Yoakam was born in Pikeville, Kentucky, the son of Ruth Ann, a key-punch operator, and David Yoakam, a gas-station owner. He was raised in Columbus, Ohio. He graduated from Columbus's Northland High School in 1974. During his high school years, he excelled in both music and drama, regularly securing the lead role in school plays, such as "Charlie" in a stage version of Flowers for Algernon, honing his skills under the guidance of teacher-mentors Jerry McAfee (music) and Charles Lewis (drama). Outside of school, Yoakam sang and played guitar with local garage bands, and entertained his friends and classmates with his impersonations, such as Richard Nixon, who, at the time, was heavily embroiled in the Watergate controversy.
Yoakam briefly attended Ohio State University, but dropped out and moved to Nashville in 1977 with the intent of becoming a recording artist. Later on, Ohio Valley University in Parkersburg, West Virginia awarded and presented Dwight with an honorary doctorate degree on May 7, 2005.
When he began his career, Nashville was oriented toward pop "urban cowboy" music, and Yoakam's brand of hip honky tonk music was not considered marketable.
Not making much headway in Nashville, Yoakam moved to Los Angeles and worked towards bringing his particular brand of new Honky Tonk or "Hillbilly" music (as he called it) forward into the 1980s. Writing all his own songs, and continuing to perform mostly outside traditional country music channels, Yoakam did many shows in rock and punk rock clubs around Los Angeles, playing with roots rock or punk rock acts like The Blasters (Yoakam scored a small video hit with his version of their song "Long White Cadillac"), Los Lobos, and X. This helped him diversify his audience beyond the typical country music fans, and his authentic, groundbreaking music is often credited with rock audiences accepting country music.
Yoakam's recording debut was the self-financed EP Guitars, Cadillacs, Etc., Etc. on independent label Oak Records produced by lead-guitarist Pete Anderson; this was later re-released by Reprise records, with several additional tracks, as his major-label debut LP, 1986's Guitars, Cadillacs, Etc., Etc.. It launched his career. "Honky Tonk Man", a remake of the Johnny Horton song, and "Guitars, Cadillacs" were hit singles. His stylish video "Honky Tonk Man" was the first country music video ever played on MTV. The follow-up LP, Hillbilly Deluxe, was just as successful. His third LP, Buenas Noches from a Lonely Room, included his first No. 1, a duet with his musical idol, Buck Owens, on "Streets of Bakersfield". 1990's If There Was a Way was another best-seller.
Yoakam's song "Readin', Rightin', Route 23" pays tribute to his childhood move from Kentucky, and is named after a local expression describing the route that rural Kentuckians took to find a job outside of the coal mines. (U.S. Route 23 runs north from Kentucky through Columbus and Toledo, Ohio and through the automotive centers of Michigan.) Rather than the standard line that their elementary schools taught "the three Rs" of "Readin', 'Ritin', and 'Rithmetic", Kentuckians used to say that the three Rs they learned were "Readin', 'Ritin, and Route 23 North".
Johnny Cash once cited Yoakam as his favorite country singer. Chris Isaak called him as good a songwriter that ever put a pen to paper. Time Magazine dubbed Yoakam "A Renaissance Man" and Vanity Fair declared that "Yoakam strides the divide between rock's lust and country's lament." Along with his bluegrass and honky-tonk roots, Yoakam has written or covered many Elvis Presley-style rockabilly songs, including his covers of Queen's "Crazy Little Thing Called Love" in 1999 and Presley's "Suspicious Minds" in 1992. He recorded a cover of The Clash's "Train in Vain" in 1997, a cover of the Grateful Dead song "Truckin'", as well as Cheap Trick's "I Want You to Want Me". Yoakam has never been associated only with Country music; on many early tours, he played with Hardcore Punk bands like Hüsker Dü, and played many shows around Los Angeles with Roots/Punk/Rock & Roll acts. His middle-period-to-later records saw him branching out to different styles, covering Rock & Roll, Punk, 1960's, Blues-based "Boogie" like ZZ Top, and writing more adventurous songs like "A Thousand Miles From Nowhere". In 2003, he provided background vocals on Warren Zevon's last album The Wind.
In the 21st century, Yoakam released dwightyoakamacoustic.net, an album featuring solo acoustic versions of many of his hits; left his major label and started his own label.
2005 saw the release of Yoakam's well-reviewed album Blame the Vain, on New West Records. Yoakam also released an album dedicated to Buck Owens, Dwight Sings Buck, on October 23, 2007. His duet with Michelle Branch, a song titled "Long Goodbye", was released as a free download on Branch's official website in early 2011.
In July 2011, Yoakam re-signed with Warner Bros. Nashville and announced plans to release a new album. 3 Pears was released on September 18, 2012 with twelve new tracks. The album, produced by Yoakam, includes collaborations with Kid Rock, Beck, and Ashley Monroe. 3 Pears was released to resounding critical acclaim and earned Yoakam the highest-charting debut of his career on the Billboard 200 and Billboard Country Albums charts. 3 Pears reached #1 on the Americana Radio chart on October 29, 2012 and went on to break the 2012 record for most weeks at #1 on Americana Radio.[4] By the end of 2012, the album was named on annual best of lists by NPR, Rolling Stone, American Songwriter, AOL's The Boot, Entertainment Weekly, The Village Voice, and Rhapsody, and has been included in more critic's "best of 2012" lists than any other artist in the country genre.
Yoakam won the Grammy Award for "Best Male Country Vocal Performance" in 1993 for the song "Ain't That Lonely Yet". He was also named "Artist of the Year" by CMT Europe in 1993 and given the International Touring Artist Award by CMA in 2007.
In 2011, Yoakam received the Cliffie Stone Pioneer Award for his trailblazing achievements in the country music genre.
Free to Go
Dwight Yoakam Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
How time can alter any plan then gently lead you to know
Truth hopes lies will never show
Oh that love only pauses for a while and is always free to go
Honey I learned not to seek
Any promise hearts must keep after mine had come to know
And disappointedly so
At every fading glance I reach to take it in my hands
As if that touch might be the one last chance
And though all those distant dreams
Seldom turn out what they seem in the rush to let them grow
Their loss had taught me to know
That love only pauses for a while and is always free to go
At every fading glance I reach to take it in my hands
As if that touch might be the one last chance
Baby now I understand
How time can alter any plan then gently lead you to know
Truth hopes lies will never show
That love only pauses for a while and is always free to go
Yeah love only pauses for a while and is always free to go
In Dwight Yoakam's song "Free to Go," the lyrics suggest that he has learned from personal experience that love is never permanent and always has the potential to end. Yoakam speaks of how time can change one's plans and how the reality of love is not always as it appears. He has come to accept that seeking promises from the heart is fruitless, as disappointment is a common result. Yoakam suggests that he has experienced the loss of distant dreams, but has learned that these losses have taught him that love is a temporary state which merely "pauses for a while" before moving on.
The chorus repeats that love is only a temporary condition, and one that will always be free to leave. Yoakam speaks of how at every fading glance, he reaches out to grasp love, perhaps trying to hold onto it for just one more moment. However, he acknowledges the reality that, ultimately, love can never be grasped or held onto for long. The song suggests that Yoakam has come to terms with this truth and now understands how time alters the best-laid plans of mice and men, and that he has developed a sense of acceptance of the fleeting nature of love.
Line by Line Meaning
Baby now I understand
I have finally come to realize
How time can alter any plan then gently lead you to know
As time goes on, things change and people come to understand the truth
Truth hopes lies will never show
No matter how hard we try to hide the truth, it always finds a way to surface
Oh that love only pauses for a while and is always free to go
Love is temporary and can leave at any moment, no matter how much we try to hold onto it
Honey I learned not to seek
I have come to learn not to look for
Any promise hearts must keep after mine had come to know
I have learned not to expect hearts to keep their promises
And disappointedly so
And this has left me feeling disappointed
At every fading glance I reach to take it in my hands
Every time I see it fading away, I try to hold onto it
As if that touch might be the one last chance
As if that moment might be the last chance to save it
And though all those distant dreams
Even though all those far-off dreams
Seldom turn out what they seem in the rush to let them grow
Rarely turn out to be what they initially appear when we are in a hurry to make them real
Their loss had taught me to know
Losing them has taught me to understand
Yeah love only pauses for a while and is always free to go
Love is temporary and can leave at any moment, no matter how much we try to hold onto it
Lyrics © CONCORD MUSIC PUBLISHING LLC
Written by: DWIGHT YOAKAM
Lyrics Licensed & Provided by LyricFind
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