Each of the members has pursued a solo career, with Don Henley’s the most successful commercially and critically. In the ’90s, after what they considered a "14 year break", the band’s sound was frequently cited as an influence by young country stars, many of whom contributed tracks to the album Common Thread: The Songs of the Eagles (#3, 1993), which won Album of the Year at the 1994 Country Music Associations's CMA Awards. That same year, the Eagles revival culminated in the band’s reunion tour and album.
The group originally coalesced from L.A.’s country-rock community. Before producer John Boylan assembled them as Linda Ronstadt’s backup band on her album Silk Purse (1970), the four original Eagles were already experienced professionals. Bernie Leadon had played in the Dillard and Clark Expedition and the Flying Burrito Brothers; Randy Meisner, with Poco and Rick Nelson’s Stone Canyon Band. Glenn Frey had played with various Detroit rock bands (including Bob Seger’s) and Longbranch Pennywhistle (with J.D. Souther, a sometime songwriting partner), and Henley had been with a transplanted Texas group, Shiloh. After working with Ronstadt, Henley and Frey decided to form the Eagles, recruiting Leadon and Meisner.
Intending to take the country rock of the Byrds and The Flying Burrito Brothers a step further toward hard rock, the Eagles recorded their first album with producer Glyn Johns in England. Take It Easy (#12, 1972), written by Frey and Jackson Browne, went gold shortly after its release, as did their debut album of the same name. (Another single, Witchy Woman, reached #9 that year.)
Desperado was a concept album with enough of a plot line to encourage rumors of a movie version. The LP yielded no major pop hits, but its title track, Desperado, a ballad penned by Henley and Frey, has become a classic rock standard covered by Linda Ronstadt among others.
With On the Border, the Eagles changed producers, bringing in Bill Szymczyk (who worked on all subsequent albums through 1982’s Greatest Hits, vol. 2) and adding Don Felder, who had recorded with Flow in Gainesville, Florida (and who once gave guitar lessons to another Gainesville native, Tom Petty), then became a session guitarist and studio engineer in New York, Boston, and L.A.
The increased emphasis on rock attracted more listeners - mid-’70s hits included Best of My Love (#1, 1975), One of These Nights (#1, 1975), Lyin’ Eyes (#2, 1975), and Take It to the Limit (#4, 1975) - but alienated Leadon. After One of These Nights, Leadon left to form the Bernie Leadon–Michael Georgiades Band, which released Natural Progressions in 1977. (Leadon went on to become a Nashville session musician, and in the ’90s formed Run-C&W, a jokester group who played a blend of country and R&B.)
Leadon was replaced by Joe Walsh, who had established himself with the James Gang and as a solo artist. His Eagles debut, Hotel California, was their third consecutive #1 album (the second was their record-breaking 1976 greatest-hits compilation). New Kid in Town (#1, 1976), the title cut Hotel California (#1, 1977), and Life in the Fast Lane (#11, 1977) spurred sales of more than 15 million copies worldwide.
Meisner left in 1977, replaced by Timothy B. Schmit, who had similarly replaced him in Poco. Meisner has released two solo albums, Randy Meisner (1978) and One More Song (1980). (In 1981, he toured with the Silveradoes; later, in 1990, Meisner reemerged in the group Black Tie, alongside Billy Swan and Bread’s James Griffin.) Henley and Frey sang backup on One More Song, and in the late ’70s they also appeared on albums by Bob Seger and Randy Newman. In 1981 Henley duetted with Fleetwood Mac's Stevie Nicks on the #6 single Leather and Lace.
Between outside projects and legal entanglements, it took the Eagles two years and $1 million to make the multiplatinum LP The Long Run, their last album of all-new material. Parting hit singles included Heartache Tonight (#1, 1979), The Long Run (#8, 1980), and I Can’t Tell You Why (#8, 1980).
Walsh continued to release solo albums, though his biggest single to date has been 1978’s cheeky Life’s Been Good (#12). Felder and Schmit also put out their own albums and contributed songs to film soundtracks. Schmit’s second LP, Timothy B, included Boys Night Out (#25, 1987).
In 1982 Don Henley and Glenn Frey both embarked on solo careers. Frey charted with The One You Love (#15, 1982) and Sexy Girl (#20, 1984) before a movie proved his ticket into the Top 10: The Heat Is On, featured in Beverly Hills Cop, shot to #2 in 1985.
Frey followed this success by becoming an actor, making a guest appearance as a drug dealer on the popular TV series Miami Vice. The episode was based on a track from his album The Allnighter, Smuggler’s Blues, which consequently reached #12 (1985). Later in 1985, Frey’s You Belong to the City hit #2. While still dabbling in acting with roles in the short-lived TV series South of Sunset, the movie Jerry Maguire, and a guest spot on the Don Johnson post–Miami Vice series Nash Bridges in the ’90s, Frey also cofounded a music label, Mission Records, in 1997.
Ultimately, though, Henley was the ex-Eagle who garnered the greatest chart success, and the most critical acclaim as well. His Dirty Laundry (from his first solo effort, I Can’t Stand Still) made it to #3, but the 1985 album Building the Perfect Beast was to be his true arrival as solo hitmaker and respected singer/songwriter. The kickoff single, The Boys of Summer, went to #5 - supported by an evocative black-and-white video that fast became an MTV favourite - and earned Henley a Grammy for Best Rock Vocal Performance, Male; the hits All She Wants to Do Is Dance (#9, 1985) and Sunset Grill (#22, 1985) followed. A third album, The End of the Innocence, produced a #8 title track, End of the Innocence, and the additional singles The Last Worthless Evening and The Heart of the Matter, which both hit #21. The LP won Henley another Grammy, in the same category as before.
In the early ’90s, Henley sought release from his Geffen Records contract, initiating a long and bitter legal dispute. After participating in the release of a solo best-of album in 1995, Henley was freed from his contract. Five years later, he released a studio album of all-new material, Inside Job (coproduced by former Tom Petty and the Heartbreakers drummer Stan Lynch), and embarked on a solo tour to support it. Henley had married for the first time in May 1995 and had three children before releasing Inside Job. This life-altering change for the longtime bachelour resulted in a new theme in his songwriting; several of Inside Job’s tracks were clearly about marriage and family, including the gentle ballad Taking You Home (#58 pop, #1 Adult Contemporary, 2000). Much of the rest of the album, however, still explored Henley’s cynicism toward the business world and the media.
In 1990 Henley founded the Walden Woods Project, dedicated to preserving historic lands around Walden Pond in Concord, Massachusetts (where Henry David Thoreau and others reflected and wrote), from corporate development. Among the singer’s various fund-raising means were holding charity concerts, featuring other top rock artists, and donating proceeds from some of his own recordings, including a reggae version of the Guys and Dolls standard “Sit Down You’re Rocking the Boat” (1993). In 1993 the Walden Woods Project got a big boost from Common Thread: The Songs of the Eagles, coorganised by Henley and featuring Clint Black, Trisha Yearwood, Travis Tritt, and others.
In 1994, after years of fielding off reunion rumours, Henley, Frey, Walsh, Felder, and Schmit - who had appeared together in the video for Tritt’s version of Take It Easy - hit the road for a massively successful tour, the third-highest grossing concert tour of that year. The tour went on hiatus toward the end of 1994, due to Frey’s gastrointestinal surgery, but it continued in 1995. In November 1994, the band released Hell Freezes Over, which featured four new songs, including the singles Get Over It (#31, 1994), Love Will Keep Us Alive (#1 Adult Contemporary, 1994), Learn to Be Still (#15 Adult Contemporary, 1995), and 11 of the old hits culled from the band’s 1994 live appearance on MTV. Within months the reunion LP had sold more than 10 million copies and gone to #1 on the pop album chart.
In 1998 the Eagles were inducted into the Rock and Roll Hall of Fame. All seven members of the band performed together for the first time at the induction ceremony. The core members of the group - the ones who had recorded and toured together in the mid-’90s - reunited again for a few concerts at the end of 1999, including a New Year’s Eve show in L.A. A four-CD retrospective set, Eagles 1972–1999: Selected Works (#109, 2000), was released in November 2000.
Don Felder was fired from the band in 2000, leaving Glenn Frey, Don Henley, Joe Walsh and Timothy B. Schmit as the remaining members of the band.
In 2007 they released a double album Long Road out of Eden, logically followed by a world tour, which was, regardless of people's opinion on the new album, a guaranteed sold-out event. The base line-up on this album is Glenn Frey, Don Henley, Joe Walsh and Timothy B. Schmit. Also performing on the studio recording are Steuart Smith (guitar, keyboard, mandolin), Scott Crago (percussion) and Will Hollis (keyboard).
On January 18, 2016, it was announced that Glenn Frey had died at the age of 67 in New York City from complications arising from rheumatoid arthritis, colitis and pneumonia.
I Can't Tell You Why
Eagles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Tearing our love apart
Aren't we the same two people who live
Through years in the dark?
Ahh
Every time I try to walk away
Something makes me turn around and stay
And I can't tell you why
When we get crazy
It just ain't to right (try to keep you head little girl)
Girl I get lonely too
You don't have to worry
Just hold on tight (don't get caught in your little world)
Cause I love you
Nothing's wrong as far as I can see
We make it harder than it has to be
And I can't tell you why
No, baby, I can't tell you why
I can't tell you why
Every time I try to walk away
Something makes me turn around and stay
And I can't tell you why
No, no, baby, I can't tell you why
I can't tell you why
I can't tell you why
The lyrics to "I Can't Tell You Why" by the Eagles explore the complexities of a troubled relationship. The song is addressed to a lover, and the singer admits that they are both at fault for the turmoil in their relationship. The first verse sets the scene, describing the lovers as being up all night, tearing their love apart. Despite being together for years and going through tough times, they can't seem to communicate with each other effectively.
The chorus begins with a confession that the singer can't explain why they keep coming back to the relationship, even though it often causes pain. It's suggested that it might be because they're both afraid of being alone. The second verse reinforces this idea, with the singer acknowledging that they both get "crazy" and make things harder than they need to be.
Overall, the song conveys a sense of frustration and confusion, as the singer struggles to come to terms with their feelings for their lover. The repeated line "I can't tell you why" emphasizes the inability to understand or explain their emotions, which adds to the melancholic and reflective tone of the song.
Line by Line Meaning
Look at us baby, up all night
Despite spending countless sleepless nights fighting and arguing, we're unable to resolve the issues in our relationship.
Tearing our love apart
Our constant disagreements and conflicts are damaging the love we once had for each other.
Aren't we the same two people who live through years in the dark?
Haven't we gone through tough times and overcome obstacles in the past to sustain our relationship?
Every time I try to walk away, something makes me turn around and stay
Despite my best efforts to leave this tumultuous relationship, I find myself inexplicably drawn back to it.
And I can't tell you why
I'm unable to explain why I keep coming back to this relationship, even though it's not healthy for either of us.
When we get crazy, it just ain't right (try to keep your head little girl)
When our emotions get the best of us and we start acting irrationally, we need to try to maintain a clear head and not make impulsive decisions.
Girl I get lonely too, you don't have to worry
I also feel lonely and crave affection and attention, but you don't need to worry about me leaving because of that.
Just hold on tight (don't get caught in your little world) cause I love you
Don't shut me out and become too focused on your own concerns, because I still care about you and want us to work things out.
Nothing's wrong as far as I can see
As far as I can discern, we don't have any major issues in our relationship that can't be fixed.
We make it harder than it has to be
Instead of working together to address our problems, we're needlessly making things more difficult and complicated for ourselves.
No, baby, I can't tell you why
I still can't explain why I'm unable to let go of this relationship and move on, even though it's not good for us.
I can't tell you why
I wish I had a better answer or explanation for why I stay in this relationship, but I don't.
Lyrics © EB MUSIC SERVICES, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: DON HENLEY, TIMOTHY B. SCHMIT, GLENN LEWIS FREY
Lyrics Licensed & Provided by LyricFind
@me.geraldave
My papa just died last week and was buried today. The only video we have where we can hear his voice is of him singing this song. I'm glad my godfather was able to upload it. We will always love you, Ping. ❤☝🏽
@louisenesselaar606
Oh you lost your dad. My condolences. That's so sad. The eagles must be extra precious for you. ❤
@sharonsimpson1461
My condolences for your loss.
@tiffanycardiel1067
Condolences
@pierafantasia
Condolences dear, though I'm far from you I am close to you with my heart also through this song 💞
@lizbethk540
Sorry for the loss of your father. Many blessings coming your way ❤
@lisagiles
Beautiful voice!!!! Who’s here in 2024…
@beebold4379
Bc 🇨🇦🇨🇦🇨🇦 I love this song
@HeyLove2020
loving this song since the 80's ❤❤❤❤
@YvonneMace
Love this song