Yoakam was born in Pikeville, Kentucky, the son of Ruth Ann, a key-punch operator, and David Yoakam, a gas-station owner. He was raised in Columbus, Ohio. He graduated from Columbus's Northland High School in 1974. During his high school years, he excelled in both music and drama, regularly securing the lead role in school plays, such as "Charlie" in a stage version of Flowers for Algernon, honing his skills under the guidance of teacher-mentors Jerry McAfee (music) and Charles Lewis (drama). Outside of school, Yoakam sang and played guitar with local garage bands, and entertained his friends and classmates with his impersonations, such as Richard Nixon, who, at the time, was heavily embroiled in the Watergate controversy.
Yoakam briefly attended Ohio State University, but dropped out and moved to Nashville in 1977 with the intent of becoming a recording artist. Later on, Ohio Valley University in Parkersburg, West Virginia awarded and presented Dwight with an honorary doctorate degree on May 7, 2005.
When he began his career, Nashville was oriented toward pop "urban cowboy" music, and Yoakam's brand of hip honky tonk music was not considered marketable.
Not making much headway in Nashville, Yoakam moved to Los Angeles and worked towards bringing his particular brand of new Honky Tonk or "Hillbilly" music (as he called it) forward into the 1980s. Writing all his own songs, and continuing to perform mostly outside traditional country music channels, Yoakam did many shows in rock and punk rock clubs around Los Angeles, playing with roots rock or punk rock acts like The Blasters (Yoakam scored a small video hit with his version of their song "Long White Cadillac"), Los Lobos, and X. This helped him diversify his audience beyond the typical country music fans, and his authentic, groundbreaking music is often credited with rock audiences accepting country music.
Yoakam's recording debut was the self-financed EP Guitars, Cadillacs, Etc., Etc. on independent label Oak Records produced by lead-guitarist Pete Anderson; this was later re-released by Reprise records, with several additional tracks, as his major-label debut LP, 1986's Guitars, Cadillacs, Etc., Etc.. It launched his career. "Honky Tonk Man", a remake of the Johnny Horton song, and "Guitars, Cadillacs" were hit singles. His stylish video "Honky Tonk Man" was the first country music video ever played on MTV. The follow-up LP, Hillbilly Deluxe, was just as successful. His third LP, Buenas Noches from a Lonely Room, included his first No. 1, a duet with his musical idol, Buck Owens, on "Streets of Bakersfield". 1990's If There Was a Way was another best-seller.
Yoakam's song "Readin', Rightin', Route 23" pays tribute to his childhood move from Kentucky, and is named after a local expression describing the route that rural Kentuckians took to find a job outside of the coal mines. (U.S. Route 23 runs north from Kentucky through Columbus and Toledo, Ohio and through the automotive centers of Michigan.) Rather than the standard line that their elementary schools taught "the three Rs" of "Readin', 'Ritin', and 'Rithmetic", Kentuckians used to say that the three Rs they learned were "Readin', 'Ritin, and Route 23 North".
Johnny Cash once cited Yoakam as his favorite country singer. Chris Isaak called him as good a songwriter that ever put a pen to paper. Time Magazine dubbed Yoakam "A Renaissance Man" and Vanity Fair declared that "Yoakam strides the divide between rock's lust and country's lament." Along with his bluegrass and honky-tonk roots, Yoakam has written or covered many Elvis Presley-style rockabilly songs, including his covers of Queen's "Crazy Little Thing Called Love" in 1999 and Presley's "Suspicious Minds" in 1992. He recorded a cover of The Clash's "Train in Vain" in 1997, a cover of the Grateful Dead song "Truckin'", as well as Cheap Trick's "I Want You to Want Me". Yoakam has never been associated only with Country music; on many early tours, he played with Hardcore Punk bands like Hüsker Dü, and played many shows around Los Angeles with Roots/Punk/Rock & Roll acts. His middle-period-to-later records saw him branching out to different styles, covering Rock & Roll, Punk, 1960's, Blues-based "Boogie" like ZZ Top, and writing more adventurous songs like "A Thousand Miles From Nowhere". In 2003, he provided background vocals on Warren Zevon's last album The Wind.
In the 21st century, Yoakam released dwightyoakamacoustic.net, an album featuring solo acoustic versions of many of his hits; left his major label and started his own label.
2005 saw the release of Yoakam's well-reviewed album Blame the Vain, on New West Records. Yoakam also released an album dedicated to Buck Owens, Dwight Sings Buck, on October 23, 2007. His duet with Michelle Branch, a song titled "Long Goodbye", was released as a free download on Branch's official website in early 2011.
In July 2011, Yoakam re-signed with Warner Bros. Nashville and announced plans to release a new album. 3 Pears was released on September 18, 2012 with twelve new tracks. The album, produced by Yoakam, includes collaborations with Kid Rock, Beck, and Ashley Monroe. 3 Pears was released to resounding critical acclaim and earned Yoakam the highest-charting debut of his career on the Billboard 200 and Billboard Country Albums charts. 3 Pears reached #1 on the Americana Radio chart on October 29, 2012 and went on to break the 2012 record for most weeks at #1 on Americana Radio.[4] By the end of 2012, the album was named on annual best of lists by NPR, Rolling Stone, American Songwriter, AOL's The Boot, Entertainment Weekly, The Village Voice, and Rhapsody, and has been included in more critic's "best of 2012" lists than any other artist in the country genre.
Yoakam won the Grammy Award for "Best Male Country Vocal Performance" in 1993 for the song "Ain't That Lonely Yet". He was also named "Artist of the Year" by CMT Europe in 1993 and given the International Touring Artist Award by CMA in 2007.
In 2011, Yoakam received the Cliffie Stone Pioneer Award for his trailblazing achievements in the country music genre.
Never Hold You
Dwight Yoakam Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Make plans what they'll do when
Someday you are no longer mine
I've heard 'em carry on about
How when I'm finally gone they're
Gonna treat you oh so fine
They'd never hold you if they tried
I could have told them
You bend and fold men who
Thought they would have you
As a prize
I could have told them
Those foolish soul'd men that
They'd never hold you if they tried
I've been made real aware of
Pleasure that they'll share with
You soon as I slip your mind
I've listened to 'em boast how
I'll just be a ghost once
They start takin' up your time
But I could have told them that
They'd never hold you if they tried
The lyrics of the song "Never Hold You" by Dwight Yoakam speak about how the singer is aware of the people around him watching him and making plans for when he is no longer with his partner. The singer states that he has already seen and heard people around him making plans about what they would do when he is no longer with his partner. However, he knows that they cannot hold her, no matter how much they try. He also speaks about the fact that his partner has the ability to bend and fold men who thought they could hold her. The singer knows that once he is out of her mind, other men will try to pursue her, but they will not be able to hold her as she is not an object to be owned.
Throughout the song, the singer speaks about how he is aware of the plans that are being made and what will happen in the future. He also knows that his partner will not give in to those plans and will always be free to be who she wants to be.
In conclusion, the lyrics of "Never Hold You" talk about how the singer is aware of the people around him making plans for when he is no longer with his partner. He also knows that they will not be able to hold her as she is not an object but a free spirit.
Line by Line Meaning
I've seen 'em watch you and
I have observed individuals watching and monitoring you
Make plans what they'll do when
They are devising plots to execute once
Someday you are no longer mine
You are no longer with me
I've heard 'em carry on about
I've heard them gossiping about
How when I'm finally gone they're
When I'm no longer around they
Gonna treat you oh so fine
Will treat you exceptionally well
But I could have told them that
However, I was already conscious that
They'd never hold you if they tried
They would never be able to keep you, even if they endeavoured
You bend and fold men who
You have the power to entice and defeat men who
Thought they would have you
Believed they could have you for themselves
As a prize
As if you were an achievement or reward
Those foolish soul'd men that
Those imprudent or gullible men, whom
I could have told them
I could have forewarned them
I've been made real aware of
I have been made explicitly cognizant of
Pleasure that they'll share with
The pleasure they will share with you
You soon as I slip your mind
The moment you forget about me
I've listened to 'em boast how
I've heard them proudly boast about
I'll just be a ghost once
That I will be nothing but a memory once
They start takin'up your time
They begin to consume your time
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
Susan
on Fast As You
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