Arnold was born on May 15, 1918 on a farm near Henderson, Tennessee. His father, a sharecropper, played the fiddle, while his mother played guitar. As a boy Arnold helped on the farm, which later gained him his nickname—the Tennessee Plowboy. Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events. He quit before graduation to help with the farm work, but continued performing, often arriving on a mule with his guitar hung on his back. Arnold also worked part-time as an assistant at a mortuary.
In 1934, at age 16, Arnold debuted musically on WTJS-AM in Jackson, Tennessee and obtained a job there during 1937. He performed at local nightclubs and was a permanent performer for the station. During 1938, he was hired by WMPS-AM in Memphis, Tennessee, where he was one of its most popular performers. He soon quit for KWK-AM in St. Louis, Missouri, followed by a brief stint at WHAS-AM in Louisville, Kentucky.
He performed for WSM-AM on the Grand Ole Opry during 1943 as a solo artist. In 1944, Arnold signed a contract with RCA Victor, with manager Colonel Tom Parker, who later managed Elvis Presley. Arnold's first single was little noticed, but the next, "Each Minute Seems a Million Years", scored No. 5 on the country charts during 1945. Its success began a decade of unprecedented chart performance; Arnold's next 57 singles all scored the Top Ten, including 19 number one scoring successes.
In 1946, Arnold scored his first major success with "That's How Much I Love You". In 1948, he had five successful songs on the charts simultaneously. That year he had nine songs score the top 10; five of these scored No. 1 and scored No. 1 for 40 of the year's 52 weeks. With Parker's management, Arnold continued to dominate, with 13 of the 20 best-scoring country music songs of 1947–1948. He became the host of Mutual Radio's Purina-sponsored segment of the Opry and of Mutual’s Checkerboard Jamboree, a midday program shared with Ernest Tubb that was broadcast from a Nashville theater. Recorded radio programs increased Arnold’s popularity, as did the CBS Radio series Hometown Reunion with the Duke of Paducah. Arnold quit the Opry during 1948, and his Hometown Reunion briefly broadcasted in competition with the Opry on Saturday nights. In 1949 and 1950, he performed in the Columbia movies Feudin’ Rhythm and Hoedown.
Arnold began working for television in the early 1950s, hosting The Eddy Arnold Show. The summer program was broadcast successively by all three television networks, replacing the Perry Como and Dinah Shore programs. He also performed as a guest and a guest host on the ABC-TV show Ozark Jubilee from 1955–60. Arnold featured in the syndicated Eddy Arnold Time from 1955 to 1957. From 1960 to 1961, he hosted NBC-TV's Today on the Farm.
With the rise of rock and roll in the 1950s, Arnold's record sales declined, though he and fellow RCA Victor recording artist Jim Reeves had a greater audience with popular-sounding string-laced arrangements. Arnold annoyed many people of the country music establishment by recording with the Hugo Winterhalter Orchestra at RCA's studios in New York. The pop-oriented arrangements of "The Cattle Call" and "The Richest Man (in the World)", however, helped to expand his appeal beyond its country music base. This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound". During 1953, Arnold and Tom Parker had a dispute, and Arnold dismissed him. From 1954 to 1963, Arnold's performances were managed by Joe Csida; during 1964 Csida was replaced by Jerry Purcell.
Arnold embarked on a second career that brought his music to a more diverse audience. In the summer of 1965, he had his first Number One country song in ten years, What's He Doing in My World and struck gold again six months later with the song that would become his most well-known Make the World Go Away accompanied by pianist Floyd Cramer on piano and featuring the Anita Kerr Singers. As a result, Arnold's rendition became an international success.
Bill Walker's orchestra arrangements provided the lush background for 16 continuous successes sung by Arnold in the late 1960s. Arnold performed with symphony orchestras in New York City, Las Vegas and Hollywood. He performed in Carnegie Hall for two concerts, and in the Coconut Grove in Las Vegas.[9] During 1966, Arnold was inducted into the Country Music Hall of Fame, the youngest performer to receive the honor. The following year Arnold was voted the first-ever awarded Country Music Association's Entertainer Of The Year. Two years later, Arnold released an autobiography named It's A Long Way From Chester County.
Having been with RCA Victor since his debut during 1944, Arnold left the company in 1973 for MGM Records, for which he recorded four albums, which included several top 40 successes. He returned to RCA in 1976.
During the 1980s, Arnold declared himself semi-retired; however, he continued recording. In 1984, the Academy of Country Music awarded Arnold its Pioneer Award. His next album, You Don't Miss A Thing wasn't released until 1991. Arnold performed road tours for several more years. By 1992, he had sold nearly 85 million records, and had a total of 145 weeks of No. 1 songs, more than any other singer.
In 1996, RCA issued an album of Arnold's main successes since 1944 as part of its 'Essential' series. Arnold, then 76 years old, retired from active singing, though he still performed occasionally. On May 16, 1999, the day after his 81st birthday, he announced his final retirement during a concert at the Hotel Orleans in Las Vegas. That same year, the National Academy of Recording Arts and Sciences inducted the recording of "Make The World Go Away" into the Grammy Hall of Fame. In 2000, he was awarded the National Medal of Arts. In 2005, Arnold received a lifetime achievement award from the Recording Academy, and later that year, released a final album for RCA entitled After All These Years.
Eddy Arnold died from natural causes at 5:00 a.m. Central Time on May 8, 2008 in a nursing home in Nashville, exactly one week before his 90th birthday. His wife of 66 years, Sally Gayhart Arnold, had preceded him in death by two months. They were survived by two children (Richard E. Arnold, Jr., and JoAnn Arnold Pollard), two grandchildren (K. Michelle Pollard and R. Shannon Pollard, Jr.), and four great-grandchildren (Katie E. Pollard, Sophie Pollard, Rowan Pollard and Ben Johns).
On May 31, 2008, RCA released "To Life", as a single from the album After All These Years. It debuted at No. 49 on the Hot Country Songs charts, Arnold's first entry in 25 years and the recording by the oldest person to chart in Billboard magazine. It set the record for the longest span between a first chart single and a last: 62 years and 11 months ("Each Minute Seems Like a Million Years" debuted on June 30, 1945), and extended Arnold's career chart history to seven decades.
Jim I Wore a Tie Today
Eddy Arnold Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Jim uh huh, Jim uh huh, Jim)
Jim, I did everything that I could
But your fever just wouldn't die down
So I tied your horse to the wagon bed
And last night I brought you to town.
But when I got there you were gone Jim
And there was nothin' nobody could do
I bought you a suit and a tie Jim
And today I wore one too.
Jim I wore a tie today
The first one that I ever wore
And you'd have said I looked like a dummy
Out of a dry goods store.
Jim they said a lot of things
But I don't know a thing they said
My mind kept wanderin' off down the trail
Back to the times that we've had.
(Wind her through sun and the rain)
And for gold on the cuff
We've done everything in the book I guess
And a lot they'd never thought up.
Well Jim, you're ridin' on ahead
I guess that's how it has be
But when you reach those streets paved with gold Jim
Stake a claim out for me...
The melancholic yet sentimental song Jim I Wore a Tie Today by Eddy Arnold tells the story of a man named Jim who has passed away. The singer shares her struggles of trying to cure Jim's fever, but ultimately failing to save him. Despite her efforts, Jim passed away, and the singer was left to grieve. She bought Jim a suit and tie for his funeral and even wore a tie herself for the occasion. The experience of dressing up for Jim made her realize the changes in her life and how much she missed Jim. She remembers the good times they had together, from braving through various weather conditions to discovering and enjoying new things together.
The lyrics of the song aren't particularly complicated, but the emotions they portray are powerful. Through the song, the audience can feel the sense of loss, longing, and sadness that the singer is feeling. She's trying to come to terms with the sudden and unexpected loss of Jim, and it's a heart-wrenching realization. The tie is symbolic of the changes in her life and how she'll have to learn how to exist without her friend.
In conclusion, Jim I Wore a Tie Today is a touching and emotional tribute to a friend who has passed away. The song is a reminder that life can change within a moment and that appreciating the friends we have is vital.
Line by Line Meaning
Jim, I did everything that I could
Jim, I tried my best to help you get better
But your fever just wouldn't die down
But your condition did not improve
So I tied your horse to the wagon bed
So I secured your horse to the wagon's cargo area
And last night I brought you to town.
And last night I brought you to the city.
But when I got there you were gone Jim
But when I arrived, you were no longer there.
And there was nothin' nobody could do
And there was nothing anyone could do about it.
I bought you a suit and a tie Jim
I bought you a suit and a tie, Jim
And today I wore one too.
And today I wore a tie too.
Jim I wore a tie today
Jim, I wore a tie today
The first one that I ever wore
The first tie that I ever wore.
And you'd have said I looked like a dummy
You would have said I looked foolish.
Out of a dry goods store.
Like I bought it at a store that sells fabric and sewing supplies.
Jim they said a lot of things
Jim, they told me many things
But I don't know a thing they said
But I don't remember a thing they said
My mind kept wanderin' off down the trail
My mind kept going back to the past
Back to the times that we've had.
Back to the good times that we shared.
And for gold on the cuff
And for gold on the cuff.
We've done everything in the book I guess
We've done everything under the sun, I suppose.
And a lot they'd never thought up.
And many things that they never thought of.
Well Jim, you're ridin' on ahead
Well, Jim, you're continuing your journey ahead.
I guess that's how it has be
I suppose that's the way it is.
But when you reach those streets paved with gold Jim
But when you reach heaven, Jim
Stake a claim out for me...
Save a spot for me.
Contributed by Gabriella V. Suggest a correction in the comments below.