Also part of A Winged Victory for the Sullen.
A self-taught pianist … Read Full Bio ↴Also part of A Winged Victory for the Sullen.
A self-taught pianist from the age of 7, Dustin O'Halloran's personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin's quiet rise to notoriety and his continued ascension.
Having gained serious recognition with his stunning score to Sofia Coppola's 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen's An American Affair (2010) and Drake Doremus' Sundance-winning Like Crazy (2011), Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat's dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O'Halloran's musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid's Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.
Dustin's rock background - primarily with Bella Union's “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part, Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin's work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin's synaesthesia, a condition he first noticed around the time of his performance at New York's Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin's expressiveness is beyond compare.
Lumiere is Dustin's third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920's Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin's ambitions and designs developed. The path, of course, would eventually lead him to Lumiere's majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work's primary timbre without losing any of the affection for the instrument that bore his first two records.
A sublime solo live album - entitled Vorleben – was released by FatCat / 130701 in June 2010.
(2) American post-classical pianist and composer Dustin O'Halloran (born September 1971) began his musical life a guitarist. He has claimed in interviews that he didn't really begin to study the piano in earnest until he was in college and studying music. While attending Santa Monica College, he met Sara Lov and started the band Dévics. The quartet released four albums and six singles on Bella Union between 1998 and 2006. O'Halloran began to take the piano seriously while with the band, and then in formal music studies in both Italy and Berlin (where he now resides). He released his first two albums, entitled Piano Solos, Vol. 1 and Piano Solos, Vol. 2 on Bella Union in 2004 and 2006, respectively. During the latter year he was given the opportunity to score filmmaker Sofia Coppola's film Marie Antoinette. In 2009, he composed the score for director William Olsen's An American Affair, which was released on the Filter imprint before the film. In 2010, he scored director Drake Doremus' feature Like Crazy (which won an award at the Sundance Film Festival in 2011). Lumiere, his debut album for Fat Cat's orchestral 130701 imprint was issued in February 2011 to stellar reviews. It featured O'Halloran's piano in a slightly more populated sonic field that included other musicians like the ACME Quartet, Stars of the Lid's Adam Wiltzie, and fellow composer Peter Broderick. This was followed by a live solo piano recording, Vorleben, on the same label in June of that year. ~ Thom Jurek, Rovi
A self-taught pianist … Read Full Bio ↴Also part of A Winged Victory for the Sullen.
A self-taught pianist from the age of 7, Dustin O'Halloran's personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin's quiet rise to notoriety and his continued ascension.
Having gained serious recognition with his stunning score to Sofia Coppola's 2006 film Marie Antoinette (which sits neatly alongside his soundtrack work for William Olsen's An American Affair (2010) and Drake Doremus' Sundance-winning Like Crazy (2011), Dustin has quickly become one of the most recogniseable names in the broad-reaching “post-classical” field, a definition of the genre rather than vice-versa. Now sitting alongside peers and friends Max Richter, Hauschka and Johann Johannsson (who, incidentally, aided Dustin in mixing his newest album) on FatCat's dedicated orchestral imprint 130701, new album Lumiere is a glowing addition to O'Halloran's musical canon, at once an amalgamation of everything that his music has been leading up to, and an unprecedented step forwards in terms of timbral palette and harmony. Featuring NYC’s ACME Quartet, Stars Of The Lid's Adam Wiltzie and prodigious young composer Peter Broderick among the guest musicians, the scale of Lumiere is expansive: “it made me realize how important it is to find players that truly understand what you do and to create a language with them,” writes Dustin.
Dustin's rock background - primarily with Bella Union's “dream-pop” outfit Devics – has yielded an unassuming, perceptive approach to composing modern classical pieces. Inspired by, among others, Arvo Part, Philip Glass, Hans Otte, John Luther Adams, Olivier Messiaen, Ennio Morricone, Gavin Bryars, there is no lack of articulation or academic musicality in Dustin's work, but there is also none of the aloofness or detachment that is so readily perceived around contemporary classical music. This can perhaps be attributed to the environments in which Dustin has worked - Lumiere is full of those rare elements of life shared by both vibrant cities and lush countrysides: colour, both organic and rich, sensorial intrigue and a deep awareness of space. Or perhaps it is a product of Dustin's synaesthesia, a condition he first noticed around the time of his performance at New York's Guggenheim Museum for their Kandisnky retrospective and 50th anniversary gala. Able to visualize his compositions as vividly as a painter might see his own work, Dustin's expressiveness is beyond compare.
Lumiere is Dustin's third solo full-length, following Bella Union albums released in 2004 and 2006 respectively (Piano Solos vol. 1 and Piano Solos vol. 2). These two records were originally opportunity for Dustin to express a non-Devics creative streak: gently and privately pieced together piano suites written and recorded on a beautifully-restored 1920's Sabel piano in his Italian farmhouse. The compositions, however, gradually grew into fully-formed solo pieces as Dustin's ambitions and designs developed. The path, of course, would eventually lead him to Lumiere's majestic, swooning ensemble arrangements and a focus-shift away from the piano as his work's primary timbre without losing any of the affection for the instrument that bore his first two records.
A sublime solo live album - entitled Vorleben – was released by FatCat / 130701 in June 2010.
(2) American post-classical pianist and composer Dustin O'Halloran (born September 1971) began his musical life a guitarist. He has claimed in interviews that he didn't really begin to study the piano in earnest until he was in college and studying music. While attending Santa Monica College, he met Sara Lov and started the band Dévics. The quartet released four albums and six singles on Bella Union between 1998 and 2006. O'Halloran began to take the piano seriously while with the band, and then in formal music studies in both Italy and Berlin (where he now resides). He released his first two albums, entitled Piano Solos, Vol. 1 and Piano Solos, Vol. 2 on Bella Union in 2004 and 2006, respectively. During the latter year he was given the opportunity to score filmmaker Sofia Coppola's film Marie Antoinette. In 2009, he composed the score for director William Olsen's An American Affair, which was released on the Filter imprint before the film. In 2010, he scored director Drake Doremus' feature Like Crazy (which won an award at the Sundance Film Festival in 2011). Lumiere, his debut album for Fat Cat's orchestral 130701 imprint was issued in February 2011 to stellar reviews. It featured O'Halloran's piano in a slightly more populated sonic field that included other musicians like the ACME Quartet, Stars of the Lid's Adam Wiltzie, and fellow composer Peter Broderick. This was followed by a live solo piano recording, Vorleben, on the same label in June of that year. ~ Thom Jurek, Rovi
Fragile N. 4
Dustin O'Halloran Lyrics
We have lyrics for these tracks by Dustin O'Halloran:
Form Is Dead "Dead Hearts" Tell me everything that happened Tell me ever…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@pdan4
I met a girl. She only told me her nickname, Storm.
She used to say love was a weakness. She hated herself.
I sent her to this song.
She felt love.
Her Facebook account was banned. I have no contact with her.
Her name was Storm.
She was Ṯwilight Pøny.
She was my best friend.
-pdan4.0@gmail.com
Edit for history: I wrote this a very long time ago (from my perspective). Back when (melo)drama was a lot more interesting :P. I was still friends with her for a while after I sent her this song - it wasn't all gloom. That was just a focus of those teenage years. All that matters to me now is that she is happy - I wish that for everyone. I'm fine with not finding her, she's her own person of course, like any other friend from an age ago. No worries. I am still dating the same amazing woman - who is now a greater best friend than I could have ever envisioned - from a year before I even made the original post (also met her, Ali, on Facebook, a month after Storm no less - it's been 8 years and a few months now in April 2020). Thanks for all the care, though. Don't let the sadness hang around too long - there's so much more than that, whatever the circumstance. Don't let bad become familiar become good. If you dig in, you should zoom out; a balance of focus and intensity. Don't burn a hole in your brain, and that includes over time! Don't dilute the goods in life, over time or even in a moment. God bless, and keep listening to epic music!
P.S. If anyone reading this needs someone to talk to - I'm here.
@abigailgutierrez644
I know you will never see this, but this is how i feel when i think about you.
@natalia1874
i don't even know how to describe how i feel when i hear this song...simply beautiful and sublime
@Gilsworth
It has been 10 years since you made this comment. I want to welcome you back to this song, you may have listened to it 10 minutes ago or you may have last listened to it 10 years ago, whatever the case, I want to welcome you back to this sublime ethereal song.
@jase123111
Haha😂. I love this music. Makes me jsut feel carefree and relaxed and happy.
@racoon17
Thank you for this magnificent arrangements, Mr. O'Halloran. I've listened to it a couple years ago yet the feeling stays the same.
@hafidaouafi8223
C beau
@jailine7872
Like Crazy feels.
@joanmateus7522
la transparencia de esta composición permite sentir claramente la maravilla de sus sentimientos.
me encanta.
@ethomfactusest
Very beautiful indeed. Also and interestingly, inspired by the animation, I decided to open the this in another window an play on a slight delay. Still sounds amazing and very much sounds what the animations looks like. Dustin, you’re a legend!!
@kohinar
I love this song!! It's like my mood, i can listen it again and again!!!! :)