magazine "Legend Award". Eddy was the second recipient of the award, the first being presented to Les Paul. Among those who have acknowledged his influence are George Harrison, Dave Davies, Hank Marvin, the Ventures, John Entwistle, Bruce Springsteen, Adrian Belew, Bill Nelson, and Mark Knopfler.
In October 2010, Eddy returned to the UK at a sold out Royal Festival Hall in London, at which he was given a standing ovation before he had played a note or spoken a word. Following the concert an equally appreciative ovation was bestowed upon him.
This success promulgated the subsequent album for Mad Monkey/EMI, which was produced by Richard Hawley in Sheffield, England. The album, Road Trip, was released on 20 June 2011. Mojo placed the album at number 37 on its list of "Top 50 albums of 2011." Eddy performed at the Glastonbury Festival on 26 June 2011.
Eddy was the first rock and roll guitarist to have a signature model guitar. In 1960, Guild Guitars introduced the Duane Eddy Models DE-400 and the deluxe DE-500. A limited edition of the DE-500 model was reissued briefly in 1983 to mark Eddy's 25th anniversary in the recording industry. The Gretsch "Chet Atkins 6120" model has long been associated with Eddy. In 1997, Gretsch Guitars started production of the Duane Eddy Signature Model, the Gretsch 6120-DE. In 2004, The Gibson Custom Art and Historic Division introduced the new Duane Eddy Signature Gibson guitar. A new Gretsch G6120DE Duane Eddy Signature model was released in Spring 2011.
Awards
Number One World Musical Personality in the NME Poll (UK: 1960)
Grammy Winner - Best Rock Instrumental - "Peter Gunn" (1986)
Grammy Nomination - Best Country Instrumental - (Doc Watson album) (1992)
Rock and Roll Hall of Fame Member (1994)
Rockwalk Induction (1997)
Presented with "Chetty" award by Chet Atkins (2000)
Guitar Player Magazine Legend Award (2004)
Musicians Hall of Fame Member (2008)
Mojo Icon Award (UK: 2010)
Goofus
Duane Eddy Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
A flaming youth who was bound that he'd fly away
I packed my grip and I grabbed my saxophone
Can't read notes, but I play anything by ear
I made up tunes on the sounds that I used to hear
When I'd start to play folks used to say
"Sounds a little Goofus to me"
Hold that note and change the key, that's called "Goofus"
Not according to the rules that you learn at music schools
But the folks just dance like fools, they go "Goofus"
Got a job but I just couldn't keep it long
The leader said that I played all the music wrong
So I stepped out with an outfit of my own
Got together a new kind of orchestree
And we all played just the same "Goofus" harmony
And I must admit we made a hit
The lyrics to Duane Eddy's song Goofus tell the story of a young man born on a farm in Ioway with a passion for music. He packed his grip and grabbed his saxophone, not being able to read notes but playing anything by ear. He would make up tunes on the sounds that he used to hear and whenever he started playing, people used to say "Sounds a little Goofus to me". The man embraces this and explains that rustic harmony and cornfed chords appeal to him. Even though they are not according to the rules you learn in music schools, people still dance to "Goofus".
He eventually gets a job playing music, but the leader fires him because he played all the music wrong. As a result, he starts his own orchestra that plays a unique style of music that they call "Goofus". Despite this unconventional approach to music, the man and his orchestra make a hit. The lyrics are a celebration of one's individuality and the idea that you should embrace your unique talents, even if they go against the norm.
Line by Line Meaning
I was born on a farm out in Ioway
I grew up in a rural area in the state of Iowa
A flaming youth who was bound that he'd fly away
As a young man, I was eager to leave and experience the world
I packed my grip and I grabbed my saxophone
I packed my bags and took my saxophone with me
Can't read notes, but I play anything by ear
I never learned how to read sheet music, but I can play any tune by ear
I made up tunes on the sounds that I used to hear
I improvised music based on the sounds I heard around me
When I'd start to play folks used to say
When I began to play my sax, people would comment
"Sounds a little Goofus to me"
"Your music sounds unconventional and non-standard to me"
Cornfed chords appeal to me, I like rustic harmony
I enjoy playing simple, country-style chords and harmonies
Hold that note and change the key, that's called "Goofus"
By holding a note and changing the key, I create a style of music I call "Goofus"
Not according to the rules that you learn at music schools
My music doesn't conform to traditional rules taught in music schools
But the folks just dance like fools, they go "Goofus"
Despite not being traditional, people still enjoy dancing to my "Goofus" music
Got a job but I just couldn't keep it long
I found work as a musician, but I didn't last very long in that job
The leader said that I played all the music wrong
The bandleader didn't like the way I played music and thought I was doing it all wrong
So I stepped out with an outfit of my own
I left that job to form my own band
Got together a new kind of orchestree
I gathered other musicians to form a unique type of band
And we all played just the same "Goofus" harmony
Me and my bandmates played the same unconventional "Goofus" music
And I must admit we made a hit
Our music was successful, and I have to admit it
Lyrics © Warner Chappell Music, Inc.
Written by: WILLIAM HAROLD, GUS KAHN, WAYNE KING
Lyrics Licensed & Provided by LyricFind