Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (28 December 1… Read Full Bio ↴Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (28 December 1903 – 22 April 1983) was a jazz musician, often referred to as "the first modern jazz pianist".

In 1928 (on his 25th birthday) Hines began leading his own big band. For over 10 years his was "The Band" in Al Capone's Grand Terrace Cafe — Hines was Capone's "Mr Piano Man". Hines recorded for Victor in 1929, then after a gap for Brunswick from 1932-1934, Decca from 1934-1935, then after another gap, Vocalion from 1937-1938 and Bluebird from 1939-1942 (nearly all among the best Black Jazz of the era). From the Grand Terrace, The Earl Hines Orchestra (or "Organization" as he more happily referred to it) broadcast on "open mikes", sometimes five nights a week and over many years, coast to coast across America — Chicago being well placed to deal with the U.S. live-broadcasting time-zone problem. Hines's band became the most broadcast band in America. Sometimes Nat "King" Cole was Hines's relief pianist (though Cliff Smalls was his favorite) and it was here with Hines that Charlie Parker got his first professional job...until he was fired for his time-keeping — by which Hines meant Parker's inability to show up on time despite Parker resorting to sleeping under the Grand Terrace stage in his attempts to do so. Hines led his big band until 1947, taking time out to front the Duke Ellington orchestra in 1944 while Duke was ill...but the big-band era was over. (Thirty years later, Hines's 20 solo "transformative versions" of his "Earl Hines Plays Duke Ellington" recorded in the 1970s were described by Ben Ratliff in the "New York Times" as "as good an example of the jazz process as anything out there".)

At the start of 1949 Hines rejoined Armstrong in the latter's "All Stars" "small band", where Hines stayed through 1951. He then led his own small combo around the States and Europe. At the start of the jazz-lean 1960s he settled in Oakland, California, opened a tobacconist's, and came close to giving up the profession. Then, in 1964 Hines was "suddenly rediscovered" following a series of concerts in New York. He was the 1965 "Critics' Choice" for Down Beat Magazine's "Hall of Fame". From then till he died he recorded endlessly both solo and with jazz notables like Cat Anderson, Buck Clayton, Roy Eldridge, Ella Fitzgerald, Paul Gonsalves, Sonny Greer, Lionel Hampton, Coleman Hawkins, Johnny Hodges, Budd Johnson, Jimmy Rushing, Stuff Smith, Sarah Vaughan, Joe Venuti and Ben Webster. Possibly more surprising were Elvin Jones, Peggy Lee, Charles Mingus, Dinah Washington — and Ry Cooder. But his most acclaimed recordings of this period were his dazzling and endlessly inventive solo performances, which could show him at his very best, "a whole orchestra by himself".[12] Solo tributes to Louis Armstrong, Hoagy Carmichael, Duke Ellington, Cole Porter, and George Gershwin were all put on record in the 1970s. Hines also toured Europe again regularly at this time, and added Asia, Australia and the Soviet Union to his list of State Department–funded destinations. At the top of his form, Hines also displayed his endearing quirks (not to say grunts) in these performances. Sometimes he sang as he played, especially his own "They Never Believed I Could Do It - Neither Did I". In 1975 he made an hour-long "solo" film for British TV out-of-hours in a Washington nightclub: the "New York Herald Tribune" described it as "The greatest jazz-film ever made". He played solo in The White House and played solo for the Pope — and played (and sang) his last job a few days before he died in Oakland, quite likely somewhat older than he had always maintained.

Don
Earl Hines Lyrics

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Missed the Saturday dance
Heard they crowded the floor
Couldn't bear it without you
Don't get around much anymore

Though I'd visit the club
Got as far as the door
They'd have asked me about you

Don't get around much anymore

Darling, I guess my mind's more at ease
But nevertheless why stir up memories?

Been invited on dates
Might have gone but what for?

Awf'lly diff'rent without you
Don't get around much anymore

Overall Meaning

Earl Hines's song Don't Get Around Much Anymore portrays a sense of loneliness and isolation from the world that the singer once knew. The lyrics suggest that the singer is avoiding social outings and dance gatherings because they are reminded of a past relationship that has ended. The singer missed the Saturday dance because they heard that it was crowded and couldn't bear to attend without their former partner. Whenever they consider visiting a club or going out on a date, they hesitate because of the inevitable questions asked about the person who is no longer in their life.

The lyrics convey the idea that the singer is trying to move on from the past but is still struggling with the memories and reminders of the relationship. They have been invited on dates, but they question the point of going if it is going to be different without their former partner. The song expresses a sense of defeat and resignation. The use of "Darling" in the beginning and the question "why stir up memories" indicates that the singer is speaking directly to their former partner, but only in their mind. The feeling of nostalgia is palpable throughout the song as the singer realizes that they truly don't get around much anymore.

Line by Line Meaning

Missed the Saturday dance
I did not attend the dance on Saturday

Heard they crowded the floor
I was informed that many people were dancing

Couldn't bear it without you
I could not handle being there alone without you

Don't get around much anymore
I do not go out as much as I used to

Though I'd visit the club
I had considered going to the club

Got as far as the door
I only made it to the entrance

They'd have asked me about you
I knew they would inquire about you

Darling, I guess my mind's more at ease
I feel more content now, my love

But nevertheless why stir up memories?
However, why bring up old memories?

Been invited on dates
I have received invitations to go on dates

Might have gone but what for?
I may have considered going, but what would be the point?