I'll Remember
E.Q. Muzic Vol.2 Lyrics
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We'll sigh goodbye to all we ever had
Alone where we have walked together
I'll remember April and be glad
I'll be content you loved me once in April
Your lips were warm and love and spring were new
I'm not afraid of autumn and her sorrow
The fire will dwindle into glowing ashes
For flames live such a little while
I won't forget but I won't be lonely
I'll remember April and smile
In "I'll Remember April and be glad," the singer reminisces about a past love and the memories they shared during a beautiful April. As the day transitions into evening, they say goodbye to the love they once had. However, they won't forget the love and warmth they shared together during the spring season. The singer acknowledges that even though the flame that once burned brightly has dwindled into ashes, they won't be lonely because they will always remember the happiness and love that they once experienced.
The lyrics suggest that the singer has come to terms with the fact that their past love is now over, but they are not bitter about it. They choose to remember the good times instead of dwelling on the pain and heartache that comes with a breakup. The mention of April, the spring season, and the warmth of their love suggest a time of rejuvenation, growth, and new beginnings. Even as the autumn and its accompanying sorrow approach, the singer will remain content in their memories of April and the love they shared.
Line by Line Meaning
This lovely day will lengthen into evening
The beautiful day we're experiencing will eventually turn into night
We'll sigh goodbye to all we ever had
We'll sadly say goodbye to everything we shared
Alone where we have walked together
I'll be by myself in the places we used to go
I'll remember April and be glad
I'll recall our memories from the past and feel happy
I'll be content you loved me once in April
I'll be satisfied knowing that you loved me once in the past month of April
Your lips were warm and love and spring were new
I remember how warm your lips were and how we were experiencing new love during the spring season
I'm not afraid of autumn and her sorrow
I am not scared of entering the season of autumn and experiencing the sadness that accompanies it
For I'll remember April and you
Because I'll always remember the time we spent together in April
The fire will dwindle into glowing ashes
The flame between us will fade into something less significant
For flames live such a little while
The passion and love between us couldn't last forever
I won't forget but I won't be lonely
I'll never forget our time together, but I won't feel lonely because of it
I'll remember April and smile
I'll think back to our memories in April and smile
Lyrics © Universal Music Publishing Group
Written by: DON RAYE, GENE DE PAUL, PATRICIA JOHNSTON
Lyrics Licensed & Provided by LyricFind
@branchyapple
10:25 Tip1 - EQ parts create definition
12:29 Tip2 - Understand which parts of the sound you need and which parts you dont
13:30 clever thing with the guitar XD
14:28 Tip3 - Boost to find where the sound should sit in your mix
14:57 Tip4 - Listen
15:33 Have a good folder structure XD
16:56 Bonus Tip - EQ with your eyes closed
Thanks for the informative video man! Also I really appreciate those subtle jokes XD
@samiryi4728
That's a nice set of basic stuff you need to be aware of when equing sounds. I would like to contribute a couple of tips I have figured out during my career.
1. If you like cutting low-end rumble by HPF, try not to do that right before the fundamental frequency; cut one octave below that. For example, if your sound has a fundamental around 100 Hz, imagine where the fundamental could be while the instrument is playing an octave below, and cut there. If you really need to cut right below the fundamental, try a notch or high-slope peak.
2. Master using low shelves and high shelves to do three jobs at once, utilizing one band. If you pull a low shelf on hi-Q, you can boost the desired part of the spectrum by taking advantage of the boost that a low shelf creates when Q > 1. This technique sounds much better than HPF. Also, you can find EQs that allow you to shift shelves, which makes more bumps if you want them, or trade this bump for more cut right after (or before) shelf frequency.
3. If you like cutting resonances on vocals, try to keep your peaks in even order. I found that resonances mostly come from certain parts related to the construction of the microphone, such as capsule resonances and the body of the microphone. The same happens in speaker drivers and contributes to a parameter known as distortion. These points you want to cut in the upper mid/high spectrum of vocal recording are, for the most part, quite a periodic pattern (i.e., resonances appear at a fixed distance from each other). This helps with cutting out what really makes your vocals sound bad and keeping phase response relations between bands organized.
4. Properly managing the output of EQ helps the digital side of things preserve a good representation of your sound.
5. As a starter, try to use separate EQ instances for different approaches. Keep your cutting resonances separate from broad boosts; digital EQs can handle that much better.
6. Think of low frequencies as highways for everything above(or as a highway for other instruments). If your low-end sounds solid, every detail in the highs will be represented much more clearly. Sometimes while doing stem mastering, I see how the mixer tried to compensate for the lack of highs on vocals with boosts, where I can hear that bass is having quite a resonance in the highs, even if there's not much musical information in there and you can't hear resonance clearly. Eq on bass can drastically change how your other instruments sound.
7. If you're claiming yourself as a pro and you haven't utilized FIR eqs in free phase mode on critical sounds yet in your workflow, try it. DMG equilibrium is a killer in this type of approach. I'm able to shape sybilants not only by volume but also by phase, which is like time-managing certain sybilans.
@michaelgraflmusic
Glad to have found someone who doesn't shy away from getting a bit technical in his explanations but doesn't lose the focus on practical applications. That's rare.
@jaeosh
aye he def did that lol i love it #theprofessor
@symcronixblogzz5703
Yes man University knowledge for free plus with at home at 4am😂
@molixkorea
yeah on god
@ProgRockDan1
Yes so good
@SosaGJwz
❤
@nikolaudio
I love also that you’re not OVERTLY “quirky” and waste time joking like many vids, you add some nice funny humour but don’t stray away from being fast moving, clear and technical. Pls don’t change ur style it’s so mint
@sub-jec-tiv
Though i laughed hard when he dragged Rebecca Black Friday into his DAW to study a song he loves
@TotalDec
Exactly
@rome8180
There's one music production YouTuber I won't name who annoys the hell out of me with all his cutaways to memes. Not necessary.