Born in Montclair, New Jersey, in 1969, Duncan Sheik grew up in South Carolina but spent many of his early years staying with his grandparents in New Jersey. Inspired to play the piano while there, he later switched to electric guitar and performed in bands throughout high school. A fan of musical theater from a young age, he also acted in school plays and attended the occasional Broadway show with his mother. While studying at Brown University, he played in a band with Lisa Loeb but began shopping his own demo tape soon after graduation. After moving to Los Angeles, he appeared with His Boy Elroy on a 1993 album for Epic, and spent several years writing songs before he signed a solo deal with Atlantic.
Atlantic released his debut album, the Rupert Hine-produced Duncan Sheik, in mid-1996, with the single "Barely Breathing" following later in the year. The song reached number 16 on the Hot 100, and after another single, "Reasons for Living," appeared on the soundtrack to the hit TV show ER in late 1996, the debut peaked at number 83 on the Billboard 200. Also produced with Hine, the follow-up, Humming, arrived on Atlantic in 1998 and reached number 163.
Nonesuch issued 2001's self-produced Phantom Moon, a more orchestral collaboration between Sheik and poet/playwright/lyricist Steven Sater, who provided its lyrics. It featured appearances by the London Session Orchestra and guitarist Bill Frisell. Though it failed to reach the Billboard 200, Sheik returned to the chart with his fourth album, 2002's Daylight, which reached number 110. It would be his final release with Atlantic. In 2002, Sheik also composed music for a New York Shakespeare Festival's production of Twelfth Night.
Continuing to split his focus between songwriting and composition, Sheik wrote the film score for the 2004 romantic drama A Home at the End of the World as well as music for the 2005 documentary Through the Fire. He offered up his fifth studio LP, While Limousine, on the Zoë label in 2006. Its insightful lyrics didn't shy away from sociopolitical territory. In the meantime, he had collaborated with Sater on a rock musical based on the 19th century German play Spring Awakening, a story concerned with teenaged sexuality. With a book and lyrics by Sater and music by Sheik, Spring Awakening opened off-Broadway in May 2006 before moving to Broadway's Eugene O'Neill Theatre in December of that year. The show ran for over two years and took home eight Tony Awards, including Best Musical, Best Book of a Musical, and Best Original Score. The Decca-issued cast album won a Grammy for Sheik and Sater.
Sheik composed the scores for projects including the Mary Stuart Masterson-directed film The Cake Eaters (2007) and the animated TV movie Little Spirit: Christmas in New York (2008) before presenting his next pop album, 2009's Whisper House. Featuring several duets with Holly Brook (Skylar Grey), the RCA Victor release spent a week at the number 181 spot on the Billboard 200. He scored the movie dramas Dare (2009) and Harvest (2010), then returned in 2011 with the covers album Covers 80s, which included backing vocals by Rachael Yamagata and Brook. Covers 80s Remixed appeared in 2012.
Next up for Sheik was a musical adaptation of Bret Easton Ellis' American Psycho featuring a book by Roberto Aguirre-Sacasa and music, lyrics, and orchestrations all by Sheik. It opened in London in 2013. He released another solo album, a song cycle titled Legerdemain (2015), and premiered the musical thriller Noir (2015) at Vassar College before American Psycho had its Broadway premiere in March 2016. The original London cast recording arrived on Concord Records the same month. Based on Lewis Carroll's Alice's Adventures in Wonderland, another Sheik-Sater musical collaboration, Alice by Heart, opened off-Broadway in early 2019. The original cast recording was released by Ghostlight later in the year. 2019 also saw the off-Broadway opening of the musical The Secret Life of Bees, featuring music by Sheik and lyrics by Tony nominee Susan Birkenhead (Working, Jelly's Last Jam).
His first concert album, Live at the Cafe Carlyle, followed on Sneaky Studios/Missing Piece in late 2020. Compiled from a week of shows in October 2017, its set list spanned "Barely Breathing," songs from Spring Awakening, and previously unreleased covers of Radiohead and Tom Petty. An HBO documentary about the 15th anniversary concert of the hit musical, Spring Awakening: Those You've Known, premiered in May 2022 and was followed in June by Claptrap, Sheik's first solo studio album in seven years. It arrived on the New York-based Antifragile Music label.
Biography by Marcy Donelson
Far Away
Duncan Sheik Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
If, too soon again, you wander
Far away, far away
Let this, too, be with you
An old tune somewhere within you
Far away, far away
Falling through the autumn evening
The passing ghosts and scattered leaves
If, again, you love him
If, too soon again, you love him
Far away, far away
Let this, too, be with him
Humming smoothly when you kiss him
Far away, far away
Haunting all the talk, and stalling
Every hope of sleep
Calling to some distant longing
Another soul within your sheets
If, some day, you love me
If, in truth, some day, you love me
Far away, far away
Let the words within you
Whisper to you how I miss you
Far away, far away
For if, some day, I wander
Then, too soon, I too will wander
Far away, far away
Far away, far away, far away
Calling to your heart, and stealing
All the want away
The song "Far Away" by Duncan Sheik is a melancholic ballad that explores the complexities of love and heartbreak. The lyrics speak to the experience of being in a relationship that is plagued by distance, both physical and emotional. The song is a plea to a lover to hold on to memories and feelings of the relationship, even if they are far away.
The song begins with a warning to the lover that they may wander again, and that they should hold onto an old tune that will remind them of their love. The verses paint a vivid picture of a lonely, autumnal landscape, where the passing ghosts and scattered leaves represent the fleeting nature of love. The chorus then shifts to address the lover directly, asking them to hold onto the memories of their relationship, humming the tune when they think of their partner.
The second verse speaks to the loneliness and longing that often comes with distance, calling to a "distant longing" and the presence of "another soul within your sheets." The final verse speaks to the uncertainty of love, acknowledging that the singer may also wander, and that their partner should hold onto the words of the song that express how much they miss each other.
Overall, "Far Away" is a beautifully written and performed song that captures the feeling of heartbreak and longing that can come with distance in a relationship.
Line by Line Meaning
If, again, you wander
If you find yourself wandering once more
If, too soon again, you wander
If you find yourself wandering again too soon
Far away, far away
To a distant place
Let this, too, be with you
May this memory stay with you as well
An old tune somewhere within you
A familiar melody deep inside you
Falling through the autumn evening
Drifting aimlessly through the fall night
Every darkened street, calling to forgotten feeling
Each dimly lit avenue reminding you of forgotten emotions
The passing ghosts and scattered leaves
The transient spirits and fallen foliage
If, again, you love him
If you find that you love him once more
If, too soon again, you love him
If you find that you love him again too soon
Let this, too, be with him
May this memory be with him as well
Humming smoothly when you kiss him
A melody humming effortlessly within you as you kiss him
Haunting all the talk, and stalling
Occupying your thoughts and preventing progress
Every hope of sleep
Every attempt at restfulness
Calling to some distant longing
Summoning an unreachable desire
Another soul within your sheets
Another being beside you in bed
If, some day, you love me
If you ever fall in love with me
If, in truth, some day, you love me
If you ever genuinely love me
Let the words within you
Let the words inside you
Whisper to you how I miss you
Tell you how I long for you in a whisper
For if, some day, I wander
In case I wander someday
Then, too soon, I too will wander
Then I'll wander too soon as well
Far away, far away
To a distant place
Calling to your heart, and stealing
Pleading with and taking from your heart
All the want away
All of the desire disappearing
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: STEVEN SATER, DUNCAN SHEIK
Lyrics Licensed & Provided by LyricFind