Born in tiny North, South Carolina to Mamie Kitt, who was of Cherokee and African-American descent, and an American father (surname Kitt) of German and Dutch descent, she was raised by her maternal aunt Anna Mae Riley, whom she believed was her mother up until after Riley's death, when she was sent to live in New York City with her real mother.
Kitt began her career as a member of the Katherine Dunham Company and made her film debut with them in Casbah (1948). A talented singer with a distinctive voice, her hits include Let's Do It, C'est Si Bon (It's So Good), Just an Old Fashioned Girl, Monotonous, Love for Sale, I'd Rather Be Burned as a Witch, Uska Dara, Mink, Schmink, Under the Bridges of Paris, and arguably her most recognizable hit, the sexily sung Christmas song Santa Baby. She sang quite a few songs in French, a language she picked up during her years performing in Europe, but she never lost her American accent, which made her French songs sound rather amusing to native French speakers. She dabbled in other languages as well, which she demonstrated in many of the live recordings of her cabaret performances.
In 1950, Orson Welles gave her her first starring role, as Helen of Troy in his staging of Dr. Faustus. A few years later, she was cast in the revue New Faces of 1952, introducing "Monotonous", "C'est Si Bon" and "Santa Baby", three songs with which she continues to be identified. During her run, 20th Century Fox filmed a version of the play. Welles and Kitt allegedly had a torrid affair during her run in Shinbone Alley, which earned her the nickname by Welles as "the most exciting woman in the world". In 1958, Kitt made her feature film debut opposite Sidney Poitier in The Mark of the Hawk. Throughout the rest of the 1950s and early 1960s, Kitt would work on and off in film, television and on nightclub stages. In the late 1960s television series Batman, she played Catwoman after Julie Newmar left the role. This was the role for which she would best be remembered, owing to her purring feline drawl.
In 1968, however, Kitt encountered a substantial professional setback after she made anti-war statements during a White House luncheon that reportedly made First Lady Lady Bird Johnson weep uncontrollably. Professionally exiled from the U.S., she devoted her energies to overseas performances before returning to New York in a triumphant turn in the Broadway spectacle Timbuktu! (a version of the perennial Kismet set in Africa) in 1978. In the musical, one song gives a 'recipe' for mahoun, a preparation of cannabis, in which her sultry purring rendition of the refrain "constantly stirring with a long wooden spoon" was distinctive.
In 1984, she returned to hit music with a dance song, Where Is My Man; the first certified Gold record of her career. Kitt found new audiences in nightclubs across the country, including a whole new generation of gay male fans, and she responded by frequently giving benefit performances in support of HIV/AIDS organizations.
In 2000, Kitt again returned to Broadway in the short but notable run of the revival of the 1920s-themed, The Wild Party, opposite Mandy Patinkin and Toni Collette. In 2003, she replaced Chita Rivera in Nine. In recent years she had also appeared as the Wicked Witch in the North American national touring company of The Wizard of Oz.
One of her more unusual roles was as Kaa the python in a 1994 BBC Radio adaptation of The Jungle Book. Kitt lent her distinctive voice to the role of Yzma in Disney's The Emperor's New Groove and also did other voiceover work such as the voice of Queen Vexus on the animated TV series My Life as a Teenage Robot. She continued her role as Yzma on the spin-off TV series of The Emperor's New Groove, The Emperor's New School.
In recent years, Kitt's annual appearances in New York made her a fixture of the Manhattan cabaret scene. She took the stage at venues such as the Ballroom and, more recently, the Café Carlyle to explore and define her highly stylized image, alternating between signature songs (such as "Old Fashioned Millionaire"), which emphasized a witty, mercenary world-weariness, and less familiar repertoire, much of which she performed with an unexpected ferocity and bite that presented her as a survivor with a seemingly bottomless reservoir of resilience - her version of Here's to Life, frequently used as a closing number, was a sterling example of the latter. This side of her later performances is reflected in at least one of her recordings, Thinking Jazz, which preserves a series of performances with a small jazz combo that took place in the early 1990s in Germany, and which includes both standards (Smoke Gets in Your Eyes) and numbers (such as Something May Go Wrong) that seem more specifically tailored to her talents; one version of the CD includes as bonus performances a fierce, angry Yesterdays and a live take of "C'est Si Bon" that good-humoredly satirizes her sex-kitten persona.
Personal life
Kitt was married to John William McDonald, an associate of a real-estate investment company, from 1960 to 1965. They had one child, a daughter, Kitt (b. 1962, married Charles Lawrence Shapiro); and two grandchildren, Jason and Rachel Shapiro.
Eartha Kitt died of colon cancer on Christmas Day, December 25, 2008.
My Funny Valentine
Eartha Kitt Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You make me smile with my heart
Your looks are laughable, un-photographable
Yet, you're my favorite work of art
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
But, don't change a hair for me
Not if you care for me
Stay little valentine, stay
Each day is Valentine's Day
Is your figure less than Greek?
Is your mouth a little weak?
When you open it to speak
Are you smart?
But, don't change a hair for me
Not if you care for me
Stay little valentine, stay
Each day is Valentine's Day
The lyrics of Eartha Kitt's "My Funny Valentine" show deep admiration for someone who is not conventionally attractive. The song starts with the lyrical comparison of the subject of the song to a comedic valentine, someone who brings joy and laughter but may not have typical good looks. Despite not fitting into society's standards of beauty, the subject of the song is still a favorite work of art to the singer. The second stanza questions if the person's physical appearance is "less than Greek" or if they appear weak. However, the singer doesn't want them to change anything about their appearance if they care for her. The song concludes with the idea that each day should be treated like Valentine's Day, a day dedicated to celebrating love.
Line by Line Meaning
My funny valentine, sweet comic valentine
You are my amusing and comforting Valentine, bringing me laughter and joy
You make me smile with my heart
You bring me true happiness that fills my heart
Your looks are laughable, un-photographable
Your appearance cannot be defined by conventional beauty standards, but it does not diminish my love for you
Yet, you're my favorite work of art
To me, you are the most beautiful and captivating masterpiece
Is your figure less than Greek?
Are you not conforming to society's ideal body type and shape?
Is your mouth a little weak?
Do you have difficulty expressing yourself?
When you open it to speak
When you express yourself verbally to me
Are you smart?
Do you possess intelligence and wit?
But, don't change a hair for me
I love you just the way you are
Not if you care for me
If you truly love me, you won't change anything about yourself to please me
Stay little valentine, stay
Don't grow or change, remain my beloved valentine forever
Each day is Valentine's Day
Every day with you is special and filled with love and romance
Lyrics © Warner/Chappell Music, Inc., CONCORD MUSIC PUBLISHING LLC
Written by: Lorenz Hart, Richard Rodgers
Lyrics Licensed & Provided by LyricFind
Animalkisser
The most sensual cover!
Dimitris 004 & daughter - Plus channel
+Animalkisser ..She signed it for...all !
Animalkisser
I see she signed it for you...
Dimitris 004 & daughter - Plus channel
+Animalkisser ...Thanks a Million !