Born in tiny North, South Carolina to Mamie Kitt, who was of Cherokee and African-American descent, and an American father (surname Kitt) of German and Dutch descent, she was raised by her maternal aunt Anna Mae Riley, whom she believed was her mother up until after Riley's death, when she was sent to live in New York City with her real mother.
Kitt began her career as a member of the Katherine Dunham Company and made her film debut with them in Casbah (1948). A talented singer with a distinctive voice, her hits include Let's Do It, C'est Si Bon (It's So Good), Just an Old Fashioned Girl, Monotonous, Love for Sale, I'd Rather Be Burned as a Witch, Uska Dara, Mink, Schmink, Under the Bridges of Paris, and arguably her most recognizable hit, the sexily sung Christmas song Santa Baby. She sang quite a few songs in French, a language she picked up during her years performing in Europe, but she never lost her American accent, which made her French songs sound rather amusing to native French speakers. She dabbled in other languages as well, which she demonstrated in many of the live recordings of her cabaret performances.
In 1950, Orson Welles gave her her first starring role, as Helen of Troy in his staging of Dr. Faustus. A few years later, she was cast in the revue New Faces of 1952, introducing "Monotonous", "C'est Si Bon" and "Santa Baby", three songs with which she continues to be identified. During her run, 20th Century Fox filmed a version of the play. Welles and Kitt allegedly had a torrid affair during her run in Shinbone Alley, which earned her the nickname by Welles as "the most exciting woman in the world". In 1958, Kitt made her feature film debut opposite Sidney Poitier in The Mark of the Hawk. Throughout the rest of the 1950s and early 1960s, Kitt would work on and off in film, television and on nightclub stages. In the late 1960s television series Batman, she played Catwoman after Julie Newmar left the role. This was the role for which she would best be remembered, owing to her purring feline drawl.
In 1968, however, Kitt encountered a substantial professional setback after she made anti-war statements during a White House luncheon that reportedly made First Lady Lady Bird Johnson weep uncontrollably. Professionally exiled from the U.S., she devoted her energies to overseas performances before returning to New York in a triumphant turn in the Broadway spectacle Timbuktu! (a version of the perennial Kismet set in Africa) in 1978. In the musical, one song gives a 'recipe' for mahoun, a preparation of cannabis, in which her sultry purring rendition of the refrain "constantly stirring with a long wooden spoon" was distinctive.
In 1984, she returned to hit music with a dance song, Where Is My Man; the first certified Gold record of her career. Kitt found new audiences in nightclubs across the country, including a whole new generation of gay male fans, and she responded by frequently giving benefit performances in support of HIV/AIDS organizations.
In 2000, Kitt again returned to Broadway in the short but notable run of the revival of the 1920s-themed, The Wild Party, opposite Mandy Patinkin and Toni Collette. In 2003, she replaced Chita Rivera in Nine. In recent years she had also appeared as the Wicked Witch in the North American national touring company of The Wizard of Oz.
One of her more unusual roles was as Kaa the python in a 1994 BBC Radio adaptation of The Jungle Book. Kitt lent her distinctive voice to the role of Yzma in Disney's The Emperor's New Groove and also did other voiceover work such as the voice of Queen Vexus on the animated TV series My Life as a Teenage Robot. She continued her role as Yzma on the spin-off TV series of The Emperor's New Groove, The Emperor's New School.
In recent years, Kitt's annual appearances in New York made her a fixture of the Manhattan cabaret scene. She took the stage at venues such as the Ballroom and, more recently, the Café Carlyle to explore and define her highly stylized image, alternating between signature songs (such as "Old Fashioned Millionaire"), which emphasized a witty, mercenary world-weariness, and less familiar repertoire, much of which she performed with an unexpected ferocity and bite that presented her as a survivor with a seemingly bottomless reservoir of resilience - her version of Here's to Life, frequently used as a closing number, was a sterling example of the latter. This side of her later performances is reflected in at least one of her recordings, Thinking Jazz, which preserves a series of performances with a small jazz combo that took place in the early 1990s in Germany, and which includes both standards (Smoke Gets in Your Eyes) and numbers (such as Something May Go Wrong) that seem more specifically tailored to her talents; one version of the CD includes as bonus performances a fierce, angry Yesterdays and a live take of "C'est Si Bon" that good-humoredly satirizes her sex-kitten persona.
Personal life
Kitt was married to John William McDonald, an associate of a real-estate investment company, from 1960 to 1965. They had one child, a daughter, Kitt (b. 1962, married Charles Lawrence Shapiro); and two grandchildren, Jason and Rachel Shapiro.
Eartha Kitt died of colon cancer on Christmas Day, December 25, 2008.
In the Still of the Night
Eartha Kitt Lyrics
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As I gaze out of my window
At the moon in it's flight
My thoughts all stray, stray to you
In the still of the night
While the world lies in slumber
Oh the times without number
Do you love me
Just like I love you
Are you my life to be
That dream come true
Or will this dream of mine
Will it fade way out of sight
Just like that moon growing dim
Way out on the rim of the hill
In the still of the night
Eartha Kitt's "In The Still of the Night" is a love song that expresses deep feelings of yearning and longing. As the singer gazes out of her window at the moon in flight, her thoughts stray to her lover. She questions the depth of her love for him by asking if he loves her as deeply as she does. She wonders if he is the one who will make her dream come true, or if it will fade away like the moon growing dim on the rim of the hill.
The lyrics tell a story of someone who longs for love and connection, but is unsure if it will ever come. The stillness of the night and the beauty of the moon provide a backdrop for the singer to express her innermost thoughts and feelings. The intimate nature of the song invites the listener to connect with the singer on a personal level and to feel the depth of her emotions.
Overall, "In the Still of the Night" is a song that speaks to the universal desire for love and connection. It reminds us of the beauty that can be found in moments of quiet reflection and the power of the human heart to yearn, love and hope.
Line by Line Meaning
In the still of the night
During the silent hours of the night
As I gaze out of my window
While staring through my windowpane
At the moon in its flight
Watching the moon moving across the sky
My thoughts all stray, stray to you
My mind wanders and drifts towards thoughts of you
While the world lies in slumber
When everyone else is sleeping
Oh the times without number
Countless occasions
When I say to you
When I speak to you
Do you love me
Do you have affection for me
Just like I love you
In the same manner as I care for you
Are you my life to be
Are you the one that I will spend my life with
That dream come true
The wish or desire that has become reality
Or will this dream of mine
Alternatively, will this aspiration of mine
Will it fade way out of sight
Gradually disappear from view
Just like that moon growing dim
Similar to how the moon fades out of view
Way out on the rim of the hill
On the far edge of the horizon
In the still of the night
During those quiet night hours
Lyrics © Kanjian Music, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Songtrust Ave, Kobalt Music Publishing Ltd., Cloud9, Warner Chappell Music, Inc.
Written by: Cole Porter
Lyrics Licensed & Provided by LyricFind