Lady
EXID Lyrics


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Come on, come on, come on (come on ladies) (yeah)
Comeback to me, back to me, back boy (come on ladies) (yeah)
Comeback to me, back to me back, boy

Woah, woah, woah, woah, woah, woah, woah, woah, woah, woah, woah, woah

Come on, come on, come on
์•„์ง๋„ ๋‚œ ๋„ค ์•ž์— ์„œ์žˆ์ง€
๋ชจ๋ฉดํ•˜๊ณ  ์‹ถ์€ ๋ง˜ ์ปค์ ธ์žˆ์ง€
I can feel about your feeling
์ด๋Ÿฐ ๋„ค๊ฐ€ ๋ฏธ์›Œ can't you feel it?
๋ญ๊ฐ€ ๊ทธ๋ฆฌ ๊ธ‰ํ•ด no, no, no
๋Œ€ํ™”์กฐ์ฐจ ๋ชปํ•ด no, no, no
๋‚ด๊ฐ€ ๋„ ๋ถ™์žก์„ ์‹œ๋„์กฐ์ฐจ ๋ชปํ•˜๊ฒŒ ๊ตฌ๋„ค
์น˜์‚ฌํ•ด ์ง„์งœ ๋„ˆ ์™œ ์ด๋ ‡๊ฒŒ ๋ชป ๋ผ (come on, come on, come on)

Woo ๋งํ•˜์ง€ ์•Š์•„๋„ ๋Š๊ปด์ ธ (๋Š๊ปด์ ธ)
๊ทธ๋Ÿฌ์ง€ ๋ง๊ณ  ๋‚  ์•ˆ์•„์ค˜

(์—ฌ๊ธฐ์„œ ๊ทธ๋งŒ ๋‘˜) ์ž” ๋ง์€ ๋ง๊ณ  ๋‹ค์‹œ ๋Œ์•„๋ด my baby
Baby, just stop, baby just stop (oh yeah)

์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ

์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or


์‹ซ์–ด ๊ทธ๋Ÿฐ ๋„ค ํ‘œ์ •
์•„๋ฌด๋ฆฌ ์ƒ๊ฐํ•ด๋„ ์ด๊ฑด ์•„๋‹ˆ๋ž˜๋„ ๋‚œ ๋ชป ๋ฐ›์•„๋“ค์—ฌ

์ง€๊ธˆ์ด๋ผ๋„ rewind ์‹œ์ผœ์ค˜ ๋”๋Š” ์•ˆ ๋ฌผ์„๊ฒŒ ๋„ค ์ฑ…, ์ฑ…, ์ฑ…์ž„
๊นจ์ง„ ์œ ๋ฆฌ์ฒ˜๋Ÿผ ์•ˆ ๋ถ™๋”๋ผ๋„ ๋‚ด๊ฐ€ ๋ถ™์—ฌ๋ณผ๊ฒŒ let's get, get, get it (come on, come on, come on)

Woo ๊ทธ๋Ÿฐ ๋งํ•˜์ง€ ๋ง์•„์ค˜
๊ทธ๋ƒฅ ์žฅ๋‚œ์ด์—ˆ๋‹ค ๋งํ•ด์ค˜

(์—ฌ๊ธฐ์„œ ๊ทธ๋งŒ ๋‘˜) ์ž” ๋ง์€ ๋ง๊ณ  ๋‹ค์‹œ ๋Œ์•„๋ด my baby
Baby, just stop, baby just stop (come on, come on, come on)

์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ

์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or

์ด๋ ‡๊ฒŒ ๋‚ด์ผ์ด ์ง€๋‚˜๋ฉด
๋งค์ผ์ด ํž˜๋“ค ๊ฒƒ ๊ฐ™์•„
์•„๋ฌด ์ง“๋„ ํ•˜์ง€๋งˆ
์‹œ๊ฐ„์ด ๊ณ„์† ํ˜๋Ÿฌ๊ฐ„๋Œ€๋„
๋„Œ ๋‚ด๊ฒŒ ๋‚ด๊ฒŒ you are ma babe, yeah

Baby let's get it, boy don't fake it
Dum muh dum muh dum
Dum muh dum muh dum

Baby let's get it, boy don't fake it
Dum muh dum muh dum
Dum muh dum muh dum dum dum

(Come on ladies) (yeah)
Dum muh dum muh dum
Dum muh dum muh dum

(Come on ladies) (yeah)
Dum muh dum muh dum, dum muh dum muh dum dum dum (come on, come on, come on)

Come on, come on, come on
์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ





์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or

Overall Meaning

The song "Lady" by EXID is a plea for a lover to come back to the singer. The opening verses describe the singer standing in front of the lover, wanting to reconcile and feeling their own desire grow stronger. However, the lover seems busy and is not responding to the singer's attempts to communicate. Despite the singer's efforts to hold onto the relationship, they are unable to do so and eventually become tired of trying. The chorus features the singer asking the lover to stop playing games and come back, with a repetition of "dum muh dum muh dum" emphasizing the frustration and desperation of the situation.


The song's bridge signals a change of tone, with the singer expressing fear that if the lover doesn't return, life will become difficult and empty. The final pre-chorus includes the line "๋„Œ ๋‚ด๊ฒŒ ๋‚ด๊ฒŒ you are ma babe" (you are my babe to me), indicating that the singer still loves the lover and wants them to return. The chorus reprises and ends the song in the same desperate tone.


Overall, the lyrics of "Lady" express a strong desire for a lost lover to return, with a sense of frustration, sadness, and fear that permeates the song.


Line by Line Meaning

Come on, come on, come on (come on ladies) (yeah)
Encouraging the ladies to come closer or to come back to the singer, promising they will enjoy the company.


Comeback to me, back to me, back boy (come on ladies) (yeah)
Requesting the boy to come back to the singer, who is trying to satisfy her heart's desire.


Woah, woah, woah, woah, woah, woah, woah, woah, woah, woah, woah, woah
Vocalizing the singer's impatience and eagerness.


์•„์ง๋„ ๋‚œ ๋„ค ์•ž์— ์„œ์žˆ์ง€
The singer is still standing in front of the boy she likes, hoping to meet him.


๋ชจ๋ฉดํ•˜๊ณ  ์‹ถ์€ ๋ง˜ ์ปค์ ธ์žˆ์ง€
She is eager to see him again, and her longing is growing stronger.


I can feel about your feeling
The singer is trying to understand the boy's emotions to determine if he shares the same feelings as her.


์ด๋Ÿฐ ๋„ค๊ฐ€ ๋ฏธ์›Œ can't you feel it?
The singer is expressing annoyance with the boy's behavior, wishing he could see her perspective.


๋ญ๊ฐ€ ๊ทธ๋ฆฌ ๊ธ‰ํ•ด no, no, no
Expressing her refusal to act hastily and make rash decisions relating to the boy's actions.


๋Œ€ํ™”์กฐ์ฐจ ๋ชปํ•ด no, no, no
The singer is not capable of communicating effectively with the boy, denying casual conversation.


๋‚ด๊ฐ€ ๋„ ๋ถ™์žก์„ ์‹œ๋„์กฐ์ฐจ ๋ชปํ•˜๊ฒŒ ๊ตฌ๋„ค
The boy's actions are so frustrating that the singer feels helpless and does not even try to stop him.


์น˜์‚ฌํ•ด ์ง„์งœ ๋„ˆ ์™œ ์ด๋ ‡๊ฒŒ ๋ชป ๋ผ (come on, come on, come on)
The singer is irritated with the boy, questioning what makes him so inept.


Woo ๋งํ•˜์ง€ ์•Š์•„๋„ ๋Š๊ปด์ ธ (๋Š๊ปด์ ธ)
The singer is able to sense that the boy likes her but is frustrated by his lack of communication.


๊ทธ๋Ÿฌ์ง€ ๋ง๊ณ  ๋‚  ์•ˆ์•„์ค˜
The singer is urging the boy to hold her instead of being silent.


(์—ฌ๊ธฐ์„œ ๊ทธ๋งŒ ๋‘˜) ์ž” ๋ง์€ ๋ง๊ณ  ๋‹ค์‹œ ๋Œ์•„๋ด my baby
The singer is telling the boy to stop talking and to turn around to see her, calling him affectionately my baby.


Baby, just stop, baby just stop (oh yeah)
The singer wants the boy to stop his actions and pay attention to her, expressing enthusiasm with the phrase oh yeah.


์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
The singer is now bored and frustrated with the boy's behavior, feeling annoyed towards him.


๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ
The singer is in distress because she cannot bring herself to tell the boy to stop his behavior.


์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
She is asking the boy to wait another day before continuing, offering an additional or a softer option.


๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or
The singer wants the boy to wait for just one day and is calling him babe to show affection.


์‹ซ์–ด ๊ทธ๋Ÿฐ ๋„ค ํ‘œ์ •
The singer is feeling unimpressed by the boy's expression and is put off by it.


์•„๋ฌด๋ฆฌ ์ƒ๊ฐํ•ด๋„ ์ด๊ฑด ์•„๋‹ˆ๋ž˜๋„ ๋‚œ ๋ชป ๋ฐ›์•„๋“ค์—ฌ
The singer is questioning the boy's expression, but struggling to accept the reality of the situation.


์ง€๊ธˆ์ด๋ผ๋„ rewind ์‹œ์ผœ์ค˜ ๋”๋Š” ์•ˆ ๋ฌผ์„๊ฒŒ ๋„ค ์ฑ…, ์ฑ…, ์ฑ…์ž„
The singer is asking the boy to turn back time and insisting that she wouldn't continue questioning him, emphasizing his responsibility.


๊นจ์ง„ ์œ ๋ฆฌ์ฒ˜๋Ÿผ ์•ˆ ๋ถ™๋”๋ผ๋„ ๋‚ด๊ฐ€ ๋ถ™์—ฌ๋ณผ๊ฒŒ let's get, get, get it (come on, come on, come on)
The singer is committed to putting things back together, even if it's not as perfect as it used to be, and wants to get it done quickly together with the boy.


Woo ๊ทธ๋Ÿฐ ๋งํ•˜์ง€ ๋ง์•„์ค˜
The singer urges the boy to not say those things to her, hoping for change in the way he communicates.


๊ทธ๋ƒฅ ์žฅ๋‚œ์ด์—ˆ๋‹ค ๋งํ•ด์ค˜
The singer wants to hear that what the boy said was just a joke, hoping for reassurance.


์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
She is conveying that she is bored and done with the boy and doesn't want to be around him any more.


๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ
The singer wants to tell the boy to stop, but is struggling to gather up the courage.


์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
The singer wants a break from the boy and needs some time alone, offering an alternative option.


๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or
She is asking the boy for just one day off and is calling him babe affectionately.


์ด๋ ‡๊ฒŒ ๋‚ด์ผ์ด ์ง€๋‚˜๋ฉด
The singer is reminiscing about tomorrow as if it already happened.


๋งค์ผ์ด ํž˜๋“ค ๊ฒƒ ๊ฐ™์•„
The singer is predicting that the future is going to be difficult.


์•„๋ฌด ์ง“๋„ ํ•˜์ง€๋งˆ
The singer is cautioning the boy to not do anything drastic.


์‹œ๊ฐ„์ด ๊ณ„์† ํ˜๋Ÿฌ๊ฐ„๋Œ€๋„
Time keeps passing despite what's being done, so it's better to make the most of it.


๋„Œ ๋‚ด๊ฒŒ ๋‚ด๊ฒŒ you are ma babe, yeah
The singer is expressing love and affection towards the boy, proclaiming that he is her babe.


Baby let's get it, boy don't fake it
The singer is encouraging the boy to be honest about his feelings and to make a move.


Dum muh dum muh dum
Vocalizing encouragement, rhythm to the words.


Dum muh dum muh dum
Vocalizing encouragement, rhythm to the words.


Dum muh dum muh dum dum dum
Vocalizing encouragement, rhythm to the words.


Come on, come on, come on
Encouraging the boy to make a move and come closer.


์ด์   ๋‚ด๊ฐ€ ์ง€๊ฒจ์šด๊ฑฐ๋‹ˆ ๊ทธ๋ƒฅ ์‹ซ์–ด์ง„๊ฑฐ๋‹ˆ
The singer is completely done with the boy, feeling indifferent towards him and refuses to handle his problems anymore.


๊ทธ๋งŒ๋‘์ž” ๋ง ๋ชปํ•ด ์•ˆ๋‹ฌ์ด ๋‚œ๊ฑฐ๋‹ˆ
The singer feels reluctant to tell the boy to stop because she is caught up in her emotions and unsure of the reaction he will have.


์˜ค๋Š˜๋ง๊ณ  ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด ๋‚ด์ผํ•ด or (or, or, or)
The singer wants some alone time and is putting off any possible interaction with the boy, offering another option.


๋”ฑ ํ•˜๋ฃจ๋งŒ babe, babe, babe, or, or
The singer wants one full day to herself, and is calling the boy babe to show affection.




Lyrics ยฉ Peermusic Publishing
Written by: Chang Guk Seo, Ho Yang Lee, Hyo Jin Ahn

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@OhsusuTV

WOWWWWWW Hani I love UUUUUUU

@thaolanapham1182

Ohsusu TV haha

@stacyh3666

Vรฃi lรฌn :)

@vythanh2927

Ohsusu TV Hฦก hฦก chแป‹ Bแบฏp =]]

@linhngagay1744

ร ฤ‘รน

@xuannghi6232

Chแป‹ Bแบฏp โค๏ธโค๏ธโค๏ธ

36 More Replies...

@inactiveaccount2703

i canโ€™t believe this song is now officially over 2 years old.

@Uloveeverglow

peach chaeyoung I feel old

@inactiveaccount2703

Jungcock Jeon ikr? so do i, and iโ€™m just 16!

@_sty__le7433

Girl ikr I barely found it and was shocked to see itโ€™s been two years

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